Re: Fingering Markup Override
Ah,
I see the solution. I can stack the markups after the close chord bracket
for chords like this:
a c'4^\markup \finger {9995} ^\markup \finger {9996}
Thanks!
On Sat, Jan 8, 2011 at 10:34 AM, Shane Brandes sh...@grayskies.net wrote:
Are you applying the markup after the chord like this e g
c4^999? This won't work e f c^9994
Shane
On Fri, Jan 7, 2011 at 8:20 PM, lunar7 lun...@gmail.com wrote:
Thanks James,
The fingering markup works great for single notes (regular non-markup
makes
numbers a tad too big). But I seem to get an error for noteheads within
chords cannot add text scripts to individual note heads.
Anyone know of a way around this?
Thanks!
On Sat, Jan 8, 2011 at 3:15 AM, James Bailey
derhindem...@googlemail.com
wrote:
On Jan 7, 2011, at 10:49 AM, lunar7 wrote:
Hello,
My Max/MSP Lilypond input patch is going well but I'm stuck on one
feature I wanted to include.
I have a set of three tables per key signature I am referring to in
the
event a user wants to use the less likely options for how to notate a
note
given its MIDI pitch (i.e. note number 60 could be c, but also a bis
or
deses). If a user wants to toggle between options, to do this I want
to
initially markup the notes with index numbers using fingering markup
for
an unintended purpose. To my amazement, without overriding the
fingering
markup command accepts numbers up to 9, but anything two digits or
above
produces an unexpected string error.
Is there a way I can override this to tag a note with any number I
want?
Then users can specify the note numbers they want toggled to alternate
versions.
c4^99
if you want it to look like fingering, c^\markup \finger {999}.
Hope this helps
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Re: Bug in 2.13.x?
I can reproduce this error by including the pop-chords.ly file. Perhaps the
problem is that, as neil says, pop-chords.ly is being included somewhere?
On Jan 8, 2011, at 1:53 AM, Tim McNamara wrote:
I had posted previously about having .ly file fail to compile in 2.13.44-1
which worked in 2.12. This was not repeatable for others. I tried
downloading 2.13.45-1 and it, too, fails. The error massage is:
/Applications/LilyPond.app/Contents/Resources/share/lilypond/current/scm/chord-ignatzek-names.scm:208:9:
In procedure chord-name-pop-markup in expression (name-root root
lowercase-root?):
/Applications/LilyPond.app/Contents/Resources/share/lilypond/current/scm/chord-ignatzek-names.scm:208:9:
Wrong number of arguments to #procedure chord-name-pop-markup (pitch)
I had a look at the lines specified, comparing 2.13.45-1 with 2.12.3-1.
Here's the lines from 2.13.45-1 (200-214):
(define (ignatzek-format-exception
root
exception-markup
bass-pitch
lowercase-root?)
(make-line-markup
`(
,(name-root root lowercase-root?)
,exception-markup
.
,(if (ly:pitch? bass-pitch)
(list (ly:context-property context 'chordNameSeparator)
(name-note bass-pitch #f))
'()
And the comparable lines from 2.12.3-1 (188-201):
(define (ignatzek-format-exception
root
exception-markup
bass-pitch)
(make-line-markup
`(
,(name-root root)
,exception-markup
.
,(if (ly:pitch? bass-pitch)
(list (ly:context-property context 'chordNameSeparator)
(name-note bass-pitch))
'()
I don't speak Scheme and have no idea if the differences are important or are
the cause of the problem I am seeing. But there is a difference: note that
in 2.13.45-1, we find:
,(name-root root lowercase-root?)
whereas in 2.12.3-1 we find:
,(name-root root)
Is that what the error message is complaining about (too many arguments)?
And, if so, why would this fail on my computer and not on the computers of
other people? Compiling fails on on 2.13.44 and 2.13.45-1 with every one of
my files that use \chordmode. It doesn't matter which editor I use (Emacs,
Aquamacs, Fraise/Smultron or the built-in editor in the Mac package).
\version 2.12.2
#(ly:set-option 'delete-intermediate-files #t)
\paper {
indent = 0.0
ragged-last = ##f
}
\header {
title = Finn McCool
subtitle = Concert Instruments
composer = McNamara
meter = Swing Ballad
copyright = Tim McNamara 2010, All Rights Reserved
}
harmonies = \chordmode {
r8
% 1
bes2:min7 ges2:7
des1:maj7
bes2:min7 ges2:7
des1:maj7
% 5
bes2:min7 ges2:7
bes2:min7 ees2:7
ees2:min7 aes2:7
des1:maj7
% 9
ces1:min6
ges1:maj7
ces1:min6
ges1:maj7
% 13
ces1:min6
ges1:maj7
aes1:7
des1:maj7
}
melody = \relative c' {
\override Staff.TimeSignature #'style = #'()
\time 4/4
\clef treble
\key des\major
% 1
r1
r1
r1
r1 \break
% 5
r1
r1
r1
r1 \break
% 9
r1
r1
r1
r1 \break
% 13
r1
r1
r1
r1 \break
\bar :|
}
\score
{
\new ChordNames {
\set chordChanges = ##t
\harmonies
}
\new Staff \melody
}
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Re: Templates for Chant again
Il giorno ven, 07/01/2011 alle 20.37 -0500, Michael Dykes ha scritto: The attached file is *almost* what I want, but the measures are out-of-place. Any help would be appreciated. Thanks. Because each measure has a different total duration: the first measure is 11/4, the second is 9/4 and so on. LilyPond is expecting a 16/4 time. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Templates for Chant again
I have an attached file that works very well, except (since I am not too
terribly familiar with this template) I am not sure where how to insert
the commands for midi in all staves. If I can get that, then I will
have *exactly
*what I need. Thanks again for all the help.
--
In Christ,
Michael D
% Version 2.1
% Last edit: March 16, 2006
% The music and words produced by this source code are believed
% to be in the public domain in the United States. The source
% code itself is covered by the Creative Commons Attribution-
% NonCommercial license,
% http://creativecommons.org/licenses/by-nc/2.5/
% Attribution: Geoff Horton
% This is a template for standard 4-part hymns. It contains most
% common options. Comment out the ones you don't need.
\version 2.8.0
\include english.ly
#(set-default-paper-size letter)
#(set-global-staff-size 24)
#(ly:set-option (quote no-point-and-click))
title = Octoëchos ~ Hymns of the Resurrection
subtitle = Sticheron Template ~ Tone 1
composer = Vespers/Matins
meter = Tone 1
arranger =
piece = Kievan Chant
poet =
translator =
musiccopyright =
textcopyright =
world = {
\key g \major
\override Staff.TimeSignature #'stencil = ##f
\cadenzaOn
}
sop = \relative c'' {
\world
% Enter the music here.
a2 b2 a\breve fs4 g fs e2 \bar |
g\breve fs4 g2 a fs \bar |
a\breve g2 fs \bar |
g\breve fs2 g a g fs \bar||
a\breve g2 fs e1 \bar||
}
alto = \relative c' {
\world
% Enter the music here.
d2 g d\breve d4 g d e2 \bar |
g\breve d4 g2 d d \bar |
d\breve d2 d \bar |
g\breve d2 d fs g d \bar||
a\breve b2 b e1 \bar||
}
tenor = \relative c' {
\world
% Enter the music here.
a2 b2 a\breve fs4 g fs e2 \bar |
g\breve fs4 g2 a fs \bar |
a\breve g2 fs \bar |
g\breve fs2 g a g fs \bar||
a\breve g2 fs e1 \bar||
}
bass = \relative c {
\world
% Enter the music here.
d2 g d\breve d4 g d e2 \bar |
g\breve d4 g2 d d \bar |
d\breve d2 d \bar |
g\breve d2 d fs g d \bar||
a\breve b2 b e1 \bar||
}
verseOne = \lyricmode {
\set stanza =
}
\markup {
\column {
\fill-line { \large \bold \title } % title
\fill-line { \caps \piece % piece
\caps \composer % composer
}
\fill-line { \meter % meter
\arranger % arranger
}
\fill-line { \musiccopyright }
}
}
\score {
\context ChoirStaff
\context Staff = upper
\context Voice =
sopranos { \voiceOne \sop }
\context Voice =
altos { \voiceTwo \alto }
\context Staff = lower
\clef bass
\context Voice =
tenors { \voiceOne \tenor }
\context Voice =
basses { \voiceTwo \bass }
\layout {
\context {
\Score
% Turns off bar numbering
\remove Bar_number_engraver
}
\context {
}
}
}
\markup {
\normalsize {
\fill-line {
\hspace #3.0
\line {
\column {
}
}
\hspace #3.0
}
}
}
\markup {
\fill-line {
\column {
\small \caps \poet % poet
\small \caps \translator % translator
}
}
\fill-line { \small \textcopyright }
}
\paper {
ragged-bottom = ##t
top-margin = 0.25\in
bottom-margin = 0.25\in
}
%{
Source info goes here.
“ †(real quotation marks for easy cut-and-pasting)
© for cut-and-pasting.
Revision history:
3-23-06 Added licensing info, revised title layout system
%}
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beaming in 2.13
Hello all, I'm typesetting a piece in 4/4, and I want the eight notes beamed in groups of two instead of four. So, according to the notation manual, at the very beginning of my score, I say: \set Score.baseMoment = #(ly:make-moment 1 8) \set Score.beatStructure = #'(2 2 2 2) This code is accepted by Lilypond, but the eights are still beamed in groups of four. What am I doing wrong? I'm using 2.13.44 Thanks, Peter van Kranenburg ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: beaming in 2.13
Peter Van Kranenburg peter.van.kranenb...@meertens.knaw.nl writes: Hello all, I'm typesetting a piece in 4/4, and I want the eight notes beamed in groups of two instead of four. So, according to the notation manual, at the very beginning of my score, I say: \set Score.baseMoment = #(ly:make-moment 1 8) \set Score.beatStructure = #'(2 2 2 2) This code is accepted by Lilypond, but the eights are still beamed in groups of four. What am I doing wrong? \time will reset them. -- David Kastrup ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: beaming in 2.13
On 9 January 2011 00:04, Peter Van Kranenburg peter.van.kranenb...@meertens.knaw.nl wrote: Hello all, I'm typesetting a piece in 4/4, and I want the eight notes beamed in groups of two instead of four. So, according to the notation manual, at the very beginning of my score, I say: \set Score.baseMoment = #(ly:make-moment 1 8) \set Score.beatStructure = #'(2 2 2 2) This code is accepted by Lilypond, but the eights are still beamed in groups of four. What am I doing wrong? You need to clear beamExceptions also. \set Timing.beamExceptions = #'() Most automatic beaming settings for a time signature contain an entry for beamExceptions. For example, 4/4 time tries to beam the measure in two if there are only eighth notes. The beamExceptions rule can override the beatStructure setting if beamExceptions is not reset. This has been added to the doc by Carl very recently. Did you have a look at latest version of the doc? NR 1.2.4 Beams Setting automatic beam behavior http://lilypond.org/doc/v2.13/Documentation/notation/beams.html Cheers, Xavier -- Xavier Scheuer x.sche...@gmail.com ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: beaming in 2.13
On 1/9/11 12:21 AM, Xavier Scheuer wrote: You need to clear beamExceptions also. \set Timing.beamExceptions = #'() Most automatic beaming settings for a time signature contain an entry for beamExceptions. For example, 4/4 time tries to beam the measure in two if there are only eighth notes. The beamExceptions rule can override the beatStructure setting if beamExceptions is not reset. This has been added to the doc by Carl very recently. Did you have a look at latest version of the doc? NR 1.2.4 Beams Setting automatic beam behavior http://lilypond.org/doc/v2.13/Documentation/notation/beams.html That solved it. Thanks. I just followed the snipped with the 5/4 example without reading the entire section. best, Peter ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Fixed font size.
Hello, Is there a way to define a font size that is fixed and does not scale according to the global-staff-size? Regards, Phil. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
beaming in 2.13 - other question
Dear all,
Consider the following example (adapted from the manual):
\version 2.13.44
\relative c'' {
\time 3/16
\set Timing.beatStructure = #'(2 1)
\set Timing.beamExceptions =
#'( ;start of alist
(end . ;entry for end of beams
( ;start of alist of end points
((1 . 32) . (6)) ;rule for 1/32 beams
))) %close all entries
c16 c c |
c32 c c c c c |
c32 c c c c16 |
}
In the third bar, the 16th is connected to the 32s, while the rule for
16th's says that the third sixteenth should be unbeamed.
Is there a precedence in rules? How to influence that?
best,
Peter
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function looksSlower from LSR produces many warnings
I am using the function looksSlower from the snippet
http://lsr.dsi.unimi.it/LSR/Item?id=305
and when i use it, it produces many warnings such as:
- warning: stem does not fit in beam
- warning: beam was started here
I tested the snippet and it does not produce those warning because it
does not use custom beam
This function is very, very handy to learn music written with complex
rhythm especially in 1/32 and 1/64 notes.
It is going to work with so many custom beams?
The function makes the music look 1 time slower. I was able to make it
look 2 times slower by changing one of the number but I was wondering if
is possible to pass the number as an argument?
looksTwoTimesSlower =
#(define-music-function (parser location music) (ly:music?)
(let ((new-music (ly:music-deep-copy music)))
(shift-duration-log new-music -2 0)
new-music))
\version 2.13.45
\language english
\paper { indent = 0.0 }
\header {
title = Sonata I BWV 1001
piece = 1. Adagio
}
looksOneTimeSlower =
#(define-music-function (parser location music) (ly:music?)
(let ((new-music (ly:music-deep-copy music)))
(shift-duration-log new-music -1 0)
new-music))
melody = \relative g'' {
{
%{ Main Voice %}
%{ 1 %} bf, g'4 ~ g'32 [f (ef d c bf a bf64 g ) ] g8 [ fs ] ~ fs32 [ e ( d e fs g a c64 bf )]
%{ 2 %} c8 ~ [ c32 d64 ( c bf32 c ] c16. \trill [ bf64 c d16 a )] g'8 r32 g,32 ( [ a64 bf c d ] ef8 ) [ bf ]
}
\\ { %{ Voice 2 %}
%{ 1 %} g, d'8 s8 s4 a s4
%{ 2 %} d8 s8 s4 g,8 s8 r8 g'8
}
\\ { %{ Voice 3 %}
%{ 1 %} s4 s4 c4 s4
%{ 2 %} fs4 s4 d, bf'8 s4.
}
}
\score {
\context Staff {
\clef treble
\key d \minor
\time 4/4
\melody
\looksOneTimeSlower \melody
}
\layout { }
}
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Re: notes in voices collide
On 09/01/11 13:44, Marc Mouries wrote:
\language english
\paper { indent = 0.0 }
\header {
title = Sonata I BWV 1001
piece = 1. Adagio
}
melody = \relative g'' {
{
%{ Main Voice %}
%{ 1 %}bf, g'4 ~ g'32 [f (ef d c bf a bf64 g ) ] g8 [ fs ] ~ fs32 [ e ( d e
fs g a c64 bf )]
%{ 2 %} c8 ~ [ c32 d64 ( c bf32 c ] c16. \trill [ bf64 c d16 a )] g'8 r32 g,32
( [ a64 bf c d ] ef8 ) [ bf ]
}
\\ { %{ Voice 2 %}
%{ 1 %}g, d'8 s8 s4 a s4
%{ 2 %} d8 s8 s4 g,8 s8 r8 g'8
}
\\ { %{ Voice 3 %}
%{ 1 %} s4 s4 c4 s4
%{ 2 %} fs4 s4d, bf'8 s4.
}
}
\score {
\context Staff {
\clef treble
\key d \minor
\time 4/4
\melody
}
\layout { }
}
Look up \shiftOn \shiftOnn etc in the documentation. If you apply that
to the G in the middle voice it fixes the collision.
Nick
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