Re: Primo symbol in LilyPond
Am 24.11.2013 02:58, schrieb ryanmichaelmcclure:
How can one create a primo symbol in LilyPond? Here is what it should look
like: http://lilypond.1069038.n5.nabble.com/file/n154307/Primo.png
I've attempted to create one using markup. Here are what I've tried:
^\markup{ \concat{ 1 \super o}}
^\markup{ 1°}
^\markup{ \concat{ 1 \large °}}
I can't seem to get the circle close enough to the 1. Has anyone had any
luck with this?
Use \hspace here:
primo = \markup \concat { 1. \hspace #-1 ° }
\score {
\new Staff { c''^\primo }
}
HTH,
Marc
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Re: Primo symbol in LilyPond
Marc Hohl m...@hohlart.de writes:
Am 24.11.2013 02:58, schrieb ryanmichaelmcclure:
How can one create a primo symbol in LilyPond? Here is what it should look
like: http://lilypond.1069038.n5.nabble.com/file/n154307/Primo.png
I've attempted to create one using markup. Here are what I've tried:
^\markup{ \concat{ 1 \super o}}
^\markup{ 1°}
^\markup{ \concat{ 1 \large °}}
I can't seem to get the circle close enough to the 1. Has anyone had any
luck with this?
Use \hspace here:
primo = \markup \concat { 1. \hspace #-1 ° }
\score {
\new Staff { c''^\primo }
}
What's wrong with
primo = 1º
prima = 1ª
Shouldn't that do the trick without further trickery?
--
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Re: Primo symbol in LilyPond
Am 24.11.2013 09:35, schrieb David Kastrup: [...] What's wrong with primo = 1º prima = 1ª Shouldn't that do the trick without further trickery? Well, the example png shows the ° placed above the dot of 1.. If the dot can be omitted, 1° is probably just fine. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Primo symbol in LilyPond
Marc Hohl m...@hohlart.de writes:
Am 24.11.2013 09:35, schrieb David Kastrup:
[...]
What's wrong with
primo = 1º
prima = 1ª
Shouldn't that do the trick without further trickery?
Well, the example png shows the ° placed above the dot of 1..
You are using the wrong character here. What you use is
name: DEGREE SIGN
general-category: So (Symbol, Other)
decomposition: (176) ('°')
whereas the correct character is
name: MASCULINE ORDINAL INDICATOR
general-category: Lo (Letter, Other)
decomposition: (super 111) (super 'o')
If the dot can be omitted, 1° is probably just fine.
My mastery of Spanish (and/or Portuguese?) is non-existing, but it would
seem like the name and existence of that glyph makes it likely that its
presence alone should be indicative of an ordinal number.
--
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Re: Primo symbol in LilyPond
David Kastrup d...@gnu.org writes:
Marc Hohl m...@hohlart.de writes:
Am 24.11.2013 09:35, schrieb David Kastrup:
[...]
What's wrong with
primo = 1º
prima = 1ª
Shouldn't that do the trick without further trickery?
Well, the example png shows the ° placed above the dot of 1..
You are using the wrong character here. What you use is
name: DEGREE SIGN
general-category: So (Symbol, Other)
decomposition: (176) ('°')
whereas the correct character is
name: MASCULINE ORDINAL INDICATOR
general-category: Lo (Letter, Other)
decomposition: (super 111) (super 'o')
If the dot can be omitted, 1° is probably just fine.
My mastery of Spanish (and/or Portuguese?) is non-existing, but it would
seem like the name and existence of that glyph makes it likely that its
presence alone should be indicative of an ordinal number.
Cf URL:https://en.wiktionary.org/wiki/1%C2%BA
--
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Re: Primo symbol in LilyPond
On 24.11.2013, at 10:06, David Kastrup d...@gnu.org wrote:
David Kastrup d...@gnu.org writes:
Marc Hohl m...@hohlart.de writes:
Am 24.11.2013 09:35, schrieb David Kastrup:
[...]
What's wrong with
primo = 1º
prima = 1ª
Shouldn't that do the trick without further trickery?
Well, the example png shows the ° placed above the dot of 1..
You are using the wrong character here. What you use is
name: DEGREE SIGN
general-category: So (Symbol, Other)
decomposition: (176) ('°')
whereas the correct character is
name: MASCULINE ORDINAL INDICATOR
general-category: Lo (Letter, Other)
decomposition: (super 111) (super 'o')
If the dot can be omitted, 1° is probably just fine.
My mastery of Spanish (and/or Portuguese?) is non-existing, but it would
seem like the name and existence of that glyph makes it likely that its
presence alone should be indicative of an ordinal number.
Cf URL:https://en.wiktionary.org/wiki/1%C2%BA
How about
primero = \markup \concat { 1\char #186 }
primera = \markup \concat { 1\char #170 }
\score {
\new Staff { c''^\primero c''^\primera }
}
?
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Re: Primo symbol in LilyPond
I guess it's different from a language to another. In French, the degree character is often used for primo, but is not correct. It should be a upper o letter (as explained here on page 10: http://jacques-andre.fr/faqtypo/lessons.pdf http://jacques-andre.fr/faqtypo/lessons.pdf ) Philippe -- View this message in context: http://lilypond.1069038.n5.nabble.com/Primo-symbol-in-LilyPond-tp154307p154318.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Problems with LilyJAZZ.ily
2013/10/9 Urs Liska u...@openlilylib.org I followed this thread only loosely. As long as we can't directly include LilyJAZZ into LilyPond I suggest making it available (and improvable) here: https://github.com/openlilylib/snippets/tree/master/LilyJAZZ I just created a folder where all related stuff can be placed. So I would suggest that once you have sorted everything out someone adds the files there, maybe also writes an introduction in the README.md file (which will be automatically displayed when viewing the folder). Hi Urs I see that the new link is: https://github.com/openlilylib/snippets/tree/master/custom-music-fonts/LilyJAZZ but it's empty. What is preventing from having the last version of LilyJAZZ there? Maybe some copyright issue? I think that such a repository is a great idea. Could you include also bend.ly and bendtest.ly? See this issue https://code.google.com/p/lilypond/issues/detail?id=1196 Harm adapted it for 2.17.x Let me know if I can help somehow Thank you Federico ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
shape ties/slurs after line break
Hi everyone!
just having finished my largest project so far I have been diving into tweaks
and overrides quite extensively for the first time. I keep being amazed by LP’s
capabilities Some questions have popped up, for which I couldn’t find any
answer in the Manual. Could anyone give me a hint, were to look for it?
Is there a way to shape ties and slurs after a line break? The following tiny
example should show the problem:
--8--SNIPP--
\version 2.17.95
#(set-global-staff-size 14)
\paper { ragged-right = ##t tagline = #(set-paper-size a8) }
\relative { a'1^default ~ |\break a4 }
\relative { a'1^randomly changed shape-\shape #'((0 . -2) (0 . 0) (0 . 2) (0
. 4)) ~ |\break a4^but here it's unchanged }
--8--SNAPP--
Thanks a lot in advance!
Kai
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Re: shape ties/slurs after line break
Hi,
2013/11/24 Dr. med. Kai Lautenschläger dr.lautenschlae...@gmx.net:
Hi everyone!
Is there a way to shape ties and slurs after a line break? The following tiny
example should show the problem:
--8--SNIPP--
\version 2.17.95
#(set-global-staff-size 14)
\paper { ragged-right = ##t tagline = #(set-paper-size a8) }
\relative { a'1^default ~ |\break a4 }
\relative { a'1^randomly changed shape-\shape #'((0 . -2) (0 . 0) (0 . 2)
(0 . 4)) ~ |\break a4^but here it's unchanged }
--8--SNAPP--
Use another set of offsets:
\version 2.17.95
#(set-global-staff-size 14)
\paper { ragged-right = ##t tagline = #(set-paper-size a8) }
\relative { a'1^default ~ |\break a4 }
\relative {
a'1^randomly changed shape
-\shape #'(((0 . -2) (0 . 0) (0 . 2) (0 . 4))
((0 . -2) (0 . 0) (0 . 2) (0 . 4)))
~ |\break a4^and here it's changed as well
}
This is mentioned in
http://lilypond.org/doc/v2.17/Documentation/notation/modifying-shapes
- is that example not clear enough? How should we improve it?
best,
Janek
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Re: shape ties/slurs after line break
Janek Warchoł janek.lilyp...@gmail.com writes: This is mentioned in http://lilypond.org/doc/v2.17/Documentation/notation/modifying-shapes - is that example not clear enough? How should we improve it? Maybe an interface that's easier to remember? \beforeBreak \shape ... \afterBreak \shape ... \shape ... ( with the ability to leave off any specification and/or use any order of \shape commands. Yes, that's clearly not 2.18 material. But probably worth thinking about. -- David Kastrup ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: shape ties/slurs after line break
Dear Janek,
thanks a lot. Works just perfect!
I can not find anything about using two sets of offsets in the link you
provided. And I probably wouldn’t have found it, since it doesn’t mention the
\shape-command. Maybe pointing at \shape would be helpful, especially since it
seems to me, that the „known problem“ can be worked around partly with \shape.
… I take that back!!! I originally read the german translation and the above is
my replay for that (I was automatically referred there?!?!). The english
version has it all. Thanks a lot.
Kai
Hi,
2013/11/24 Dr. med. Kai Lautenschläger dr.lautenschlae...@gmx.net:
Hi everyone!
Is there a way to shape ties and slurs after a line break? The following
tiny example should show the problem:
--8--SNIPP--
\version 2.17.95
#(set-global-staff-size 14)
\paper { ragged-right = ##t tagline = #(set-paper-size a8) }
\relative { a'1^default ~ |\break a4 }
\relative { a'1^randomly changed shape-\shape #'((0 . -2) (0 . 0) (0 . 2)
(0 . 4)) ~ |\break a4^but here it's unchanged }
--8--SNAPP--
Use another set of offsets:
\version 2.17.95
#(set-global-staff-size 14)
\paper { ragged-right = ##t tagline = #(set-paper-size a8) }
\relative { a'1^default ~ |\break a4 }
\relative {
a'1^randomly changed shape
-\shape #'(((0 . -2) (0 . 0) (0 . 2) (0 . 4))
((0 . -2) (0 . 0) (0 . 2) (0 . 4)))
~ |\break a4^and here it's changed as well
}
This is mentioned in
http://lilypond.org/doc/v2.17/Documentation/notation/modifying-shapes
- is that example not clear enough? How should we improve it?
best,
Janek
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Re: shape ties/slurs after line break
2013/11/24 David Kastrup d...@gnu.org: Janek Warchoł janek.lilyp...@gmail.com writes: This is mentioned in http://lilypond.org/doc/v2.17/Documentation/notation/modifying-shapes - is that example not clear enough? How should we improve it? Maybe an interface that's easier to remember? \beforeBreak \shape ... \afterBreak \shape ... \shape ... ( with the ability to leave off any specification and/or use any order of \shape commands. Yes, that's clearly not 2.18 material. But probably worth thinking about. Interesting idea, but what about slurs that are broken multiple times? On the other hand, such situation is quite rare... 2013/11/24 Dr. med. Kai Lautenschläger dr.lautenschlae...@gmx.net: Dear Janek, thanks a lot. Works just perfect! I can not find anything about using two sets of offsets in the link you provided. And I probably wouldn’t have found it, since it doesn’t mention the \shape-command. Maybe pointing at \shape would be helpful, especially since it seems to me, that the „known problem“ can be worked around partly with \shape. … I take that back!!! I originally read the german translation and the above is my replay for that (I was automatically referred there?!?!). The english version has it all. Thanks a lot. Ah, ok. That explains :) best, Janek ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Ambitus not in the beginning
Dear list, sorry to ask again and I hope this time it will not be something obviously explained in the manual. Is there a way to insert ambitus at the beginning of a staff, that is not the first staff of the score? A piece I am doing starts of with solo voice and organ and later the choir sets in with the solo staff being taken over by the tenors. I would like to add an ambitus in each choir voice, when it first appears (the empty lines in the first two systems before are not shown). The change between soloist and tenors appears more often within the piece and unfortunately not always at line break points. It would be acceptable (for this piece) for the ambitus to take into account both solo and tenor notes. I’m grateful for any idea. Kai ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: shape ties/slurs after line break
Janek Warchoł janek.lilyp...@gmail.com writes: 2013/11/24 David Kastrup d...@gnu.org: Janek Warchoł janek.lilyp...@gmail.com writes: This is mentioned in http://lilypond.org/doc/v2.17/Documentation/notation/modifying-shapes - is that example not clear enough? How should we improve it? Maybe an interface that's easier to remember? \beforeBreak \shape ... \afterBreak \shape ... \shape ... ( with the ability to leave off any specification and/or use any order of \shape commands. Yes, that's clearly not 2.18 material. But probably worth thinking about. Interesting idea, but what about slurs that are broken multiple times? \beforeBreak #1 \shape ... On the other hand, such situation is quite rare... -- David Kastrup ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Ambitus not in the beginning
Dr. med. Kai Lautenschläger dr.lautenschlae...@gmx.net writes: Dear list, sorry to ask again and I hope this time it will not be something obviously explained in the manual. Is there a way to insert ambitus at the beginning of a staff, that is not the first staff of the score? A piece I am doing starts of with solo voice and organ and later the choir sets in with the solo staff being taken over by the tenors. I would like to add an ambitus in each choir voice, when it first appears (the empty lines in the first two systems before are not shown). Just use an ambitus engraver in each of the tenor voices (one with an X-offset)? -- David Kastrup ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: shape ties/slurs after line break
2013/11/24 David Kastrup d...@gnu.org: Janek Warchoł janek.lilyp...@gmail.com writes: 2013/11/24 David Kastrup d...@gnu.org: Janek Warchoł janek.lilyp...@gmail.com writes: This is mentioned in http://lilypond.org/doc/v2.17/Documentation/notation/modifying-shapes - is that example not clear enough? How should we improve it? Maybe an interface that's easier to remember? \beforeBreak \shape ... \afterBreak \shape ... \shape ... ( with the ability to leave off any specification and/or use any order of \shape commands. Yes, that's clearly not 2.18 material. But probably worth thinking about. Interesting idea, but what about slurs that are broken multiple times? \beforeBreak #1 \shape ... Ok, that's indeed quite user-friendly. I suggest to look at this after 2.18 is out - possibly together with merging my \shape improvements that i'm going to announce today. best, Janek ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Ambitus not in the beginning
Hi David, thanks for your reply. Am 24.11.2013 um 12:26 schrieb David Kastrup d...@gnu.org: Dr. med. Kai Lautenschläger dr.lautenschlae...@gmx.net writes: Dear list, sorry to ask again and I hope this time it will not be something obviously explained in the manual. Is there a way to insert ambitus at the beginning of a staff, that is not the first staff of the score? A piece I am doing starts of with solo voice and organ and later the choir sets in with the solo staff being taken over by the tenors. I would like to add an ambitus in each choir voice, when it first appears (the empty lines in the first two systems before are not shown). Just use an ambitus engraver in each of the tenor voices (one with an X-offset)? I understand, but that not solve my problem. I would like an ambitus in the n-th system of a score instead of at the beginning. How do I go about that? -- David Kastrup best regards, Kai ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Ambitus not in the beginning
2013/11/24 Dr. med. Kai Lautenschläger dr.lautenschlae...@gmx.net: Dear list, sorry to ask again and I hope this time it will not be something obviously explained in the manual. Is there a way to insert ambitus at the beginning of a staff, that is not the first staff of the score? A piece I am doing starts of with solo voice and organ and later the choir sets in with the solo staff being taken over by the tenors. I would like to add an ambitus in each choir voice, when it first appears (the empty lines in the first two systems before are not shown). The change between soloist and tenors appears more often within the piece and unfortunately not always at line break points. It would be acceptable (for this piece) for the ambitus to take into account both solo and tenor notes. I’m grateful for any idea. You may look for an email from Harm (thomasmorle...@gmail.com), from July 24, titled Ambitus - was:move clef. hth, Janek ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Ambitus not in the beginning
2013/11/24 Kai Lautenschläger kai.lautenschlae...@me.com:
Hi David,
thanks for your reply.
Am 24.11.2013 um 12:26 schrieb David Kastrup d...@gnu.org:
Dr. med. Kai Lautenschläger dr.lautenschlae...@gmx.net writes:
Dear list,
sorry to ask again and I hope this time it will not be something
obviously explained in the manual. Is there a way to insert ambitus at
the beginning of a staff, that is not the first staff of the score?
A piece I am doing starts of with solo voice and organ and later the
choir sets in with the solo staff being taken over by the tenors. I
would like to add an ambitus in each choir voice, when it first
appears (the empty lines in the first two systems before are not
shown).
Just use an ambitus engraver in each of the tenor voices (one with an
X-offset)?
I understand, but that not solve my problem. I would like an ambitus in the
n-th system of a score instead of at the beginning. How do I go about that?
If the voice to which you add ambitus starts there (i.e. it doesn't
start at the beginning of the piece) you should get what you want.
\new Staff {
R1*3
\new Voice \with { \consists Ambitus_engraver } {
c'2 g'
}
}
Janek
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Re: Ambitus not in the beginning
Kai Lautenschläger kai.lautenschlae...@me.com writes:
Hi David,
thanks for your reply.
Am 24.11.2013 um 12:26 schrieb David Kastrup d...@gnu.org:
Dr. med. Kai Lautenschläger dr.lautenschlae...@gmx.net writes:
Dear list,
sorry to ask again and I hope this time it will not be something
obviously explained in the manual. Is there a way to insert ambitus at
the beginning of a staff, that is not the first staff of the score?
A piece I am doing starts of with solo voice and organ and later the
choir sets in with the solo staff being taken over by the tenors. I
would like to add an ambitus in each choir voice, when it first
appears (the empty lines in the first two systems before are not
shown).
Just use an ambitus engraver in each of the tenor voices (one with an
X-offset)?
I understand, but that not solve my problem. I would like an ambitus
in the n-th system of a score instead of at the beginning. How do I go
about that?
{ \skip 1*n \new Voice = tenor_I \with { \consists Ambitus_engraver } ...
--
David Kastrup
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Re: shape ties/slurs after line break
Janek Warchoł janek.lilyp...@gmail.com schrieb: 2013/11/24 David Kastrup d...@gnu.org: Janek Warchoł janek.lilyp...@gmail.com writes: This is mentioned in http://lilypond.org/doc/v2.17/Documentation/notation/modifying-shapes - is that example not clear enough? How should we improve it? Maybe an interface that's easier to remember? \beforeBreak \shape ... \afterBreak \shape ... \shape ... ( with the ability to leave off any specification and/or use any order of \shape commands. Yes, that's clearly not 2.18 material. But probably worth thinking about. Interesting idea, but what about slurs that are broken multiple times? On the other hand, such situation is quite rare... Once there was this option that \shape complained (by warning and optionally color) when the number of offset lists didn't match the number of siblings. This is very useful to catch changes in line-breaking. Any option to get that back? Urs 2013/11/24 Dr. med. Kai Lautenschläger dr.lautenschlae...@gmx.net: Dear Janek, thanks a lot. Works just perfect! I can not find anything about using two sets of offsets in the link you provided. And I probably wouldn’t have found it, since it doesn’t mention the \shape-command. Maybe pointing at \shape would be helpful, especially since it seems to me, that the „known problem“ can be worked around partly with \shape. … I take that back!!! I originally read the german translation and the above is my replay for that (I was automatically referred there?!?!). The english version has it all. Thanks a lot. Ah, ok. That explains :) best, Janek ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Ambitus not in the beginning
Dear David and Janek,
I see the approach. I was hoping there would be a possibility to insert the
ambitus without redistributing my note to different voices. Now I see, that I
should have done that right from the start. Right now, I have the solo parts
and the choir parts for the tenor in one \voice-context.
I will tell you, when it worked out.
best regards
Kai
Am 24.11.2013 um 13:02 schrieb David Kastrup d...@gnu.org:
Kai Lautenschläger kai.lautenschlae...@me.com writes:
Hi David,
thanks for your reply.
Am 24.11.2013 um 12:26 schrieb David Kastrup d...@gnu.org:
Dr. med. Kai Lautenschläger dr.lautenschlae...@gmx.net writes:
Dear list,
sorry to ask again and I hope this time it will not be something
obviously explained in the manual. Is there a way to insert ambitus at
the beginning of a staff, that is not the first staff of the score?
A piece I am doing starts of with solo voice and organ and later the
choir sets in with the solo staff being taken over by the tenors. I
would like to add an ambitus in each choir voice, when it first
appears (the empty lines in the first two systems before are not
shown).
Just use an ambitus engraver in each of the tenor voices (one with an
X-offset)?
I understand, but that not solve my problem. I would like an ambitus
in the n-th system of a score instead of at the beginning. How do I go
about that?
{ \skip 1*n \new Voice = tenor_I \with { \consists Ambitus_engraver } ...
--
David Kastrup
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Re: Primo symbol in LilyPond
Am 24.11.2013 09:56, schrieb David Kastrup:
Marc Hohl m...@hohlart.de writes:
Am 24.11.2013 09:35, schrieb David Kastrup:
[...]
What's wrong with
primo = 1º
prima = 1ª
Shouldn't that do the trick without further trickery?
Well, the example png shows the ° placed above the dot of 1..
You are using the wrong character here. What you use is
name: DEGREE SIGN
general-category: So (Symbol, Other)
decomposition: (176) ('°')
whereas the correct character is
name: MASCULINE ORDINAL INDICATOR
general-category: Lo (Letter, Other)
decomposition: (super 111) (super 'o')
If the dot can be omitted, 1° is probably just fine.
My mastery of Spanish (and/or Portuguese?) is non-existing, but it would
seem like the name and existence of that glyph makes it likely that its
presence alone should be indicative of an ordinal number.
Ok. This is yet another utf trickery I wasn't aware of ;-)
Thanks for clarification!
Marc
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Re: Primo symbol in LilyPond
Marc Hohl m...@hohlart.de writes:
Am 24.11.2013 09:56, schrieb David Kastrup:
Marc Hohl m...@hohlart.de writes:
Am 24.11.2013 09:35, schrieb David Kastrup:
[...]
What's wrong with
primo = 1º
prima = 1ª
Shouldn't that do the trick without further trickery?
Well, the example png shows the ° placed above the dot of 1..
You are using the wrong character here. What you use is
name: DEGREE SIGN
general-category: So (Symbol, Other)
decomposition: (176) ('°')
whereas the correct character is
name: MASCULINE ORDINAL INDICATOR
general-category: Lo (Letter, Other)
decomposition: (super 111) (super 'o')
If the dot can be omitted, 1° is probably just fine.
My mastery of Spanish (and/or Portuguese?) is non-existing, but it would
seem like the name and existence of that glyph makes it likely that its
presence alone should be indicative of an ordinal number.
Ok. This is yet another utf trickery I wasn't aware of ;-)
I think it's actually in the Latin-1 range already. Some people must
have considered it important.
On my keyboard, I get them with Compose ^ _ o and Compose ^ _ a which
took me an inordinate amount of time to figure out.
--
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Re: shape ties/slurs after line break
2013/11/24 Urs Liska u...@openlilylib.org: Once there was this option that \shape complained (by warning and optionally color) when the number of offset lists didn't match the number of siblings. This is very useful to catch changes in line-breaking. Any option to get that back? This is possible but i don't know if i'll have time to add it to \shapeII. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Primo symbol in LilyPond
David Kastrup wrote My mastery of Spanish (and/or Portuguese?) is non-existing, but it would seem like the name and existence of that glyph makes it likely that its presence alone should be indicative of an ordinal number. Just a short (and pedantic) comment: in Portuguese (or at least in Brazil), the correct way to abbreviate the word primeiro is 1.º If you write 1° (without the point), this should be read as um grau (one degree). That said, not many people use these concepts correctly, and more often than not you will find 1° representing primeiro. I know that the link in the wikitionary also says that 1º is the correct abbreviation for primeiro, but I think they got it wrong there. Take care, Gilberto -- View this message in context: http://lilypond.1069038.n5.nabble.com/Primo-symbol-in-LilyPond-tp154307p154341.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Primo symbol in LilyPond
Keeping away from theoricals constructions of different languages and
sticking to the image to achive, I think these should do some trick. Surely
it could be perfected.
\score {
\relative c'' {
c^\markup \concat { 1\char #186 } % from pls snip
b^\markup{ 1°} % from ryanmichaelmcclure
c^\markup{ \concat{ 1 \large °}} % from ryanmichaelmcclure
b^\markup{ \concat{1\column{\vspace #-.2o \vspace #-.8.}}} % my
idea.
|
g^\primero
a^\markup{ 1°}
g^\markup{ \concat{ 1 \large °}}
a^\markup{ \concat{1\column{\vspace #-.2o \vspace #-.8.}}}
}
}
Good Luck!
2013/11/24 Gilberto Agostinho gilbertohasn...@gmail.com
David Kastrup wrote
My mastery of Spanish (and/or Portuguese?) is non-existing, but it would
seem like the name and existence of that glyph makes it likely that its
presence alone should be indicative of an ordinal number.
Just a short (and pedantic) comment: in Portuguese (or at least in Brazil),
the correct way to abbreviate the word primeiro is 1.º
If you write 1° (without the point), this should be read as um grau (one
degree). That said, not many people use these concepts correctly, and more
often than not you will find 1° representing primeiro.
I know that the link in the wikitionary also says that 1º is the correct
abbreviation for primeiro, but I think they got it wrong there.
Take care,
Gilberto
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Re: Primo symbol in LilyPond
(My apologies for not responsing--sleep and things like that happened) Marcos, your idea looks excellent! I'm going to try using that. I like the other ideas too--and I had no idea that having the symbol with or without the dot, or using a different circle, had different implications. - Ryan McClure Luna Music Engraving www.lunamusicengraving.com -- View this message in context: http://lilypond.1069038.n5.nabble.com/Primo-symbol-in-LilyPond-tp154307p154343.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Bar numbers under the music rather than above?
Hi Ryan, did you try adapting the function? Did you run into some trouble? best, Janek 2013/11/19 Janek Warchoł janek.lilyp...@gmail.com: Hi Ryan, 2013/11/19 ryanmichaelmcclure ryanmichaelmccl...@gmail.com: Hi there Janek! I tried your Scheme and it worked WONDERFULLY! Great, you're welcome! That's exactly what I want for larger bar numbers at the beginning! I am clueless about how to do Schemes...I could probably drop a bunch of rocks on my keyboard and get a better result than if I were to try and use it. Don't fool yourself like this. Programming in Scheme is a skill that can be learned. When i wanted to write the function i sent you, i didn't know anything about Scheme - it took me over an hour to get this working, but i succeeded! And now i can do write some really awesome Scheme stuff, much faster. How would I go about adding direction in this scheme? First, install newest version of Frescobaldi and use it. This will give you syntax highlithing [1] which makes understanding any code - including Scheme - much easier. Then, look at the function i've sent you and determine where to change it to make it work with directions instead of font-size. Here's another example function that may help you in understanding how these things work: \override Score.BarNumber #'self-alignment-X = #(lambda (grob) (let ((break-dir (ly:item-break-dir grob))) (set! (ly:grob-property grob 'self-alignment-X) (if (= break-dir RIGHT) RIGHT CENTER Don't be intimidated, this should be easy to do. Ask if you get stuck. hth, Janek [1] http://en.wikipedia.org/wiki/Syntax_highlighting ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
LilyPond / Android
Can we install LilyPond on Android currently ? If not will it be possible soon ? ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Extending lyric extender
Hello everybody ! I have the following situation in few hymns (SATB) I'm typesetting : I chose to use the lyrics extender when for example, choir singers have to hold a long note on a phrase ending, especially when, for example, one voice sings a half note while some others sing 2 quarter notes. I thus use the extender to remind all singers to hold their note till the end, else the voices singing the two quarters will be heard alone. In my generic setup, I'm attaching the lyrics to the soprano voice. Everything is fine when the soprano have the 2 quarters. But when the soprano sings the half, and alto sings the 2 quarters, then the extender is too short. It is only slightly wider than the half note, instead of being as wide as the 2 quarter notes of the alto voice. Is this behaviour normal ? If so, is there a way to extend the extender so it takes the full duration of the half note ? I'm not sure everything is well explained, if needed I'll try to make a minimal example. Thanks ! Yann ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: LilyPond / Android
On Sun, 24 Nov 2013, Michel Camiré wrote: Can we install LilyPond on Android currently ? If not will it be possible soon ? That would be great, but to make that work there are a are a whole bunch of heavy dependencies that are not met (yet). Guile and Ghostscript for example. A solution that is more likely to happen soon is a web-based service liek Lilybin. It only needs to be improved to be usable on smaller screes like tablets and smartphones. I'm not an expert but that's my guess -- MT___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: LilyPond / Android
Michel Camiré wrote Can we install LilyPond on Android currently ? If not will it be possible soon ? ___ lilypond-user mailing list lilypond-user@ https://lists.gnu.org/mailman/listinfo/lilypond-user You can edit your LilyPond files from anywhere in the world, on any device including Android. Just use a text editing app, but I don't believe you can run LilyPond on Android per se. At least not fully. - composer | sound designer LilyPond Tutorials (for beginners) -- http://bit.ly/bcl-lilypond -- View this message in context: http://lilypond.1069038.n5.nabble.com/LilyPond-Android-tp154349p154352.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Extending lyric extender
Hi Yann,
Is this behaviour normal ?
Yes.
If so, is there a way to extend the extender so it takes the full duration
of the half note ?
Only by assigning it to the voice with the extension note(s):
\version 2.16
\paper { ragged-right = ##f }
sopMusic = {
c'4 d' e' f'
g'1
}
altMusic = {
c'4 b c' d'
f'2( e')
}
saMusic = {
\context Voice = soprano { \voiceOne \sopMusic }
\\
\context Voice = alto { \voiceTwo \altMusic }
\oneVoice
}
someWords = \lyricmode {
Set the lyr -- ics thus! __
}
\score {
\new Staff \saMusic
\new Lyrics \lyricsto soprano \someWords
}
otherWords = \lyricmode {
\set associatedVoice = soprano
Set the lyr -- \set associatedVoice = alto ics
\once \override LyricText #'X-offset = #-2
thus! __
}
\score {
\new Staff \saMusic
\new Lyrics \lyricsto soprano \otherWords
}
Two observations:
1. The “\set associatedVoice” needs to before the syllable PRIOR to the one you
actually want to “switch” to the new voice — one of my least favourite things
in Lilypond.
2. The X-offset tweak is to avoid the weird shift of the text (to match the
shift of the note in that voice), and thus may not be necessary in your
situation — comment it out to see the default output.
Hope this helps!
Kieren.
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Re: LilyPond / Android
Michel Camiré mcam...@cgocable.ca writes: Can we install LilyPond on Android currently ? If not will it be possible soon ? You can run linux (e.g. Ubuntu) *under* Android, and then run LilyPond as familiar. https://play.google.com/store/apps/details?id=com.zpwebsites.linuxonandroid -- Johan ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
LilyPond/Android
Is it possible currently, to install LilyPond on Android ? If not, are there plans to do so in a near future ? Thanks ! ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
How to best do chord/melody arrangement
Hi, I have a simple question but have had no luck finding an answer in the
manual or via google. I'm sure it is there - but I have not found it, so I
hope someone here can point me in the correct direction.
I play a lot of guitar pieces where I will play several single notes
followed by a chord ... then some single notes etc. When I write this by
hand, the notes are as normal and for the chord I use a note with a slash
rather than a circle at the bottom and I write the chord name above it.
I am notating it something like this in lillypad (2 sample bars)
a1
\chordmode{e2.:7} e'8 c8
This works well enough in the .ly file for me but there are a few issues
with the presentation.
1. The chord is shown as a collection of notes rather than a simple slash
note. I can live with that though - it's just personal aesthetic.
2. If I show chordNames then I get a chord name for all the notes and the
chords. I only want to see chord names for the actual chords though (i.e.
not for the single notes).
I realise that I could have 2 sections - one with notes and one with the
chords and assign them each to a different staff ... but that does not
really work for me because the chords and the notes are all one (i.e. all
played by the same guitar), so when I write it down I write it in one flow.
To separate them out would be really difficult and artificial.
Like I say, this way of playing on solo guitar is pretty common, so I am
sure it is somewhere in the manual.
Thanks,
Ian
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Re: Problems with LilyJAZZ.ily
2013/11/24 Federico Bruni fedel...@gmail.com: 2013/10/9 Urs Liska u...@openlilylib.org I followed this thread only loosely. As long as we can't directly include LilyJAZZ into LilyPond I suggest making it available (and improvable) here: https://github.com/openlilylib/snippets/tree/master/LilyJAZZ I just created a folder where all related stuff can be placed. So I would suggest that once you have sorted everything out someone adds the files there, maybe also writes an introduction in the README.md file (which will be automatically displayed when viewing the folder). Hi Urs I see that the new link is: https://github.com/openlilylib/snippets/tree/master/custom-music-fonts/LilyJAZZ but it's empty. What is preventing from having the last version of LilyJAZZ there? Maybe some copyright issue? No, it's not quite about copyright. I cannot speak for Urs, but as we're both maintaining this repository, i'll say how the situation looks from my point of view: - i'm not quite sure where to find the latest version of LilyJAZZ and whether there are any knows issues that should be documented. Of course it's just a matter of reading archive emails, but there's quite a lot of them and i don't have much time... - together with Urs we focused on finishing Fried project and writing post series about it on the blog (http://lilypondblog.org/category/fried-songs/) and this took much of our time, - some people expressed concerns about creating a separate repository with lilypond stuff like openlilylib/snippets (they said that it's diluting our resources and manpower), so i didn't want to push it lest that someone will think that i'm trying to hijack developers or something. I think that such a repository is a great idea. Could you include also bend.ly and bendtest.ly? See this issue https://code.google.com/p/lilypond/issues/detail?id=1196 Harm adapted it for 2.17.x Let me know if I can help somehow If you'd like to help with getting bend stuff and LilyJAZZ into openlilylib/snippets that would be absolutely awesome! We accept pull requests on github, or you could send us patches. If you don't feel comfortable with such workflows, It would be enough if you just told us what exactly to put there. In other words, we need: - the latest version of the stuff to put into the repostory - up-to-date description, including known issues, TODOs, nonstandard dependencies etc. In other words, the description should contain all important informations about the package (so that one doesn't have to sift through mailing list archives or tracker issue comments). Don't get me wrong - i don't expect a 10-page dissertation and full user manual! I'll gladly help with getting LilyJAZZ into the repository, but i'm currently not able to lead such effort - someone has to take responsibility, and i'll support him as much i can. best, Janek ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Problems with LilyJAZZ.ily
Am 25.11.2013 00:11, schrieb Janek Warchoł: 2013/11/24 Federico Bruni fedel...@gmail.com: 2013/10/9 Urs Liska u...@openlilylib.org I followed this thread only loosely. As long as we can't directly include LilyJAZZ into LilyPond I suggest making it available (and improvable) here: https://github.com/openlilylib/snippets/tree/master/LilyJAZZ I just created a folder where all related stuff can be placed. So I would suggest that once you have sorted everything out someone adds the files there, maybe also writes an introduction in the README.md file (which will be automatically displayed when viewing the folder). Hi Urs I see that the new link is: https://github.com/openlilylib/snippets/tree/master/custom-music-fonts/LilyJAZZ but it's empty. What is preventing from having the last version of LilyJAZZ there? Maybe some copyright issue? No, it's not quite about copyright. I cannot speak for Urs, but as we're both maintaining this repository, i'll say how the situation looks from my point of view: - i'm not quite sure where to find the latest version of LilyJAZZ and whether there are any knows issues that should be documented. Of course it's just a matter of reading archive emails, but there's quite a lot of them and i don't have much time... - together with Urs we focused on finishing Fried project and writing post series about it on the blog (http://lilypondblog.org/category/fried-songs/) and this took much of our time, - some people expressed concerns about creating a separate repository with lilypond stuff like openlilylib/snippets (they said that it's diluting our resources and manpower), so i didn't want to push it lest that someone will think that i'm trying to hijack developers or something. I think that such a repository is a great idea. Could you include also bend.ly and bendtest.ly? See this issue https://code.google.com/p/lilypond/issues/detail?id=1196 Harm adapted it for 2.17.x Let me know if I can help somehow If you'd like to help with getting bend stuff and LilyJAZZ into openlilylib/snippets that would be absolutely awesome! We accept pull requests on github, or you could send us patches. If you don't feel comfortable with such workflows, It would be enough if you just told us what exactly to put there. In other words, we need: - the latest version of the stuff to put into the repostory - up-to-date description, including known issues, TODOs, nonstandard dependencies etc. In other words, the description should contain all important informations about the package (so that one doesn't have to sift through mailing list archives or tracker issue comments). Don't get me wrong - i don't expect a 10-page dissertation and full user manual! I'll gladly help with getting LilyJAZZ into the repository, but i'm currently not able to lead such effort - someone has to take responsibility, and i'll support him as much i can. I have to add that some opinions were raised that we can't simply put something in such a library that was 'published' on lilypond-user without asking back with the author - who seems to be unreachable for LilyJAZZ. And for the reasons Janek described I didn't have enough time or energy to follow this anymore. But I'd say if anybody will help we're gladly helping to put it online. Urs best, Janek ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: How to best do chord/melody arrangement
Hi,
I play a lot of guitar pieces where I will play several single notes
followed by a chord ... then some single notes etc. When I write this by
hand, the notes are as normal and for the chord I use a note with a slash
rather than a circle at the bottom and I write the chord name above it.
What about this?
\version 2.16
theChords = \chordmode {
s1
e2.:7 s4
}
theNotes = \relative a' {
a1
\improvisationOn b2. \improvisationOff e8 c8
}
\score {
\new ChordNames \theChords
\new Staff \theNotes
}
Hope this helps,
Kieren.
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Re: How to best do chord/melody arrangement
On 11/24/13 3:41 PM, Ian bigi...@gmail.com wrote:
I realise that I could have 2 sections - one with notes and one with the
chords and assign them each to a different staff ... but that does not
really work for me because the chords and the notes are all one (i.e. all
played by the same guitar), so when I write it down I write it in one
flow.
To separate them out would be really difficult and artificial.
Separating it all is the way we would do it in LilyPond (it's also the way
I do it when I write my guitar music.
\version 2.16.2
mc = #(define-music-function
(parser location myNotes)
(ly:music?)
#{ \improvisationOn $myNotes \improvisationOff #} )
myChords = \chordmode {
s1
e1:7
}
myNotes = {
a1
\mc{e2.}
e'8 c8
}
\new ChordNames {
\myChords
}
\new Voice \with {
\consists Pitch_squash_engraver
} {
\myNotes
}
Not exactly the way you want it, but it's the best way I know to do it.
Hope this is helpful.
Carl
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Re: How to best do chord/melody arrangement
Hi Ian, (Please “Reply All”, so that a copy goes to the list and not just to the originator of a given email.) that inprovisationOn/Off thing is pretty cool as it gives me the 'slash' I want.I'll go investigate that some more in the manual. The problem is though that it still splits what is a single piece of music into 2 sections (chords and notes) and when writing it, you need to be careful with all the spaces in the chords section to make sure it all lines up. Ideally I would just like to specify the chord name in the improvisation section above. 1. Look for “parallelMusic” — there might be something there that can help you. 2. Perhaps a Scheme function or engraver could be written to take a single input and spit out what you want — that’s far beyond my abillities, so you’ll want to ask around (and possibly offer a bounty). Hope this helps! Kieren. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: The ultimate slur shaping function.
I like what I see!!! :) If there's one thing that I spend the most time on, it's modifying slurs, especially on Schenker graphs. However, there's one question I have. You mentioned that using \shape would apply to all following slurs. Is it possible to use \once \shape? I haven't had a chance to mess with it yet, I've only read the attachments. Excellent work! LilyPond is getting better and better every day!!! -Ryan McClure On 11/24/2013 07:42 PM, Janek Warcho? wrote: Hi all, I'm proud to announce the beginning of a new era in tweaking LilyPond slurs! Thanks to sponsoring from Kieren, Alexander and Ben, I was able to improve Lily's \shape function (originally written by David Nalesnik, who also helped me with these improvements) - it's now possible to shape slurs in many ways, some of which are considerably more robust and generic than simple offsets used until now. In addition to improved \shape, I've also written a function that allows to simply specify slur attachment points (as per Kieren's request - this feature returns to LilyPond after being removed about 8 years ago). See the attachments; the pdfs containing demonstrations of new capabilities and user documentation are here: http://lilypond-stuff.1065243.n5.nabble.com/file/n5705621/shapeII-examples.pdf http://lilypond-stuff.1065243.n5.nabble.com/file/n5705621/slur-attachments-examples.pdf Please test the functions and send me your opinions and feedback. Maybe I could improve them even more :-) best, Janek PS Here's the original email in which I had announced this project: http://lists.gnu.org/archive/html/lilypond-user/2013-10/msg00637.html I apologize that it took so much time - I was waiting for some reviews, and also had to finish some other tasks. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: The ultimate slur shaping function.
Janek Warchoł wrote Hi all, I'm proud to announce the beginning of a new era in tweaking LilyPond slurs! Thanks to sponsoring from Kieren, Alexander and Ben, I was able to improve Lily's \shape function (originally written by David Nalesnik, who also helped me with these improvements) - it's now possible to shape slurs in many ways, some of which are considerably more robust and generic than simple offsets used until now. Janek, I'm trying to test this out but I'm getting an error in my log: warning: Ignoring non-music expression \shapeII #'((3 . 0)) How should I proceed, what's the fix? :) - composer | sound designer LilyPond Tutorials (for beginners) -- http://bit.ly/bcl-lilypond -- View this message in context: http://lilypond.1069038.n5.nabble.com/The-ultimate-slur-shaping-function-tp154366p154369.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Possible bug? Commenting out section causes EOF
I am working on a multi-part piece. I have all of my parts in one .ly file.
So, when I want to work on just one, I comment out all other parts using %{
%} However, when I go to engrave, I get an error that reads
/home/ryanmcclure/Compositions/Transcriptions/Holst, Gustav/First Suite In
E-Flat/Parts.ly:813:69: error: EOF found inside a comment
instrument = \markup{ \center-column{ \line {BASS DRUM, CYMBALS,
} \line
{TAMBOURINE, TRIANGLE}}}
/home/ryanmcclure/Compositions/Transcriptions/Holst, Gustav/First Suite In
E-Flat/Parts.ly:813:69: error: syntax error, unexpected end of input
instrument = \markup{ \center-column{ \line {BASS DRUM, CYMBALS,
} \line
{TAMBOURINE, TRIANGLE}}}
fatal error: failed files:
/home/ryanmcclure/Compositions/Transcriptions/Holst, Gustav/First Suite In
E-Flat/Parts.ly
(Forgive me for putting entire output, but this may help)
Whenever I uncomment everything, however, it works perfectly with no error
at all. I'm not sure what's going on. I can try to submit the .ly files for
you all to try it, but I'll have to break them down to minimal samples. What
could be causing this?
-
Ryan McClure
Luna Music Engraving
www.lunamusicengraving.com
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Re: The ultimate slur shaping function.
SoundsFromSound soundsfromso...@gmail.com writes: Janek Warchoł wrote Hi all, I'm proud to announce the beginning of a new era in tweaking LilyPond slurs! Thanks to sponsoring from Kieren, Alexander and Ben, I was able to improve Lily's \shape function (originally written by David Nalesnik, who also helped me with these improvements) - it's now possible to shape slurs in many ways, some of which are considerably more robust and generic than simple offsets used until now. Janek, I'm trying to test this out but I'm getting an error in my log: warning: Ignoring non-music expression \shapeII #'((3 . 0)) How should I proceed, what's the fix? :) The fix for the bug report is never to forget specifying your version of LilyPond. -- David Kastrup ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Possible bug? Commenting out section causes EOF
/facepalm/
I forgot to uncomment at the end of the document so that \book { could be
closed. Please disregard these emails :P
PS--To all of those who are reading this, thank you for all of the help
you've given me during my LilyPond learning process! It is appreciated more
than you could ever know!!!
-
Ryan McClure
Luna Music Engraving
www.lunamusicengraving.com
--
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Re: The ultimate slur shaping function.
David Kastrup wrote The fix for the bug report is never to forget specifying your version of LilyPond. -- David Kastrup ___ lilypond-user mailing list lilypond-user@ https://lists.gnu.org/mailman/listinfo/lilypond-user I thought I had included it in my signature, I guess it didn't save right. Sorry. I'm using LilyPond 2.17.96 now. - composer | sound designer LilyPond Tutorials (for beginners) -- http://bit.ly/bcl-lilypond -- View this message in context: http://lilypond.1069038.n5.nabble.com/The-ultimate-slur-shaping-function-tp154366p154375.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: The ultimate slur shaping function.
Hi Janek, this looks really great. I use some shortcuts, wrapping \shape, in my typesettings - this might move it foreward a lot! And probably I have an idea. Best, Jan-Peter Am 25.11.2013 01:42, schrieb Janek Warchoł: Hi all, I'm proud to announce the beginning of a new era in tweaking LilyPond slurs! Thanks to sponsoring from Kieren, Alexander and Ben, I was able to improve Lily's \shape function (originally written by David Nalesnik, who also helped me with these improvements) - it's now possible to shape slurs in many ways, some of which are considerably more robust and generic than simple offsets used until now. In addition to improved \shape, I've also written a function that allows to simply specify slur attachment points (as per Kieren's request - this feature returns to LilyPond after being removed about 8 years ago). See the attachments; the pdfs containing demonstrations of new capabilities and user documentation are here: http://lilypond-stuff.1065243.n5.nabble.com/file/n5705621/shapeII-examples.pdf http://lilypond-stuff.1065243.n5.nabble.com/file/n5705621/slur-attachments-examples.pdf Please test the functions and send me your opinions and feedback. Maybe I could improve them even more :-) best, Janek PS Here's the original email in which I had announced this project: http://lists.gnu.org/archive/html/lilypond-user/2013-10/msg00637.html I apologize that it took so much time - I was waiting for some reviews, and also had to finish some other tasks. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
