Re: customizing music fonts

[tisimst]

The short answer: Absolutely not!
The long answer: I think that any grob that uses the font-interface should be 
on this list. I think a comprehensive list can be found in the IR (look towards 
the bottom of the page):

http://lilypond.org/doc/v2.18/Documentation/internals/font_002dinterface

HTH,
Abraham

Sent from my iPhone

> On Oct 29, 2014, at 5:48 PM, Flaming Hakama by Elaine [via Lilypond] 
>  wrote:
> 
> 
> On Abraham Lee's page 
> https://sites.google.com/site/tisimst/Home/custom-font-how-to#localized-font-changes
> there is an example of mix-and-match fonts, which uses a layout block:
> 
> \layout {
>   \override DynamicText #'font-family = #'gonville
>   \override NoteHead #'font-family = #'lilyjazz
>   \override Script #'font-family = #'lilyjazz  % i.e., the articulations
>   \override TrillSpanner #'font-family = #'cadence
> }
> 
> I was wondering if this is a complete list (DynamicText, NoteHead, Script and 
> TrillSpanner) of what can be overridden.If not, what else could be 
> specified?
> 
> 
> Thanks, 
> 
> David Elaine Alt
> 415 
> . 341 .4954   "Confusion is highly 
> underrated"
> [hidden email]
> self-immolation.info
> skype: flaming_hakama
> Producer ~ Composer ~ Instrumentalist
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Re: thanks again for the editionEngraver

[Kieren MacMillan]

Hi Paul,

> I was thinking the edition engraver would be a good way
> to handle Urs’ "original breaks" functionality.  

Urs and I have had a brief private correspondence discussing that very point.  
=)

Summary: I don’t think the existence of the \editionEngraver means his 
“original breaks” functionality shouldn’t exist on their own in the regular 
distro. But I definitely agree that \editionEngraver makes easy work of that 
sort of thing.

> Instead of entering the original breaks (tagged or with a special break
> command) in the score in the middle of the music, mixing content and
> presentation...  I can imagine a way to simply enter a list of measure
> numbers where the original breaks should be placed, as part of the "editing
> edition" of the score.
> Then it would be easy to turn this "editing edition" on or off (from the
> command line or however).

That’s exactly what I do.  =)

If the \editionEngraver had anchors and direct context addressing, I believe I 
would be able to finally eliminate all presentation-layer coding (e.g., \tags, 
\tweaks, etc.) from my content code.

Best,
Kieren.
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www:  
email:  i...@kierenmacmillan.info


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Re: thanks again for the editionEngraver

[Paul Morris]

I was thinking the edition engraver would be a good way to handle Urs'
"original breaks" functionality.  

Instead of entering the original breaks (tagged or with a special break
command) in the score in the middle of the music, mixing content and
presentation...  I can imagine a way to simply enter a list of measure
numbers where the original breaks should be placed, as part of the "editing
edition" of the score.  

Then it would be easy to turn this "editing edition" on or off (from the
command line or however).

Just thinking out loud,
-Paul



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Re: Accidental Notes in different colour

[Paul Morris]

Jay Vara wrote
> There is a snippet that shows how to colour based on pitch 
> http://lsr.di.unimi.it/LSR/Snippet?id=572 - I was not able to figure out 
> how to use this to capture accidentals.

Hi Jay,  Check out this snippet:

Using ly:grob-object to access grobs with \tweak
http://lsr.di.unimi.it/LSR/Item?id=621

It shows how to access the accidental grob and stem grob from an override of
the notehead grob, and then you can change their color as well as the
notehead color.

There's also this one, which is a different version of the one you linked:
http://lsr.di.unimi.it/LSR/Snippet?id=897

Cheers,
-Paul



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Re: midi2ly

[ole]

Am 29.10.2014 um 23:10 schrieb Hans Aberg :

> 
>> On 29 Oct 2014, at 21:53, ole  wrote:
> 
>> I think I found the right place for your line.
>> And get the following error warning:
>> 
>> /Applications/LilyPond.app/Contents/Resources/bin/midi2ly:54: 
>> RuntimeWarning: Python C API version mismatch for module midi: This Python 
>> has API version 1013, module midi has version 1012.
> 
> The LilyPond midi2ly file has been compiled for the API in Python 2.4, so the 
> line should really be: 
> exec /usr/bin/arch -i386 /usr/bin/python2.4 
> /Applications/LilyPond.app/Contents/Resources/bin/midi2ly "$@“
> 
> But this version does not come with the system installation in /usr/bin/ of 
> later OS X.
> 
>> Sorry for the noise! 
>> Just discovered that a .ly file has been made despite of the error warning..
> 
> Strictly speaking, it is a warning as it passes the compile, not an error 
> which would abort. So it is a relevant issue, though it seems to work.
> 
> 
So- as I understand it right- I can install python 2.4 into /opt/local/bin via 
macports

and then change the line to

exec /usr/bin/arch -i386 /opt/local/bin/python2.4 
/Applications/LilyPond.app/Contents/Resources/bin/midi2ly "$@"

Would that work?
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customizing music fonts

[Flaming Hakama by Elaine]

On Abraham Lee's page
https://sites.google.com/site/tisimst/Home/custom-font-how-to#localized-font-changes
there is an example of mix-and-match fonts, which uses a layout block:

\layout {
  \override DynamicText #'font-family = #'gonville
  \override NoteHead #'font-family = #'lilyjazz
  \override Script #'font-family = #'lilyjazz  % i.e., the articulations
  \override TrillSpanner #'font-family = #'cadence
}

I was wondering if this is a complete list (DynamicText, NoteHead, Script
and TrillSpanner) of what can be overridden.If not, what else could be
specified?


Thanks,

David Elaine Alt
415 . 341 .4954   "*Confusion is
highly underrated*"
ela...@flaminghakama.com
self-immolation.info
skype: flaming_hakama
Producer ~ Composer ~ Instrumentalist
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Re: Slur and acciaccatura in chords

[Abraham Lee]

Oops, I meant

#:roman "lilyjazztext"
#:sans "lilyjazzchord"

Sorry for the confusion!

-Abraham

Sent from my iPhone

> On Oct 29, 2014, at 4:44 PM, tisimst  wrote:
> 
> Stephen,
> 
>> On Wed, Oct 29, 2014 at 4:21 PM, Stephen MacNeil [via Lilypond] <[hidden 
>> email]> wrote:
>> Hi Abraham,
>> 
>> Thanks for all the help. I do like your code it works really nice. As for 
>> the voices
>> 
>> >And just so you know, the << { ... }\\{ ... } >> implicitly applies
>> >\voiceOne and \voiceTwo, so those are unnecessary.
>> 
>> I did realize that however  i read a post somewhere saying that if you 
>> explicitly reference \voiceOne \voiceTwo the slur may look better. Guess it 
>> was wrong since I did end up using \shape. Anyway I am wondering why when I 
>> add and extra voice using << { ... }\\{ ... } >> (as guitar voices sometimes 
>> are added and subtracted at random), the stem length changes.
> 
> Sorry. I'm not sure why that happens. Maybe it's that LP is having some 
> difficulty determining "normal" dimensions with the clashing NoteColumns?
> 
>> 
>> \version "2.18.2"
>> %\include "../fonts/im/improviso.ily"
>> \relative c'{
>> \time 6/8
>> 8^"incorrect"  
>> <<{\stemUp <\tweak Flag.transparent ##t e g>8}\\{\slurDown \stemUp \shape 
>> #'((0.2 . 0) (0 . 0) (0 . 0) (0 . 0.3)) Slur \acciaccatura d'8 c  > g c>}>> |
>> }
>> 
>> \relative c'{
>> \time 6/8
>> 8^"correct"  
>> \shape #'((0.2 . 1.1) (0.5 . 1.5) (0.3 . 2.2) (0.1 . 2.8)) Slur
>> \acciaccatura d'8   
>> }
>> 
>> This is easily fixed however with
>> 
>> \override Stem.details.beamed-lengths = #'(3.5)
>> 
>> example:
>> 
>> \relative c'{
>> \time 6/8
>> 8^"incorrect"  
>> <<{\stemUp <\tweak Flag.transparent ##t e g>8}\\{\slurDown \stemUp \shape 
>> #'((0.2 . 0) (0 . 0) (0 . 0) (0 . 0.3)) Slur \override 
>> Stem.details.beamed-lengths = #'(3.5) \acciaccatura d'8 c  > c>}>> |
>> }
>> 
>> Anyway I was just curious on that.
>> 
>> Oh  I tried the fonts out, I am a big fan of font that looks hand written. 
>> So I really liked   
>> improviso.ily. I have used jazzlily for a long time and was wondering has it 
>> been updated since before?
>> 
>> anyway 
>> 
>> Thanks again
> 
> LilyJAZZ has *definitely* been updated. I've added numerous elements, 
> including articulations, microtonal accidentals, scripts, harmonics, etc. 
> It's quite complete now. It has also been updated in that it is used without 
> any fancy coding hacks :) Just do like you did with Improviso and use the 
> LilyJAZZ stylesheet via
> 
> \include "LilyJAZZ.ily"
> 
> or manually,
> 
> \paper {
>   #(define fonts
> (set-global-fonts
> #:music "lilyjazz"
> #:brace "lilyjazz"
> #:roman "LilyJAZZText"
> #:sans "LilyJAZZChords"
> #:factor (/ staff-height pt 20)
> ))
> }
> 
> in your score and you should be good to go!
> 
> Regards,
> Abraham
> 
> View this message in context: RE:Slur and acciaccatura in chords
> Sent from the User mailing list archive at Nabble.com.
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RE:Slur and acciaccatura in chords

[tisimst]

Stephen,

On Wed, Oct 29, 2014 at 4:21 PM, Stephen MacNeil [via Lilypond] 
 wrote:
> Hi Abraham,
> 
> Thanks for all the help. I do like your code it works really nice. As 
> for the voices
> 
> >And just so you know, the << { ... }\\{ ... } >> implicitly applies
> >\voiceOne and \voiceTwo, so those are unnecessary.
> 
> I did realize that however  i read a post somewhere saying that if 
> you explicitly reference \voiceOne \voiceTwo the slur may look 
> better. Guess it was wrong since I did end up using \shape. Anyway I 
> am wondering why when I add and extra voice using << { ... }\\{ ... } 
> >> (as guitar voices sometimes are added and subtracted at random), 
> the stem length changes.
> 

Sorry. I'm not sure why that happens. Maybe it's that LP is having some 
difficulty determining "normal" dimensions with the clashing 
NoteColumns?

> 
> \version "2.18.2"
> %\include "../fonts/im/improviso.ily"
> \relative c'{
> \time 6/8
> 8^"incorrect"  
> <<{\stemUp <\tweak Flag.transparent ##t e g>8}\\{\slurDown \stemUp 
> \shape #'((0.2 . 0) (0 . 0) (0 . 0) (0 . 0.3)) Slur \acciaccatura d'8 
> c  }>> |
> }
> 
> \relative c'{
> \time 6/8
> 8^"correct"  
> \shape #'((0.2 . 1.1) (0.5 . 1.5) (0.3 . 2.2) (0.1 . 2.8)) Slur
> \acciaccatura d'8   
> }
> 
> This is easily fixed however with
> 
> \override Stem.details.beamed-lengths = #'(3.5)
> 
> example:
> 
> \relative c'{
> \time 6/8
> 8^"incorrect"  
> <<{\stemUp <\tweak Flag.transparent ##t e g>8}\\{\slurDown \stemUp 
> \shape #'((0.2 . 0) (0 . 0) (0 . 0) (0 . 0.3)) Slur \override 
> Stem.details.beamed-lengths = #'(3.5) \acciaccatura d'8 c   g c>}>> |
> }
> 
> Anyway I was just curious on that.
> 
> Oh  I tried the fonts out, I am a big fan of font that looks hand 
> written. So I really liked
> improviso.ily. I have used jazzlily for a long time and was wondering 
> has it been updated since before?
> 
> anyway 
> 
> Thanks again 

LilyJAZZ has *definitely* been updated. I've added numerous elements, 
including articulations, microtonal accidentals, scripts, harmonics, 
etc. It's quite complete now. It has also been updated in that it is 
used without any fancy coding hacks :) Just do like you did with 
Improviso and use the LilyJAZZ stylesheet via

\include "LilyJAZZ.ily"

or manually,

\paper {
  #(define fonts
(set-global-fonts
#:music "lilyjazz"
#:brace "lilyjazz"
#:roman "LilyJAZZText"
#:sans "LilyJAZZChords"
#:factor (/ staff-height pt 20)
))
}

in your score and you should be good to go!

Regards,
Abraham




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Re: Clef change at the beginning of a staff

[tisimst]

Joram,

On Wed, Oct 29, 2014 at 3:53 PM, Joram [via Lilypond] 
 wrote:
> Answering my own question, I find this easier/shorter and more 
> compatible with simultaneous staves: 
> 
> \relative c' { 
> %%  Start with a bass clef 
> \clef bass 
> %%  Use a skip (has the least effect on Score timing) 
> s128 
> %%  Put in the tenor clef and continue... 
> \clef treble c4*127/128 
> c4 c c | c1 
> } 

I get a bar-check warning before the c1 using 2.18.2. You not seeing 
that?

-Abraham




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RE:Slur and acciaccatura in chords

[Stephen MacNeil]

Hi Abraham,

Thanks for all the help. I do like your code it works really nice. As for
the voices

>And just so you know, the << { ... }\\{ ... } >> implicitly applies
>\voiceOne and \voiceTwo, so those are unnecessary.

I did realize that however  i read a post somewhere saying that if you
explicitly reference \voiceOne \voiceTwo the slur may look better. Guess it
was wrong since I did end up using \shape. Anyway I am wondering why when I
add and extra voice using << { ... }\\{ ... } >> (as guitar voices
sometimes are added and subtracted at random, the stem length changes.


\version "2.18.2"

%\include "../fonts/im/improviso.ily"

\relative c'{

\time 6/8

8^"incorrect"  

<<{\stemUp <\tweak Flag.transparent ##t e g>8}\\{\slurDown \stemUp \shape
#'((0.2 . 0) (0 . 0) (0 . 0) (0 . 0.3)) Slur \acciaccatura d'8 c 
}>> |

}


\relative c'{

\time 6/8

8^"correct"  

\shape #'((0.2 . 1.1) (0.5 . 1.5) (0.3 . 2.2) (0.1 . 2.8)) Slur

\acciaccatura d'8   

}



This is easily fixed however with


\override Stem.details.beamed-lengths = #'(3.5)


example:


\relative c'{

\time 6/8

8^"incorrect"  

<<{\stemUp <\tweak Flag.transparent ##t e g>8}\\{\slurDown \stemUp \shape
#'((0.2 . 0) (0 . 0) (0 . 0) (0 . 0.3)) Slur \override
Stem.details.beamed-lengths = #'(3.5) \acciaccatura d'8 c  }>> |

}


Anyway I was just curious on that.


Oh  I tried the fonts out, I am a big fan of font that looks hand written.
So I really liked

improviso.ily. I have used jazzlily for a long time and was wondering has
it been updated since before?


anyway


Thanks again
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Re: midi2ly

[Hans Aberg]

> On 29 Oct 2014, at 21:53, ole  wrote:

> I think I found the right place for your line.
> And get the following error warning:
> 
> /Applications/LilyPond.app/Contents/Resources/bin/midi2ly:54: RuntimeWarning: 
> Python C API version mismatch for module midi: This Python has API version 
> 1013, module midi has version 1012.

The LilyPond midi2ly file has been compiled for the API in Python 2.4, so the 
line should really be: 
exec /usr/bin/arch -i386 /usr/bin/python2.4 
/Applications/LilyPond.app/Contents/Resources/bin/midi2ly "$@“

But this version does not come with the system installation in /usr/bin/ of 
later OS X.

> Sorry for the noise! 
> Just discovered that a .ly file has been made despite of the error warning..

Strictly speaking, it is a warning as it passes the compile, not an error which 
would abort. So it is a relevant issue, though it seems to work.



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Re: Clef change at the beginning of a staff

[Joram]

Answering my own question, I find this easier/shorter and more
compatible with simultaneous staves:

\relative c' {
%%  Start with a bass clef
\clef bass
%%  Use a skip (has the least effect on Score timing)
s128
%%  Put in the tenor clef and continue...
\clef treble c4*127/128
c4 c c | c1
}

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Re: Tied \afterGrace notes don't work?

[Dominic]

Ah, I figured it out by setting /\set Staff.tieWaitForNote = ##t/ 



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Clef change at the beginning of a staff

[Joram]

Hi,

is this still the way to go for this notation:
https://lists.gnu.org/archive/html/lilypond-user/2007-08/msg00141.html

I need the default clef first (bass) and then a treble change clef right
before the first note.

Cheers,
Joram

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Tied \afterGrace notes don't work?

[Dominic]

/\version "2.19.15"
\new Voice {
\afterGrace R1 { g''8~ } | 1
}/

results in 'warning: unterminated tie' and no tie printed. (Slurring the two
notes, on the other hand, works fine)
Is this a limitation, and if so, what would be a workaround to produce a
visually and functionally identical result?

Thanks,

Dominic



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Accidental Notes in different colour

[Jay Vara]

Is there a way to make the accidental notes in a different colour?

I can make a particular note a different colour by:

\tweak NoteHead.color #red
\tweak Stem.color #red
\tweak Accidental.color #red
c4

However, I would like to have all the accidentals to be coloured. Perhaps, 
override NoteHead colouring somehow - not sure how to know if it is an 
accidental.

There is a snippet that shows how to colour based on pitch 
http://lsr.di.unimi.it/LSR/Snippet?id=572 - I was not able to figure out 
how to use this to capture accidentals.




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Re: midi2ly

[Hans Aberg]

> On 29 Oct 2014, at 20:13, ole  wrote:

> Can you please describe for me where exactly I have to put the line, in the 
> .profile file?

I make a script - an executable, which should be in the PATH (see below).

There are several ways to make a script:

One way is first making the text file in Terminal by
touch midi2ly
If you want use a text editor like Xcode, go to Terminal and write
  open -a Xcode midi2ly
and paste in the line
  exec /usr/bin/arch -i386 /usr/bin/python2.7 
/Applications/LilyPond.app/Contents/Resources/bin/midi2ly "$@"
 and save.

Alternatively, make the file directly by writing
  cat > mid2ly
Paste in the same line as above followed by D to end ‘cat’.

The set the executable permissions by
  chmod a+x midi2ly
Check that it is right with
  ls -l midi2ly

Then put in somewhere in the PATH. In later OS X, /usr/local/bin/ is in the 
searchpath, but putting it there requires ‘sudo’ permissions (unless changed as 
some running homebrew do). But to do that write
  sudo cp midi2ly /usr/local/bin/
By using ‘cp’ rather than ‘mv’, the other file metadata becomes right.

Otherwise, you might make a directory ~/bin/, make sure it is in the PATH by 
changing .profile. Then ‘sudo’ isn’t needed. 


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Re: Double barline with white filling

[Jayaratna]

Hi Pierre,

Yes, I guess this is the easiest way to have Lilypond setting the line
breaks.
I just tweaked a little your code, 

gap = \mark\markup { 
  \with-color #white
  \with-dimensions #'(0 . 0) #'(0 . 0)
 \filled-box #'(-.25 . .25) #'(-5.5 . 0) #0
}

and removed %\override BarLine.kern = #9.7 

to get it working like a default double barline.

Now I can add as many bars as I want and have lilypond calculating the line
breaks and making several same-width lines.

Thank you so much!!!
Andrea



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Re: Double barline with white filling

[Pierre Perol-Schneider]

Hi again Andrea,

2014-10-29 15:37 GMT+01:00 Jayaratna :


> can I customize a double barline \bar"||" so that the space between the two
> lines is white and not transparent? This would make two consecutive bars to
> appear as separate file.
>

I can see the idea.
I'm not sure I can find exactly what you want ; see enclosed file as a
first attempt.
Cheers,
Pierre
\version "2.18.2"

myFirstIncipit = \markup \score {
  \new Staff {
\clef "petrucci-c3"
s8
  }
  \layout {
line-width = 20
\context {
  \Score
  \omit TimeSignature
}
  }
}

mySecondIncipit = \markup\column {
  \score {
\new Staff {
  \clef "petrucci-c4"
  s8
}
\layout {
  line-width = 20
  \context {
\Score
\omit TimeSignature
  }
}
  }
  \vspace #.4
}

myThirdIncipit = \markup \score {
  \new Staff {
\clef "mensural-f"
s8
  }
  \layout {
line-width = 20
\context {
  \Score
  \omit TimeSignature
}
  }
}

myScore.pdf
Description: Adobe PDF document
\version "2.18.2"
\include "myIncipits.ly"
#(set-global-staff-size 19)
\pointAndClickOff

gap = \mark\markup {
  \with-color #white
  \with-dimensions #'(0 . 0) #'(0 . 0)
  \filled-box #'(-.5 . .5) #'(-5.5 . 0) #0
}

staffOne = { 
  \clef "G_8"
  \cadenzaOn
  r2 b a a b1 \bar "||"
  \gap
  b2 c'4 d' e' b8[ c'] d'4. c'8 b1 \bar "||"
  \gap
  g4. a8 b4 c' d' c' a2 b1 \bar "|"
}

staffTwo = { 
  \clef "G_8"
  g2 g1 fis2 g1
  \gap
  g2 g1 fis2 g1
  \gap
  e'2 g'1 fis'2 g'1
}

staffThree = { 
  \clef F
  g1 c2 d g,1
  \gap
  g4. f8 e4 d c e4 d2 g,1
  \gap
  c2 g,4. a,8 b,4 c d2 g,1
}

\score {
  \new StaffGroup <<
\new Staff 
\with { instrumentName = \myFirstIncipit }
\staffOne
\new Staff 
\with { instrumentName = \mySecondIncipit }
\staffTwo
\new Staff 
\with { instrumentName = \myThirdIncipit }
\staffThree
  >>
  \layout {
\context {
  \Score
  \omit TimeSignature
  \override BarLine.kern = #9.7
  \remove "Mark_engraver" 
  \remove "Staff_collecting_engraver"
  %% optional :
  \omit BarNumber
}
\context {
  \Staff
  \override InstrumentName.padding = #-2
  \consists "Mark_engraver" 
  \consists "Staff_collecting_engraver"
}
  }
}
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Re: Big Music Font Update

[Federico Bruni]

2014-10-29 15:25 GMT+01:00 Urs Liska :

> Am 29.10.2014 15:17, schrieb tisimst:
>
> Urs,
>
>  Do you want to add the ".woff" extension to your code? It goes in the
> "svg" folder.
>
>
> Just did it, but only through the web interface - so it's not tested.



Just tested, it works. Thanks!
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Double barline with white filling

[Jayaratna]

Dear Lilyexperts,

can I customize a double barline \bar"||" so that the space between the two
lines is white and not transparent? This would make two consecutive bars to
appear as separate file.

Thank you,
Andrea



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Re: thanks again for the editionEngraver

[Jan-Peter Voigt]

Hi Kieren,

I thought about it, but since September I am employed in another job and
have only very spare time for lily. Well this contract is limited until
the end of year.
There is more to come ...
hope to develop on it soon!

For now
best,
Jan-Peter

Am 27.10.2014 um 19:41 schrieb Kieren MacMillan:
> Hi Jan-Peter,
>
> I continue to use your \editionEngraver to great effect. Thanks again! I 
> really do think such a mechanism — properly tweaked/improved — should become 
> a standard part of the Liypond distro.
>
> A couple of questions:
>
> 1. Have you thought any more about allowing direct addressing of contexts? 
> I’m currently revising a score with more than 10,000 frames (i.e., >200 
> measures on >50 staves), and would love to apply the \editionEngraver… but 
> you can probably imagine my trepidation, given that any later context 
> editing/reordering will break any existing edition tweaks.  =\
>
> 2. Have you thought any more about supporting anchor points in the score, so 
> that one could say “the position/offset of this mod is relative to anchor 
> point X”? When someone (Werner?) first suggested this, I didn’t immediately 
> see the benefit — though I believe I ultimately agreed that as long as the 
> anchor mechanism was independent of the existing \mark structure, it couldn’t 
> hurt. Now that I’ve really used \editionEngraver a lot, and on a lot of big 
> scores, I am convinced that an editionEngraver that Does The Right Thing™ 
> absolutely must support such anchors. Again, I’m looking at adding or 
> removing measures in this gargantuan score, and imagining the cascading chaos.
>
> Thanks!
> Kieren.
>
> On Jul 28, 2014, at 4:31 AM, Jan-Peter Voigt  wrote:
>
>> I thought of a change - or addition - like your proposal. At least the 
>> "counter" should be exchangable by the context-id.
>> That way partcombined voices can be addressed by "up", "down" and so on. I 
>> can't say, if it is managable to omit the context-name (Voice or Staff or 
>> else). But we will see.
>> So, yes, I consider it ;)
> ___
>
> Kieren MacMillan, composer
> www:  
> email:  i...@kierenmacmillan.info


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Re: Big Music Font Update

[Urs Liska]

Am 29.10.2014 15:17, schrieb tisimst:

Urs,

Do you want to add the ".woff" extension to your code? It goes in the 
"svg" folder.


Just did it, but only through the web interface - so it's not tested.
Urs



-Abraham

On Wed, Oct 29, 2014 at 4:37 AM, Urs Liska [via Lilypond] <[hidden 
email] > wrote:


Am 29.10.2014 10:11, schrieb pls:

> On 29.10.2014, at 09:56, Urs Liska <[hidden email] 
> wrote:

>
>>
>> Am 29. Oktober 2014 07:56:30 MEZ, schrieb Federico Bruni <[hidden 
email] >:

>>> Il giorno mer 29 ott 2014 alle 0:50, tisimst
>>> <[hidden email] > 
ha scritto:

 Sorry for the confusion, but I'm pretty sure I said, "look on the
 MAIN page" (emphasis added). There are definitely installation
 instructions there. Just scroll down the page until you see it. I
 didn't feel like it would be necessary to repeat the 
instructions on

 every font page, but maybe I do.
>>> Ok, I got it. I shouldn't try new things at night...
>>> I was in a hurry and I totally skipped the chapter "Patch 
Installation
>>> (requires LilyPond 2.18.2 - 2.19.11)", because I'm using 2.19.15, 
and

>>> that's where installation directory is explained for any version.
>>>
>>> So the fonts must be copied again each time I upgrade to a new 
version

>>> of LilyPond.
>>> I'll write a script to automate this.
>> Such a script should try to *link* the fonts instead of copying them.
>> I have already written a script but don't find it right now :-(
> https://github.com/openlilylib/openlilylib/tree/master/fonts ???
erm, yes ...

>> Urs
>>
>>>
>>> 


>>>
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Re: Can I \markup \concat more than one file in a row?

[Jayaratna]

By the way how do I get linebreaks inside a \concat of several scores?



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Re: Can I \markup \concat more than one file in a row?

[Jayaratna]

Pierre,

thank you for your solution. I understand how it works, and it is brilliant
and simple.

As far as I understand it is not possible to include a working (one which
gives a pdf output when run) lilypond file in a \markup environment. This
means I will have to edit all my scores and subsequently I will have to make
an output file for each of them and a separate output file for my score row.
Plus I will have to further extrapolate my incipits from the first file.

It's quite a lot of work, I hoped it would have been possible to just
include my files without having to edit them so heavily.

By the way look at the new documentation for making incipits, with the 2.18
version of lilypond sometimes incipits created as a filename are badly
centered, due to some change in the boxing engine I guess. 

Thank you,
Andrea



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Re: Big Music Font Update

[tisimst]

Urs,

Do you want to add the ".woff" extension to your code? It goes in the 
"svg" folder.

-Abraham

On Wed, Oct 29, 2014 at 4:37 AM, Urs Liska [via Lilypond] 
 wrote:
> 
> Am 29.10.2014 10:11, schrieb pls:
> 
> > On 29.10.2014, at 09:56, Urs Liska <[hidden email]> wrote: 
> > 
> >> 
> >> Am 29. Oktober 2014 07:56:30 MEZ, schrieb Federico Bruni <[hidden 
> email]>: 
> >>> Il giorno mer 29 ott 2014 alle 0:50, tisimst 
> >>> <[hidden email]> ha scritto: 
>  Sorry for the confusion, but I'm pretty sure I said, "look on 
> the 
>  MAIN page" (emphasis added). There are definitely installation 
>  instructions there. Just scroll down the page until you see it. 
> I 
>  didn't feel like it would be necessary to repeat the 
> instructions on 
>  every font page, but maybe I do. 
> >>> Ok, I got it. I shouldn't try new things at night... 
> >>> I was in a hurry and I totally skipped the chapter "Patch 
> Installation 
> >>> (requires LilyPond 2.18.2 - 2.19.11)", because I'm using 2.19.15, 
> and 
> >>> that's where installation directory is explained for any version. 
> >>> 
> >>> So the fonts must be copied again each time I upgrade to a new 
> version 
> >>> of LilyPond. 
> >>> I'll write a script to automate this. 
> >> Such a script should try to *link* the fonts instead of copying 
> them. 
> >> I have already written a script but don't find it right now :-( 
> > https://github.com/openlilylib/openlilylib/tree/master/fonts ???
> 
> erm, yes ... 
> 
> >> Urs 
> >> 
> >>> 
> >>> 
>  
> >>> 
> >>> ___ 
> >>> lilypond-user mailing list 
> >>> [hidden email] 
> >>> https://lists.gnu.org/mailman/listinfo/lilypond-user
> >> 
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> >> lilypond-user mailing list 
> >> [hidden email] 
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[AFIM.INFO] TENOR 2015: First International Conference on New Technologies for Music Notation and Representation

[anders . vinjar]

--- Begin Message ---
Topics:
   Fwd: [AFIM.INFO] TENOR 2015: First International Conference on New 
Technologies for Music Notation and Representation
--- End Message ---
--- Begin Message ---

Début du message réexpédié :

> De: Pierre Couprie (Paris4) 
> Objet: [AFIM.INFO] TENOR 2015: First International Conference on New 
> Technologies for Music Notation and Representation
> Date: 27 octobre 2014 13:50:00 UTC+1
> À: afim.i...@afim-asso.org
> 
> TENOR 2015
> First International Conference on New Technologies for Music Notation and 
> Representation
> 
> Call for papers
> 
> Paris, France, 29-30 May 2015
> University of Paris-Sorbonne / Ircam
> 
> The first International Conference on New Technologies for Music Notation and 
> Representation is dedicated to issues in theoretical and applied research and 
> development in Music Notation and Representation, with a strong focus on 
> computer tools and applications, as well as a tight connection to music 
> creation.
> 
> Until very recently, the support provided by the computer music to the field 
> of symbolic notation remained fairly conventional. However, recent 
> developments indicate that the field of tools for musical notation is now 
> moving towards new forms of representation. Moreover, musical notation, 
> transcription, sonic visualization, and musical representation are often 
> associated in the fields of musical analysis, ethnology, and acoustics. The 
> aim of this conference is to explore all of recent mutations of notation and 
> representation in all domains of music.
> 
> Topics of interest
> 
> Musical creation
>   • Notation in electronic and electroacoustic music
>   • Notations for interactive music
>   • Notation for sound installations
>   • Notation for the multimedia and mixed arts
>   • Live coding
> 
> Musical notation
>   • Innovative computer applications for music notation
>   • Languages for music notation
>   • Gesture notation
>   • Notation and mobile devices
>   • Exchange formats for music notation
>   • Online tools and languages for music notation and representation
> 
> Analysis, notation & pieces studies
>   • Analysis of contemporary notations
>   • Semiotic of new notation forms
>   • Ontology of the notation of interactive music
>   • Data mining, music notation corpus, databases
> 
> Representation, transcription
>   • Sound visualization
>   • Interactive representation
>   • Transcription in ethnomusicology and representation of non-written 
> musics
>   • Non-western or ancient music trans-notation
>   • Representation and transcription in acoustic ecology and sound 
> landscape
>   • Optical music recognition
> 
> Listening, teaching
>   • Listening guides
>   • Live and offline annotation
>   • Notations for music pedagogy
> 
> Submission
> 
> Information & submission: http://tenor2015.tenor-conference.org.
> Deadline for papers submission: January 15, 2015.
> 
> With the collaboration of:
> 
> Institut de Recherche en Musicologie, CNRS UMR 8223
> Université Paris-Sorbonne
> Ircam
> LAM, Lutheries - Acoustique - Musique, UPMC
> GRAME, Centre national de création musicale, Lyon
> AFIM, Association Française d'Informatique Musicale

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Re: Can I \markup \concat more than one file in a row?

[Pierre Perol-Schneider]

Hi Andrea,

2014-10-29 13:08 GMT+01:00 Jayaratna :


> I have a series of short scores that I need to print all in a row, tight to
> each other but with a little white space in between, more or less like
> this:
>
> <
> http://lilypond.1069038.n5.nabble.com/file/n168064/2014-10-29-165843_1024x600_scrot.png
> >
>

See enclosed files,
HTH,
Pierre
\version "2.18.2"
#(set-global-staff-size 19)
\pointAndClickOff
\include "myFirstScore.ly"
\include "mySecondScore.ly"
\include "myThirdScore.ly"

\markup\concat {
  \myFirstScore
  \hspace #1
  \mySecondScore
  \hspace #1
  \myThirdScore
}


myFinalScore.pdf
Description: Adobe PDF document
\version "2.18.2"
\include "myIncipits.ly"

myFirstScore = \markup 
\score {
  \new StaffGroup <<
\new Staff 
\with { instrumentName = \myFirstIncipit }
{ 
  \clef "G_8"
  \cadenzaOn
  r2 b a a b1 \bar "|"
}
\new Staff 
\with { instrumentName = \mySecondIncipit }
{ 
  \clef "G_8"
  g2 g1 fis2 g1
}
\new Staff 
\with { instrumentName = \myThirdIncipit }
{ 
  \clef F
  g1 c2 d g,1
}
  >>
  \layout {
\context {
  \Score
  \omit TimeSignature
}
\context {
  \StaffGroup
  \override StaffGrouper.staff-staff-spacing.basic-distance = #10
}
\context {
  \Staff
  \override InstrumentName.padding = #-2
}
  }
}\version "2.18.2"

myFirstIncipit = \markup \score {
  \new Staff {
\clef "petrucci-c3"
s8
  }
  \layout {
line-width = 20
\context {
  \Score
  \omit TimeSignature
}
  }
}

mySecondIncipit = \markup \score {
  \new Staff {
\clef "petrucci-c4"
s8
  }
  \layout {
line-width = 20
\context {
  \Score
  \omit TimeSignature
}
  }
}

myThirdIncipit = \markup \score {
  \new Staff {
\clef "mensural-f"
s8
  }
  \layout {
line-width = 20
\context {
  \Score
  \omit TimeSignature
}
  }
}\version "2.18.2"

mySecondScore = \markup 
\score {
  \new StaffGroup <<
\new Staff { 
  \clef "G_8"
  \cadenzaOn
  b2 c'4 d' e' b8[ c'] d'4. c'8 b1 \bar "|"
}
\new Staff { 
  \clef "G_8"
  g2 g1 fis2 g1
}
\new Staff { 
  \clef F
  g4. f8 e4 d c e4 d2 g,1
}
  >>
  \layout {
indent = 0
\context {
  \Score
  \omit TimeSignature
  \omit Clef
  \omit ClefModifier
}
\context {
  \StaffGroup
  \remove "System_start_delimiter_engraver"
  \override StaffGrouper.staff-staff-spacing.basic-distance = #10
}
\context {
  \Staff
  \override InstrumentName.padding = #-2
}
  }
}\version "2.18.2"

myThirdScore = \markup 
\score {
  \new StaffGroup <<
\new Staff { 
  \clef "G_8"
  \cadenzaOn
  g4. a8 b4 c' d' c' a2 b1 \bar "|"
}
\new Staff { 
  \clef "G_8"
  e'2 g'1 fis'2 g'1
}
\new Staff { 
  \clef F
  c2 g,4. a,8 b,4 c d2 g,1
}
  >>
  \layout {
indent = 0
\context {
  \Score
  \omit TimeSignature
  \omit Clef
  \omit ClefModifier
}
\context {
  \StaffGroup
  \remove "System_start_delimiter_engraver"
  \override StaffGrouper.staff-staff-spacing.basic-distance = #10
}
\context {
  \Staff
  \override InstrumentName.padding = #-2
}
  }
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Re: Can I \markup \concat more than one file in a row?

[Jayaratna]

Hi JM,

I edited out the  tags from both my entries, 
thanks



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Re: Can I \markup \concat more than one file in a row?

[David Nalesnik]

On Wed, Oct 29, 2014 at 8:04 AM, Jacques Menu  wrote:

> Hello Jayaratna,
>
> For some reason, your messages lacks the important things
>

Same for me, but if you follow the link below, you should see everything:


>
> > View this message in context:
> http://lilypond.1069038.n5.nabble.com/Can-I-markup-concat-more-than-one-file-in-a-row-tp168064p168067.html
> > Sent from the User mailing list archive at Nabble.com.
>
>
--David
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Re: Can I \markup \concat more than one file in a row?

[Jacques Menu]

Hello Jayaratna,

For some reason, your messages lacks the important things, here is what I get.

JM

> Le 29 oct. 2014 à 14:01:35, Jayaratna  a écrit :
> 
> Just experimenting. If I write:
> 
> 
> 
> it works. But this gives errors:
> 
> 
> 
> To get it working I have to move the layout block:
> 
> 
> But I can't move my layout block inside my included files. Is this the
> problem?
> 
> 
> 
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Re: Can I \markup \concat more than one file in a row?

[Jayaratna]

Just experimenting. If I write:



it works. But this gives errors:



To get it working I have to move the layout block:


But I can't move my layout block inside my included files. Is this the
problem?



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Can I \markup \concat more than one file in a row?

[Jayaratna]

Dear Lilyexperts,

I have a series of short scores that I need to print all in a row, tight to
each other but with a little white space in between, more or less like this:


 


I see it is possible to concat several scores in a \markup environment, like
this:




But I can't get it to work if I use an \include "file.ly" instead of my
\notes variable. What's wrong?

Thank you,
Andrea



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Re: Big Music Font Update

[Urs Liska]

Am 29.10.2014 10:11, schrieb pls:

On 29.10.2014, at 09:56, Urs Liska  wrote:



Am 29. Oktober 2014 07:56:30 MEZ, schrieb Federico Bruni :

Il giorno mer 29 ott 2014 alle 0:50, tisimst
 ha scritto:

Sorry for the confusion, but I'm pretty sure I said, "look on the
MAIN page" (emphasis added). There are definitely installation
instructions there. Just scroll down the page until you see it. I
didn't feel like it would be necessary to repeat the instructions on
every font page, but maybe I do.

Ok, I got it. I shouldn't try new things at night...
I was in a hurry and I totally skipped the chapter "Patch Installation
(requires LilyPond 2.18.2 - 2.19.11)", because I'm using 2.19.15, and
that's where installation directory is explained for any version.

So the fonts must be copied again each time I upgrade to a new version
of LilyPond.
I'll write a script to automate this.

Such a script should try to *link* the fonts instead of copying them.
I have already written a script but don't find it right now :-(

https://github.com/openlilylib/openlilylib/tree/master/fonts ???


erm, yes ...


Urs





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Re: Updated to LilyPond 2.18.02

[Martin Tarenskeen]

On Tue, 28 Oct 2014, keith Luke wrote:


I just updated to LilyPond 2.18.02 and


I guess you mean 2.18.2

Which makes me wonder:

is

\version "2.18.02"

allowed syntax, for example to be recognized by convert-ly?
I believe it's not, but maybe it should be allowed?

--

MT



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Re: Big Music Font Update

[pls]

On 29.10.2014, at 09:56, Urs Liska  wrote:

> 
> 
> Am 29. Oktober 2014 07:56:30 MEZ, schrieb Federico Bruni :
>> Il giorno mer 29 ott 2014 alle 0:50, tisimst 
>>  ha scritto:
>>> Sorry for the confusion, but I'm pretty sure I said, "look on the 
>>> MAIN page" (emphasis added). There are definitely installation 
>>> instructions there. Just scroll down the page until you see it. I 
>>> didn't feel like it would be necessary to repeat the instructions on 
>>> every font page, but maybe I do.
>> 
>> Ok, I got it. I shouldn't try new things at night...
>> I was in a hurry and I totally skipped the chapter "Patch Installation 
>> (requires LilyPond 2.18.2 - 2.19.11)", because I'm using 2.19.15, and 
>> that's where installation directory is explained for any version.
>> 
>> So the fonts must be copied again each time I upgrade to a new version 
>> of LilyPond.
>> I'll write a script to automate this.
> 
> Such a script should try to *link* the fonts instead of copying them.
> I have already written a script but don't find it right now :-(

https://github.com/openlilylib/openlilylib/tree/master/fonts ???

> 
> Urs
> 
>> 
>> 
>> 
>> 
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>> lilypond-user mailing list
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Re: To many colliding ...

[Urs Liska]

Am 29. Oktober 2014 06:46:47 MEZ, schrieb Keith OHara :
>> From: "Dr. Bernhard Kleine"  gmx.net>
>> I have added a file which shows the warning. It compiles but I would
>like 
>> to know about the warning.
> 
>LilyPond complains when two voices have the same stem direction and no 
>indication of which note-head to shift horizontally (in the style of 
>Bach-era polyphony) to avoid the appearance of a chord.
>
>If you want the appearance of a chord, then ignore the warning.
>Be aware, though, that LilyPond is still interpreting your input as 
>two voices, which just happen to overlap in print.  If the two voices
>have eighth notes, there will be two flags, which look ugly in the
>same direction. (Maybe the warning could help to remind people to check
>
>for this?)
>
>If you want LilyPond to make a true chord, you can say 2 in one 
>of the two voices.
>
>Trevor Daniels  treda.co.uk> writes:
>> It's due to the use of \stemUp and \stemDown commands. 
>> Try to code your score without using them by assigning the notes to
>> correct voices. 
>
>Well, in the example the <<\\>> assigned default voices, but then 
>there was some reason for wanting the \stemUp or \stemDown overrides. 
>Using instead \voiceOne, bzw. \voiceTwo, is usually a good idea,
>but in the example given an explicit \voiceTwo would ask for two voices
>
>both in \voiceTwo and LilyPond gives a warning.
>
>It became clear that this warning did more harm than good.  Just one
>month ago, we restricted it.  Now when we explicitly ask for \stemDown
>or \voiceTwo on both voices, LilyPond sets the notes in the same column
>without complaint.
>
>Phil Holmes  philholmes.net> writes:
>> GNU LilyPond 2.19.14
>> Success: compilation successfully completed
>
>Version 2.19.14 is the first 'development' (for testing) version where 
>this warning has been removed.
>

Ah, that's why ...
Thanks for the explanation.

Urs
>
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Re: Big Music Font Update

[Urs Liska]

Am 29. Oktober 2014 07:56:30 MEZ, schrieb Federico Bruni :
>Il giorno mer 29 ott 2014 alle 0:50, tisimst 
> ha scritto:
>> Sorry for the confusion, but I'm pretty sure I said, "look on the 
>> MAIN page" (emphasis added). There are definitely installation 
>> instructions there. Just scroll down the page until you see it. I 
>> didn't feel like it would be necessary to repeat the instructions on 
>> every font page, but maybe I do.
>
>Ok, I got it. I shouldn't try new things at night...
>I was in a hurry and I totally skipped the chapter "Patch Installation 
>(requires LilyPond 2.18.2 - 2.19.11)", because I'm using 2.19.15, and 
>that's where installation directory is explained for any version.
>
>So the fonts must be copied again each time I upgrade to a new version 
>of LilyPond.
>I'll write a script to automate this.

Such a script should try to *link* the fonts instead of copying them.
I have already written a script but don't find it right now :-(

Urs

>
>
>
>
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