Import xml multiple stanzas
I have .xml files of hymns with multiple stanzas. However, Frescobaldi will import only the first stanza. How can I persuade it to import every stanza?
Re: Multiple stanzas to selection of melody
Simon Albrecht-2 wrote Am 29.07.2014 01:28, schrieb Marten: Hello Abraham, Simon, Thanks for your solutions and quick replies :) I decided to try to implement Simon's third solution, as it explicitly keeps the melody of the stanzas together with their texts. Ingenious - hadn't thought about a solution like that. I have two question about it though: 1. If I use \addlyrics instead of \new Lyrics for the stanzas, an ambitus will be rendered for the stanza and the refrain *separately* (a layout block activating the ambitus, must of course be added). If I use \new Lyrics, as in your solution, only one ambitus for the entire song is rendered (expected behaviour). Why is this so? I find the question a bit confusing. Looking at Abrahams example (in the answer he wrote) makes me wonder why you use separate voices for refrain and verse. I can’t see any necessity to do so and it contradicts the logic of the music: after all, refrain and stanza are not sung by different singers. If you use two different voices, it’s only natural that each gets an ambitus of its own. What would you expect? 2. If the stanza melody begins with a rest, the text gets aligned under the rest. Why? Please try once more to understand the difference in the mechanisms of my first and second examples: in the one with \addlyric, an association between lyrics and the voice is created and each syllable is associated with one note (thus, rests are skipped). The other way does not use direct relation between lyrics and notes: both are entered separately, with their own durations, and it’s up to you to get the alignment in time correct. Lilypond will print everything at the point of time where you put it, and if a rest and a lyric syllable come at the same point of time, they will be aligned. I hope you tried at least to understand the topic yourself from the lenghty and fully sufficient description in the manuals, to which I pointed you. Sometimes it takes a little time to comprehend, but it will save the time of the friendly persons on this list who help you with real problems. Best regards, Simon ___ lilypond-user mailing list lilypond-user@ https://lists.gnu.org/mailman/listinfo/lilypond-user Simon, I knew I had seen this somewhere and didn't just make it up (as shown in the official docs): http://lilypond.org/doc/v2.18/Documentation/learning/solo-verse-and-two_002dpart-refrain http://lilypond.org/doc/v2.18/Documentation/learning/solo-verse-and-two_002dpart-refrain I think your answer may still be better, by the way, in response to the original question :) Good work, Abraham -- View this message in context: http://lilypond.1069038.n5.nabble.com/Multiple-stanzas-to-selection-of-melody-tp165018p165158.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Multiple stanzas to selection of melody
Jim Long lilypond at umpquanet.com writes: On Mon, Jul 28, 2014 at 07:47:17PM +, Marten wrote: Dear all, Trying to typeset a song I am faced with the following problem for which I can;t find a solution in the manual or snippet repository. I kindly request your help. I'm typesetting a song with one staff, where the refrain comes first and spans multiple lines of notes; after that come 3 stanzas. I'd like the song text to be placed under the stanza melody, but I don't want to add empty lines to the refrain. I'm looking for a solution with one \score block. Can this be done? Marten: Is the attached exaple germane to what you are trying to do? regards, Jim Attachment (test-lyric.ly): text/x-lilypond, 840 bytes Attachment (test-lyric.pdf): application/pdf, 24 KiB ___ lilypond-user mailing list lilypond-user at gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user Yes, Jim, that's what I'm trying to do. However, in your code, with two \new Voice statements, you will break the piece and an ambitus will be displayed at the beginning of each Voice. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Multiple stanzas to selection of melody
tisimst tisimst.lilypond at gmail.com writes: Simon Albrecht-2 wrote Am 29.07.2014 01:28, schrieb Marten: Hello Abraham, Simon, Thanks for your solutions and quick replies :) I decided to try to implement Simon's third solution, as it explicitly keeps the melody of the stanzas together with their texts. Ingenious - hadn't thought about a solution like that. I have two question about it though: 1. If I use \addlyrics instead of \new Lyrics for the stanzas, an ambitus will be rendered for the stanza and the refrain *separately* (a layout block activating the ambitus, must of course be added). If I use \new Lyrics, as in your solution, only one ambitus for the entire song is rendered (expected behaviour). Why is this so? I find the question a bit confusing. Looking at Abrahams example (in the answer he wrote) makes me wonder why you use separate voices for refrain and verse. I can’t see any necessity to do so and it contradicts the logic of the music: after all, refrain and stanza are not sung by different singers. If you use two different voices, it’s only natural that each gets an ambitus of its own. What would you expect? 2. If the stanza melody begins with a rest, the text gets aligned under the rest. Why? Please try once more to understand the difference in the mechanisms of my first and second examples: in the one with \addlyric, an association between lyrics and the voice is created and each syllable is associated with one note (thus, rests are skipped). The other way does not use direct relation between lyrics and notes: both are entered separately, with their own durations, and it’s up to you to get the alignment in time correct. Lilypond will print everything at the point of time where you put it, and if a rest and a lyric syllable come at the same point of time, they will be aligned. I hope you tried at least to understand the topic yourself from the lenghty and fully sufficient description in the manuals, to which I pointed you. Sometimes it takes a little time to comprehend, but it will save the time of the friendly persons on this list who help you with real problems. Best regards, Simon ___ lilypond-user mailing list lilypond-user at https://lists.gnu.org/mailman/listinfo/lilypond-user Simon, I knew I had seen this somewhere and didn't just make it up (as shown in the official docs): http://lilypond.org/doc/v2.18/Documentation/learning/solo-verse-and- two_002dpart-refrain http://lilypond.org/doc/v2.18/Documentation/learning/solo-verse-and- two_002dpart-refrain I think your answer may still be better, by the way, in response to the original question :) Good work, Abraham -- View this message in context: http://lilypond.1069038.n5.nabble.com/Multiple-stanzas-to-selection-of- melody-tp165018p165158.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user at gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user Hello Simon, thanks for your explanation. Yes I do understand the difference between \addlyrics and \new Lyrics. The point is that when I replace one of the \new Lyrics with \addlyrics, that an extra ambitus appears. As I understand it, the ambitus engraver is triggered to restart counting by specifying \addlyrics when more than one Voice is present. Since I could not get this to work for me with a single ambitus appearing, I decided to change to the method of your first example. A bit ugly in my opinion to add two lines with underscores to each stanza in order to skip the refrain, but the result then is correct :) To me this solution is still more pleasantly editing than specifying a duration in the text, but that's a matter of taste, I guess. The solution Abraham pointed to also uses two voices, and for that reason also two ambituses will appear. (I tested this.) [On a sidenote: the problem of adding a text to only a part of a melody could be very smoothly solved if Lilypond provided the option to add a name to a certain part of the melody. The text might then be added as \lyricsto partname.] Anyway: problem solved. Thanks! ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Multiple stanzas to selection of melody
On Thu, Jul 31, 2014 at 08:36:43PM +, Marten wrote:
Yes, Jim, that's what I'm trying to do.
However, in your code, with two \new Voice statements, you will break the
piece and an ambitus will be displayed at the beginning of each Voice.
So use the abitus engraver in the Staff context instead of the
Voice context:
Jim
\version 2.19.0
refrain = \lyricmode {
Here's the re -- frain.
Here's the re -- frain.
}
verseOne = \lyricmode {
This is verse one.
This is verse one.
}
verseTwo = \lyricmode {
This is verse two.
This is verse two.
}
verseThree = \lyricmode {
This is verse three.
This is verse three.
}
verseFour = \lyricmode {
This is verse four.
This is verse four.
}
\score {
{
\new Voice = refrain {
c'4 c'4 c'4 c'4 \break
c'4 c'4 c'4 c'4 \break
}
\new Voice = verse {
g'4 g'4 g'4 g'4 \break
g'4 g'4 g'4 g'4 \break
}
}
\new Lyrics \lyricsto refrain \refrain
\new Lyrics \lyricsto verse \verseOne
\new Lyrics \lyricsto verse \verseTwo
\new Lyrics \lyricsto verse \verseThree
\new Lyrics \lyricsto verse \verseFour
}
\layout {
\context {
\Staff
\consists Ambitus_engraver
}
}
test-lyric.pdf
Description: Adobe PDF document
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Re: Multiple stanzas to selection of melody
Am 29.07.2014 01:28, schrieb Marten: Hello Abraham, Simon, Thanks for your solutions and quick replies :) I decided to try to implement Simon's third solution, as it explicitly keeps the melody of the stanzas together with their texts. Ingenious - hadn't thought about a solution like that. I have two question about it though: 1. If I use \addlyrics instead of \new Lyrics for the stanzas, an ambitus will be rendered for the stanza and the refrain *separately* (a layout block activating the ambitus, must of course be added). If I use \new Lyrics, as in your solution, only one ambitus for the entire song is rendered (expected behaviour). Why is this so? I find the question a bit confusing. Looking at Abrahams example (in the answer he wrote) makes me wonder why you use separate voices for refrain and verse. I can’t see any necessity to do so and it contradicts the logic of the music: after all, refrain and stanza are not sung by different singers. If you use two different voices, it’s only natural that each gets an ambitus of its own. What would you expect? 2. If the stanza melody begins with a rest, the text gets aligned under the rest. Why? Please try once more to understand the difference in the mechanisms of my first and second examples: in the one with \addlyric, an association between lyrics and the voice is created and each syllable is associated with one note (thus, rests are skipped). The other way does not use direct relation between lyrics and notes: both are entered separately, with their own durations, and it’s up to you to get the alignment in time correct. Lilypond will print everything at the point of time where you put it, and if a rest and a lyric syllable come at the same point of time, they will be aligned. I hope you tried at least to understand the topic yourself from the lenghty and fully sufficient description in the manuals, to which I pointed you. Sometimes it takes a little time to comprehend, but it will save the time of the friendly persons on this list who help you with real problems. Best regards, Simon ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Multiple stanzas to selection of melody
Dear all, Trying to typeset a song I am faced with the following problem for which I can;t find a solution in the manual or snippet repository. I kindly request your help. I'm typesetting a song with one staff, where the refrain comes first and spans multiple lines of notes; after that come 3 stanzas. I'd like the song text to be placed under the stanza melody, but I don't want to add empty lines to the refrain. I'm looking for a solution with one \score block. Can this be done? In a scetch: =several notes, line 1 = Text to refrain, line 1 =several notes, line 2 = Text to refrain, line 2 =several notes, line 3 = Text to stanza 1, line 3 Text to stanza 2, line 3 Text to stanza 3, line 3 =several notes, line 4 = Text to stanza 1, line 4 Text to stanza 2, line 4 Text to stanza 3, line 4 To me it would seem logical to change the name of the Voice in line 3, and the associate the lyrics of the stanzas with the voice name in line 3. But I don't knwo how to do this. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Multiple stanzas to selection of melody
On Mon, Jul 28, 2014 at 1:47 PM, Marten msvis...@planet.nl wrote:
Dear all,
Trying to typeset a song I am faced with the following problem for
which I
can;t find a solution in the manual or snippet repository. I kindly
request
your help.
I'm typesetting a song with one staff, where the refrain comes first
and
spans multiple lines of notes; after that come 3 stanzas. I'd like
the song
text to be placed under the stanza melody, but I don't want to add
empty
lines to the refrain. I'm looking for a solution with one \score
block. Can
this be done?
In a scetch:
=several notes, line 1 =
Text to refrain, line 1
=several notes, line 2 =
Text to refrain, line 2
=several notes, line 3 =
Text to stanza 1, line 3
Text to stanza 2, line 3
Text to stanza 3, line 3
=several notes, line 4 =
Text to stanza 1, line 4
Text to stanza 2, line 4
Text to stanza 3, line 4
To me it would seem logical to change the name of the Voice in line
3, and
the associate the lyrics of the stanzas with the voice name in line
3. But
I don't knwo how to do this.
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Maybe not the best solution, but one that works. Use two voices on
separate staves, explicit line breaks, hide empty staves:
=voice1 notes, line1 (empty measures voice2)= BREAK
Text to refrain, line 1 (associated with voice1)
=voice1 notes, line2 (empty measures voice2)= BREAK
Text to refrain, line 2 (associated with voice1)
=voice2 notes, line3 (empty measures voice1)= BREAK
Text to stanza 1, line 1 (associated with voice2)
Text to stanza 2, line 1 (associated with voice2)
Text to stanza 3, line 1 (associated with voice2)
=voice2 notes, line4 (empty measures voice1)= BREAK
Text to stanza 1, line 2 (associated with voice2)
Text to stanza 2, line 2 (associated with voice2)
Text to stanza 3, line 2 (associated with voice2)
If you use spacer notes (rests should work too) for the empty measures,
then the refrain lyrics will show up only in lines 1 and 2 and the
stanzas will show up with the notes in lines 3 and 4. Then the empty
measures can be hidden with:
\layout {
\context {
\Staff
\RemoveEmptyStaves
\override VerticalAxisGroup #'remove-first = ##t
}
}
thus, showing only the refrain in the first two lines and the stanzas
in the last two lines.
Good luck!
-Abraham
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Re: Multiple stanzas to selection of melody
Am 28.07.2014 21:47, schrieb Marten:
Dear all,
Trying to typeset a song I am faced with the following problem for which I
can;t find a solution in the manual or snippet repository. I kindly request
your help.
I'm typesetting a song with one staff, where the refrain comes first and
spans multiple lines of notes; after that come 3 stanzas. I'd like the song
text to be placed under the stanza melody, but I don't want to add empty
lines to the refrain. I'm looking for a solution with one \score block. Can
this be done?
In a sketch:
=several notes, line 1 =
Text to refrain, line 1
=several notes, line 2 =
Text to refrain, line 2
=several notes, line 3 =
Text to stanza 1, line 3
Text to stanza 2, line 3
Text to stanza 3, line 3
=several notes, line 4 =
Text to stanza 1, line 4
Text to stanza 2, line 4
Text to stanza 3, line 4
To me it would seem logical to change the name of the Voice in line 3, and
the associate the lyrics of the stanzas with the voice name in line 3. But
I don't knwo how to do this.
Hello Marten,
I agree that LilyPond does not have a satisfying interface for such
situations (i.e. any situation with repeats, which get different text on
different times, or with changing number of stanzas, as in your example).
I’ve made three examples which should do what you want, the first two
are similar, the third isn’t. Explanations are in the code, and more to
be found in the learning manual
http://lilypond.org/doc/v2.18/Documentation/learning/songs and
notation reference
http://lilypond.org/doc/v2.18/Documentation/notation/vocal-music.
Hope that helps,
Simon
\version 2.19.8
#(set-default-paper-size a6 'landscape)
% here, lyric syllables are automatically assigned to notes
% by \lyricsto
% the refrain text is written next to the second stanza
% in order to be vertically centered if there is no
% line break at the beginning of the stanza
% in the other stanzas, the refrain must be skipped
% by one underscore per missing syllable
melody = \relative { \time 3/4 c'4 d e f2. d4 e f g2. \break
bes4 a g f( g8 f) e[( d]) g4( e) d c2. }
stanzaOne = \lyricmode { _ _ _ _ _ _ _ _
\set stanza = 1.
This is the text of stan -- za one }
stanzaTwo = \lyricmode { This is the text of the re -- frain.
\set stanza = 2.
This is the text of stan -- za two. }
stanzaThree = \lyricmode { _ _ _ _ _ _ _ _
\set stanza = 3.
This is the text of stan -- za three. }
\score {
\new Voice = melody \melody
\new Lyrics \lyricsto melody \stanzaOne
\new Lyrics \lyricsto melody \stanzaTwo
\new Lyrics \lyricsto melody \stanzaThree
}\version 2.19.8
#(set-default-paper-size a6 'landscape)
% here, the lyric syllable durations are manually entered and
% \lyricsto avoided. This allows skipping the refrain more easily.
melody = \relative { \time 3/4 c'4 d e f2. d4 e f g2. \break
bes4 a g f( g8 f) e[( d]) g4( e) d c2. }
stanzaOne = \lyricmode { \skip 2.*4
\set stanza = 1.
This4 is the text2 of4 stan2 -- za4 one. }
stanzaTwo = \lyricmode { This4 is the text2. of4 the re -- frain.2.
\set stanza = 2.
This4 is the text2 of4 stan2 -- za4 two. }
stanzaThree = \lyricmode { \skip 2.*4
\set stanza = 3.
This4 is the text2 of4 stan2 -- za4 three. }
\score {
\new Voice \melody
\new Lyrics \stanzaOne
\new Lyrics \stanzaTwo
\new Lyrics \stanzaThree
}\version 2.19.8
#(set-default-paper-size a6 'landscape)
% This is an entirely different layout and slightly more elegant, I think.
% Here, new contexts are created in parallel to the music at the point
% where the stanzas begin.
refrain = \lyricmode { \set stanza = 1.â3.
This4 is the text2. of4 the re -- frain.2. }
stanzaOne = \lyricmode { \set stanza = 1.
This4 is the text2 __ of4 stan2 -- za4 one. }
stanzaTwo = \lyricmode { \set stanza = 2.
This4 is the text2 __ of4 stan2 -- za4 two. }
stanzaThree = \lyricmode { \set stanza = 3.
This4 is the text2 __ of4 stan2 -- za4 three. }
melody = \relative { \time 3/4 c'4 d e f2. d4 e f g2. \break
\new Lyrics \stanzaOne
\new Lyrics \stanzaTwo
\new Lyrics \stanzaThree
{ bes4 a g f( g8 f) e[( d]) g4( e) d c2. } }
\score {
\new Voice \melody
\new Lyrics \refrain
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Re: Multiple stanzas to selection of melody
Hello Abraham, Simon, Thanks for your solutions and quick replies :) I decided to try to implement Simon's third solution, as it explicitly keeps the melody of the stanzas together with their texts. Ingenious - hadn't thought about a solution like that. I have two question about it though: 1. If I use \addlyrics instead of \new Lyrics for the stanzas, an ambitus will be rendered for the stanza and the refrain *separately* (a layout block activating the ambitus, must of course be added). If I use \new Lyrics, as in your solution, only one ambitus for the entire song is rendered (expected behaviour). Why is this so? 2. If the stanza melody begins with a rest, the text gets aligned under the rest. Why? Many thanks, Marten ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Multiple stanzas to selection of melody
On Mon, Jul 28, 2014 at 5:28 PM, Marten msvis...@planet.nl wrote:
Hello Abraham, Simon,
Thanks for your solutions and quick replies :)
I decided to try to implement Simon's third solution, as it
explicitly
keeps the melody of the stanzas together with their texts.
Ingenious - hadn't thought about a solution like that.
I have two question about it though:
1. If I use \addlyrics instead of \new Lyrics for the stanzas, an
ambitus
will be rendered for the stanza and the refrain *separately* (a
layout
block activating the ambitus, must of course be added). If I use \new
Lyrics, as in your solution, only one ambitus for the entire song is
rendered (expected behaviour). Why is this so?
2. If the stanza melody begins with a rest, the text gets aligned
under the
rest. Why?
Many thanks,
Marten
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Marten,
The reason why it lines up under the rest is because of how Simon
notates the lyrics using the numbers to indicate the duration of the
lyrics. This removes the automatic synchronizing with the notes. Here's
Simon's example in the way that I described it before. It removes the
need to specify the lyric durations, but may not be what you fix the
ambitus issue...
Regards,
Abraham
\version 2.18.2
#(set-default-paper-size a6 'landscape)
refrainNotes = \relative c' {
\time 3/4
c4 d e |
f2. |
d4 e f |
g2. | \break
s2.*4
}
stanzaNotes = \relative c'' {
\time 3/4
s2.*4
bes4 a g |
f( g8 f) e[( d]) |
g4( e) d |
c2.
}
refrain = \lyricmode {
This is the text of the re -- frain.
}
stanzaOne = \lyricmode {
\set stanza = 1.
This is the text of stan -- za one.
}
stanzaTwo = \lyricmode {
\set stanza = 2.
This is the text of stan -- za two.
}
stanzaThree = \lyricmode {
\set stanza = 3.
This is the text of stan -- za three.
}
\score {
\new Voice = refrain \refrainNotes
\new Lyrics \lyricsto refrain \refrain
\new Voice = stanza \stanzaNotes
\new Lyrics \lyricsto stanza \stanzaOne
\new Lyrics \lyricsto stanza \stanzaTwo
\new Lyrics \lyricsto stanza \stanzaThree
\layout {
\context {
\Staff
\RemoveEmptyStaves
\override VerticalAxisGroup #'remove-first = ##t
}
}
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Re: Multiple stanzas to selection of melody
On Mon, Jul 28, 2014 at 07:47:17PM +, Marten wrote:
Dear all,
Trying to typeset a song I am faced with the following problem for which I
can;t find a solution in the manual or snippet repository. I kindly request
your help.
I'm typesetting a song with one staff, where the refrain comes first and
spans multiple lines of notes; after that come 3 stanzas. I'd like the song
text to be placed under the stanza melody, but I don't want to add empty
lines to the refrain. I'm looking for a solution with one \score block. Can
this be done?
Marten:
Is the attached exaple germane to what you are trying to do?
regards,
Jim
\version 2.19.0
refrain = \lyricmode {
Here's the re -- frain.
Here's the re -- frain.
}
verseOne = \lyricmode {
This is verse one.
This is verse one.
}
verseTwo = \lyricmode {
This is verse two.
This is verse two.
}
verseThree = \lyricmode {
This is verse three.
This is verse three.
}
verseFour = \lyricmode {
This is verse four.
This is verse four.
}
\score {
{
\new Voice = refrain {
c'4 c'4 c'4 c'4 \break
c'4 c'4 c'4 c'4 \break
}
\new Voice = verse {
c'4 c'4 c'4 c'4 \break
c'4 c'4 c'4 c'4 \break
}
}
\new Lyrics \lyricsto refrain \refrain
\new Lyrics \lyricsto verse \verseOne
\new Lyrics \lyricsto verse \verseTwo
\new Lyrics \lyricsto verse \verseThree
\new Lyrics \lyricsto verse \verseFour
}
test-lyric.pdf
Description: Adobe PDF document
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Re: Multiple Stanzas in the middle of a piece
Hi Michael, 2011/4/18 Michael Dykes thedoctor81...@gmail.com I now know how to do multiple stanzas with a single common section, but I need the reverse essentially--Single common sections for most of the music, but 3 stanzas near the middle of the piece. Attached is the source code as it is now without any changes. I tried making changes, but ended up using several hours and acheived nothing. Thanks for any help you may provide. Actually, I do have the 3 stanzas here, but not in the proper place. They should be after the \divisioMinima in the secnd section of notes. You have to use skips in your second and third stanzas... see attachment. HTH Marek -- Marek Klein http://gregoriana.sk eis_zn.ly Description: Binary data ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Multiple Stanzas in the middle of a piece
OK, Marek. Thanks a lot. However, I need the lyrics to be between the 2
staves, and not under the bass stave -- and also, ever since I started
messing around with my original file (which did not have the split lyrics),
the barlines have been off. If you do not mind, please see the original
file: eis_zn[3].ly and the new one, renamed: eis_zn2.ly Thanks again for all
your help!
On Mon, Apr 18, 2011 at 2:39 AM, Marek Klein ma...@gregoriana.sk wrote:
Hi Michael,
2011/4/18 Michael Dykes thedoctor81...@gmail.com
I now know how to do multiple stanzas with a single common section, but I
need the reverse essentially--Single common sections for most of the music,
but 3 stanzas near the middle of the piece. Attached is the source code as
it is now without any changes. I tried making changes, but ended up using
several hours and acheived nothing. Thanks for any help you may provide.
Actually, I do have the 3 stanzas here, but not in the proper place. They
should be after the \divisioMinima in the secnd section of notes.
You have to use skips in your second and third stanzas... see attachment.
HTH
Marek
--
Marek Klein
http://gregoriana.sk
--
In Christ,
Michael D
\version 2.12.3
\include english.ly
\include gregorian.ly
% XS: necessary, see below
\paper{
page-count = #1
}
\header {
title = Eisodikon~Come, let us Worship
poet = Znamenny Chant~Tone 2
composer = Arranged by Michael Dykes
}
% #(set-global-staff-size 22)
global = {
\key f \major
\revert Score.SpacingSpanner #'packed-spacing
\override Staff.BarLine #'stencil = ##f
}
move = { \bar \break }
soprano = \relative c'' {
\global
% Music follows here.
g4 g2 g8(f) g(a) bf4 bf \divisioMinima
bf4 a8(bf) c4(bf a) g8 a bf4(a g1) \divisioMaior
g4 bf a bf \divisioMinima
bf4^\markup {\bold *}
bf c2 c4 bf a g2(f) \divisioMinima
bf2 bf8(a) g4 bf2 a4 g1 \divisioMaior
g4 a bf bf bf \divisioMinima
bf4 bf c c c \divisioMinima
c8(bf a bf) c4 bf2(a4 bf8 a g4) a g\breve \finalis
}
tenor = \relative c' {
\global
% Music follows here.
g4 g2 g8(f) g(a) bf4 bf \divisioMinima
bf4 a8(bf) c4(bf a) g8 a bf4(a g1) \divisioMaior
bf4 d c d \divisioMinima
d4 d ef2 ef4 d c c2(a) \divisioMinima
d2 d8(c) bf4 d2 c4 bf1 \divisioMaior
bf4 c d d d \divisioMinima
d4 d ef ef ef \divisioMinima
ef8(d c d) ef4 d2(c4 d8 c d4) c4 bf\breve \finalis
}
bass = \relative c {
\global
% Music follows here.
g'4 g2 g8(f) g(a) bf4 bf \divisioMinima
bf4 a8(bf) c4(bf a) g8 a bf4(a g1) \divisioMaior
g4 g g g \divisioMinima
g4 g f2 f4 f f c2(d) \divisioMinima
g2 g4 g d2 f4 g1 \divisioMaior
g4 g g g g \divisioMinima
g4 g f f f \divisioMinima
f2 f4 g2 d1 g g,\breve \finalis
}
verse = \lyricmode {
\override LyricSpace #'minimum-distance = #1.0
\override LyricText #'font-size = #+1
% Lyrics follow here.
O come, let __ us __ wor -- ship,
and fall __ down __ be -- fore Christ; __
O Son of God,
Who art ri -- sen from the dead, __
Save us __ who sing to Thee:
Al -- le -- lu -- i -- a,
Al -- le -- lu -- i -- a,
Al __ le -- lu __ i -- a!
}
\score {
\new ChoirStaff
\new Staff \with {
midiInstrument = voice oohs
instrumentName = \markup \center-column { S }
shortInstrumentName = \markup \center-column { S }
}
\new Voice = soprano { \voiceOne \soprano }
\new Lyrics \with {
\override VerticalAxisGroup #'nonstaff-relatedstaff-spacing
#'minimum-distance = #6
} \lyricsto soprano \verse
\new Staff \with {
midiInstrument = voice oohs
instrumentName = \markup \center-column { T B }
shortInstrumentName = \markup \center-column { T B }
}
\clef bass
\new Voice = tenor { \voiceOne \tenor }
\new Voice = bass { \voiceTwo \bass }
\layout { ragged-last=##t
#(layout-set-staff-size 22)
}
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 130 4)
}
}
}
\version 2.12.3
\include english.ly
\include gregorian.ly
% XS: necessary, see below
\paper{
page-count = #1
}
\header {
title = Eisodikon~Come, let us Worship
poet = Znamenny Chant~Tone 2
composer = Arranged by Michael Dykes
footer = obs_zn[3].ly
ponomarname = Only-Begotten Son
ponomartype = OwnWork
ponomarsubtype = Arrangement
ponomarsource = Unknown
ponomarauthor = Michael Dykes
maintainer = Michael Dykes
maintaineremail = thedoctor81...@gmail.com
lastupdated = 2011/04/10
ponomarlang = en
ponomarcomments =
copyright = This score is part of the Ponomar OpenMusic Project
tagline = \markup {
\override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7)
\box \center-column {
\line { \with-url #http://www.ponomar.net; \line { www. \hspace #-1.0 ponomar \hspace #-1.0 .net \hspace #0.5 } • Orthodox Liturgical music that is \italic free to download, use, modify and distribute. }
\line { Typeset using
Re: Multiple Stanzas in the middle of a piece
Is this what you need? Marek 2011/4/18 Michael Dykes thedoctor81...@gmail.com OK, Marek. Thanks a lot. However, I need the lyrics to be between the 2 staves, and not under the bass stave -- and also, ever since I started messing around with my original file (which did not have the split lyrics), the barlines have been off. If you do not mind, please see the original file: eis_zn[3].ly and the new one, renamed: eis_zn2.ly Thanks again for all your help! eis_zn[3].ly Description: Binary data ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Multiple Stanzas in the middle of a piece
Hullo Marek. Almost perfect. However, I just now realized that for the 3rd stanza the word Theo -- to -- kos, __ needs to be scored differently (i.e. with different music). Bascially the music is exactly the same, except for those words, the kos of Theotokos needs to fall on the f2 - the same f2 that is slurred in the 'other' two 'stanzas. I just now realized that issue. Is there any way for me to use lilypond to score the 1 3 stanza musically as is (w/ the slur from g(f) - sop, c(a) - ten, and c(d) - bass) but omit those slurs in the 2nd so that the kos falls on the f - sop, a - ten, and d - bass? Many thanks for all your help thus far. If I can get this, it will be *exactly *what I am looking for. On Mon, Apr 18, 2011 at 3:18 AM, Marek Klein ma...@gregoriana.sk wrote: Is this what you need? Marek 2011/4/18 Michael Dykes thedoctor81...@gmail.com OK, Marek. Thanks a lot. However, I need the lyrics to be between the 2 staves, and not under the bass stave -- and also, ever since I started messing around with my original file (which did not have the split lyrics), the barlines have been off. If you do not mind, please see the original file: eis_zn[3].ly and the new one, renamed: eis_zn2.ly Thanks again for all your help! -- In Christ, Michael D ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Multiple Stanzas in the middle of a piece
Hi Michael, 2011/4/18 Michael Dykes thedoctor81...@gmail.com Hullo Marek. Almost perfect. However, I just now realized that for the 3rd stanza the word Theo -- to -- kos, __ needs to be scored differently (i.e. with different music). Bascially the music is exactly the same, except for those words, the kos of Theotokos needs to fall on the f2 - the same f2 that is slurred in the 'other' two 'stanzas. I just now realized that issue. Is there any way for me to use lilypond to score the 1 3 stanza musically as is (w/ the slur from g(f) - sop, c(a) - ten, and c(d) - bass) but omit those slurs in the 2nd so that the kos falls on the f - sop, a - ten, and d - bass? Many thanks for all your help thus far. If I can get this, it will be *exactly *what I am looking for. The solution for this is very well described here: http://lilypond.org/doc/v2.13/Documentation/notation/techniques-specific-to-lyrics#divisi-lyrics HTH Marek -- Marek Klein 0918 610 720 http://gregoriana.sk ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Multiple Stanzas in the middle of a piece
I now know how to do multiple stanzas with a single common section, but I
need the reverse essentially--Single common sections for most of the music,
but 3 stanzas near the middle of the piece. Attached is the source code as
it is now without any changes. I tried making changes, but ended up using
several hours and acheived nothing. Thanks for any help you may provide.
Actually, I do have the 3 stanzas here, but not in the proper place. They
should be after the \divisioMinima in the secnd section of notes.
--
In Christ,
Michael D
\version 2.12.3
\include english.ly
\include gregorian.ly
% XS: necessary, see below
\paper{
page-count = #1
}
\header {
title = Eisodikon~Come, let us Worship
poet = Znamenny Chant~Tone 2
composer = Arranged by Michael Dykes
footer = obs_zn[3].ly
ponomarname = Only-Begotten Son
ponomartype = OwnWork
ponomarsubtype = Arrangement
ponomarsource = Unknown
ponomarauthor = Michael Dykes
maintainer = Michael Dykes
maintaineremail = thedoctor81...@gmail.com
lastupdated = 2011/04/10
ponomarlang = en
ponomarcomments =
copyright = This score is part of the Ponomar OpenMusic Project
tagline = \markup {
\override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7)
\box \center-column {
\line { \with-url #http://www.ponomar.net; \line { www. \hspace #-1.0 ponomar \hspace #-1.0 .net \hspace #0.5 } • Orthodox Liturgical music that is \italic free to download, use, modify and distribute. }
\line { Typeset using \with-url #http://www.LilyPond.org; \line { LilyPond } by \maintainer \hspace #-1.0 . \hspace #0.5 Copyright © 2011. \hspace #0.5 Reference: \footer }
\line { \teeny \line { Licensed under the Creative Commons Attribution-ShareAlike 3.0 (Unported) License, for details see: \hspace #-0.5 \with-url #http://creativecommons.org/licenses/by-sa/3.0; http://creativecommons.org/licenses/by-sa/3.0 } }
}
}
}
% #(set-global-staff-size 22)
global = {
\key f \major
\revert Score.SpacingSpanner #'packed-spacing
% \override Staff.NoteHead #'style = #'altdefault
% \override Staff.TimeSignature #'stencil = ##f
% \override Staff.BarLine #'stencil = ##f
}
move = { \bar \break }
soprano = \relative c'' {
\global
% Music follows here.
g4 g2 g8(f) g(a) bf4 bf \divisioMinima
bf4 a8(bf) c4(bf a) g8 a bf4(a g1) \divisioMaior
g4 bf a bf \divisioMinima
bf4^\markup {\bold *}
bf c2 c4 bf a g2(f) \divisioMinima
bf2 bf8(a) g4 bf2 a4 g1 \divisioMaior
g4 a bf bf bf \divisioMinima
bf4 bf c c c \divisioMinima
c8(bf a bf) c4 bf2(a4 bf8 a g4) a g\breve \finalis
}
tenor = \relative c' {
\global
% Music follows here.
}
bass = \relative c {
\global
% Music follows here.
}
\score {
\new ChoirStaff
\new Staff \with {
midiInstrument = voice oohs
instrumentName = \markup \center-column { S }
shortInstrumentName = \markup \center-column { S }
}
\new Voice = soprano {\voiceOne \soprano }
\relative c'' {
g4 g2 g8(f) g(a) bf4 bf \divisioMinima
bf4 a8(bf) c4(bf a) g8 a bf4(a g1) \divisioMaior
g4 bf a bf \divisioMinima
\set melismaBusyProperties = #'()
bf4^\markup {\bold *}
bf c2 c4 bf a g2(f) \divisioMinima
\unset melismaBusyProperties
bf2 bf8(a) g4 bf2 a4 g1 \divisioMaior
g4 a bf bf bf \divisioMinima
bf4 bf c c c \divisioMinima
c8(bf a bf) c4 bf2(a4 bf8 a g4) a g\breve \finalis
}
\new Staff \with {
midiInstrument = voice oohs
instrumentName = \markup \center-column { T B }
shortInstrumentName = \markup \center-column { T B }
}
\clef bass
\new Voice = tenor { \voiceOne \tenor }
\relative c' {
g4 g2 g8(f) g(a) bf4 bf \divisioMinima
bf4 a8(bf) c4(bf a) g8 a bf4(a g1) \divisioMaior
bf4 d c d \divisioMinima
\set melismaBusyProperties = #'()
d4 d ef2 ef4 d c c2(a) \divisioMinima
\unset melismaBusyProperties
d2 d8(c) bf4 d2 c4 bf1 \divisioMaior
bf4 c d d d \divisioMinima
d4 d ef ef ef \divisioMinima
ef8(d c d) ef4 d2(c4 d8 c d4) c4 bf\breve \finalis
}
\new Voice = bass { \voiceTwo \bass }
\relative c {
g'4 g2 g8(f) g(a) bf4 bf \divisioMinima
bf4 a8(bf) c4(bf a) g8 a bf4(a g1) \divisioMaior
g4 g g g\divisioMinima
\set melismaBusyProperties = #'()
g4 g f2 f4 f f c2(d) \divisioMinima
\unset melismaBusyProperties
g2 g4 g d2 f4 g1 \divisioMaior
g4 g g g g \divisioMinima
g4 g f f f \divisioMinima
f2 f4 g2 d1 g g,\breve \finalis
}
\new Lyrics \with {
\override VerticalAxisGroup #'nonstaff-relatedstaff-spacing
#'minimum-distance = #6
} \lyricsto soprano {
O come, let __ us __ wor -- ship,
and fall __ down __ be -- fore Christ; __
O Son of God,
Who art ri -- sen from the dead, __
Save us __ who sing to Thee:
Al -- le -- lu -- i -- a,
Al -- le -- lu -- i -- a,
Al __ le -- lu __ i -- a!
}
\new Lyrics \lyricsto soprano {
Who art won -- drous
Re: Multiple Stanzas
Michael
You should be able to adapt the following to do what you want.
Trevor
\score {
\new Staff {
\new Voice = melody {
\relative c'' {
a4 a a a
b4 b b b
a4 a a a
}
}
}
\new Lyrics \lyricsto melody {
Com -- mon sec -- tion.
{ The first time words. }
\new Lyrics {
\set associatedVoice = melody
Sec -- ond time words.
}
\new Lyrics {
\set associatedVoice = melody
Third _ __ time words.
}
Com -- mon sec -- tion.
}
}
- Original Message -
From: Michael Dykes thedoctor81...@gmail.com
To: lilypond-user lilypond-user@gnu.org
Sent: Tuesday, April 12, 2011 5:20 AM
Subject: Multiple Stanzas
I have an attached file (as always, I know) - and I where the
lyrics say
Who art ri-sen from the dead - just under those words ONLY I
wish to
place 2 other sets of lyrics, namely:
Who art won-drous in Thy saints
and
Through the prayers of the Theo-to-kos
I have been looking at the section on stanzas, but so far have not
found
this particular challenge. Any help, or someone to point me to the
right
place would be appreciated. Thanks.
--
In Christ,
Michael D
___
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___
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lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Multiple Stanzas
I have an attached file (as always, I know) - and I where the lyrics say
Who art ri-sen from the dead - just under those words ONLY I wish to
place 2 other sets of lyrics, namely:
Who art won-drous in Thy saints
and
Through the prayers of the Theo-to-kos
I have been looking at the section on stanzas, but so far have not found
this particular challenge. Any help, or someone to point me to the right
place would be appreciated. Thanks.
--
In Christ,
Michael D
\version 2.13.58
\include english.ly
\include gregorian.ly
% XS: necessary, see below
\paper{
page-count = #1
print-all-headers = ##t
}
% #(set-global-staff-size 22)
global = {
\key f \major
\revert Score.SpacingSpanner #'packed-spacing
\override Staff.NoteHead #'style = #'altdefault
\override Staff.TimeSignature #'stencil = ##f
\override Staff.BarLine #'stencil = ##f
}
move = { \bar \break }
sopranoOne = \relative c'' {
\global
% Music follows here.
g4 g2 g8(f) g(a) bf4 bf \divisioMinima
bf4 a8(bf) c4(bf a) g8 a bf4(a g1) \divisioMaior
g4 bf a bf \divisioMinima
bf4^\markup {\bold *}
bf c2 c4 bf a g2(f) \divisioMinima
bf2 bf8(a) g4 bf2 a4 g1 \divisioMaior
g4 a bf bf bf \divisioMinima
bf4 bf c c c \divisioMinima
c8(bf a bf) c4 bf2(a4 bf8 a g4) a g\breve \finalis
}
sopranoTwo = \relative c'' {
\global
% Music follows here.
bf4 bf c2 c4 bf a g2(f) \divisioMinima
}
sopranoThree = \relative c'' {
\global
% Music follows here.
bf4 bf c2 c4 c bf a g2 f \divisioMinima
}
tenorOne = \relative c' {
\global
% Music follows here.
g4 g2 g8(f) g(a) bf4 bf \divisioMinima
bf4 a8(bf) c4(bf a) g8 a bf4(a g1) \divisioMaior
bf4 d c d \divisioMinima
d4 d ef2 ef4 d c c2(a) \divisioMinima
d2 d8(c) bf4 d2 c4 bf1 \divisioMaior
bf4 c d d d \divisioMinima
d4 d ef ef ef \divisioMinima
ef8(d c d) ef4 d2(c4 d8 c d4) c4 bf\breve \finalis
}
tenorTwo = \relative c'' {
\global
% Music follows here.
d,4 d ef2 ef4 d c c2(a) \divisioMinima
}
tenorThree = \relative c'' {
\global
% Music follows here.
d,4 d d ef2 ef4 ef d c2(a) \divisioMinima
}
bassOne = \relative c {
\global
% Music follows here.
g'4 g2 g8(f) g(a) bf4 bf \divisioMinima
bf4 a8(bf) c4(bf a) g8 a bf4(a g1) \divisioMaior
g4 g g g\divisioMinima
g4 g f2 f4 f f c2(d) \divisioMinima
g2 g4 g d2 f4 g1 \divisioMaior
g4 g g g g \divisioMinima
g4 g f f f \divisioMinima
f2 f4 g2 d1 g g,\breve \finalis
}
bassTwo = \relative c'' {
\global
% Music follows here.
g,4 g f2 f4 f f c2(f) \divisioMinima
}
bassThree = \relative c'' {
\global
% Music follows here.
g,4 g f2 f4 f f f c2 f \divisioMinima
}
verseOne = \lyricmode {
\override LyricSpace #'minimum-distance = #1.0
\override LyricText #'font-size = #+1
% Lyrics follow here.
O come, let us wor -- ship,
and fall __ down __ be -- fore Christ; __
O Son of God,
Who art ri -- sen from the dead, __
Save us __ who sing to Thee:
Al -- le -- lu -- i -- a,
Al -- le -- lu -- i -- a,
Al __ le -- lu __ i -- a!
}
verseTwo = \lyricmode {
\override LyricSpace #'minimum-distance = #1.0
\override LyricText #'font-size = #+1
% Lyrics follow here.
Who art won -- drous in Thy saints,
}
verseThree = \lyricmode {
\override LyricSpace #'minimum-distance = #1.0
\override LyricText #'font-size = #+1
% Lyrics follow here.
through the prayers of the The -- o -- to -- kos,
}
\score {
\new ChoirStaff
\new Staff \with {
midiInstrument = voice oohs
instrumentName = \markup \center-column { S }
shortInstrumentName = \markup \center-column { S }
}
\new Voice = soprano { \voiceOne \sopranoOne }
\new Lyrics \with {
\override VerticalAxisGroup #'nonstaff-relatedstaff-spacing
#'minimum-distance = #6
} \lyricsto soprano \verseOne
\new Staff \with {
midiInstrument = voice oohs
instrumentName = \markup \center-column { T B }
shortInstrumentName = \markup \center-column { T B }
}
\clef bass
\new Voice = tenor { \voiceOne \tenorOne }
\new Voice = bass { \voiceTwo \bassOne }
\header {
title = Eisodikon~Come, let us Worship
poet = Znamenny Chant~Tone 2
composer = Arranged by Michael Dykes
footer = obs_zn[3].ly
ponomarname = Only-Begotten Son
ponomartype = OwnWork
ponomarsubtype = Arrangement
ponomarsource = Unknown
ponomarauthor = Michael Dykes
maintainer = Michael Dykes
maintaineremail = thedoctor81...@gmail.com
lastupdated = 2011/04/10
ponomarlang = en
ponomarcomments =
copyright = This score is part of the Ponomar OpenMusic Project
tagline = \markup {
\override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7)
\box \center-column {
\line { \with-url #http://www.ponomar.net; \line { www. \hspace #-1.0 ponomar \hspace #-1.0 .net \hspace #0.5 } • Orthodox Liturgical music that is \italic free to download, use, modify and distribute. }
\line
Multiple stanzas in some places only
Hi
I'm struggling to get the lyrics right for a piece that for the most part
has only one line of lyrics, but in one place (i.e. not in the beginning)
there is a repeat and I need two stanzas of lyrics there. Is there any
convenient way of doing this? I have experimented with something like
\addlyrics { \words \sfirst \ssecond }
where \words are the lyrics for the first part of the piece and the \sfirst
and \ssecond are the lyrics for the two stanzas. Of course, this doesn't
work, but I believe it may illustrate what I'm trying to achieve. I've
looked through the documentation without luck, but any pointers would be
welcome in case I've just missed it.
I suppose it's possible to have two stanzas for the complete piece and have
a lot of spaces (_) in the second stanza, but I'm hoping there's a more
convenient way of doing it.
Many thanks,
Holger
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Re: Multiple stanzas in some places only
2009/7/7 Holger Hellebro hol...@gmail.com:
Hi
I'm struggling to get the lyrics right for a piece that for the most part
has only one line of lyrics, but in one place (i.e. not in the beginning)
there is a repeat and I need two stanzas of lyrics there. Is there any
convenient way of doing this? I have experimented with something like
\addlyrics { \words \sfirst \ssecond }
where \words are the lyrics for the first part of the piece and the \sfirst
and \ssecond are the lyrics for the two stanzas. Of course, this doesn't
work, but I believe it may illustrate what I'm trying to achieve. I've
looked through the documentation without luck, but any pointers would be
welcome in case I've just missed it.
I suppose it's possible to have two stanzas for the complete piece and have
a lot of spaces (_) in the second stanza, but I'm hoping there's a more
convenient way of doing it.
Try something like
\new Staff { c' c' c' c'
\new Voice = singleLyrics { c' c' c' c' }
\new Voice = doubleLyrics { d' d' d' d' }
c' c' c' c' }
\new Lyrics \lyricsto singleLyrics \lyricmode { sin sin sin sin }
\new Lyrics \lyricsto doubleLyrics \lyricmode { one one one one }
\new Lyrics \lyricsto doubleLyrics \lyricmode { two two two two }
--
Francisco Vila. Badajoz (Spain)
www.paconet.org
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Re: Multiple stanzas in some places only
Hi Holger, I suppose it's possible to have two stanzas for the complete piece and have a lot of spaces (_) in the second stanza, but I'm hoping there's a more convenient way of doing it. Of all the many ways of doing what you want, I actually find that the most convenient! Simply use a \repeat unfold command to multiply the spaces. I just find the other techniques (e.g., \set associatedVoice, etc.) too much work. Hope this helps! Kieren. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Multiple stanzas in some places only
Francisco,
That's exactly what I needed. Many thanks!
/Holger
On Tue, Jul 7, 2009 at 1:31 PM, Francisco Vila paconet@gmail.comwrote:
2009/7/7 Holger Hellebro hol...@gmail.com:
Hi
I'm struggling to get the lyrics right for a piece that for the most part
has only one line of lyrics, but in one place (i.e. not in the beginning)
there is a repeat and I need two stanzas of lyrics there. Is there any
convenient way of doing this? I have experimented with something like
\addlyrics { \words \sfirst \ssecond }
where \words are the lyrics for the first part of the piece and the
\sfirst
and \ssecond are the lyrics for the two stanzas. Of course, this doesn't
work, but I believe it may illustrate what I'm trying to achieve. I've
looked through the documentation without luck, but any pointers would be
welcome in case I've just missed it.
I suppose it's possible to have two stanzas for the complete piece and
have
a lot of spaces (_) in the second stanza, but I'm hoping there's a more
convenient way of doing it.
Try something like
\new Staff { c' c' c' c'
\new Voice = singleLyrics { c' c' c' c' }
\new Voice = doubleLyrics { d' d' d' d' }
c' c' c' c' }
\new Lyrics \lyricsto singleLyrics \lyricmode { sin sin sin sin }
\new Lyrics \lyricsto doubleLyrics \lyricmode { one one one one }
\new Lyrics \lyricsto doubleLyrics \lyricmode { two two two two }
--
Francisco Vila. Badajoz (Spain)
www.paconet.org
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multiple stanzas with \lyricmode
How can I create multiple stanzas eith \lyricmode ? -- jEfF_[Feliks] ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: multiple stanzas with \lyricmode
How can I create multiple stnzas with \lyricmode? -- jEfF_[Feliks] ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
