Re: Harmonics with ottava
On 2019-02-07 3:01 am, N. Andrew Walsh wrote: Problem now is, Lily isn't avoiding collisions between the markup objects and grobs on other staves. Neither the markup nor the Staff.ottavation text block are given place, instead overlapping the voice above. How can I fix this? Do you have a MWE for this? The snippet you posted only has a single staff. I tried adding one... \version "2.19.82" << \new Staff { a2_\markup "Text" } \new Staff \relative c, { \clef "bass_8" \textLengthOn \override Staff.NoteColumn.ignore-collision = ##t \override NoteHead.style = #'harmonic-mixed << { \oneVoice eih4^\markup { \right-align "Sul D" }--\harmonic } \\ { \oneVoice \textLengthOn \tiny \override Stem.stencil = ##f \override Flag.stencil = ##f \override ParenthesesItem.font-size = #0 \set Staff.ottavation = #"15ma" \once \override Staff.OttavaBracket.direction = #UP \set Voice.middleCPosition = #(+ -1) < \parenthesize ceh'''>4 s \unset Staff.ottavation \unset Voice.middleCPosition } >> } ...but I could not get any overlap. Granted, "Sul D" and "Text" appear next to each other, but that has to do with text alignment. If you change "Text" to \center-align, for instance, then the lower staff gets moved down to prevent overlap. -- Aaron Hill ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Harmonics with ottava
PS- also, I've made use of http://lsr.di.unimi.it/LSR/Item?id=875, which gets the notes in the correct positions. My example now looks like this: --- \version "2.19.82" \relative c, { \clef "bass_8" \textLengthOn \override Staff.NoteColumn.ignore-collision = ##t \override NoteHead.style = #'harmonic-mixed << { \oneVoice eih^\markup { \right-align "Sul D" }--\harmonic } \\ { \oneVoice \textLengthOn \tiny \override Stem.stencil = ##f \override Flag.stencil = ##f \override ParenthesesItem.font-size = #0 \set Staff.ottavation = #"15ma" \once \override Staff.OttavaBracket.direction = #UP \set Voice.middleCPosition = #(+ -1) < \parenthesize ceh'''>4 s \unset Staff.ottavation \unset Voice.middleCPosition } >> } --- Problem now is, Lily isn't avoiding collisions between the markup objects and grobs on other staves. Neither the markup nor the Staff.ottavation text block are given place, instead overlapping the voice above. How can I fix this? Cheers, A ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Harmonics with ottava
Hi Andrew On Thu, Feb 7, 2019 at 11:51 AM Andrew Bernard wrote: > Hello Andrew, > > Why are quartertones technically wrong? > Quartertones are wrong for harmonics (especially "natural" ones), because neither the finger position nor the resultant pitch are equivalent to equal-tempered quartertones. They are, at best, an approximation; and as I write music in just intonation, a misleading one that I avoid. But like I said: this is an example of a Stockhausen piece, and as he didn't care about tuning properly and I don't care about his music, I'm not going to invest the energy into doing it the right way. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Harmonics with ottava
Hello Andrew, Why are quartertones technically wrong? My current string quartet is full of them. String players can do them just fine. Andrew On Thu, 7 Feb 2019 at 21:46, N. Andrew Walsh wrote: > > (And yes, I know quartertones are technically wrong. > ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user