Re: cross-staff synchronized grace-note figure

2008-03-14 Thread Neil Puttock
Hi Eric,

On Sat, Mar 1, 2008 at 5:08 AM, Eric Flesher [EMAIL PROTECTED] wrote:

  Is it possible in a piano (grand-staff) score to create a grace-note figures
  such that:
  1. the figure consists of 4 notes in the bass staff (beamed as small 8th 
 notes)
  2. the second note of the figure synchronizes with the same pitch on beat 1 
 of
  the treble staff.
  3. this second note is cross-staff beamed to the note in the treble staff

It's certainly possible, but there's no easy solution using LilyPond's
built-in grace note support (which is pretty inflexible and awkward
when it comes to spacing).

Here's a snippet using fake grace notes which might be one way of
solving this problem:

\version 2.11.42

\paper { ragged-right = ##t }

rh = \change Staff = upper
lh = \change Staff = lower

%This macro fakes grace notes from normal notes using the default
grace note settings in engraver-init.ly
graceNotes = #(define-music-function (parser location music) (ly:music?)
#{
\override Stem #'direction = #UP
\override Stem #'font-size = #-3
\override NoteHead #'font-size = #-3
\override Dots #'font-size = #-3
\override Stem #'length-fraction = #0.8
\override Stem #'no-stem-extend = ##t
\override Beam #'thickness = #0.384
\override Beam #'length-fraction = #0.8
\override Accidental #'font-size = #-4
\override Slur #'direction = #DOWN

$music

\revert Stem #'direction
\revert Stem #'font-size
\revert NoteHead #'font-size
\revert Dots #'font-size
\revert Stem #'length-fraction
\revert Stem #'no-stem-extend
\revert Beam #'thickness
\revert Beam #'length-fraction
\revert Accidental #'font-size
\revert Slur #'direction
#})

upper = {
\time 3/8
%a skip for the first grace note in the bass, followed by the main
note with a scaled duration
s16 dis'4.*5/6 |
}

lower = {
\clef bass
%the arabesque faked using the macro and scaled durations
\graceNotes {
\voiceTwo d,,8*1/2 \rh
%hide the small accidental for the merged note
\once \override Accidental #'stencil = ##f dis' \lh cis, fis g 
} s
}


\score {
\new PianoStaff 
\context Staff = upper { \upper }
\context Staff = lower { \lower }

\layout {
\context { \Score
\override NoteCollision #'merge-differently-dotted = ##t
}
}
}

Regards,
Neil
attachment: arabesque.PNG___
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Re: cross-staff synchronized grace-note figure

2008-03-01 Thread Eric Flesher
David Fedoruk david.fedoruk at gmail.com writes:


 
 I'm not sure which notes are grace and which are not. The problem is
 interesting *think* i'm encountering a similar one, but you haven't
 given me enough information to tell.
 

All the left-hand (bass clef) pitches will look like grace notes. The right hand
pitch in the treble clef is a normal (and hence normal-sized) note. This all
unfolds in one measure of 3/8 time, with the pitches as follows:

Right hand: D#4 (i.e. just above middle C), dotted quarter-note
Left hand: D2 - D#4 - C#3 - F#3 G3 (dyad), all grace notes. (The second grace
note coincides with the main note in the right hand.)

I'm using standard pitch notation, where the digit after the pitch-class name
denotes the octave, i.e. not pitch-registral designations as would be given in
Lilypond – those could be converted easily enough. The main issue is how one
makes the second of the group of grace notes coincide with the right-hand pitch.
This also requires cross-staff beaming with the grace notes, and a
double-stemmed notehead on the D#4.

I have found a post on a similar topic, dealing with synchronizing grace and
normal notes between staves, but it only references synchronizing the first
grace of the figure with the normal note, and there is no cross-staff beaming of
the graces.

Thanks!
EF






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Re: cross-staff synchronized grace-note figure

2008-02-29 Thread David Fedoruk
  Is it possible in a piano (grand-staff) score to create a grace-note figures
  such that:
  1. the figure consists of 4 notes in the bass staff (beamed as small 8th 
 notes)
  2. the second note of the figure synchronizes with the same pitch on beat 1 
 of
  the treble staff.
  3. this second note is cross-staff beamed to the note in the treble staff

I'm not sure which notes are grace and which are not. The problem is
interesting *think* i'm encountering a similar one, but you haven't
given me enough information to tell.



  Essentially this is a sort of arabesque figure in which a chief melodic 
 note
  (here, the beat-1 note of the treble staff) is ornamented by a grace-like 
 figure
  beginning one pitch before the chief (treble-staff) note and finishing 2 
 pitches
  later.


Sometimes what looks complex turns out to have a simple solution.

Cheers,
David


-- 
David Fedoruk
B.Mus. UBC,1986
Certificate in Internet Systems Administration, UBC, 2003


http://recordjackethistorian.wordpress.com
Music is enough for one's life time, but one life time is not enough
for music Sergei Rachmaninov


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