[MCN-L] Seeking Omeka consultant

2015-01-22 Thread Patricia Keller

Hello, Wise Ones,

Does anyone here know of a resource person familiar with Omeka and 
hopefully with Drupal who might be interested in a small consultant gig?


The agency I'm working with has decided to go with Omeka to put online 
their relatively small collection (conveniently already digitized).


We're seeking someone familiar with Omeka (and possibly with its new 
API) who is also familiar with Drupal, to serve as a go-to resource 
person/consultant for the team that built the agency website and who 
will be responsible for installing Omeka and integrating it with the 
rest of the website (functionally and stylistically).


We're ready to do a new Omeka install on the server where the agency 
website resides once we have identified the Omeka/Drupal consultant.


I'm hoping there are some folks reading this list who fit this 
description - or know of someone who does!


Replies on or off-list are welcomed!


Thanks!

Pat



--
Patricia J. Keller, Ph.D.
patricia.kel...@berrettstudio.com
patriciajkel...@gmail.com
Curator and Project Coordinator
401 Covered Bridge Lane
Oxford, PA  19363
V:610-932-2550

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Re: [MCN-L] Digitizing Photographs

2015-01-22 Thread Rob Lancefield on lists

Matt and all,

As two cents from a non-conservator who cares for a collection of works 
of art on paper (including their digital imaging), these days 
camera-based capture does most often tend to be best--safe, accurate, 
fast--with these materials, but each situation can be different.


Your one specific factor of light intensity and duration actually may or 
may not be a concern with flatbed scanning of original photographic 
prints, depending on the specific scanner and the settings used with it, 
as well as the specific photographic media involved--for example, 
well-processed gelatin silver prints, versus more fugitive media.


That said...in most museum contexts, other preservation concerns make 
digital photographic capture vastly preferable to flatbed scanning for 
works on paper that are considered part of the collection as such, as 
distinct from photographs considered to be internal documents, etc.


These concerns arise from the need to place original works face-down in 
physical contact with the scanner, and one after another. Depending on 
the physical attributes of each photo (its surface, condition, etc.), 
that contact can raise concerns about causing subtle surface damage, as 
well as about any possible transfer of unseen contaminants--e.g., mold 
spores--from object to object, if one early in a run has such an issue.


(Also, if any of the photographs are matted, the significant handling 
risks of flipping them over and down onto a flatbed while matted, or of 
unmatting and rematting each photograph, could both raise more acute 
preservation concerns and seriously slow down your capture workflow.)


So, depending on your situation, it may well be much faster and safer to 
run rapid, camera-based capture instead, especially by the time you 
factor in the need to assess any object-by-object risks of scanning.


But over to the conservators! (Is Dale Kronkright in the house?)

hope this helps,
Rob
--
Rob Lancefield
Manager of Museum Information Services / Registrar of Collections
Davison Art Center, Wesleyan University
301 High Street, Middletown CT 06459-0487 USA
rlancefield [at] wesleyan [dot] edu  |  tel. 860.685.2965


On 1/22/15 4:05 PM, Matt Wheeler wrote:

Good afternoon. We have a collection which consists mostly of black and
white photographic prints and are beginning to digitize them using flatbed
scanners. However, I spoke to a conservator who advised that they be
rephotographed with a digital camera instead due to the intense light
exposure on a flatbed. Is this a legitimate concern? Will the scanners
cause degradation of the originals, and would this degradation be
considerable? Thanks in advance.
__

Matt Wheeler,
Photography Archives,
Penobscot Marine Museum
Archives (207) 548-2529 ext. 211
5 Church Street, PO Box 498
Searsport, Maine 04974

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Re: [MCN-L] Digitizing Photographs

2015-01-22 Thread GTorres
Yes Rob. Scanning photographs will reduce its life. Better to photograph
the photograph, and preserve it in a master uncompressed digital format
(TIFF) and as a second printed analogic source.
Unless you manage to have cold light scanners, which flatbeds are not.


On Thu, Jan 22, 2015 at 3:05 PM, Matt Wheeler mwhee...@pmm-maine.org
wrote:

 Good afternoon. We have a collection which consists mostly of black and
 white photographic prints and are beginning to digitize them using flatbed
 scanners. However, I spoke to a conservator who advised that they be
 rephotographed with a digital camera instead due to the intense light
 exposure on a flatbed. Is this a legitimate concern? Will the scanners
 cause degradation of the originals, and would this degradation be
 considerable? Thanks in advance.
 __

 Matt Wheeler,
 Photography Archives,
 Penobscot Marine Museum
 Archives (207) 548-2529 ext. 211
 5 Church Street, PO Box 498
 Searsport, Maine 04974

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Re: [MCN-L] Digitizing Photographs

2015-01-22 Thread Landsberg, Erik
 If it hasn't already been said, photographing in a shoot-down copystand
setup will also allow you to avoid the glare from certain glossy and/or
rippled prints that frequently occurs due to the frontal lighting of a
scanner. For especially stubborn glare, the copystand approach also permits
you to use partial or full polarization when necessary. This is also
helpful for controling reflection from silvering that often occurrs
around the edges of older gelatin silver prints especially those that have
not been archivally processed.
So, copystand: faster, safer handling of objects, better light control.

Erik
MoMA

On Thu, Jan 22, 2015 at 4:59 PM, GTorres gtorr...@gmail.com wrote:

 Yes Rob. Scanning photographs will reduce its life. Better to photograph
 the photograph, and preserve it in a master uncompressed digital format
 (TIFF) and as a second printed analogic source.
 Unless you manage to have cold light scanners, which flatbeds are not.


 On Thu, Jan 22, 2015 at 3:05 PM, Matt Wheeler mwhee...@pmm-maine.org
 wrote:

  Good afternoon. We have a collection which consists mostly of black and
  white photographic prints and are beginning to digitize them using
 flatbed
  scanners. However, I spoke to a conservator who advised that they be
  rephotographed with a digital camera instead due to the intense light
  exposure on a flatbed. Is this a legitimate concern? Will the scanners
  cause degradation of the originals, and would this degradation be
  considerable? Thanks in advance.
  __
 
  Matt Wheeler,
  Photography Archives,
  Penobscot Marine Museum
  Archives (207) 548-2529 ext. 211
  5 Church Street, PO Box 498
  Searsport, Maine 04974
 
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 Computer
  Network (http://www.mcn.edu)
 
  To post to this list, send messages to: mcn-l@mcn.edu
 
  To unsubscribe or change mcn-l delivery options visit:
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-- 
*Erik Landsberg*

*Director, Imaging and Visual Resources*
*The Museum of Modern Art*
11 West 53rd Street, New York, NY 10019
212-708-9489
erik_landsb...@moma.org
www.moma.org
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[MCN-L] Crowdfunding gone wrong

2015-01-22 Thread Mosoddik, Bilkis
Having seen Mike and co present at the Museum Association's 'Let's get digital' 
conference, where crowdfunding was mentioned, I couldn't help but share this 
article:

http://metro.co.uk/2015/01/21/this-misguided-hipster-is-trying-to-crowdfund-money-for-13-dates-5030246



Bilkis Mosoddik
Web Manager
Museum of London
150 London Wall
London EC2Y 5HN
Tel: Internal extension 6670
Email: bmosod...@museumoflondon.org.uk
www.museumoflondon.org.uk


P Before printing, please think about the environment
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[MCN-L] Digitizing Photographs

2015-01-22 Thread Matt Wheeler
Good afternoon. We have a collection which consists mostly of black and
white photographic prints and are beginning to digitize them using flatbed
scanners. However, I spoke to a conservator who advised that they be
rephotographed with a digital camera instead due to the intense light
exposure on a flatbed. Is this a legitimate concern? Will the scanners
cause degradation of the originals, and would this degradation be
considerable? Thanks in advance.
__

Matt Wheeler,
Photography Archives,
Penobscot Marine Museum
Archives (207) 548-2529 ext. 211
5 Church Street, PO Box 498
Searsport, Maine 04974
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