[MOPO] the artist

[Alan Heimann]

ran out to see this before the awards..just home..storyline
predictable..acting excellent..nice odes to this and that...some things i
liked besides the dog..actually the william powell\ astor relationship was
nice.. I also liked the fred astaire dance moves at the end..Only
distraction for me (besides the idiot w the popcorn bag sitting behind me)
was it seemed like the last 1/3 of the movie sported the score for
vertigo..probably intentional..once u recognize that music its a
distraction...Have not seen many of the nominated films..so no predictions
here..happy oscar night..Alan

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[MOPO] the artist

[David Kusumoto]

The predictable storyline and the pulling from other sources is a function of, 
1) this is a mostly silent film constrained by its format, and, 2) it's a 
homage and not a "message" picture.  It is filled with hokey clichés ON 
PURPOSE!  My goodness, this is not supposed to be Eugene O'Neill - and it's not 
plagiarism when sources are properly credited.  

With minutes to go before Billy Crystal, here's what I see:

 WILL WIN  COULD WIN --- ROOTING FOR
Best Picture The ArtistThe Help  The Artist & The 
Tree of Life
Director The ArtistHugo  The Artist & The 
Tree of Life
ActorJean Dujardin George ClooneyGeorge Clooney
Actress  Viola Davis   Meryl Streep  Meryl Streep
Supporting Actor Christopher Plummer   Max Von Sydow Both
Supporting Actress   Octavia Spencer   Octavia Spencer   Octavia Spencer
 
Original Screenplay  Midnight in Paris A Separation  The Artist & 
Margin Call
Adapted Screenplay   The Descendants   Tinker Tailor The Descendants

-Original Message-
Date: Mon, 27 Feb 2012 00:33:32 +
From: douglasbtay...@hotmail.com
Subject: Re: the artist
To: MoPo-L@LISTSERV.AMERICAN.EDU

I loved the film.  If for no other reason than it reminded me that drama and 
emotion are not limited to dialogue.
Regards
 
DBT
 
Sent via mobile device
 
-Original Message-
From: "Phillip W. Ayling" 
Date: Mon, 27 Feb 2012 00:20:40 
To: 
Subject: Re: [MOPO] the artist
 
As long as the score for Vertigo is mentioned again, I'm finally going to jump 
in and comment. It distracted me in a way too, though maybe for different 
reasons than most of the rest of you. The music used in the film is not from 
the original film itself as conducted by Bernard Hermann, but rather is a later 
suite recording made by the Royal Philharmonic conducted by Elmer Bernstein. 
The orchestra sounds fantastic and Elmer's conducting approach as contrasted 
with Bernard's is different, by really rather elegant. By comparison the 
Brussels Philharmonic, which plays the rest of the score for The Artist just 
sounds dreadful to me; out of tune, poor solo playing and lame mix. I'm not 
making a comment on the compositions themselves. I have opinions, but that 
isn't what I'm talking about here. Nonetheless the score itself has been 
nominated for an Academy Award.  
  
There is a Red Nichols recording used in the film that is right from the time 
of The Artist, as well as Duke Ellington and Rose Murphy recordings from about 
a decade after the time period in which The Artist is set. If the intent of the 
score was to mimic the sound quality of a late 1920's orchestra they didn't 
come close to getting it right, if not...then it sounds lame without any 
pretense driving it, in my opinion. 
  
Anyway, I found that far more distracting than noticing Vertigo. 

- Original Message - 
From: Alan Heimann <mailto:alanheim...@gmail.com>  
To: MoPo-L@LISTSERV.AMERICAN.EDU <mailto:MoPo-L@LISTSERV.AMERICAN.EDU>  
Sent: Sunday, February 26, 2012 3:34 PM 
Subject: [MOPO] the artist 
 
ran out to see this before the awards..just home..storyline predictable..acting 
excellent..nice odes to this and that...some things i liked besides the 
dog..actually the william powell\ astor relationship was nice.. I also liked 
the fred astaire dance moves at the end..Only distraction for me (besides the 
idiot w the popcorn bag sitting behind me) was it seemed like the last 1/3 of 
the movie sported the score for vertigo..probably intentional..once u recognize 
that music its a distraction...Have not seen many of the nominated films..so no 
predictions here..happy oscar night..Alan
 
  
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Re: [MOPO] the artist

[Phillip W. Ayling]

As long as the score for Vertigo is mentioned again, I'm finally going to jump 
in and comment. It distracted me in a way too, though maybe for different 
reasons than most of the rest of you. The music used in the film is not from 
the original film itself as conducted by Bernard Hermann, but rather is a later 
suite recording made by the Royal Philharmonic conducted by Elmer Bernstein. 
The orchestra sounds fantastic and Elmer's conducting approach as contrasted 
with Bernard's is different, by really rather elegant. By comparison the 
Brussels Philharmonic, which plays the rest of the score for The Artist just 
sounds dreadful to me; out of tune, poor solo playing and lame mix. I'm not 
making a comment on the compositions themselves. I have opinions, but that 
isn't what I'm talking about here. Nonetheless the score itself has been 
nominated for an Academy Award. 

There is a Red Nichols recording used in the film that is right from the time 
of The Artist, as well as Duke Ellington and Rose Murphy recordings from about 
a decade after the time period in which The Artist is set. If the intent of the 
score was to mimic the sound quality of a late 1920's orchestra they didn't 
come close to getting it right, if not...then it sounds lame without any 
pretense driving it, in my opinion.

Anyway, I found that far more distracting than noticing Vertigo.
  - Original Message - 
  From: Alan Heimann 
  To: MoPo-L@LISTSERV.AMERICAN.EDU 
  Sent: Sunday, February 26, 2012 3:34 PM
  Subject: [MOPO] the artist


  ran out to see this before the awards..just home..storyline 
predictable..acting excellent..nice odes to this and that...some things i liked 
besides the dog..actually the william powell\ astor relationship was nice.. I 
also liked the fred astaire dance moves at the end..Only distraction for me 
(besides the idiot w the popcorn bag sitting behind me) was it seemed like the 
last 1/3 of the movie sported the score for vertigo..probably intentional..once 
u recognize that music its a distraction...Have not seen many of the nominated 
films..so no predictions here..happy oscar night..Alan

  Visit the MoPo Mailing List Web Site at www.filmfan.com
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  Send a message addressed to: lists...@listserv.american.edu
  In the BODY of your message type: SIGNOFF MOPO-L
  The author of this message is solely responsible for its content.

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In the BODY of your message type: SIGNOFF MOPO-L

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Re: [MOPO] the artist

[Doug Taylor]

I loved the film.  If for no other reason than it reminded me that drama and 
emotion are not limited to dialogue.
Regards

DBT

Sent via mobile device

-Original Message-
From: "Phillip W. Ayling" 
Date: Mon, 27 Feb 2012 00:20:40 
To: 
Subject: Re: [MOPO] the artist

As long as the score for Vertigo is mentioned again, I'm finally going to jump 
in and comment. It distracted me in a way too, though maybe for different 
reasons than most of the rest of you. The music used in the film is not from 
the original film itself as conducted by Bernard Hermann, but rather is a later 
suite recording made by the Royal Philharmonic conducted by Elmer Bernstein. 
The orchestra sounds fantastic and Elmer's conducting approach as contrasted 
with Bernard's is different, by really rather elegant. By comparison the 
Brussels Philharmonic, which plays the rest of the score for The Artist just 
sounds dreadful to me; out of tune, poor solo playing and lame mix. I'm not 
making a comment on the compositions themselves. I have opinions, but that 
isn't what I'm talking about here. Nonetheless the score itself has been 
nominated for an Academy Award.  
  
There is a Red Nichols recording used in the film that is right from the time 
of The Artist, as well as Duke Ellington and Rose Murphy recordings from about 
a decade after the time period in which The Artist is set. If the intent of the 
score was to mimic the sound quality of a late 1920's orchestra they didn't 
come close to getting it right, if not...then it sounds lame without any 
pretense driving it, in my opinion. 
  
Anyway, I found that far more distracting than noticing Vertigo. 
- Original Message - 
From: Alan 
  Heimann <mailto:alanheim...@gmail.com>  
To: MoPo-L@LISTSERV.AMERICAN.EDU <mailto:MoPo-L@LISTSERV.AMERICAN.EDU>  
Sent: Sunday, February 26, 2012 3:34 PM 
Subject: [MOPO] the artist 

ran out to see this before the awards..just home..storyline predictable..acting 
excellent..nice odes to this and that...some things i liked besides the 
dog..actually the william powell\ astor relationship was nice.. I also liked 
the fred astaire dance moves at the end..Only distraction for me (besides the 
idiot w the popcorn bag sitting behind me) was it seemed like the last 1/3 of 
the movie sported the score for vertigo..probably intentional..once u recognize 
that music its a distraction...Have not seen many of the nominated films..so no 
predictions here..happy oscar night..Alan
 
 Visit the MoPo Mailing List Web Site at www.filmfan.com 
___ How to 
UNSUBSCRIBE from the MoPo Mailing List Send a message addressed to: 
lists...@listserv.american.edu In the BODY of your message type: SIGNOFF MOPO-L 
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Re: [MOPO] the artist

[Doug Taylor]

The Artist did seem heavily influence by Cinema Paradiso.

 

Regards

 

DBT

 <http://www.linkedin.com/in/douglasbtaylor> Profile

 

From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of David
Kusumoto
Sent: Sunday, February 26, 2012 8:29 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: [MOPO] the artist

 

The predictable storyline and the pulling from other sources is a function
of, 1) this is a mostly silent film constrained by its format, and, 2) it's
a homage and not a "message" picture.  It is filled with hokey clichés ON
PURPOSE!  My goodness, this is not supposed to be Eugene O'Neill - and it's
not plagiarism when sources are properly credited.  

With minutes to go before Billy Crystal, here's what I see:

 WILL WIN  COULD WIN --- ROOTING FOR
Best Picture The ArtistThe Help  The Artist &
The Tree of Life
Director The ArtistHugo  The Artist &
The Tree of Life
ActorJean Dujardin George ClooneyGeorge Clooney
Actress  Viola Davis   Meryl Streep  Meryl Streep
Supporting Actor Christopher Plummer   Max Von Sydow Both
Supporting Actress   Octavia Spencer   Octavia Spencer   Octavia Spencer

Original Screenplay  Midnight in Paris A Separation  The Artist &
Margin Call
Adapted Screenplay   The Descendants   Tinker Tailor The Descendants

-Original Message-
Date: Mon, 27 Feb 2012 00:33:32 +
From: douglasbtay...@hotmail.com
Subject: Re: the artist
To: MoPo-L@LISTSERV.AMERICAN.EDU

I loved the film.  If for no other reason than it reminded me that drama and
emotion are not limited to dialogue.
Regards
 
DBT
 
Sent via mobile device
 
-Original Message-
From: "Phillip W. Ayling" 
Date: Mon, 27 Feb 2012 00:20:40 
To: 
Subject: Re: [MOPO] the artist
 
As long as the score for Vertigo is mentioned again, I'm finally going to
jump in and comment. It distracted me in a way too, though maybe for
different reasons than most of the rest of you. The music used in the film
is not from the original film itself as conducted by Bernard Hermann, but
rather is a later suite recording made by the Royal Philharmonic conducted
by Elmer Bernstein. The orchestra sounds fantastic and Elmer's conducting
approach as contrasted with Bernard's is different, by really rather
elegant. By comparison the Brussels Philharmonic, which plays the rest of
the score for The Artist just sounds dreadful to me; out of tune, poor solo
playing and lame mix. I'm not making a comment on the compositions
themselves. I have opinions, but that isn't what I'm talking about here.
Nonetheless the score itself has been nominated for an Academy Award.  
  
There is a Red Nichols recording used in the film that is right from the
time of The Artist, as well as Duke Ellington and Rose Murphy recordings
from about a decade after the time period in which The Artist is set. If the
intent of the score was to mimic the sound quality of a late 1920's
orchestra they didn't come close to getting it right, if not...then it
sounds lame without any pretense driving it, in my opinion. 
  
Anyway, I found that far more distracting than noticing Vertigo. 

- Original Message - 
From: Alan Heimann <mailto:alanheim...@gmail.com>  
To: MoPo-L@LISTSERV.AMERICAN.EDU <mailto:MoPo-L@LISTSERV.AMERICAN.EDU>  
Sent: Sunday, February 26, 2012 3:34 PM 
Subject: [MOPO] the artist 
 
ran out to see this before the awards..just home..storyline
predictable..acting excellent..nice odes to this and that...some things i
liked besides the dog..actually the william powell\ astor relationship was
nice.. I also liked the fred astaire dance moves at the end..Only
distraction for me (besides the idiot w the popcorn bag sitting behind me)
was it seemed like the last 1/3 of the movie sported the score for
vertigo..probably intentional..once u recognize that music its a
distraction...Have not seen many of the nominated films..so no predictions
here..happy oscar night..Alan
 

Visit the MoPo Mailing List Web Site at www.filmfan.com

___

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Send a message addressed to: lists...@listserv.american.edu

In the BODY of your message type: SIGNOFF MOPO-L

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Re: [MOPO] the artist

[Bruce Hershenson]

So The Artist *FINALLY *made it to tiny West Plains, and I thought it was
great! The ending was way too slow, but the rest of it was really nice,
although I can see where it really helps to have seen the movies it payed
homage to, and also to know the history of that time really well.

The best gags reminded me of the best of Chaplin and Keaton.

Bruce

On Sun, Feb 26, 2012 at 8:53 PM, Doug Taylor wrote:

> The Artist did seem heavily influence by Cinema Paradiso.
>
> ** **
>
> Regards
>
> ** **
>
> DBT
>
> Profile <http://www.linkedin.com/in/douglasbtaylor>
>
> ** **
>
> *From:* MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] *On Behalf Of *David
> Kusumoto
> *Sent:* Sunday, February 26, 2012 8:29 PM
> *To:* MoPo-L@LISTSERV.AMERICAN.EDU
> *Subject:* [MOPO] the artist
>
> ** **
>
> The predictable storyline and the pulling from other sources is a function
> of, 1) this is a mostly silent film constrained by its format, and, 2) it's
> a homage and not a "message" picture.  It is filled with hokey clichés ON
> PURPOSE!  My goodness, this is not supposed to be Eugene O'Neill - and it's
> not plagiarism when sources are properly credited.
>
> With minutes to go before Billy Crystal, here's what I see:
>
>  WILL WIN  COULD WIN --- ROOTING FOR
> Best Picture The ArtistThe Help  The Artist &
> The Tree of Life
> Director The ArtistHugo  The Artist &
> The Tree of Life
> ActorJean Dujardin George ClooneyGeorge Clooney
> Actress  Viola Davis   Meryl Streep  Meryl Streep
> Supporting Actor Christopher Plummer   Max Von Sydow Both
> Supporting Actress   Octavia Spencer   Octavia Spencer   Octavia
> Spencer
> Original Screenplay  Midnight in Paris A Separation  The Artist &
> Margin Call
> Adapted Screenplay   The Descendants   Tinker Tailor The
> Descendants
>
> -Original Message-
> Date: Mon, 27 Feb 2012 00:33:32 +
> From: douglasbtay...@hotmail.com
> Subject: Re: the artist
> To: MoPo-L@LISTSERV.AMERICAN.EDU
>
> I loved the film.  If for no other reason than it reminded me that drama
> and emotion are not limited to dialogue.
> Regards
>
> DBT
>
> Sent via mobile device
>
> -Original Message-
> From: "Phillip W. Ayling" 
> Date: Mon, 27 Feb 2012 00:20:40
> To: 
> Subject: Re: [MOPO] the artist
>
> As long as the score for Vertigo is mentioned again, I'm finally going to
> jump in and comment. It distracted me in a way too, though maybe for
> different reasons than most of the rest of you. The music used in the film
> is not from the original film itself as conducted by Bernard Hermann, but
> rather is a later suite recording made by the Royal Philharmonic conducted
> by Elmer Bernstein. The orchestra sounds fantastic and Elmer's conducting
> approach as contrasted with Bernard's is different, by really rather
> elegant. By comparison the Brussels Philharmonic, which plays the rest of
> the score for The Artist just sounds dreadful to me; out of tune, poor solo
> playing and lame mix. I'm not making a comment on the compositions
> themselves. I have opinions, but that isn't what I'm talking about here.
> Nonetheless the score itself has been nominated for an Academy Award.
>
> There is a Red Nichols recording used in the film that is right from the
> time of The Artist, as well as Duke Ellington and Rose Murphy recordings
> from about a decade after the time period in which The Artist is set. If
> the intent of the score was to mimic the sound quality of a late 1920's
> orchestra they didn't come close to getting it right, if not...then it
> sounds lame without any pretense driving it, in my opinion.
>
> Anyway, I found that far more distracting than noticing Vertigo.
>
> - Original Message -
> From: Alan Heimann <mailto:alanheim...@gmail.com >
>
> To: MoPo-L@LISTSERV.AMERICAN.EDU 
> <mailto:MoPo-L@LISTSERV.AMERICAN.EDU>
>
> Sent: Sunday, February 26, 2012 3:34 PM
> Subject: [MOPO] the artist
>
> ran out to see this before the awards..just home..storyline
> predictable..acting excellent..nice odes to this and that...some things i
> liked besides the dog..actually the william powell\ astor relationship was
> nice.. I also liked the fred astaire dance moves at the end..Only
> distraction for me (besides the idiot w the popcorn bag sitting behind me)
> was it seemed like the last 1/3 of the movie sported the score for
> vertigo..probably intentional..once u recognize that music it

Re: [MOPO] the artist

[Doug Taylor]

I was happy that it won.

 

Regards,

 

DBT

 

From: Bruce Hershenson [mailto:brucehershen...@gmail.com] 
Sent: Thursday, March 22, 2012 10:24 PM
To: Doug Taylor
Cc: MoPo-L@listserv.american.edu
Subject: Re: [MOPO] the artist

 

So The Artist FINALLY made it to tiny West Plains, and I thought it was
great! The ending was way too slow, but the rest of it was really nice,
although I can see where it really helps to have seen the movies it payed
homage to, and also to know the history of that time really well.

The best gags reminded me of the best of Chaplin and Keaton.

Bruce

On Sun, Feb 26, 2012 at 8:53 PM, Doug Taylor 
wrote:

The Artist did seem heavily influence by Cinema Paradiso.

 

Regards

 

DBT

 <http://www.linkedin.com/in/douglasbtaylor> Profile

 

From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of David
Kusumoto
Sent: Sunday, February 26, 2012 8:29 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: [MOPO] the artist

 

The predictable storyline and the pulling from other sources is a function
of, 1) this is a mostly silent film constrained by its format, and, 2) it's
a homage and not a "message" picture.  It is filled with hokey clichés ON
PURPOSE!  My goodness, this is not supposed to be Eugene O'Neill - and it's
not plagiarism when sources are properly credited.  

With minutes to go before Billy Crystal, here's what I see:

 WILL WIN  COULD WIN --- ROOTING FOR
Best Picture The ArtistThe Help  The Artist &
The Tree of Life
Director The ArtistHugo  The Artist &
The Tree of Life
ActorJean Dujardin George ClooneyGeorge Clooney
Actress  Viola Davis   Meryl Streep  Meryl Streep
Supporting Actor Christopher Plummer   Max Von Sydow Both
Supporting Actress   Octavia Spencer   Octavia Spencer   Octavia Spencer

Original Screenplay  Midnight in Paris A Separation  The Artist &
Margin Call
Adapted Screenplay   The Descendants   Tinker Tailor The Descendants

-Original Message-
Date: Mon, 27 Feb 2012 00:33:32 +
From: douglasbtay...@hotmail.com
Subject: Re: the artist
To: MoPo-L@LISTSERV.AMERICAN.EDU

I loved the film.  If for no other reason than it reminded me that drama and
emotion are not limited to dialogue.
Regards
 
DBT
 
Sent via mobile device
 
-Original Message-
From: "Phillip W. Ayling" 
Date: Mon, 27 Feb 2012 00:20:40 
To: 
Subject: Re: [MOPO] the artist
 
As long as the score for Vertigo is mentioned again, I'm finally going to
jump in and comment. It distracted me in a way too, though maybe for
different reasons than most of the rest of you. The music used in the film
is not from the original film itself as conducted by Bernard Hermann, but
rather is a later suite recording made by the Royal Philharmonic conducted
by Elmer Bernstein. The orchestra sounds fantastic and Elmer's conducting
approach as contrasted with Bernard's is different, by really rather
elegant. By comparison the Brussels Philharmonic, which plays the rest of
the score for The Artist just sounds dreadful to me; out of tune, poor solo
playing and lame mix. I'm not making a comment on the compositions
themselves. I have opinions, but that isn't what I'm talking about here.
Nonetheless the score itself has been nominated for an Academy Award.  
  
There is a Red Nichols recording used in the film that is right from the
time of The Artist, as well as Duke Ellington and Rose Murphy recordings
from about a decade after the time period in which The Artist is set. If the
intent of the score was to mimic the sound quality of a late 1920's
orchestra they didn't come close to getting it right, if not...then it
sounds lame without any pretense driving it, in my opinion. 
  
Anyway, I found that far more distracting than noticing Vertigo. 

- Original Message - 
From: Alan Heimann <mailto:alanheim...@gmail.com>  
To: MoPo-L@LISTSERV.AMERICAN.EDU <mailto:MoPo-L@LISTSERV.AMERICAN.EDU>  
Sent: Sunday, February 26, 2012 3:34 PM 
Subject: [MOPO] the artist 
 
ran out to see this before the awards..just home..storyline
predictable..acting excellent..nice odes to this and that...some things i
liked besides the dog..actually the william powell\ astor relationship was
nice.. I also liked the fred astaire dance moves at the end..Only
distraction for me (besides the idiot w the popcorn bag sitting behind me)
was it seemed like the last 1/3 of the movie sported the score for
vertigo..probably intentional..once u recognize that music its a
distraction...Have not seen many of the nominated films..so no predictions
here..happy oscar night..Alan
 

Visit the MoPo Mailing List Web Site at www.filmfan.com

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[MOPO] The Artist OS, M

[Doug Taylor]

Well, guess it's time to place my bet.

 

Could I please get quotes for The Artist OS, Mint, clean edged, originals
only, please.

 

Regards

 

DBT

  Profile

 


 Visit the MoPo Mailing List Web Site at www.filmfan.com
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Re: [MOPO] The Artist OS, M, DS

[Doug Taylor]

I should have included in my original note, DS only please.  Could I please
get quotes for The Artist OS, Mint, clean edged, DS, originals only, please.

 

Regards

 

DBT

  Profile

 

From: Doug Taylor [mailto:douglasbtay...@hotmail.com] 
Sent: Sunday, February 05, 2012 11:42 PM
To: MOPO (mopo-l@listserv.american.edu)
Subject: The Artist OS, M

 

Well, guess it's time to place my bet.

 

Could I please get quotes for The Artist OS, Mint, clean edged, originals
only, please.

 

Regards

 

DBT

  Profile

 


 Visit the MoPo Mailing List Web Site at www.filmfan.com
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  How to UNSUBSCRIBE from the MoPo Mailing List

   Send a message addressed to: lists...@listserv.american.edu
In the BODY of your message type: SIGNOFF MOPO-L

The author of this message is solely responsible for its content.