[NetBehaviour] MM tissue AVATAR Alan PUMP across generation SPLASHED

2010-08-02 Thread Alan Sondheim


  MM tissue AVATAR Alan PUMP across generation SPLASHED
COASTAL BASIN Dojoji mess mess Dojoji BASIN COASTAL SPLASHED generation
across PUMP Alan AVATAR tissue MM PUMP verb MF operated FF flesh
striations moment lubrication walks by AVATAR plaque FLUSH FLUSH plaque
AVATAR by walks lubrication moment striations flesh FF operated MF verb
PUMP MM tissue AVATAR Alan PUMP across generation SPLASHED COASTAL BASIN
Dojoji mess mess Dojoji BASIN COASTAL SPLASHED generation across PUMP Alan
AVATAR

FF nerve PUMP nerve nerve PUMP nerve verb PUMP nerve striations nerve
split nerve verb connect striations verb tissue split verb tissue connect
striations tissue generation split generation machine connect generation
operated tissue generation by generation generation by machine machine
Julu operated machine Twine Julu operated Twine Twine operated Twine Alan
by Twine Dojoji Julu Alan not Twine Alan moment Dojoji Alan FLUSH not Alan
FLUSH moment Dojoji FLUSH FLUSH not NOISE fills moment NOISE SPLASHED
FLUSH NOISE BASIN NOISE NOISE BASIN fills fills coastal SPLASHED fills
AVATAR coastal SPLASHED AVATAR AVATAR SPLASHED AVATAR walks BASIN AVATAR
into coastal walks midst AVATAR walks mess into walks across midst into
across mess into across across midst gravel plaque mess gravel flesh
across gravel oozed gravel gravel oozed plaque plaque through flesh plaque
COASTAL through flesh COASTAL COASTAL flesh COASTAL AVATAR oozed COASTAL
moment through AVATAR lubrication COASTAL AVATAR MF AVATAR AVATAR PUMP
lubrication moment PUMP MF moment FM PUMP lubrication FM PUMP MF FM MM
PUMP FM PUMP FM FM PUMP PUMP PUMP FF MM PUMP PUMP FF MM PUMP PUMP MM PUMP
PUMP FF PUMP

http://www.alansondheim.org/organmachine.mp4

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[NetBehaviour] At the Fire Man's Ball

2010-08-02 Thread Michael Szpakowski
 
http://www.somedancersandmusicians.com/vlog/ScenesOfProvincialLife.cgi/2010/08/02#post409

http://www.somedancersandmusicians.com/vlog/ScenesOfProvincialLife.cgi

cheers
michael

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Re: [NetBehaviour] [Fwd: bblackboxx.ch]

2010-08-02 Thread Andreas Jacobs

Wow! Annie & Simon,

Thanks for cooperating, we feel honored and do think that this kind of  
'networked art' is something becoming more common and widespread,  
hopefully also outside 'our' little circle of real 'amateurs'


;)

Andreas Maria Jacobs

e: aj...@xs4all.nl
m: 31 6 16 732 018

w: http://www.nictoglobe.com
w: http://burgerwaanzin.nl

On 2 Aug 2010, at 22:17, anniea  wrote:


http://bram.org/sound/silly.mp3

Yours
Annie Abrahams and Simon Biggs

On Thu, Jul 29, 2010 at 9:59 AM, Andreas Jacobs   
wrote:



'A short song text to be performed by Annie Abrahams & Simon Biggs
over the Internet'

Bitter tears of sorrow

The small pay
I' ll get tomorrow

makes me stay
invain and obsolete

Neo Rauch in Leipzig,
imprisoned in a white cubicle
I see framed emptyness inside
offered to art's tabernacle


Artists silly and blind
I love their kind


(For James Morris)

Andreas Maria Jacobs

e: aj...@xs4all.nl
m: 31 6 16 732 018

w: http://www.nictoglobe.com
w: http://burgerwaanzin.nl

On 28 Jul 2010, at 10:43, James Morris  wrote:

> On 28 July 2010 09:36, James Morris  wrote:
>> On 27 July 2010 13:50, Andreas Jacobs  wrote:
>>> James,
>>>
>>> It is non-visual art, so we can easily close our eyes for it.
>>>
>>> When we do not see or touch it, it ceased to exist in a material
>>> world
>>>
>>> The remnants are immaterial socially constructed imagination
>>> exercises
>>> for and by 'Liebhaber', German language for amateurs.
>>>
>>> Not intending to be insulting, but I do think James made a point
>>> with
>>> his, maybe exaggarated, remarks.
>>>
>>> Me personally, like more anti-social art forms but that is because
>>> of
>>> my particular societal conditions
>>>
>>> Best
>>>
>>> Andreas Maria Jacobs
>>>
>>
>>
>> yes i'm an amateur, a dilettante with a desultory practice, a
>> dreamer.
>>
>> there's no way in hell i'll ever seriously contemplate make a  
living

>> from being an artist unless enough money to do so is handed to me
>> on a
>> plate.
>>
>> at this moment in time, i only want a job (which i have on a
>> temporary
>> contract (away from the clutches of the agency)). ideally it  
would be
>> a job with less hours and pays better, but 8 hrs a day 5 days a  
week

>> for almost £200 take-home (per week) is better than nothing.
>>
>> i find tree-climbing workshops insulting.
>>
>
> The only thing art has ever done for me, is given me a £12000 stud 
ent

> debt, a mechanism for making stuff out of my bitterness.
> ___
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> http://www.netbehaviour.org/mailman/listinfo/netbehaviour
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--

Documentation of Huis Clos / No Exit - On Translation
Video, reactions of the performers and the public, photos and  the  
performance protocol

http://bram.org/huisclos/ontranslation/indexfr.html

Article IF NOT YOU NOT ME, ANNIE ABRAHAMS AND LIFE IN NETWORKS,
Maria Chatzichristodoulou in Digimag 54 May 2010
http://www.digicult.it/digimag/article.asp?id=1793
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Re: [NetBehaviour] [Fwd: bblackboxx.ch]

2010-08-02 Thread anniea
http://bram.org/sound/silly.mp3

Yours
Annie Abrahams and Simon Biggs

On Thu, Jul 29, 2010 at 9:59 AM, Andreas Jacobs  wrote:

>
>
> 'A short song text to be performed by Annie Abrahams & Simon Biggs
> over the Internet'
>
> Bitter tears of sorrow
>
> The small pay
> I' ll get tomorrow
>
> makes me stay
> invain and obsolete
>
> Neo Rauch in Leipzig,
> imprisoned in a white cubicle
> I see framed emptyness inside
> offered to art's tabernacle
>
>
> Artists silly and blind
> I love their kind
>
>
> (For James Morris)
>
> Andreas Maria Jacobs
>
> e: aj...@xs4all.nl
> m: 31 6 16 732 018
>
> w: http://www.nictoglobe.com
> w: http://burgerwaanzin.nl
>
> On 28 Jul 2010, at 10:43, James Morris  wrote:
>
> > On 28 July 2010 09:36, James Morris  wrote:
> >> On 27 July 2010 13:50, Andreas Jacobs  wrote:
> >>> James,
> >>>
> >>> It is non-visual art, so we can easily close our eyes for it.
> >>>
> >>> When we do not see or touch it, it ceased to exist in a material
> >>> world
> >>>
> >>> The remnants are immaterial socially constructed imagination
> >>> exercises
> >>> for and by 'Liebhaber', German language for amateurs.
> >>>
> >>> Not intending to be insulting, but I do think James made a point
> >>> with
> >>> his, maybe exaggarated, remarks.
> >>>
> >>> Me personally, like more anti-social art forms but that is because
> >>> of
> >>> my particular societal conditions
> >>>
> >>> Best
> >>>
> >>> Andreas Maria Jacobs
> >>>
> >>
> >>
> >> yes i'm an amateur, a dilettante with a desultory practice, a
> >> dreamer.
> >>
> >> there's no way in hell i'll ever seriously contemplate make a living
> >> from being an artist unless enough money to do so is handed to me
> >> on a
> >> plate.
> >>
> >> at this moment in time, i only want a job (which i have on a
> >> temporary
> >> contract (away from the clutches of the agency)). ideally it would be
> >> a job with less hours and pays better, but 8 hrs a day 5 days a week
> >> for almost £200 take-home (per week) is better than nothing.
> >>
> >> i find tree-climbing workshops insulting.
> >>
> >
> > The only thing art has ever done for me, is given me a £12000 student
> > debt, a mechanism for making stuff out of my bitterness.
> > ___
> > NetBehaviour mailing list
> > NetBehaviour@netbehaviour.org
> > http://www.netbehaviour.org/mailman/listinfo/netbehaviour
> >
>
> ___
> NetBehaviour mailing list
> NetBehaviour@netbehaviour.org
> http://www.netbehaviour.org/mailman/listinfo/netbehaviour
>



-- 

Documentation of Huis Clos / No Exit - On Translation
Video, reactions of the performers and the public, photos and  the
performance protocol
http://bram.org/huisclos/ontranslation/indexfr.html

Article IF NOT YOU NOT ME, ANNIE ABRAHAMS AND LIFE IN NETWORKS,
Maria Chatzichristodoulou in Digimag 54 May 2010
http://www.digicult.it/digimag/article.asp?id=1793
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[NetBehaviour] Looking for a producer

2010-08-02 Thread Hedva Eltanani
Looking for a producer to LAB4 asap!


LAB4 is a digital perforamnce experiement that tries to connect between two 
places using games and performance. 

LAB 4 will take place in Plymouth and London on the 21st of August. 
In plymouth it is going to be in the Poly Centre as part of The Art Hub.


I'm looking for a producer that will take care of the performance in London. 
The place in London is yet to be confirmed. 

Role:
- help with finding the performance space in London
- help with marketing and PR
- facilitate the event in London
- be familiar with technology and internet
I'm looking for a responsible person, with open mind and can do attitude. 

more details regarding the LABs:
http://vs4rslab.wordpress.com/

Unfortunately, I  can't pay, because it is still an experiement. However, I 
believe that  this role gives good opportunity to manage technolgy in live 
performance  and understand difficulties and sullotions when dealing with 
technology  and internet. 


Hope to hear from you soon,
Hedva
hedva_...@yahoo.com



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[NetBehaviour] NEW REVIEW FURTHERFIELD: "Sprint As Process"

2010-08-02 Thread Olga
Sprint As Process
http://www.furtherfield.org/displayreview.php?review_id=401 

by Helen Varley Jamieson

Helen Varley Jamieson's account of working collaboratively in Madrid
at the Eclectic Tech Carnival. On a 'sprint', with five women coming
together for a week to rebuild the group's website, physically &
remotely.

In the last week of June I went to Madrid for the Eclectic Tech
Carnival (/ETC) website workweek - the collective effort of five women
coming together for a week to rebuild the group's website. This is
sprint methodology, a concept that I first met in Agile software
development, but one that is being increasingly applied as a
successful creative collaboration methodology. During the workweek I
blogged about the process and this article is an assemblage of the
blog posts.

Thinking about the concept of the sprint, I realised that over the
years, I've participated in a number of theatrical "sprints" although
we didn't call them that. In fact it could be argued that the normal
development process for theatre productions in New Zealand is the
sprint - a three or four week turnaround of
devising/rehearsing/presenting. Except that it doesn't usually
continue the Agile process after the first sprint - evaluation,
refinement then the next sprint and iteration - and as a result, the
work is often undercooked. But theatre projects that better fit the
sprint analogy are some of the workshop-performance processes that
I've participated in at theatre festivals, where a small group comes
together for a few days to create a performance, then some time later
meets again in another situation, perhaps a slightly different
configuration of people, for another sprint. Each sprint generates a
stand-alone performance or work-in-process showing, as well as
contributes to a larger evolving body of work that forms the whole
collaborative project. Two such projects that I've been part of are
Water[war]s and Women With Big Eyes (with the Magdalena Project).


>

Other Info:

A living, breathing, thriving networked neighbourhood...

We are on identi.ca & Twitter

http://identi.ca/furtherfield
http://twitter.com/furtherfield

Other reviews,articles,interviews
http://www.furtherfield.org/reviews.php

Furtherfield – online media arts community, platforms for creating,
viewing, discussing and learning about experimental practices at the
intersections of art, technology and social change.
http://www.furtherfield.org

HTTP Gallery – physical media arts Gallery (London).
http://www.http.uk.net
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--
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Re: [NetBehaviour] on holiday

2010-08-02 Thread Olga
brilliant thread!

On 2 August 2010 12:05,   wrote:
> Hi, Thanks for getting in touch. I am away on holiday until 9th August and 
> won't be able to access my emails,
> please send a text in an emergency.
>
> best wishes
> jennie
>
>
>
>
>
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[NetBehaviour] YOU ARE HUNGRY: Mapping an Edible Urban Hackney

2010-08-02 Thread Olga
YOU ARE HUNGRY: Mapping an Edible Urban Hackney -
01–30 Sep 2010 / Space Studios, London

Can you feed the 2,150 urban residents, that live within 500 metres of
the SPACE gallery, using the 25 hectares of land that houses them?

“YOU ARE HUNGRY” is a proposal to investigate this question through
the creation of an "Edible Map” which displays the potential
‘agricultural’ yields the immediate streets, parks and grassed areas
around the Space Gallery could produce.

This will allowing the itinerant urban resident or visitor to
visualise what percentage of their current diet could be achieved
using locally grown food within a particular session. The basic
question of local food growing is linked to the wider crucial debate
surrounding the need to reduce our carbon footprint and create
sustainable cities. It is widely accepted that food production,
distribution and consumption are major contributors to current
environmental dystopias. However, Scientists, National Governments and
International Policy makers currently lead this debate. Their currency
is Green House Gas emissions, Carbon equivalents and a wealth of
technological data, which sits in the abstract, at odds against the
rhythms and routines of our hourly and daily food consuming
obligations.

Therefore, there is a need for artistic practices to respond to the
data-pollution of the dominant political and scientific discourses
with visualisation tools, which facilitate educated, provocative and
creative interventions. The Edible Map is one such visualisation tool.
Drawing over the usual cadastral A-Z map, The Edible Map intervens
with new signposts, icons and graphics that translate ideas of “local
food” into tangible, interactive and playful narratives, thus
reconnecting people to a sense of place through food growing.

There are two ways that you can interact with the project. First, as
part of a psychogeographical food walk through the streets of East
London during June 2010, accompanied by Mikey Tomkins (dates and times
to be specified but you can leave a request at
mikeytomk...@gmail.com). Second, to view, comment and record your
opinions about the potential for food growing in East London at the
digital version of the edible map. This is available at
http://www.mikeytomkins.co.uk/work/edible-maps/.

Mikey Tomkins, local beekeeper and PhD student at the University of
Brighton has created the project.

There will be 20 places available. The walk also includes a visit to
the rooftop hives of the Space gallery. This visit is only available
to the first 8 walkers!

Schedule and booking details TBC

http://www.mikeytomkins.co.uk/work/edible-maps/

-- 
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[NetBehaviour] Call for entries: VIDA 13.0 Art & Artificial Life International Competition

2010-08-02 Thread Olga
-
-- Call for entries: VIDA 13.0
-

http://www.fundacion.telefonica.com/arteytecnologia/certamen_vida/en/index.htm

At a time when the notion of life is once again located in an
uncertain domain, a wide range of artistic initiatives come together
to illustrate and investigate this phenomenon; they examine the impact
on the collective conscience and the way it is manifested in cultural,
technological and social thought.

Over the last decade, in the same formal space, VIDA has been bringing
together inter-disciplinary projects that respond to this situation.
By means of formal strategies that defy the boundaries between
existing practices, these projects offer new ways of reflecting on
what we understand by life and artificial life.

Fundación Telefónica announces the VIDA 13.0 Art & Artificial Life
International Competition, which for the last twelve years has awarded
prizes for artistic projects using technological mediums offering
innovative approaches to research into artificial life.

The projects may be based on systems which emulate, imitate or
speculate on the notion of life through current research and
technology. These systems may involve attributes of agency and
autonomy which display specific behaviour, are dynamic, react to their
surroundings and evolve, and which question the frontiers between what
is alive and what is not, between synthetic and organic life.

 As in previous years there are two categories to the competition:

---   FINISHED PROJECTS  

In this category VIDA 13.0 will award prizes to artistic ALife
projects developed after 2008. The sum of 40,000 Euros will be shared
between the projects selected by the jury: First Prize: 18,000 Euros,
Second Prize: 14,000 Euros, and Third Prize: 8,000 Euros. In addition
seven honourable mentions will be awarded.

---  ARTISTIC PRODUCTION INCENTIVES IN IBEROAMERICA, SPAIN AND PORTUGAL  

In this category VIDA 13.0 helps to fund artistic ALife projects that
have not yet been produced. This is aimed at citizens or residents of
countries comprising Latin America, Spain and Portugal. The sum of
40,000 Euros will be shared between the selected projects.

The winning projects will be subsequently exhibited at the VIDA Gallery,

http://www.fundacion.telefonica.com/arteytecnologia/galeriavida/. and
may be presented in exhibitions related to art and new technologies
organised by Fundación Telefónica or in which it takes part.

   DATES   

Period for submission of projects: from 19th July to 7th November 2010.

  JURY   

The works submitted will be examined by an international panel
composed of José-Carlos Mariátegui (Peru), Mónica Bello Bugallo
(Spain), Nell Tenhaaf (Canada) Rodrigo Alonso (Argentina), Simon Penny
(USA/Australia), Zhang Ga (USA/China) and Francisco Serrano (General
Director of Fundación Telefónica).


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[NetBehaviour] Interview with Joel Weishaus in Rain Taxi

2010-08-02 Thread Edward Picot
  Dear all -

The third instalment of the Summer 2010 online edition of the literary 
journal Rain Taxi is now online at 
http://www.raintaxi.com/online/2010summer/, and it includes an interview 
which I conducted earlier this year with the new media writer, poet, 
scholar and philosopher Joel Weishaus. The starting-point for the 
interview is Joel's most recent complete work, The Gateless Gate 
(http://www.cddc.vt.edu/host/weishaus/Gate-R/Cover-R.htm), but it goes 
on to cover his other work, his artistic techniques, his influences and 
his introduction to new media writing back in the 1990s.

"Despite his experiments with HTML, Weishaus' writing has always 
retained a strong connection with traditional literature. His latest 
work, 'The Gateless Gate', is deliberately simple and book-like in its 
construction; it takes the form of a series of “double-page spreads,” 
with text on the left and a processed photographic image on the right. 
The texts do not describe the images and the images do not illustrate 
the texts, but they do share the same thematic preoccupations—notably 
dream-imagery, the natural world, prehistory, and prehistoric psychology."

http://www.raintaxi.com/online/2010summer/weishaus.shtml

- Edward Picot
http://edwardpicot.com - Personal Website
http://hyperex.co.uk - The Hyperliterature Exchange
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Re: [NetBehaviour] on holiday

2010-08-02 Thread jennie
Hi, Thanks for getting in touch. I am away on holiday until 9th August and 
won't be able to access my emails,
please send a text in an emergency.

best wishes
jennie





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[NetBehaviour] exercising stretching

2010-08-02 Thread James Morris
exercising stretching
http://jwm-art.net/art/audio/exercising_stretching.mp3
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