Re: [NetBehaviour] Fwd: BMW Tate Live Performance Room: Pablo Bronstein's Constantinople Kaleidoscope
thanks :) yes, you're probably right! lucky we don't mind being messy ... On 4/05/12 10:27 PM, Annie Abrahams wrote: perfect Helen I guess it would become too messy for them (too real!) if they started to really experiment; thanks Annie On Fri, May 4, 2012 at 8:54 AM, helen varley jamieson he...@creative-catalyst.com mailto:he...@creative-catalyst.com wrote: i managed to write a blog post about it: http://www.furtherfield.org/blog/helen-varley-jamieson/tate-webcast-disappoints-me -- helen varley jamieson: creative catalyst he...@creative-catalyst.com http://www.creative-catalyst.com http://www.make-shift.net http://www.upstage.org.nz ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
Re: [NetBehaviour] Fwd: BMW Tate Live Performance Room: Pablo Bronstein's Constantinople Kaleidoscope
i managed to write a blog post about it: http://www.furtherfield.org/blog/helen-varley-jamieson/tate-webcast-disappoints-me ( i noticed just now that there are some spam blog posts there on the furtherfield site ... :() On 26/04/12 10:00 PM, Rob Myers wrote: On 04/26/2012 08:55 PM, helen varley jamieson wrote: well, i just tried to watch tonight's live broadcast, but all i got was This video is not available. i was told in the chat that i should be able to see it, that it had worked before for people in germany (a lot of youtube content isn't available to us deprived people in germany). there were only 3 comments from people in the chat during the performance (i was still there, trying different browsers, reloading, changing settings, to see if i could sneak in somehow) Ah I remember helping present a Stelarc performance online at the ICA in the mid-90s. We had more comments then. ;-) [This is totally different from saying nothing is new for a truly marvelous reason that the margin of this page is too narrow to contain.] - Rob. ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour -- helen varley jamieson: creative catalyst he...@creative-catalyst.com http://www.creative-catalyst.com http://www.make-shift.net http://www.upstage.org.nz ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
Re: [NetBehaviour] Fwd: BMW Tate Live Performance Room: Pablo Bronstein's Constantinople Kaleidoscope
On 26/04/12 10:00 PM, Rob Myers wrote: On 04/26/2012 08:55 PM, helen varley jamieson wrote: well, i just tried to watch tonight's live broadcast, but all i got was This video is not available. i was told in the chat that i should be able to see it, that it had worked before for people in germany (a lot of youtube content isn't available to us deprived people in germany). there were only 3 comments from people in the chat during the performance (i was still there, trying different browsers, reloading, changing settings, to see if i could sneak in somehow) Ah I remember helping present a Stelarc performance online at the ICA in the mid-90s. We had more comments then. ;-) [This is totally different from saying nothing is new for a truly marvelous reason that the margin of this page is too narrow to contain.] - Rob. ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour -- helen varley jamieson: creative catalyst he...@creative-catalyst.com http://www.creative-catalyst.com http://www.make-shift.net http://www.upstage.org.nz ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
Re: [NetBehaviour] Fwd: BMW Tate Live Performance Room: Pablo Bronstein's Constantinople Kaleidoscope
...but this is the first time anybody has ever used telecommunications to make art! On 23 Apr 2012, at 17:26, xDxD.vs.xDxD wrote: this is the time, these are the years: everyone inventing words and saying the first this, the first that we're losing our memories, now it can be done. and, in the age of p2p, of ubiquitous and of anonymous, gimme a good budget for communication and i will reinvent history itself! xDxD.vs.xDxD On Mon, Apr 23, 2012 at 6:13 PM, Pall Thayer pallt...@gmail.com wrote: The description sounds a bit like the Chaos in Action project in 1997. On Mon, Apr 23, 2012 at 12:09 PM, helen varley jamieson he...@creative-catalyst.com wrote: has anyone else had a look at this? i'm a bit stunned that they are describing what sounds like webcasting slightly augmented by social media as an entirely new mode of presentation ... on their web site, they even claim it as the first artistic programme created purely for live web broadcast. where have they been for the last 15+ years i wonder??? Original Message Subject: BMW Tate Live Performance Room: Pablo Bronstein's Constantinople Kaleidoscope Date: Sun, 22 Apr 2012 12:00:11 -0400 From: e-flux i...@mailer.e-flux.com Reply-To: i...@mailer.e-flux.com To: pa...@blindditch.org April 22, 2012 Tate Modern BMW Tate Live Performance Room: Pablo Bronstein Constantinople Kaleidoscope Online at www.youtube.com/tate on Thursday 26 April at 20:00 BST Share this BMW Tate Live Performance Room is a pioneering programme of live performances created exclusively for online broadcast, simultaneously reaching international audiences across world time zones. For the second performance in the BMW Tate Live Performance Room, Argentinean born artist Pablo Bronstein will premiere, Constantinople Kaleidoscope, an entirely new work made especially for the BMW Tate Live Performance Room. Involving a group of dancers, Bronstein will create a baroque trompe l'oeil stage set that exaggerates the perspective of the room with mirrored columns. Bronstein uses architectural design and drawing to engage with the grandiose and imperial past of the built environment and this preoccupation with form frequently extends into his live work. Audiences, who will only be able to view the performances on the internet, are invited to enter the online Performance Room via www.youtube.com/tate at 20.00 hrs in the UK and exactly the same moment across time zones on the specified dates—16.00 hrs on the East Coast of America, 21.00 hrs in mainline Europe and 23.00 hrs in Russia. The global audience are encouraged to chat with other viewers via social media channels and to put questions to the artists or curator following it using Tate's social media channels—twitter.com/tate using #BMWTateLiveQ and facebook.com/tategallery. The BMW Tate Live Performance Room was inaugurated by French choreographer and dancer Jérôme Bel with the work Shirtology@Tate on 22 March. Artists Emily Roysdon, Harrell Fletcher and Joan Jonas will also present works for the BMW Tate Live Performance Room in the coming months. On Thursday 31 May, American artist and writer, Emily Roysdon, explores the intersection of choreography and political action through a collaborative performance. Harrell Fletcher's work often takes the form of socially engaged and interdisciplinary projects. On Thursday 28 June, for BMW Tate Live, he will work with local amateur performers who ordinarily would not be seen by the Performance Room's global audience. The final BMW Tate Live Performance Room in 2012 is by legendary performance artist, Joan Jonas. Since the 1960s, she has been a major figure at the forefront of explorations in film, new media and performance, transcending genres to develop an influential practice rooted in space, movement, ritual and gesture. This innovative format offers international audiences an opportunity to experience performance works through an entirely new mode of presentation. Each performance is archived and available to view online after the live event. BMW Tate Live is a four-year partnership between BMW and Tate, which focuses on performance, interdisciplinary art and curating digital space. BMW Tate Live: Performance Room is the inaugural strand of the partnership and features five commissions in 2012. BMW Tate Live is curated by Catherine Wood, Curator, Contemporary Art and Performance, Tate, and Kathy Noble, Curator of Interdisciplinary Projects, Tate, assisted by Capucine Perrot, Assistant Curator, Tate and Julia Crabtree. BMW Tate Live Performance Room Forthcoming performances at 20.00 hrs BST 26 April, BMW Tate Live Performance Room: Pablo Bronstein, Constantinople Kaleidoscope 31 May, BMW Tate Live Performance Room: Emily Roysdon 28 June, BMW Tate Live
Re: [NetBehaviour] Fwd: BMW Tate Live Performance Room: Pablo Bronstein's Constantinople Kaleidoscope
and... we also know - BIG BUDGETS CREATE HISTORY! ;-) Marc this is the time, these are the years: everyone inventing words and saying the first this, the first that we're losing our memories, now it can be done. and, in the age of p2p, of ubiquitous and of anonymous, gimme a good budget for communication and i will reinvent history itself! xDxD.vs.xDxD On Mon, Apr 23, 2012 at 6:13 PM, Pall Thayer pallt...@gmail.com mailto:pallt...@gmail.com wrote: The description sounds a bit like the Chaos in Action project in 1997. On Mon, Apr 23, 2012 at 12:09 PM, helen varley jamieson he...@creative-catalyst.com mailto:he...@creative-catalyst.com wrote: has anyone else had a look at this? i'm a bit stunned that they are describing what sounds like webcasting slightly augmented by social media as an entirely new mode of presentation ... on their web site, they even claim it as the first artistic programme created purely for live web broadcast. where have they been for the last 15+ years i wonder??? Original Message Subject: BMW Tate Live Performance Room: Pablo Bronstein's Constantinople Kaleidoscope Date: Sun, 22 Apr 2012 12:00:11 -0400 From: e-flux i...@mailer.e-flux.com mailto:i...@mailer.e-flux.com Reply-To: i...@mailer.e-flux.com mailto:i...@mailer.e-flux.com To: pa...@blindditch.org mailto:pa...@blindditch.org ef_bw_block.gif April 22, 2012 ef_logo_big.gif http://interspire.e-flux.com/link.php?M=230532N=2554L=2F=H ef_dashed_line.gif Tate Modern apr22_tatemoern.jpg http://interspire.e-flux.com/link.php?M=230532N=2554L=5057F=H *BMW Tate Live Performance Room: * *Pablo Bronstein /Constantinople Kaleidoscope/ * Online at www.youtube.com/tate http://interspire.e-flux.com/link.php?M=230532N=2554L=5057F=H on Thursday 26 April at 20:00 BST * * ef_dashed_line Share thisShare this on Facebook http://interspire.e-flux.com/link.php?M=230532N=2554L=2685F=HShare this on Twitter http://interspire.e-flux.com/link.php?M=230532N=2554L=2684F=H BMW Tate Live Performance Room is a pioneering programme of live performances created exclusively for online broadcast, simultaneously reaching international audiences across world time zones. For the second performance in the BMW Tate Live Performance Room, Argentinean born artist Pablo Bronstein will premiere, /Constantinople Kaleidoscope/, an entirely new work made especially for the BMW Tate Live Performance Room. Involving a group of dancers, Bronstein will create a baroque trompe l'oeil stage set that exaggerates the perspective of the room with mirrored columns. Bronstein uses architectural design and drawing to engage with the grandiose and imperial past of the built environment and this preoccupation with form frequently extends into his live work. Audiences, who will only be able to view the performances on the internet, are invited to enter the online Performance Room via www.youtube.com/tate http://interspire.e-flux.com/link.php?M=230532N=2554L=5063F=H at 20.00 hrs in the UK and exactly the same moment across time zones on the specified dates—16.00 hrs on the East Coast of America, 21.00 hrs in mainline Europe and 23.00 hrs in Russia. The global audience are encouraged to chat with other viewers via social media channels and to put questions to the artists or curator following it using Tate's social media channels—twitter.com/tate http://interspire.e-flux.com/link.php?M=230532N=2554L=5058F=H using #BMWTateLiveQ and facebook.com/tategallery http://interspire.e-flux.com/link.php?M=230532N=2554L=5060F=H. The BMW Tate Live Performance Room was inaugurated by French choreographer and dancer Jérôme Bel with the work /Shirtology@Tate /on 22 March/. /Artists Emily Roysdon http://interspire.e-flux.com/link.php?M=230532N=2554L=5062F=H, Harrell Fletcher http://interspire.e-flux.com/link.php?M=230532N=2554L=5059F=H and Joan Jonas http://interspire.e-flux.com/link.php?M=230532N=2554L=5061F=H will also present works for the BMW Tate Live Performance Room in the coming months. On Thursday 31 May, American artist and writer, Emily Roysdon, explores the intersection of choreography and political action
[NetBehaviour] Fwd: BMW Tate Live Performance Room: Pablo Bronstein's Constantinople Kaleidoscope
has anyone else had a look at this? i'm a bit stunned that they are describing what sounds like webcasting slightly augmented by social media as an entirely new mode of presentation ... on their web site, they even claim it as the first artistic programme created purely for live web broadcast. where have they been for the last 15+ years i wonder??? Original Message Subject: BMW Tate Live Performance Room: Pablo Bronstein's Constantinople Kaleidoscope Date: Sun, 22 Apr 2012 12:00:11 -0400 From: e-flux i...@mailer.e-flux.com Reply-To: i...@mailer.e-flux.com To: pa...@blindditch.org ef_bw_block.gif April 22, 2012 ef_logo_big.gif http://interspire.e-flux.com/link.php?M=230532N=2554L=2F=H ef_dashed_line.gif Tate Modern apr22_tatemoern.jpg http://interspire.e-flux.com/link.php?M=230532N=2554L=5057F=H *BMW Tate Live Performance Room: * *Pablo Bronstein /Constantinople Kaleidoscope/ * Online at www.youtube.com/tate http://interspire.e-flux.com/link.php?M=230532N=2554L=5057F=H on Thursday 26 April at 20:00 BST * * ef_dashed_line Share thisShare this on Facebook http://interspire.e-flux.com/link.php?M=230532N=2554L=2685F=HShare this on Twitter http://interspire.e-flux.com/link.php?M=230532N=2554L=2684F=H BMW Tate Live Performance Room is a pioneering programme of live performances created exclusively for online broadcast, simultaneously reaching international audiences across world time zones. For the second performance in the BMW Tate Live Performance Room, Argentinean born artist Pablo Bronstein will premiere, /Constantinople Kaleidoscope/, an entirely new work made especially for the BMW Tate Live Performance Room. Involving a group of dancers, Bronstein will create a baroque trompe l'oeil stage set that exaggerates the perspective of the room with mirrored columns. Bronstein uses architectural design and drawing to engage with the grandiose and imperial past of the built environment and this preoccupation with form frequently extends into his live work. Audiences, who will only be able to view the performances on the internet, are invited to enter the online Performance Room via www.youtube.com/tate http://interspire.e-flux.com/link.php?M=230532N=2554L=5063F=H at 20.00 hrs in the UK and exactly the same moment across time zones on the specified dates—16.00 hrs on the East Coast of America, 21.00 hrs in mainline Europe and 23.00 hrs in Russia. The global audience are encouraged to chat with other viewers via social media channels and to put questions to the artists or curator following it using Tate's social media channels—twitter.com/tate http://interspire.e-flux.com/link.php?M=230532N=2554L=5058F=H using #BMWTateLiveQ and facebook.com/tategallery http://interspire.e-flux.com/link.php?M=230532N=2554L=5060F=H. The BMW Tate Live Performance Room was inaugurated by French choreographer and dancer Jérôme Bel with the work /Shirtology@Tate /on 22 March/. /Artists Emily Roysdon http://interspire.e-flux.com/link.php?M=230532N=2554L=5062F=H, Harrell Fletcher http://interspire.e-flux.com/link.php?M=230532N=2554L=5059F=H and Joan Jonas http://interspire.e-flux.com/link.php?M=230532N=2554L=5061F=H will also present works for the BMW Tate Live Performance Room in the coming months. On Thursday 31 May, American artist and writer, Emily Roysdon, explores the intersection of choreography and political action through a collaborative performance. Harrell Fletcher's work often takes the form of socially engaged and interdisciplinary projects. On Thursday 28 June, for BMW Tate Live, he will work with local amateur performers who ordinarily would not be seen by the Performance Room's global audience. The final BMW Tate Live Performance Room in 2012 is by legendary performance artist, Joan Jonas.**Since the 1960s, she has been a major figure at the forefront of explorations in film, new media and performance, transcending genres to develop an influential practice rooted in space, movement, ritual and gesture. This innovative format offers international audiences an opportunity to experience performance works through an entirely new mode of presentation. Each performance is archived and available to view online after the live event. /BMW Tate Live is a four-year partnership between BMW and Tate, which focuses on performance, interdisciplinary art and curating digital space. BMW Tate Live: Performance Room is the inaugural strand of the partnership and features five commissions in 2012./ /BMW Tate Live is curated by Catherine Wood, Curator, Contemporary Art and Performance, Tate, and Kathy Noble, Curator of Interdisciplinary Projects, Tate, assisted by Capucine Perrot, Assistant Curator, Tate and Julia Crabtree. /*BMW Tate Live Performance Room **Forthcoming performances at 20.00 hrs BST *26 April, BMW Tate Live Performance Room: Pablo
Re: [NetBehaviour] Fwd: BMW Tate Live Performance Room: Pablo Bronstein's Constantinople Kaleidoscope
The description sounds a bit like the Chaos in Action project in 1997. On Mon, Apr 23, 2012 at 12:09 PM, helen varley jamieson he...@creative-catalyst.com wrote: has anyone else had a look at this? i'm a bit stunned that they are describing what sounds like webcasting slightly augmented by social media as an entirely new mode of presentation ... on their web site, they even claim it as the first artistic programme created purely for live web broadcast. where have they been for the last 15+ years i wonder??? Original Message Subject: BMW Tate Live Performance Room: Pablo Bronstein's Constantinople Kaleidoscope Date: Sun, 22 Apr 2012 12:00:11 -0400 From: e-flux i...@mailer.e-flux.comi...@mailer.e-flux.com Reply-To: i...@mailer.e-flux.com To: pa...@blindditch.org [image: ef_bw_block.gif] April 22, 2012 [image: ef_logo_big.gif]http://interspire.e-flux.com/link.php?M=230532N=2554L=2F=H [image: ef_dashed_line.gif] Tate Modern [image: apr22_tatemoern.jpg]http://interspire.e-flux.com/link.php?M=230532N=2554L=5057F=H *BMW Tate Live Performance Room: * *Pablo Bronstein Constantinople Kaleidoscope * Online at www.youtube.com/tatehttp://interspire.e-flux.com/link.php?M=230532N=2554L=5057F=Hon Thursday 26 April at 20:00 BST * * [image: ef_dashed_line] Share this[image: Share this on Facebook]http://interspire.e-flux.com/link.php?M=230532N=2554L=2685F=H[image: Share this on Twitter]http://interspire.e-flux.com/link.php?M=230532N=2554L=2684F=H BMW Tate Live Performance Room is a pioneering programme of live performances created exclusively for online broadcast, simultaneously reaching international audiences across world time zones. For the second performance in the BMW Tate Live Performance Room, Argentinean born artist Pablo Bronstein will premiere, *Constantinople Kaleidoscope*, an entirely new work made especially for the BMW Tate Live Performance Room. Involving a group of dancers, Bronstein will create a baroque trompe l'oeil stage set that exaggerates the perspective of the room with mirrored columns. Bronstein uses architectural design and drawing to engage with the grandiose and imperial past of the built environment and this preoccupation with form frequently extends into his live work. Audiences, who will only be able to view the performances on the internet, are invited to enter the online Performance Room via www.youtube.com/tatehttp://interspire.e-flux.com/link.php?M=230532N=2554L=5063F=Hat 20.00 hrs in the UK and exactly the same moment across time zones on the specified dates—16.00 hrs on the East Coast of America, 21.00 hrs in mainline Europe and 23.00 hrs in Russia. The global audience are encouraged to chat with other viewers via social media channels and to put questions to the artists or curator following it using Tate's social media channels—twitter.com/tatehttp://interspire.e-flux.com/link.php?M=230532N=2554L=5058F=Husing #BMWTateLiveQ and facebook.com/tategalleryhttp://interspire.e-flux.com/link.php?M=230532N=2554L=5060F=H . The BMW Tate Live Performance Room was inaugurated by French choreographer and dancer Jérôme Bel with the work *Shirtology@Tate *on 22 March*. *Artists Emily Roysdonhttp://interspire.e-flux.com/link.php?M=230532N=2554L=5062F=H , Harrell Fletcherhttp://interspire.e-flux.com/link.php?M=230532N=2554L=5059F=Hand Joan Jonas http://interspire.e-flux.com/link.php?M=230532N=2554L=5061F=Hwill also present works for the BMW Tate Live Performance Room in the coming months. On Thursday 31 May, American artist and writer, Emily Roysdon, explores the intersection of choreography and political action through a collaborative performance. Harrell Fletcher's work often takes the form of socially engaged and interdisciplinary projects. On Thursday 28 June, for BMW Tate Live, he will work with local amateur performers who ordinarily would not be seen by the Performance Room's global audience. The final BMW Tate Live Performance Room in 2012 is by legendary performance artist, Joan Jonas.* *Since the 1960s, she has been a major figure at the forefront of explorations in film, new media and performance, transcending genres to develop an influential practice rooted in space, movement, ritual and gesture. This innovative format offers international audiences an opportunity to experience performance works through an entirely new mode of presentation. Each performance is archived and available to view online after the live event. *BMW Tate Live is a four-year partnership between BMW and Tate, which focuses on performance, interdisciplinary art and curating digital space. BMW Tate Live: Performance Room is the inaugural strand of the partnership and features five commissions in 2012.* *BMW Tate Live is curated by Catherine Wood, Curator, Contemporary Art and Performance, Tate, and Kathy Noble, Curator of Interdisciplinary Projects,
Re: [NetBehaviour] Fwd: BMW Tate Live Performance Room: Pablo Bronstein's Constantinople Kaleidoscope
http://www.eto.org.uk/etd/media/releases/pr009.htm On Mon, Apr 23, 2012 at 12:13 PM, Pall Thayer pallt...@gmail.com wrote: The description sounds a bit like the Chaos in Action project in 1997. On Mon, Apr 23, 2012 at 12:09 PM, helen varley jamieson he...@creative-catalyst.com wrote: has anyone else had a look at this? i'm a bit stunned that they are describing what sounds like webcasting slightly augmented by social media as an entirely new mode of presentation ... on their web site, they even claim it as the first artistic programme created purely for live web broadcast. where have they been for the last 15+ years i wonder??? Original Message Subject: BMW Tate Live Performance Room: Pablo Bronstein's Constantinople Kaleidoscope Date: Sun, 22 Apr 2012 12:00:11 -0400 From: e-flux i...@mailer.e-flux.comi...@mailer.e-flux.com Reply-To: i...@mailer.e-flux.com To: pa...@blindditch.org [image: ef_bw_block.gif] April 22, 2012 [image: ef_logo_big.gif]http://interspire.e-flux.com/link.php?M=230532N=2554L=2F=H [image: ef_dashed_line.gif] Tate Modern [image: apr22_tatemoern.jpg]http://interspire.e-flux.com/link.php?M=230532N=2554L=5057F=H *BMW Tate Live Performance Room: * *Pablo Bronstein Constantinople Kaleidoscope * Online at www.youtube.com/tatehttp://interspire.e-flux.com/link.php?M=230532N=2554L=5057F=Hon Thursday 26 April at 20:00 BST * * [image: ef_dashed_line] Share this[image: Share this on Facebook]http://interspire.e-flux.com/link.php?M=230532N=2554L=2685F=H[image: Share this on Twitter]http://interspire.e-flux.com/link.php?M=230532N=2554L=2684F=H BMW Tate Live Performance Room is a pioneering programme of live performances created exclusively for online broadcast, simultaneously reaching international audiences across world time zones. For the second performance in the BMW Tate Live Performance Room, Argentinean born artist Pablo Bronstein will premiere, *Constantinople Kaleidoscope*, an entirely new work made especially for the BMW Tate Live Performance Room. Involving a group of dancers, Bronstein will create a baroque trompe l'oeil stage set that exaggerates the perspective of the room with mirrored columns. Bronstein uses architectural design and drawing to engage with the grandiose and imperial past of the built environment and this preoccupation with form frequently extends into his live work. Audiences, who will only be able to view the performances on the internet, are invited to enter the online Performance Room via www.youtube.com/tatehttp://interspire.e-flux.com/link.php?M=230532N=2554L=5063F=Hat 20.00 hrs in the UK and exactly the same moment across time zones on the specified dates—16.00 hrs on the East Coast of America, 21.00 hrs in mainline Europe and 23.00 hrs in Russia. The global audience are encouraged to chat with other viewers via social media channels and to put questions to the artists or curator following it using Tate's social media channels—twitter.com/tatehttp://interspire.e-flux.com/link.php?M=230532N=2554L=5058F=Husing #BMWTateLiveQ and facebook.com/tategalleryhttp://interspire.e-flux.com/link.php?M=230532N=2554L=5060F=H . The BMW Tate Live Performance Room was inaugurated by French choreographer and dancer Jérôme Bel with the work *Shirtology@Tate *on 22 March*. *Artists Emily Roysdonhttp://interspire.e-flux.com/link.php?M=230532N=2554L=5062F=H , Harrell Fletcherhttp://interspire.e-flux.com/link.php?M=230532N=2554L=5059F=Hand Joan Jonas http://interspire.e-flux.com/link.php?M=230532N=2554L=5061F=Hwill also present works for the BMW Tate Live Performance Room in the coming months. On Thursday 31 May, American artist and writer, Emily Roysdon, explores the intersection of choreography and political action through a collaborative performance. Harrell Fletcher's work often takes the form of socially engaged and interdisciplinary projects. On Thursday 28 June, for BMW Tate Live, he will work with local amateur performers who ordinarily would not be seen by the Performance Room's global audience. The final BMW Tate Live Performance Room in 2012 is by legendary performance artist, Joan Jonas.* *Since the 1960s, she has been a major figure at the forefront of explorations in film, new media and performance, transcending genres to develop an influential practice rooted in space, movement, ritual and gesture. This innovative format offers international audiences an opportunity to experience performance works through an entirely new mode of presentation. Each performance is archived and available to view online after the live event. *BMW Tate Live is a four-year partnership between BMW and Tate, which focuses on performance, interdisciplinary art and curating digital space. BMW Tate Live: Performance Room is the inaugural strand of the partnership and features five commissions in 2012.* *BMW Tate Live is curated by
Re: [NetBehaviour] Fwd: BMW Tate Live Performance Room: Pablo Bronstein's Constantinople Kaleidoscope
this is the time, these are the years: everyone inventing words and saying the first this, the first that we're losing our memories, now it can be done. and, in the age of p2p, of ubiquitous and of anonymous, gimme a good budget for communication and i will reinvent history itself! xDxD.vs.xDxD On Mon, Apr 23, 2012 at 6:13 PM, Pall Thayer pallt...@gmail.com wrote: The description sounds a bit like the Chaos in Action project in 1997. On Mon, Apr 23, 2012 at 12:09 PM, helen varley jamieson he...@creative-catalyst.com wrote: has anyone else had a look at this? i'm a bit stunned that they are describing what sounds like webcasting slightly augmented by social media as an entirely new mode of presentation ... on their web site, they even claim it as the first artistic programme created purely for live web broadcast. where have they been for the last 15+ years i wonder??? Original Message Subject: BMW Tate Live Performance Room: Pablo Bronstein's Constantinople Kaleidoscope Date: Sun, 22 Apr 2012 12:00:11 -0400 From: e-flux i...@mailer.e-flux.comi...@mailer.e-flux.com Reply-To: i...@mailer.e-flux.com To: pa...@blindditch.org [image: ef_bw_block.gif] April 22, 2012 [image: ef_logo_big.gif]http://interspire.e-flux.com/link.php?M=230532N=2554L=2F=H [image: ef_dashed_line.gif] Tate Modern [image: apr22_tatemoern.jpg]http://interspire.e-flux.com/link.php?M=230532N=2554L=5057F=H *BMW Tate Live Performance Room: * *Pablo Bronstein Constantinople Kaleidoscope * Online at www.youtube.com/tatehttp://interspire.e-flux.com/link.php?M=230532N=2554L=5057F=Hon Thursday 26 April at 20:00 BST * * [image: ef_dashed_line] Share this[image: Share this on Facebook]http://interspire.e-flux.com/link.php?M=230532N=2554L=2685F=H[image: Share this on Twitter]http://interspire.e-flux.com/link.php?M=230532N=2554L=2684F=H BMW Tate Live Performance Room is a pioneering programme of live performances created exclusively for online broadcast, simultaneously reaching international audiences across world time zones. For the second performance in the BMW Tate Live Performance Room, Argentinean born artist Pablo Bronstein will premiere, *Constantinople Kaleidoscope*, an entirely new work made especially for the BMW Tate Live Performance Room. Involving a group of dancers, Bronstein will create a baroque trompe l'oeil stage set that exaggerates the perspective of the room with mirrored columns. Bronstein uses architectural design and drawing to engage with the grandiose and imperial past of the built environment and this preoccupation with form frequently extends into his live work. Audiences, who will only be able to view the performances on the internet, are invited to enter the online Performance Room via www.youtube.com/tatehttp://interspire.e-flux.com/link.php?M=230532N=2554L=5063F=Hat 20.00 hrs in the UK and exactly the same moment across time zones on the specified dates—16.00 hrs on the East Coast of America, 21.00 hrs in mainline Europe and 23.00 hrs in Russia. The global audience are encouraged to chat with other viewers via social media channels and to put questions to the artists or curator following it using Tate's social media channels—twitter.com/tatehttp://interspire.e-flux.com/link.php?M=230532N=2554L=5058F=Husing #BMWTateLiveQ and facebook.com/tategalleryhttp://interspire.e-flux.com/link.php?M=230532N=2554L=5060F=H . The BMW Tate Live Performance Room was inaugurated by French choreographer and dancer Jérôme Bel with the work *Shirtology@Tate *on 22 March*. *Artists Emily Roysdonhttp://interspire.e-flux.com/link.php?M=230532N=2554L=5062F=H , Harrell Fletcherhttp://interspire.e-flux.com/link.php?M=230532N=2554L=5059F=Hand Joan Jonas http://interspire.e-flux.com/link.php?M=230532N=2554L=5061F=Hwill also present works for the BMW Tate Live Performance Room in the coming months. On Thursday 31 May, American artist and writer, Emily Roysdon, explores the intersection of choreography and political action through a collaborative performance. Harrell Fletcher's work often takes the form of socially engaged and interdisciplinary projects. On Thursday 28 June, for BMW Tate Live, he will work with local amateur performers who ordinarily would not be seen by the Performance Room's global audience. The final BMW Tate Live Performance Room in 2012 is by legendary performance artist, Joan Jonas.* *Since the 1960s, she has been a major figure at the forefront of explorations in film, new media and performance, transcending genres to develop an influential practice rooted in space, movement, ritual and gesture. This innovative format offers international audiences an opportunity to experience performance works through an entirely new mode of presentation. Each performance is archived and available to view online after the live event. *BMW Tate Live is a four-year partnership
Re: [NetBehaviour] Fwd: BMW Tate Live Performance Room: Pablo Bronstein's Constantinople Kaleidoscope
The time of bullshit: when bullshitters and bullshit reigns supreme. Sent using BlackBerry® from Orange -Original Message- From: xDxD.vs.xDxD xdxd.vs.x...@gmail.com Sender: netbehaviour-boun...@netbehaviour.org Date: Mon, 23 Apr 2012 18:26:50 To: NetBehaviour for networked distributed creativitynetbehaviour@netbehaviour.org Reply-To: NetBehaviour for networked distributed creativity netbehaviour@netbehaviour.org Subject: Re: [NetBehaviour] Fwd: BMW Tate Live Performance Room: Pablo Bronstein's Constantinople Kaleidoscope ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
Re: [NetBehaviour] Fwd: BMW Tate Live Performance Room: Pablo Bronstein's Constantinople Kaleidoscope
When BMW meets Tate, state capitalism and private capitalism and the institutional delay I'm feeling supersonic Give me gin and tonic You can have it all but how much do you want it? You make me laugh Give me your autograph Can I ride with you in your BMW? You can sail with me in my yellow submarine You need to find out 'Cos no one's gonna tell you what I'm on about You need to find a way for what you want to say But before tomorrow Date: Mon, 23 Apr 2012 18:09:04 +0200 From: he...@creative-catalyst.com To: netbehaviour@netbehaviour.org Subject: [NetBehaviour] Fwd: BMW Tate Live Performance Room: Pablo Bronstein's Constantinople Kaleidoscope has anyone else had a look at this? i'm a bit stunned that they are describing what sounds like webcasting slightly augmented by social media as an entirely new mode of presentation ... on their web site, they even claim it as the first artistic programme created purely for live web broadcast. where have they been for the last 15+ years i wonder??? Original Message Subject: BMW Tate Live Performance Room: Pablo Bronstein's Constantinople Kaleidoscope Date: Sun, 22 Apr 2012 12:00:11 -0400 From: e-flux i...@mailer.e-flux.com Reply-To: i...@mailer.e-flux.com To: pa...@blindditch.org April 22, 2012 Tate Modern BMW Tate Live Performance Room: Pablo Bronstein Constantinople Kaleidoscope Online at www.youtube.com/tate on Thursday 26 April at 20:00 BST Share this BMW Tate Live Performance Room is a pioneering programme of live performances created exclusively for online broadcast, simultaneously reaching international audiences across world time zones. For the second performance in the BMW Tate Live Performance Room, Argentinean born artist Pablo Bronstein will premiere, Constantinople Kaleidoscope, an entirely new work made especially for the BMW Tate Live Performance Room. Involving a group of dancers, Bronstein will create a baroque trompe l'oeil stage set that exaggerates the perspective of the room with mirrored columns. Bronstein uses architectural design and drawing to engage with the grandiose and imperial past of the built environment and this preoccupation with form frequently extends into his live work. Audiences, who will only be able to view the performances on the internet, are invited to enter the online Performance Room via www.youtube.com/tate at 20.00 hrs in the UK and exactly the same moment across time zones on the specified dates—16.00 hrs on the East Coast of America, 21.00 hrs in mainline Europe and 23.00 hrs in Russia. The global audience are encouraged to chat with other viewers via social media channels and to put questions to the artists or curator following it using Tate's social media channels—twitter.com/tate using #BMWTateLiveQ and facebook.com/tategallery. The BMW Tate Live Performance Room was inaugurated by French choreographer and dancer Jérôme Bel with the work Shirtology@Tate on 22 March. Artists Emily Roysdon, Harrell Fletcher and Joan Jonas will also present works for the BMW Tate Live Performance Room in the coming months. On Thursday 31 May, American artist and writer, Emily Roysdon, explores the intersection of choreography and political action through a collaborative performance. Harrell Fletcher's work often takes the form of socially engaged
Re: [NetBehaviour] Fwd: BMW Tate Live Performance Room: Pablo Bronstein's Constantinople Kaleidoscope
yep... hegemony, power ignorance wrapped in glossy bliss - combined... they should be ashamed of themselves. marc The time of bullshit: when bullshitters and bullshit reigns supreme. Sent using BlackBerry® from Orange -Original Message- From: xDxD.vs.xDxDxdxd.vs.x...@gmail.com Sender: netbehaviour-boun...@netbehaviour.org Date: Mon, 23 Apr 2012 18:26:50 To: NetBehaviour for networked distributed creativitynetbehaviour@netbehaviour.org Reply-To: NetBehaviour for networked distributed creativity netbehaviour@netbehaviour.org Subject: Re: [NetBehaviour] Fwd: BMW Tate Live Performance Room: Pablo Bronstein's Constantinople Kaleidoscope ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour -- Other Info: Furtherfield - A living, breathing, thriving network http://www.furtherfield.org - for art, technology and social change since 1997 Also - Furtherfield Gallery Social Space: http://www.furtherfield.org/gallery About Furtherfield: http://www.furtherfield.org/content/about Netbehaviour - Networked Artists List Community. http://www.netbehaviour.org http://identi.ca/furtherfield http://twitter.com/furtherfield ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
Re: [NetBehaviour] Fwd: BMW Tate Live Performance Room: Pablo Bronstein's Constantinople Kaleidoscope
Where have they been for the last fifteen years? They have been in Bryant Park, Up the fundament of New York Fashion Week, selling cars.. On 23 Apr 2012, at 18:34, Eduardo Valle wrote: When BMW meets Tate, state capitalism and private capitalism and the institutional delay I'm feeling supersonic Give me gin and tonic You can have it all but how much do you want it? You make me laugh Give me your autograph Can I ride with you in your BMW? You can sail with me in my yellow submarine You need to find out 'Cos no one's gonna tell you what I'm on about You need to find a way for what you want to say But before tomorrow Date: Mon, 23 Apr 2012 18:09:04 +0200 From: he...@creative-catalyst.com To: netbehaviour@netbehaviour.org Subject: [NetBehaviour] Fwd: BMW Tate Live Performance Room: Pablo Bronstein's Constantinople Kaleidoscope has anyone else had a look at this? i'm a bit stunned that they are describing what sounds like webcasting slightly augmented by social media as an entirely new mode of presentation ... on their web site, they even claim it as the first artistic programme created purely for live web broadcast. where have they been for the last 15+ years i wonder??? Original Message Subject: BMW Tate Live Performance Room: Pablo Bronstein's Constantinople Kaleidoscope Date: Sun, 22 Apr 2012 12:00:11 -0400 From: e-flux i...@mailer.e-flux.com Reply-To: i...@mailer.e-flux.com To: pa...@blindditch.org April 22, 2012 Tate Modern BMW Tate Live Performance Room: Pablo Bronstein Constantinople Kaleidoscope Online at www.youtube.com/tate on Thursday 26 April at 20:00 BST Share this BMW Tate Live Performance Room is a pioneering programme of live performances created exclusively for online broadcast, simultaneously reaching international audiences across world time zones. For the second performance in the BMW Tate Live Performance Room, Argentinean born artist Pablo Bronstein will premiere, Constantinople Kaleidoscope, an entirely new work made especially for the BMW Tate Live Performance Room. Involving a group of dancers, Bronstein will create a baroque trompe l'oeil stage set that exaggerates the perspective of the room with mirrored columns. Bronstein uses architectural design and drawing to engage with the grandiose and imperial past of the built environment and this preoccupation with form frequently extends into his live work. Audiences, who will only be able to view the performances on the internet, are invited to enter the online Performance Room via www.youtube.com/tate at 20.00 hrs in the UK and exactly the same moment across time zones on the specified dates—16.00 hrs on the East Coast of America, 21.00 hrs in mainline Europe and 23.00 hrs in Russia. The global audience are encouraged to chat with other viewers via social media channels and to put questions to the artists or curator following it using Tate's social media channels—twitter.com/ tate using #BMWTateLiveQ and facebook.com/tategallery. The BMW Tate Live Performance Room was inaugurated by French choreographer and dancer Jérôme Bel with the work Shirtology@Tate on 22 March. Artists Emily Roysdon, Harrell Fletcher and Joan Jonas will also present works for the BMW Tate Live Performance Room in the coming months. On Thursday 31 May, American artist and writer, Emily Roysdon, explores the intersection of choreography and political action through a collaborative performance. Harrell Fletcher's work often takes the form of socially engaged and interdisciplinary projects. On Thursday 28 June, for BMW Tate Live, he will work with local amateur performers who ordinarily would not be seen by the Performance Room's global audience. The final BMW Tate Live Performance Room in 2012 is by legendary performance artist, Joan Jonas. Since the 1960s, she has been a major figure at the forefront of explorations in film, new media and performance, transcending genres to develop an influential practice rooted in space, movement, ritual and gesture. This innovative format offers international audiences an opportunity to experience performance works through an entirely new mode of presentation. Each performance is archived and available to view online after the live event. BMW Tate Live is a four-year partnership between BMW and Tate, which focuses on performance, interdisciplinary art and curating digital space. BMW Tate Live: Performance Room is the inaugural strand of the partnership and features five commissions in 2012. BMW Tate Live is curated by Catherine Wood, Curator, Contemporary Art and Performance, Tate, and Kathy Noble, Curator of Interdisciplinary Projects, Tate, assisted by Capucine Perrot, Assistant Curator, Tate and Julia Crabtree. BMW Tate Live Performance Room Forthcoming performances at 20.00 hrs BST 26 April, BMW Tate Live Performance Room: Pablo
Re: [NetBehaviour] Fwd: BMW Tate Live Performance Room: Pablo Bronstein's Constantinople Kaleidoscope
thanks, it looks like an interesting project :) i'm going to have a look at the event on thursday night see just how groundbreaking it is ... On 23/04/12 6:14 PM, Pall Thayer wrote: http://www.eto.org.uk/etd/media/releases/pr009.htm On Mon, Apr 23, 2012 at 12:13 PM, Pall Thayer pallt...@gmail.com mailto:pallt...@gmail.com wrote: The description sounds a bit like the Chaos in Action project in 1997. On Mon, Apr 23, 2012 at 12:09 PM, helen varley jamieson he...@creative-catalyst.com mailto:he...@creative-catalyst.com wrote: has anyone else had a look at this? i'm a bit stunned that they are describing what sounds like webcasting slightly augmented by social media as an entirely new mode of presentation ... on their web site, they even claim it as the first artistic programme created purely for live web broadcast. where have they been for the last 15+ years i wonder??? -- helen varley jamieson: creative catalyst he...@creative-catalyst.com http://www.creative-catalyst.com http://www.make-shift.net http://www.upstage.org.nz ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
Re: [NetBehaviour] Fwd: BMW Tate Live Performance Room: Pablo Bronstein's Constantinople Kaleidoscope
hi I was at the last one with Jérôme Bell a remake of one of his old performances (maybe even a recorded video) the one good thing was they took the public in the chatwindow who asked questions serious On Mon, Apr 23, 2012 at 10:44 PM, helen varley jamieson he...@creative-catalyst.com wrote: thanks, it looks like an interesting project :) i'm going to have a look at the event on thursday night see just how groundbreaking it is ... On 23/04/12 6:14 PM, Pall Thayer wrote: http://www.eto.org.uk/etd/media/releases/pr009.htm On Mon, Apr 23, 2012 at 12:13 PM, Pall Thayer pallt...@gmail.com wrote: The description sounds a bit like the Chaos in Action project in 1997. On Mon, Apr 23, 2012 at 12:09 PM, helen varley jamieson he...@creative-catalyst.com wrote: has anyone else had a look at this? i'm a bit stunned that they are describing what sounds like webcasting slightly augmented by social media as an entirely new mode of presentation ... on their web site, they even claim it as the first artistic programme created purely for live web broadcast. where have they been for the last 15+ years i wonder??? -- helen varley jamieson: creative catalyst he...@creative-catalyst.com http://www.creative-catalyst.comhttp://www.make-shift.nethttp://www.upstage.org.nz ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour -- *Angry Men* la vidéo https://vimeo.com/40534607 http://www.bram.org ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
