Delurking, a purchase, some maintainence, see you all in two weeks, Happy Easter.

2002-03-25 Thread Anthony Farr

I'm off to Melbourne 'til after Easter so I'll be unsubbing tonight.
Considering that I've still got close to 1,000 PDML messages on the
backburner (down from a peak of 3,000) there's no way I'll be able to review
the messages posted in my absence, so don't anyone be interesting,
informative or amusing in my absence, please :)

I hooked an absolutely mint P30t with SMC-A 33-80/4~5.6 at my local
Cashtrader (ex-CashConverter) for $au190 (about $us100).  I didn't need the
lens but they wouldn't split the package.  This thing looks like it just
came off the production line, not a mark anywhere. I bought it as a quick
solution to the run-down state of my current Pentaxes, an ME Super whose
foam has disintegrated so I'm hesitant to use, another ME Super that has
lost it's film transport function, and my beloved but overworked Super A
that has the mirror-locking-frame-skipping blues.

And then there was my nerve wracking self service to two of my lenses.
First, I spied a tiny spot of fungus inside the rear element of my A
35-70/3.5~4.5.  The rear element of this lens is fixed into the rear mount
and I should have been able to unscrew a retaining ring to drop it out, I'd
done
it before.  But the retaining ring (unslotted) wouldn't budge so I had to
open the mount.  It all went smoothly, the glass got cleaned, and I even got
all the little springy things back in place on the first attempt so I was a
happy camper.

But life isn't that simple, my A 50/1.7 proceeded to have it's aperture ring
become incapable of less than f9.5.  I opened it up and looked and searched
and tested and at last found the cause.  Under the aperture ring are two
staggered flat springs that lock around the A button when it's engaged.  One
of these had unseated itself and was interrupting the full movement of the
aperture ring.  Incidentally the other spring showed the marks of a repair
10 years or more ago when a similar fault occurred, it had been plastic
welded back into place and the repair still looked good.  But, having no
plastic welder I used super glue (cyanoacrylate) to reseat the spring.  When
that had hardened off I added a bead of super glue to the hole in the spring
(where whatever the original locking method was had once been) and added my
not so secret ingredient - baking powder.  A dusting of baking powder will
instantly cure super glue, I have porcelain with over ten year old super
glue and baking powder repairs to chips that are still rock hard.  BTW don't
use super glue near plastic lenses, they will be fogged by outgassed
corrosive chemicals as the glue cures.  So, two lens mounts stripped and
reassembled, one element cleaned and one mechanical repair didn't seem like
a bad night's work :)

Tomorrow I hit the road for Melbourne so I'll see you all in about two
weeks.  Happy Easter.

Regards,
Anthony Farr
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Re: Digital PIC

2002-03-25 Thread Johan Schoone

Shel Belinkoff <[EMAIL PROTECTED]> wrote:
> Dry film processing yields digital images:
> 
> http://www.asf.com/products/pic/
> 
> Any comments?

This page is more than buzzword compliant. OTOH, it is old news,
probably vapourware. The first message about this - and the company
behind it - on news:rec.photo.film+labs is dated June 6th, 2000.

I must admit that `Applied Science Fiction' is a funny name.

Om the bottom of the page: `ASF expects Digital PIC to be released for
commercial use by the 2nd quarter of 2002.' Which is real soon now.
-- 
http://members.chello.nl/~j.schoone\\|//
Registered Linux user #78364 - The Linux Counter - http://counter.li.org
Assume nothing, expect anything.
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New toy with 1:1.8 ;-)

2002-03-25 Thread Antti-Pekka Virjonen

So, I finally found the A* 135/1.8 lens ;-)
Received it this morning and it seems to be Mint- with 
pristine optics. It still has the gold color "passed" sticker on. 

No, I did not get it from Ebay...

I dare not say the price but it was a fraction of what 
Pål got from his when he sold it a while back... and I
could have bought a mint 50/1.2 with the same amount.

It only took about 3-4 years to find this one. What next ? *grin*

Antti-Pekka
---
* Antti-Pekka Virjonen * Fiskarsinkatu 7 D   * GSM: +358 400 789753 *
* Computec Oy Turku* FIN-20750 Turku Finland * Fax: +358 2 413  *
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Re: LX-glas removal

2002-03-25 Thread Alan Chan

>I wonder if it is possible/easy to remove the viewfinder-glas on an
>LX-body. (I mean not the viewfinder, but the glas on the camera body which
>is under the viewfinder and which you see when you remove the viewfinder.
>Hope you understand).
>
>As I told you I foolishly managed to stain the underside of this glass with
>fluid from an air-can, so I would like to clean it from the smear.
>Maybe this is rather a job for an LX repair shop?

Why not just clean it from the mirror box? I would not recommend you 
disassemble it yourself if you had no experience.

regards,
Alan Chan


_
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Re: too much grain?!?

2002-03-25 Thread Pat White

Wow, thanks a lot, guys!  I started to write down all your tips, but I soon gave up 
and printed them out.  I'm thinking of buying a binder to hold all the tips and info 
I've printed out from the list.

I'll try several of these ideas.  Oddly enough, the images look less grainy on paper 
than they do onscreen.  The films were sent to Qualex, the Kodak lab, but they "lab 
out" their PhotoCD scans, in Hamilton, Ontario, and in Richmond, BC (the PictureCDs 
are done in-house). Thanks again for the help.

Pat White
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Re: OT Paypal Problems

2002-03-25 Thread Antti-Pekka Virjonen

I have not used Paypal yet, but just noticed
they now accept Finnish bank accounts as well ;-)

Antti-Pekka
---
* Antti-Pekka Virjonen * Fiskarsinkatu 7 D   * GSM: +358 400 789753 *
* Computec Oy Turku* FIN-20750 Turku Finland * Fax: +358 2 413  *
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LX-glas removal

2002-03-25 Thread Peter Smekal

I wonder if it is possible/easy to remove the viewfinder-glas on an
LX-body. (I mean not the viewfinder, but the glas on the camera body which
is under the viewfinder and which you see when you remove the viewfinder.
Hope you understand).

As I told you I foolishly managed to stain the underside of this glass with
fluid from an air-can, so I would like to clean it from the smear.
Maybe this is rather a job for an LX repair shop?

Thanks for any comments and advice!

Peter Smekal
Uppsala, Sweden
[EMAIL PROTECTED]
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Re: MZ-S problem

2002-03-25 Thread David A. Mann

Mike wrote:

> I've had every lens I own on the camera tonight and they
> all exhibit the same problem. When I move the aperture
> ring off the "A" setting it either says f64 or f76 as the
> aperture no matter what f-stop the ring is set at. Depth
> of field preview still works, as well as stop-down metering,
> so I don't think it's any of the linkage.

 There's another linkage to check.  Take the lens off and you'll see 
a linkage on the right, when looking into the body's mount.  The 
little lever should be near the top, and should freely move downwards 
around the mount.  Its spring-loaded and should move back up quickly 
& smoothly (if you let it go it'll go back with a "snap").

 The body uses this lever in conjunction with the electrical 
contacts, to know what the aperture setting is.

 If the lever has somehow become jammed in its lowermost position 
your camera will show a really small aperture regardless of the lens 
setting with an A-series (or later) lens mounted.

Cheers,


- Dave

http://www.digistar.com/~dmann/ (out of date)
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Re: enlarger easel question

2002-03-25 Thread Shel Belinkoff

Need? NEED?  You don't need no steenkin easel ... oops, wrong movie.

Well, a two-bladed easel beats a good four-bladed easel on price, and
that's about it, IMO.  It's sometimes very difficult to get a two-bladed
easel to have perfectly equal borders, especially when adjusting the
blades frequently.  In addition, the blades aren't always parallel or
square.  All the four-bladed easels I've tried have been heavier and
more stable than their two-bladed counterparts.

However, I prefer a two-bladed easel for its ease of use and speed when
I'm making quick proof prints.  OTOH, a Speed Easel is even faster, and
even less expensive.

Frankly, when starting out, a two-bladed easel's not a bad way to go. 
You'll always find a use for it, even years later, and the cost
efficiency will allow you to waste more paper.

Most two-bladed easels are of similar design and quality, but when you
move into the four-bladed models, there are quite a few variations, and
it may take you a while to look at them all and decide which brand and
style suits you best.  Since they're a bit spendy, you don't want to
make a hasty decision.  Meanwhile, you can be printing with a $10.00
eBay special.

I've got a Bogen two-bladed easel that I picked up on eBay for just
about $10.00.  It was in good shape, and it has a clamping arrangement
on the blades that keeps 'em nice and square.  But I've also got a nice
four-bladed Saunders 14x17 that's a real jewel.  I'd not give either up,
and when I get around to it, I'd like to grab a few Speed Easels, too.

Brendan wrote:
> 
> Ok one last question before I go to bed, I know I want
> an easel that
> will go to 11x14" at least so should I get a 2 bladed
> easel or 4
> blades? Bear in mind price. I don't know the
> advantages of the 4
> bladed easel but having used 2 bladed ones in school
> and the lower
> cost do I still need a 4 bladed one?


-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
http://home.earthlink.net/~belinkoff/darkroom-rentals/index.html
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Re: MC ZENITAR-N 2.8/16

2002-03-25 Thread Roman Bazalevsky

On Mon, 25 Mar 2002 17:07:58 -0600, you wrote:

>Does anyone use this lens, and have opinions, either good or
>bad. In particular, how close is it's colour rendering to Pentax
>glass.

Zenitar-N is for Nikon mount, you need Zenitar-K 16/2.8 (and it
is much cheaper than N version, at least here in Russia).

This lens is quite sharp and flare-resistant, but just a bit warm.

S.Y. Roman
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enlarger easel question

2002-03-25 Thread Brendan

Ok one last question before I go to bed, I know I want
an easel that
will go to 11x14" at least so should I get a 2 bladed
easel or 4
blades? Bear in mind price. I don't know the
advantages of the 4
bladed easel but having used 2 bladed ones in school
and the lower
cost do I still need a 4 bladed one?

__ 
File your taxes online! http://taxes.yahoo.ca
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Re: MZ-S problem

2002-03-25 Thread dave o'brien

On Mon, 25 Mar 2002, Mike wrote:

> First, thanks to everyone for their efforts.
> 
> I've had every lens I own on the camera tonight and they
> all exhibit the same problem. When I move the aperture
> ring off the "A" setting it either says f64 or f76 

Hmmm, does the displayed aperture depend on the minimum aperture of the 
lens?  

dave
-- 
dave o'brien - http://www.diaspoir.net
There's something different about us -- different from people of Europe,
Africa, Asia ... a deep and abiding belief in the Easter Bunny.
-- G. Gordon Liddy
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OT: 35mm chromes still beat digital

2002-03-25 Thread Mark Erickson

I've seen it with my own eyes.  If you live in the SF Bay Area, it's worth a
trek down to Calypso Imaging in Santa Clara.  Calypso does digital work for
people like Galen Rowell, Franz Lanting, William Neill, Kennan Ward, etc.
Last time I was there, they had images by Franz Lanting on their wall that
were at least 3' by 5' (about 1 x 1.5 meters).  They were produced from
scanned 35mm slides.  Their clarity, even close up, was impressive to
behold.

They also had a nice example that was taken with a Nikon D1x by Uwe
Steinmueller.  It was blown up to about 24" x 36" (about 0.7 x 1.0 meters).
It looked good from a distance, but it betrayed its digital birth close up.
I think that even with a larger sensor these artifacts will still be present
(maybe not with the new Foveon sensor, however).

Looks to me like 35mm chromes still have legs if you're willing to pay for
really high quality scanning and printing.

--Mark

The Calypso site:  http://www.calypsoinc.com

Uwe's digital photography site:  http://www.outbackphoto.com
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Re: K 50mm f/1.4

2002-03-25 Thread Steve Larson

 Bill,
I know you will like the handling of it. You gotta try a K50/1.2
one of these days too. BTW, a nice hood for them is the
Nikon HN-7, just perfect they are (thanks for the tip Shel).
Steve Larson
Redondo Beach, California


William Robb wrote:

> I guess I am hoping for a good normal lens with a better feel
> than either my A series f/1.2, or my M series f/1.4. The K 105
> certainly has that quality to it, which is why I decided to bid
> on the K lens. I happened to be sitting at the computer near the
> end of the auction, so I just sniped it and prayed.
> And snagged it.
> I will be putting a few 50mm lenses on the block at some point,
> I expect. I seem to have accumulated more of them than I want.
> Thanks again
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Re: SP1000 made in Hong Kong ?

2002-03-25 Thread Steve Larson

Hi Shel, 
 Where on the baseplate? Sticker?  
 The baseplates on my SPII`s have no writing, but say 
"ASAHI OPT. CO., JAPAN" on the top plate facing the rear
of the camera, to the right of the Viewfinder. 
Steve Larson
Redondo Beach, California
   
Shel Belinkoff wrote:
> I've an SP II with an
 > "... assembled in Hong Kong" base plate.
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Re: MZ-S problem

2002-03-25 Thread Shel Belinkoff

Seems that it thinks it's a view camera   Is there a "Landscape"
mode on the camera?

Mike wrote:
> 
> Okay all you Pentax guru's.
> 
> My MZ-S suddenly starting reporting the f-stop in
> manual aperture mode as f64. 
-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
http://home.earthlink.net/~belinkoff/darkroom-rentals/index.html
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Report of FA 31 Limited

2002-03-25 Thread Joseph Tainter

Bruce Dayton asked me to report on the optical quality of this lens. I
used it to complete a roll of Provia 100F, and I then took selected
slides and scanned them on a Nikon LS 2000 at 2720 dpi with digital ICE
on. The digital ICE dulls sharpness a bit. I did no manipulations, just
printed them full-frame on an Epson 870 on 8-1/2 x 11 inch paper (about
the same as A4).

I scanned transparencies of the following apertures:

f1.8
f4.5 (the mtf value my PZ1p indicates)
f16

At f1.8 the print was entirely acceptable to my eyes. There was some
light fall-off noticeable in the sky. The f4.5 print was noticeably
sharper. The f16 print was less sharp than the f4.5, but sharper than
the f1.8. I would have been completely satisfied with the f1.8 and 16
prints.

The real question is, how does this compare to other lenses? I own the
following other lenses, and have made scans from them in the same
manner:

Zenitar 16 mm. f2.8 fisheye
FA 17-28
FA 20-35
FA Power Zoom 28-105
FA 50 f1.7
F 80-200 f4.7-5.6
SMC F 70-210 f4-5.6
Sigma 70-300 f4-5.6 APO Macro
Tokina ATX-AF 400

The f4.5 print from the FA 31 Limited is definitely the sharpest print
from any of these lenses, scanned and printed as I've described. How
much better? I can't quantify, but I bought it to have a wide, fast
prime, and it will fill the bill.

Sorry, I don't have a web site where I could post things.

Joe
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Re: OT Paypal Problems

2002-03-25 Thread Shel Belinkoff

Getting a few measly dollars from Paypal was an ordeal for me, as well. 
There was no problem with my credit card (and what difference should
that make, anyway, since someone else sent me funds).  Paypal wanted
drivers license information, a utility bill, a copy of my credit card
statement, and a copy of my bank statement.  I very politely told 'em to
go rotate, used the funds on a subsequent purchase, and never used them
again ... and I'll do everything in my power to never use them again.  I
don't like their arbitrary way of doing business, their poor
communication, and their requirements for using their service.  They
want too much friggin' information just for me to use a credit card. 

BTW, when my spell checker comes across "paypal" it suggests "payola" as
a proper alternative spelling. 

Paul Jones wrote:
> 
> I had the same problem, it usualy happens when your Credit Card is declined
> a couple of times. I tried to send a payment and forgot i had received a new
> credit card number.
> 
> I had to ring them up on the phone to sort it out. As i'm in Australia
> sending them a fax would have been a real hassle.

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
http://home.earthlink.net/~belinkoff/darkroom-rentals/index.html
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RE: OT:nice quality thermometers on ebay

2002-03-25 Thread Mick Maguire

Tom said "I thought mercury was a no-no? What makes them so nice?"

Well they are very good quality (nicely made and accurate)thermometers IMHO
at what seems to be a very low price. I don't know much about mercury being
a no-no, it's like Bill says you have to be very careful with it and I guess
that you need to make sure they / it is disposed of properly when the time
comes.

Maybe they aren't so nice, I dunno.

Regards,
/\/\ick...
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MZ-S problem

2002-03-25 Thread Mike

Okay all you Pentax guru's.

My MZ-S suddenly starting reporting the f-stop in 
manual aperture mode as f64. Doesn't seem to
matter which lens or where you turn the aperture
ring - it still says f64. If you set the lens to the
"A" setting it all seems to be working fine.
Any ideas what broke?
Damn! Just when Spring and sunny days got here, too.

-=Mike=-
In the Pacific Northwet
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Re: K 50mm f/1.4

2002-03-25 Thread William Robb

- Original Message -
From: Paul Stenquist
Subject: Re: K 50mm f/1.4


> That's a great buy, Bill. I think the 50/1.4 K is one of the
best pentax
> lenses ever made. And if you got one that's new in the box for
less than
> $100, you stole it. You devil, you :-)
> Paul

You did better on the 165LS than I did..

Brother William
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Re: Digital SLR

2002-03-25 Thread William Robb

- Original Message -
From: Bruce Rubenstein
Subject: Re: Digital SLR


> What you see, depends on what you look for.

If threads give you a tingle, then great; I
> wouldn't have the quality of a picture hang by one.

Wise words indeed. However, what we look for does depend on the
subject matter.
For example, if I can make a portrait that appears sharp, but at
the same time has degraded fine detail to the point where I am
not seeing skin blemishes or loose threads, thats wonderful.
Thats what I wanted in the first place.
OTOH, if I am working to produce a classic large format
landscape, then I am dissapointed if I manage to not capture
every bit of detail that is in front of my lens.
Digital capture sounds great for the former example, not so good
for the latter example.

William Robb
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Re: OT Paypal Problems

2002-03-25 Thread Paul Jones

I had the same problem, it usualy happens when your Credit Card is declined
a couple of times. I tried to send a payment and forgot i had received a new
credit card number.

I had to ring them up on the phone to sort it out. As i'm in Australia
sending them a fax would have been a real hassle.

I actualy rang once and they said no and then i rang again and they did it
:) seems to depend on who you speak to.

It also usualy takes them a number of days to reply to emails.

Regards,
Paul
- Original Message -
From: "Darryn" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Tuesday, March 26, 2002 1:06 PM
Subject: OT Paypal Problems


> A month or so ago I was expereincing problems accessing funds in my
account
> from Paypal. The funds were placed there by a fellow PDML member who
> purchased a lens, at my request. I still can't get the money out!! Just
when
> I thought I was getting close, they designated my account as "Restricted".
> I'm not sure on what basis this happened. Lets be clear about this, they
owe
> me money, not the other way round. They have already deducted a small fee
to
> have me as a member. Now, the advice they have provided in order to get
> "unrestricted" is thus -
>
> Fax a copy of current Driver Licence or ID and a copy of a recent Credit
> Card Statement (specifically for the credit card used to extract the
joining
> fee) to Paypal. What gives?? When are they going to ask for a tissue
> sample??. I can partially understand a situation like this if I was after
> some sort of credit or something, but I'm not. Just give me my bloody
> money!!
>
> Sorry for the ramble, please note that my fellow PDML' er is not at fault
in
> way regarding this, he's acted in good faith at all times and couldn't
have
> forseen the trouble I'm having with Paypal.
>
> Darryn Richter
> Australia
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Re: B/W Paper Developer?

2002-03-25 Thread William Robb

- Original Message -
From: Paul Stenquist
Subject: Re: B/W Paper Developer?


> I use Ilford Multigrade Paper Developer for Ilford Multigrade
Paper.

I just read a follow up report from Ctein about the RC paper
bronzing problem. He has indicated that it is very much alive
and ongoing, especially in the Ilford RC papers.
Apparently, a product called  (Agfa??) Sistan, which Aaron has
mentioned a couple of times gives good protection from the
effect.
The article is in a darkroom special that I got for
resubscribing to DCCT.

William Robb
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Re: K 50mm f/1.4

2002-03-25 Thread Paul Stenquist

That's a great buy, Bill. I think the 50/1.4 K is one of the best pentax
lenses ever made. And if you got one that's new in the box for less than
$100, you stole it. You devil, you :-)
Paul

William Robb wrote:

> I won the above lens in an Ebay Auction yesterday. I based the
> decision to bid completely on the reputation of the K lenses as
> being very good, and my hands on experience with one K lens,
> that being the 105mm.
> The description of the lens is new in box, possibly never
> mounted on a camera.
> Will this lens live up to my expectations if it is as
> advertised?
>
> I had fun with the auction. I set up a bid page and watched the
> auction run down to 10 seconds before bidding, and snagged it
> seven seconds before the end of the auction.
> Also, is US$76.50 a fair value, or did I rip myself off.
> Thanks
> William Robb
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Re: K 50mm f/1.4

2002-03-25 Thread William Robb

- Original Message -
From: Steve Larson
Subject: Re: K 50mm f/1.4


> Very good price Bill, and nice sniping! Don`t you have enough
> normals? ;)  It is a sweet lens, pretty good wide open, nice
> bokeh too. What are your expectations?

I guess I am hoping for a good normal lens with a better feel
than either my A series f/1.2, or my M series f/1.4. The K 105
certainly has that quality to it, which is why I decided to bid
on the K lens. I happened to be sitting at the computer near the
end of the auction, so I just sniped it and prayed.
And snagged it.
I will be putting a few 50mm lenses on the block at some point,
I expect. I seem to have accumulated more of them than I want.
Thanks again

William Robb
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Re: B/W Paper Developer?

2002-03-25 Thread Paul Stenquist

I use Ilford Multigrade Paper Developer for Ilford Multigrade Paper.
Seem like a no brainer to me. I've fooled around with different paper
developers in the past. I think the differences are all in someone's
mind. That includes Edwal Ultra Black and others of that ilk.
Paul

Paul Jones wrote:

> Hi,
>
> What B/W paper developers do you guys use? For Fibre based and RC?
>
> And why do you use that one?
>
> Thanks,
> Paul
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Re: Digital SLR

2002-03-25 Thread Bruce Rubenstein

What you see, depends on what you look for. Now, I don't want anyone here who
makes prints for a living to take offense at the following, but here goes:
The prints most folks look at are 4x6 machine prints with off colors, so-so
exposure done on high contrast paper that blows out the highlights and blocks
up the shadows. A rather modest digital darkroom can produce an 8x10 that looks
far better. Is it as good as a custom wet chemistry print? No, but you may not
see the difference at any sort of normal viewing distance. I don't look at
prints with a loupe. I check a print from about 8" away. If I can't see it at
that distance, no one will see it on a wall. On the wall I see the difference
between a good lens and a mediocre one, and slow film from fast film. I mean,
do people do this with paintings, unless they're examining brush techniques?
I am most interested in things I can see when I look at a picture like a
picture, and not a test specimen. If threads give you a tingle, then great; I
wouldn't have the quality of a picture hang by one.

--- Aaron Reynolds <[EMAIL PROTECTED]> wrote:
  The thing that twigged me that something wasn't quite right was 
> the groom's tuxedo -- it was deep and rich, but with reasonable shadow 
> detail...and an absolute lack of threads.  Once you start looking for 
> it, it becomes fairly obvious.
> 
> But like I said, depending on what you do and what you like in a print, 
> it doesn't necessarily matter.
Yahoo! Movies - coverage of the 74th Academy Awards®
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Re: 67 enabling run rampant, was Re: Unenable me, please!

2002-03-25 Thread Paul Stenquist

The 165/4LS focuses to 5.1 feet, which leaves you with a head and
shoulders. Just about right for most portraits.
Paul

"Brian Campbell (PM)" wrote:

> On 25 Mar 2002 at 15:34, Aaron Reynolds wrote:
>
> > He's also interested in lenses in
> > the 150mm range, for portraiture...do any of our Brothers have
> > favourites?
>
> For portraits definintely the 165 F4 LS for me.
> Haven't bought mine yet (soon though) so I can't
> remember whether or not an extension is required.
> I've also done portraits very successfully with the
> 105 F2.4 that came with my 67II.  Sometimes
> requires a bit of cropping but there's *plenty* of
> room on the negative for that.
>
> Cheers!
> BC
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Re: OT: Enlarging lens questions

2002-03-25 Thread Paul Stenquist

All those Rodenstock Rodagon's are excellent. I'd be interested in the 135
at the right price.
Paul

Aaron Reynolds wrote:

> Okay, so I've been offered a pile of enlarging lenses for what seems to
> be very little, as a side effect of the takeover of digital printing.
>
> I'm taking the Rodenstock 50mm f2.8 APO Rodagon, without a doubt.  I've
> been looking to upgrade my 80mm lens, and there's a Rodenstock 80mm
> Eurygon f4.0.  Does anyone have any idea of what a Eurygon is, and if
> its any good?
>
> Also, does anyone have good or bad opinions of Rodenstock's Rodagon
> 105mm, 135mm or 150mm f5.6?
>
> -Aaron
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Re: SP1000 made in Hong Kong ?

2002-03-25 Thread frank theriault

Thanks for the clarification, Shel.  I knew that the Spotmatic (and it's variations
- is that better, JCO? ) was manufactured for several years after my edition of
"The Pentax Way", which is exactly the reason that I mentioned the year of
publication.

You learn something new every day - I guess this is my "new thing" for today!

thanks,
frank

Shel Belinkoff wrote:

> I was thinking the same thing - WRT the SP 1000, that is.  But,
> according to a reference source, there were some, seemingly towards the
> end of the run, that were assembled in Hong Kong.  There were other
> Spotmatics that were definitely assembled in HK.  I've an SP II with an
> "... assembled in Hong Kong" base plate.
>
> It's also possible that the base plate was changed, although, IMO,
> that's rarely done.
>
> Your edition of Keppler's book was edited and published before the run
> of Spotties was complete.  There were quite a few more years of
> production - through 1977, IIRC.
>

--
"The optimist thinks this is the best of all possible worlds. The pessimist fears it
is true." -J. Robert
Oppenheimer
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Re: 67 enabling run rampant, was Re: Unenable me, please!

2002-03-25 Thread Paul Stenquist

The portrait lens of choice has to be the 165/4 leaf shutter. Particularly
if he wants to use fill flash in outdoor settings. Of course the 150/2.8 is
a very good lens, and can be had at very good prices. BTW, a nice 6z7 was
sitting at about $250 and no reserve this afternoon with just a couple of
hours to go. I hope someone on the list snagged it.
Brother Paul

Aaron Reynolds wrote:

>  He's also interested in lenses in
> the 150mm range, for portraiture...do any of our Brothers have
> favourites?
>
> -Brother Aaron, the accidental enabler
> -
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OT Paypal Problems

2002-03-25 Thread Darryn

A month or so ago I was expereincing problems accessing funds in my account
from Paypal. The funds were placed there by a fellow PDML member who
purchased a lens, at my request. I still can't get the money out!! Just when
I thought I was getting close, they designated my account as "Restricted".
I'm not sure on what basis this happened. Lets be clear about this, they owe
me money, not the other way round. They have already deducted a small fee to
have me as a member. Now, the advice they have provided in order to get
"unrestricted" is thus -

Fax a copy of current Driver Licence or ID and a copy of a recent Credit
Card Statement (specifically for the credit card used to extract the joining
fee) to Paypal. What gives?? When are they going to ask for a tissue
sample??. I can partially understand a situation like this if I was after
some sort of credit or something, but I'm not. Just give me my bloody
money!!

Sorry for the ramble, please note that my fellow PDML' er is not at fault in
way regarding this, he's acted in good faith at all times and couldn't have
forseen the trouble I'm having with Paypal.

Darryn Richter
Australia
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Re: "Perfect" junk

2002-03-25 Thread Jim Apilado

Back in the 70's I co-worker went to Japan for a visit.  I asked her to get
me a black Pentax Spotmatic.  Instead of Honeywell on the front of the
pentaprism it would have Asahi Pentax.  I was told that I would have to
scrape the Asahi off because Honeywell had the distribution rights.
Somehow, the camera was mailed to me intact and I didn't have to disfigure
it.  Maybe that's why the "Perfect" junk is that way.

Jim A.

> From: "J. C. O'Connell" <[EMAIL PROTECTED]>
> Reply-To: [EMAIL PROTECTED]
> Date: Mon, 25 Mar 2002 20:07:42 -0500
> To: <[EMAIL PROTECTED]>
> Subject: "Perfect" junk
> 
> http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=1340941625
> JCO
> -
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Re: OT:?Starting to like this 6x6 stuff

2002-03-25 Thread ERNReed

In a message dated 25-Mar-02 5:17:50 PM Central Standard Time,
[EMAIL PROTECTED] writes:


>
> If that's what happens when you get a 'Mat, then don't you ever try to buy
> a
> Rolleiflex. Don't tell me I didn't warn you.
> £ukasz
>

Hmm.
First I bought a 'Mat.
Then I bought a Rolleiflex.

ERNR

My photographs hang on the virtual walls at
http://members.aol.com/ernreed
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Re: K 50mm f/1.4

2002-03-25 Thread Steve Larson

Very good price Bill, and nice sniping! Don`t you have enough
normals? ;)  It is a sweet lens, pretty good wide open, nice
bokeh too. What are your expectations?
Steve Larson
Redondo Beach, California
- Original Message - 
From: "William Robb" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Monday, March 25, 2002 3:04 PM
Subject: K 50mm f/1.4


> I won the above lens in an Ebay Auction yesterday. I based the
> decision to bid completely on the reputation of the K lenses as
> being very good, and my hands on experience with one K lens,
> that being the 105mm.
> The description of the lens is new in box, possibly never
> mounted on a camera.
> Will this lens live up to my expectations if it is as
> advertised?
> 
> I had fun with the auction. I set up a bid page and watched the
> auction run down to 10 seconds before bidding, and snagged it
> seven seconds before the end of the auction.
> Also, is US$76.50 a fair value, or did I rip myself off.
> Thanks
> William Robb
> -
> This message is from the Pentax-Discuss Mail List.  To unsubscribe,
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Re: Unenable me, please!

2002-03-25 Thread Paul Stenquist

> Paul Str..wrote:
> Anyway, I find myself still scouring the Web for deals on holes in my lineup...

You need a 6x7 :-)
Paul Ste
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Re: Digital detail

2002-03-25 Thread Brendan

There wasn't much post processing but some was done,
this also isn't a
 DSLR but one of those Macvia jobs.

--- Len Paris <[EMAIL PROTECTED]> wrote:
> This can be a result of in-camera processing.  Pro
> and pro-sumer
> digitals usually give quite a bit of control over
> that.
> Allowing us to not use in-camera processing.  It
> also could be
> the result of certain picture editing software.  Do
> you know for
> sure that this wasn't  the result of post-camera
> processing?
> 
> I've never noticed a lack of texture detail in my
> own digital
> images.
> 
> Len
> ---
> 
> > I just saw a few pics from the latest Sony Digi
> cam
> > that our marketing dept aquired and I must say the
> > pictures look very good. I do have to add tho that
> the
> > 16x20" prints are sharp and have no percievable
> grain
> > or artifating to them at all BUT there is no
> detail in
> > textures. This is what it seems makes these
> digital
> > pictures look so good, a wall that has many fine
> > cracks and surface imperfections is just a flat
> non
> > textured wall, skin blemishes and wrinkles are
> gone,
> > goose bumbs are not visible. The pictures still
> look
> > very impressive despite the loss of all fine
> detail
> > especially from 2-3 ft away. This is what people
> seem
> > to want and like about digital it seems, they
> don't
> > want to see the fine detail and minute
> imperfections
> > but even tones and smooth surfaces.
> -
> 

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Re: Darkroom: Enlarger Question

2002-03-25 Thread Paul Stenquist

One thought: BW negatives that look absolutely great are probably overexposed. Those 
that appear to be be slightly thin are more likely to print very well.
Paul

tom wrote:

> On 25 Mar 2002 at 10:08, Chris Murray wrote:
> >
> >
> > Okay now I understand. I developed three rolls of T-Max 100 this weekend
> > (in t-max developer). Went well. I think my negs came out good, and I
> > looked them over and so far I have not found any scratches.
>
> Excellent, congratulations.
>
> >
> > Once I get a better rythm with my process I am going to experiment a
> > bit. I am not sure what a good black and white negative should look
> > like. any pointers.
>
> Start printing.
>
> In the meantime, take them to a lab that does b+w in-house and see what they 
>say...if anything is glaringly wrong they'll let you know.
>
> As long as contrast is in the ballpark and you're not making any huge mistakes, you 
>should be ok. The rest is a matter of taste, and you won't know what you really like 
>till
> you start making prints.
>
> tv
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Re: 67 enabling run rampant, was Re: Unenable me, please!

2002-03-25 Thread Brendan

Aaron carrying 67's? oh no run run away

--- Aaron Reynolds <[EMAIL PROTECTED]> wrote:
> On Monday, March 25, 2002, at 04:09  PM, David
> Brooks wrote:
> 
> > Thats why i'm afraid to bring the IR film in.You
> > might have the 67 there.:)
> 
> Sheesh, Dave, why would I NOT have the 67 there?  ;)
> 
> I should sell these things...maybe time to call
> Pentax again and bug 'em.
> 
> -Aaron
> -
>

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Re: 67 enabling run rampant, was Re: Unenable me, please!

2002-03-25 Thread Brian Campbell (PM)

On 25 Mar 2002 at 15:34, Aaron Reynolds wrote:

> He's also interested in lenses in 
> the 150mm range, for portraiture...do any of our Brothers have 
> favourites?

For portraits definintely the 165 F4 LS for me.
Haven't bought mine yet (soon though) so I can't
remember whether or not an extension is required.
I've also done portraits very successfully with the 
105 F2.4 that came with my 67II.  Sometimes 
requires a bit of cropping but there's *plenty* of
room on the negative for that.

Cheers!
BC
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RE: K 50mm f/1.4

2002-03-25 Thread David Chang-Sang

If it's like the M 50/1.4... but a bit more "luxurious" as Mark said, then
it's a good deal for the money.
My 50/1.4 smc-m was $65.00 US all tolled after
shipping...and. I love it..  :)

Cheers,
Dave

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]]On Behalf Of William Robb
Sent: Monday, March 25, 2002 8:00 PM
To: [EMAIL PROTECTED]
Subject: Re: K 50mm f/1.4


- Original Message -
From: Mark Roberts
Subject: Re: K 50mm f/1.4



>
> If it's indeed the K 50/1.4 you go a great deal. It's the same
optically as the
> M 50/1.4, but a bit more massive externally with a much more
"luxurious" feel. I
> love using mine on a K2.

Well, I should know in a week or two. The seller doesn't do
Paypal, so I need to send a money order to Florida. I am hoping
my very limited but excellent Ebay feedback will be enough to
get the lens shipped prior to payment being recieved.
The seller does have great feedback as well.

William Robb
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"Perfect" junk

2002-03-25 Thread J. C. O'Connell

http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=1340941625
JCO
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Re: K 50mm f/1.4

2002-03-25 Thread William Robb

- Original Message -
From: Mark Roberts
Subject: Re: K 50mm f/1.4



>
> If it's indeed the K 50/1.4 you go a great deal. It's the same
optically as the
> M 50/1.4, but a bit more massive externally with a much more
"luxurious" feel. I
> love using mine on a K2.

Well, I should know in a week or two. The seller doesn't do
Paypal, so I need to send a money order to Florida. I am hoping
my very limited but excellent Ebay feedback will be enough to
get the lens shipped prior to payment being recieved.
The seller does have great feedback as well.

William Robb
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Re: too much grain?!?

2002-03-25 Thread Aaron Reynolds

On Monday, March 25, 2002, at 05:55  PM, William Robb wrote:

> In photoshop, copy the image to a new layer, apply a lot of
> gaussian blur to that layer, then reduce the opacity of the
> blurred layer until you like what you see. You can also erase
> the layer where you want the image to be sharp. It may not do
> exactly what you want, but it is worth a try.

You can also use this technique with the dust and scratches filter.  
Also, change the layer from normal to soft light and see what you think 
of the effect.

-Aaron
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Re: Digital SLR

2002-03-25 Thread Aaron Reynolds

On Monday, March 25, 2002, at 05:50  PM, Bruce Rubenstein wrote:

> I do know the the 2400 dpi files from my
> HP s20 (~20meg @ 8bit) do not have all the detail that's in the film. 
> 11x14
> inkjets from the files, at closer than normal viewing distance, don't 
> appear to
> be lacking any detail. With 400 print film the grain becomes noticable 
> first
> (the DSLR files are much cleaner).

No argument here.  That's one of the attractions of digital: that 
'clean' look.  However, that look is at the expense of fine detail.  For 
most stuff, it's a non-issue, really.

> Most of the pro comments pertain to images used in the print media. I 
> was
> surprised by the wedding folks, since they do deliver prints. I suspect 
> that if
> you start with a digital file, and don't have film to compare it to, it 
> looks
> good and you don't notice anything that might be missing.

Yep.  The thing that twigged me that something wasn't quite right was 
the groom's tuxedo -- it was deep and rich, but with reasonable shadow 
detail...and an absolute lack of threads.  Once you start looking for 
it, it becomes fairly obvious.

But like I said, depending on what you do and what you like in a print, 
it doesn't necessarily matter.

-Aaron
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Re: too much grain?!?

2002-03-25 Thread Maris V. Lidaka Sr.

In Photoshop, try converting to LAB color space, then use either a Gaussian
blur or the median noise filter to the A and B channels as they do not
contain too much detail, then apply dust and scratches to the L channel.

Maris

- Original Message -
From: "Pat White" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Monday, March 25, 2002 4:06 PM
Subject: too much grain?!?


> Recently, I did a fashion/glamour shoot with my favorite model, and used
Fuji HG1600 for the first time.  I rated it at ISO1250 to be on the safe
side.  The available light shots are nice and moody, and the grain is
interesting on some of the shots, but on others I wish I'd used a finer
grained film.
>
> I had the film scanned to PhotoCD, and I'm wondering whether anyone knows
of a way to reduce the appearance of grain digitally?  Sharpen only adds to
the grainy look.  Smoothing helps, but is there a better way?  I'm using
PhotoMAX Pro, and sometimes Photoshop 5.0.
>
> Pat White
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Re: Seen on Ebay

2002-03-25 Thread William Kane

James,

   No biggie.  Going back, I should probably have put a smiley on my
comments.  I didn't mean anything harsh :-)

Still trying to be friendly,
Illinois Bill

James Adams wrote:
> 
> Sorry never related BIN to that, so I've learned something new. Should have
> said bid.
> James
> 
> - Original Message -
> From: "William Kane" <[EMAIL PROTECTED]>
> To: <[EMAIL PROTECTED]>
> Sent: Monday, March 25, 2002 5:05 PM
> Subject: Re: Seen on Ebay
> 
> > Current BID is $50
> > This is not, and was not a BIN (Buy It Now) auction
> >
> > Illinois Bill
> >
> > James Adams wrote:
> > >
> > > Just saw this on Ebay current Bin = $50
> > >
> > > Kiev-15 TEE with Lenses
> > >   Jupiter-9 Automat 85mm/f2.0
> > >   Jupiter-11  Automat 135mm/f4.0
> > >   Mir-1  Automat 37mm/f2.8 (for KIEV-10,15)
> > >
> > > http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=1340689552
> > >
> > > James
> > > -
> > > This message is from the Pentax-Discuss Mail List.  To unsubscribe,
> > > go to http://www.pdml.net and follow the directions. Don't forget to
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Re: K 50mm f/1.4

2002-03-25 Thread William Robb

- Original Message -
From: David Chang-Sang
Subject: RE: K 50mm f/1.4


> William,
>
> Is it the smc-m 1.4 ?

SMC 50mm f/1.4. It is a K lens, which is the first generation of
bayonet mount.

William Robb
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Re: K 50mm f/1.4

2002-03-25 Thread Mark Roberts

"William Robb" <[EMAIL PROTECTED]> wrote:

>I won the above lens in an Ebay Auction yesterday. I based the
>decision to bid completely on the reputation of the K lenses as
>being very good, and my hands on experience with one K lens,
>that being the 105mm.
>The description of the lens is new in box, possibly never
>mounted on a camera.
>Will this lens live up to my expectations if it is as
>advertised?
>
>I had fun with the auction. I set up a bid page and watched the
>auction run down to 10 seconds before bidding, and snagged it
>seven seconds before the end of the auction.
>Also, is US$76.50 a fair value, or did I rip myself off.

If it's indeed the K 50/1.4 you go a great deal. It's the same optically as the
M 50/1.4, but a bit more massive externally with a much more "luxurious" feel. I
love using mine on a K2.

-- 
Mark Roberts
www.robertstech.com
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Budget Print Washer

2002-03-25 Thread Shel Belinkoff

This information just popped into my mailbox.  Perhaps some of the
darkroom types might find it a workable solution to getting up and
running with an inexpensive print washer.

http://www.peter-bryenton.co.uk/bpw/
-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
http://home.earthlink.net/~belinkoff/darkroom-rentals/index.html
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Re: Pentax WILL produce a digital SLR!

2002-03-25 Thread Mark Roberts

"William Robb" <[EMAIL PROTECTED]> wrote:


>Whether or not the amateur will ever invest in the "pro" camera
>is immaterial. What is important to the consumer is the cachet
>value that the brand imparts. Having an F5 in the lineup makes
>an F50 look like better equipment.
>The benefit derived is purely psychological, but is more
>important than any operating function of the camera.

William speaks great words of wisdom here.


-- 
Mark Roberts
www.robertstech.com
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Re: B/W Paper Developer?

2002-03-25 Thread tom

On 26 Mar 2002 at 11:22, Paul Jones wrote:

> Hi,
> 
> I'm currently using Agfa Neutol, but was just curiois what other people were
> using.
> 

First, let me say I hate Ilford MG developer.

2nd, let me say I like Edwal Ultra black.

3rd, I use Dektol.

Dektol and UB are very similar...I started out using UB since it's a liquid, but one 
day my supplier ran out. I tried some Dektol, and didn't see any big difference, so 
I've 
stuck with it.

I use Ilford MG RC Pearl and FB Glossy. Just about everything gets selenium toned. 

They turn out fairly cool in one.

tv
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RE: SP1000 made in Hong Kong ?

2002-03-25 Thread J. C. O'Connell

The SL, Sp500, sp1000 are all based on the spotmatic
platform but were not marketed as "spotmatics" and
do not have the word "spotmatic" on the top front
of the bodies like the spotmatic SP, SPII, and SPF's do.
JCO

> Subject: Re: SP1000 made in Hong Kong ?
> 
> 
> It's not?  I didn't know that.  The picture I'm looking at sure looks
> like Spotmatic.  
> 
> BTW, do you think you could trim your quotes?  It would be a nice
> gesture to other list members, especially those who use the digest.
> 
> "J. C. O'Connell" wrote:
> > 
> > The SP1000 is NOT a spotmatic.
> > JCO
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Re: SP1000 made in Hong Kong ?

2002-03-25 Thread Shel Belinkoff

It's not?  I didn't know that.  The picture I'm looking at sure looks
like Spotmatic.  

BTW, do you think you could trim your quotes?  It would be a nice
gesture to other list members, especially those who use the digest.

"J. C. O'Connell" wrote:
> 
> The SP1000 is NOT a spotmatic.
> JCO

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
http://home.earthlink.net/~belinkoff/darkroom-rentals/index.html
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Mark Sutton on Digital...

2002-03-25 Thread Rob Brigham

Mark Sutton is one of Britain's leading F1 photographers. A familiar
sight at circuits around the world, little escapes his eye both on the
track or in the paddock. In his new regular column he throws some light
on life as an F1 snapper. 

http://www.itv-f1.com/sutton/sutton_story/9797

"I would like to end on a technical note. A lot of the pictures on the
ITV website is in digital format and now with the latest Cannon 1D
digital cameras we are providing a much sharper, much better quality of
images as well as providing some slide scans after the race as well
which are scanned at 25mega bites and are used to provide double page
spreads in magazines and newspapers around the world."

Interesting he says that the digital pics are better quality, they says
that they use slide scans for double page spreads?  I think when he says
better quality he is probably comparing D1 to the D30 rather than to
film?  The final statement reads that, given time, film is better.
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RE: Rome Photo show

2002-03-25 Thread Frits J. Wüthrich

Electronics Weekly of two weeks ago announced that the Foveon chip will be
supported by Microsoft and Adobe! So that will really push for support, and
makes it less likely it will be a Sigma exclusive.

Frits Wüthrich


Mark Roberts wrote:
> MPozzi wrote:
>
> >I had an interesting talk with the Sigma
> >rep who told me that they have the exclusive use of
> >the Foveon chip (what a chip!) for the next year
>
> A year isn't very long at all (no fools, those Foveon people).
> Just about enough time for R&D on a new camera. Now whether anyone else
> picks up the Foveon technology remains to be seen. Depends on how good it
> really turns out to be.
> Mark Roberts
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RE: SP1000 made in Hong Kong ?

2002-03-25 Thread J. C. O'Connell

The SP1000 is NOT a spotmatic.
JCO
>
> Frantisek Vlcek wrote:
>
> > Hi friends,
> >Somebody on another list I frequent asked this question, so I took
> >the pleasure of putting it before the assemblage of screwey experts
> >here myself (also as an owner of SP1000 - what a nice camera! - but
> >without the baseplate he describes). I will forward the outcome
> >there, or perhaps he's put an email at the bottom of his mail.
> >
> > Frantisek
> >
> > > This query would be better directed to the Pentax list, but I don't
> > > subscribe to that and there are a number of Pentax experts here, so if
> > > you'll all indulge me ...
> > >
> > > I picked up a Honeywell Pentax SP1000 today  - no lens and a
> few scuffs
> > > to the chrome, but everything seems to work as it should, and at the
> > > princely sum of AU$28 (~US$15) it will make another good work platform
> > > for M42 lenses. However, I was intrigued by the engraving on the
> > > baseplate, which proudly declares:
> > >
> > > "Body assembled in Hong Kong"
> > >
> > > I was unaware that Spotmatics were manufactured outside of
> Japan. Would
> > > someone provide some background here - was the HK plant only
> an assembly
> > > line for Japanese manufactured components?? - or were the
> "bits" made in
> > > Hong Kong too?? ... and was it only used for the Honeywell Pentax line
> > > as distinct from cameras badged as Asahhi Pentax?? How did the quality
> > > of the cameras made in HK compare to the identical product
> from Japan??
> > >
> > > Curious minds etc etc ...
> > >
> > > --
> > > Richard Lindner  [EMAIL PROTECTED]+61 (0)419 556 560
> > >  What a long, strange trip it's been
> > -
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>
> --
> "The optimist thinks this is the best of all possible worlds. The
> pessimist
> fears it is true." -J. Robert
> Oppenheimer
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Re: B/W Paper Developer?

2002-03-25 Thread Paul Jones

Hi,

I'm currently using Agfa Neutol, but was just curiois what other people were
using.

Thanks,
Paul

- Original Message -
From: "Łukasz Kacperczyk" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Tuesday, March 26, 2002 11:16 AM
Subject: RE: B/W Paper Developer?


> I guess that for starters it would be best to stick with the developer
made
> by the manufacturer of the paper so - Ilford Multigrade paper and
Multigrade
> developer, etc. But I'm not an expert (don't like to spend much time in
the
> darkroom, cause you can't make pictures there, of anything interesting at
le
> ast), so maybe someone will propose a particular combination that works
best
> for him/her, or for a particular purpose (warm vs coll tone, etc.).
> Łukasz
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Rome Photo show and a new toy...

2002-03-25 Thread Gianfranco Irlanda

MPozzi <[EMAIL PROTECTED]> wrote:
> Quick note to say that finally, most of us Italian
> PDLMers met up at the Rome photo show yesterday. It
> was really good to meet the others. I believe Dario
> Bonazza will post something up on his site about the
> show.
> 

Hi guys and gals,

I wish to add some notes from my point of view.
I'm sure the others aren't going to tell anybody, but I was late
(as usual, but they didn't know yet...), although I could find
an excuse in the fact that yesterday morning the winter came
back in Italy bringing chill, rain and even snow particularly
between Naples and Rome...
:^)
It was really nice to meet the other members in such a cosy
environment.
We PDMLers (and a couple of other friends of mine) have been
nicely together till we reached the used equipment pavilion,
where we decided to part from each other to be able to have a
closer and calmer look at the stuff for sale.
I was on a really tight budget, so I tried to avoid to be
involved in any purchase.
Nontheless, when Michele and Flavio got away, the other friends
I was with elected me their technical consultant (not to mention
trading adviser...) for the rest of the day, so I had to inspect
various Minolta zoom lenses, and innumerable Canon Eos 5s...
This coming and going up from a seller to another (for - gasp -
almost seven hours) brought me to face many Pentax items I was
searching for a long time.
I resisted till I found a nice M 28/2 (at 180 Euro it was not
exactly a bargain - it is like new, though, with case, so I have
no regrets - and, I thought, I can eventually sell the Sigma
28/1.8 I had in disdain lately for its lack of flare
resistance).
I had a check left in my checkbook and I was sure it wasn't
going anywhere.

But...

Just around the metaphorical corner a 45/4 for 67 was waiting
for me...
I was almost ready to buy one new, because during these days I
was shooting for a furniture factory, often in little rooms, and
I was feeling every day the need for a lens wider than my 55...
Now my last check has flown away - with a frightful number
written on it - but today I had the chance to use the lens for a
paid assignment already, so I'm rather happy.
:-)

Ciao,

Gianfranco

=
Yahoo! Movies - coverage of the 74th Academy Awards®
http://movies.yahoo.com/
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Re: OT: French speaking Pentax list alive

2002-03-25 Thread frank theriault

It would fart in your general direction, you English pig-dog!  (Sorry,
can't resist a Python-ism)  

tom wrote:

> On 25 Mar 2002 at 16:42, Doug Brewer wrote:
>
> > How do I tell if my Pentax speaks French?
>
> It would mock you.
>

--
"The optimist thinks this is the best of all possible worlds. The
pessimist fears it is true." -J. Robert
Oppenheimer
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RE: Re: OT:?Starting to like this 6x6 stuff

2002-03-25 Thread Łukasz Kacperczyk

If that's what happens when you get a 'Mat, then don't you ever try to buy a
Rolleiflex. Don't tell me I didn't warn you.
Łukasz
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Re LX user spotted in Canada

2002-03-25 Thread Butch Black

It was MUCH nicer than spending the day
printing out of focus pictures of trips to Disneyland.

But Aaron, is there anything worse then trying to print a roll of
bulletproof, out of focus baby pictures from someone who got way inside the
minimum focus and flash distance?

BUTCH

"Each man had only one genuine vocation - to find the way to himself"
Hermann Hesse (Demian)
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Re: LX user spotted in Canada

2002-03-25 Thread frank theriault

Better watch it, Brendan!  There's at least one bus guy on this list,
from (where else!) England.  You see what Brendan said, Malcolm?  :-)

-frank

Brendan wrote:

> Har! actually the interior shots were very good but
> sorry I can't see the artistic value of bus exteriors.
>

--
"The optimist thinks this is the best of all possible worlds. The
pessimist fears it is true." -J. Robert
Oppenheimer
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Re: Pentax digital SLR - Not now!

2002-03-25 Thread frank theriault

I keep hearing this dis-embodied voice in my head...

It won't go away even when I line my bike helmet with aluminium foil...

Must resist.  Must resist

It's futile.

Aaarrrggghhh!

-frank (not a Brother yet)

Aaron Reynolds wrote:

> ...join the Brotherhood, Frank...
>
> -Brother Aaron
> -

--
"The optimist thinks this is the best of all possible worlds. The
pessimist fears it is true." -J. Robert
Oppenheimer
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RE: Unenable me, please!

2002-03-25 Thread Łukasz Kacperczyk

Don't listen to them! Don't sell anything, just try not to buy anything new!
Though I must say 4 bodies sound 2 too many. Unless of course you need some
money - then Chris's suggestions seem very reasonable (although a bit cruel
I think ;)
Łukasz
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Re: AAAgghhhhhh

2002-03-25 Thread Rfsindg

Len,
 I guess you had to be there to see it for what it was.  The Pentax A2X-S was 
about to sell for $78.08 and the buyer was watching.  He pulled it in the last 15 
seconds because it didn't get to a high enough price.
 This is cheating from my viewpoint.  He put the product out there for 7 days 
stating "NO RESERVE" and in the last 15 seconds he has this change of heart and claim 
he entered the wrong reserve amount?  BS!
Regards,  Bob S.

>> Perhaps the seller had a change of mind
>> about selling the item.  No longer for sale
>> is not a bad reason no matter whom it 
>> causes to gnash their teeth.  There is no
>> reason to call it a scam.  A scam would be
>> something entirely different.
>>
>> Len
>> ---

- Original Message -
From: "Chris Brogden" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Monday, March 25, 2002 10:26 AM
Subject: Re: AAAgghh


> On Mon, 25 Mar 2002 [EMAIL PROTECTED] wrote:
>
> > My complaint to ebay got a quick response.
> > "It is OK for the seller to pull the item for any reason
before the auction
> > ends."
>
> Sounds like a scam to act as though there were
> a reserve price without
> having to pay for having an actual reserve.
>
> chris
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Re: OT:nice quality thermometers on ebay

2002-03-25 Thread William Kane

Just a note,

   Most schools are getting rid of these types of thermometers because
they contain mercury.  Newer mercury thermometers are encased in a
coating of plastic.  Most of our thermometers are of the newer type. 
These _appear_ to be the older type, so just handle them carefullly.

   As an aside, mercury thermometers do tend to be more accurate over a
wider range of temps than their alcohol counterparts . . .

   Mercury poisoning is not a joke.  Just the teacher in me.

FWI,
Illinois Bill

Mick Maguire wrote:
> 
> Just thought I'd spread the info. this is a Dutch auction for some extremely
> nice mercury thermometers. I bought 4 recently for my darkroom and can vouch
> for them being new and really items, especially at the price.
> 
> http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=1341726009
> 
> I have no link to the seller other than my purchases.
> 
> Regards,
> /\/\ick...
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Re: Terrible monday

2002-03-25 Thread Bmacrae

Peter...

I have cleaned the underside of the viewfinder glass by taking a q-tip and wrapping 
the tip in my lens cleaning cloth (the pseduo-polyester type). I daub on a bit of 
cleaning fluid, or as Peter suggests, alcohol and very gently wipe the smudge. I 
wouldn't use too much fluid, just enough to wet the tip. Then, use another spot of the 
cloth that's dry to wipe the surface clean.

All canned air has uses some propellent. I don't use them that often if I can help it. 
I have a duster that uses C02 cartridges (like those used in air rifles) that works 
better since it doesn't get cold like canned air and has no propellent. These are 
available in the US at:

http://www.americanrecorder.com/

I'd put in the exact page URL but they are making changes to their website and the 
server isn't recognizing the request.

The downside to the C02 units is that they don't last very long and they don't have 
the high pressure that the cans produce. But, they're safer and much smaller.

Brendan MacRae
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MC ZENITAR-N 2.8/16

2002-03-25 Thread William Robb

Does anyone use this lens, and have opinions, either good or
bad. In particular, how close is it's colour rendering to Pentax
glass.
Thanks

William Robb
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Re: Seen on Ebay

2002-03-25 Thread William Kane

Current BID is $50
This is not, and was not a BIN (Buy It Now) auction

Illinois Bill

James Adams wrote:
> 
> Just saw this on Ebay current Bin = $50
> 
> Kiev-15 TEE with Lenses
>   Jupiter-9 Automat 85mm/f2.0
>   Jupiter-11  Automat 135mm/f4.0
>   Mir-1  Automat 37mm/f2.8 (for KIEV-10,15)
> 
> http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=1340689552
> 
> James
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K 50mm f/1.4

2002-03-25 Thread William Robb

I won the above lens in an Ebay Auction yesterday. I based the
decision to bid completely on the reputation of the K lenses as
being very good, and my hands on experience with one K lens,
that being the 105mm.
The description of the lens is new in box, possibly never
mounted on a camera.
Will this lens live up to my expectations if it is as
advertised?

I had fun with the auction. I set up a bid page and watched the
auction run down to 10 seconds before bidding, and snagged it
seven seconds before the end of the auction.
Also, is US$76.50 a fair value, or did I rip myself off.
Thanks
William Robb
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Re[2]: LX user spotted in Canada

2002-03-25 Thread Bob Walkden

Hi,

> It was MUCH nicer than spending the day
> printing out of focus pictures of trips to Disneyland.

I'm required to spend a day in Disneyland Paris in a couple of weeks.
Is there something I should know? Will entering Uncle Walt's World of
Lovely make my lenses cloud over all pink 'n' soft 'n' rosy? Will I
discover in myself a hitherto unknown yearning for white picket fences
and a desire to grass up my dope fiend commie friends to Senator
McCarthy? Will I yearn for a McDonalds?

Say it ain't so, Aaron...

---

 Bob  
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Re: too much grain?!?

2002-03-25 Thread William Robb

- Original Message -
From: Pat White
Subject: too much grain?!?


> Recently, I did a fashion/glamour shoot with my favorite
model, and used Fuji HG1600 for the first time.  I rated it at
ISO1250 to be on the safe side.  The available light shots are
nice and moody, and the grain is interesting on some of the
shots, but on others I wish I'd used a finer grained film.
>
> I had the film scanned to PhotoCD, and I'm wondering whether
anyone knows of a way to reduce the appearance of grain
digitally?  Sharpen only adds to the grainy look.  Smoothing
helps, but is there a better way?  I'm using PhotoMAX Pro, and
sometimes Photoshop 5.0.
>
> Pat White

In photoshop, copy the image to a new layer, apply a lot of
gaussian blur to that layer, then reduce the opacity of the
blurred layer until you like what you see. You can also erase
the layer where you want the image to be sharp. It may not do
exactly what you want, but it is worth a try.

William Robb
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OT Re: Ooooo.... Magic Bus ! (Was RE: LX Users in Canada)

2002-03-25 Thread Aaron Reynolds

On Monday, March 25, 2002, at 03:54  PM, [EMAIL PROTECTED] wrote:

> Question:
> Were any of the busses the "cool" Partridge Family bus ?

No, but one was a 'short' schoolbus with a leather interior and a bar.  
It's called the executive transport or something like that.

-Aaron
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Re: Enlarging lens questions

2002-03-25 Thread Aaron Reynolds

On Monday, March 25, 2002, at 04:17  PM, T Rittenhouse wrote:

> No, the Eurygon is junk, send it to me.
>
> Actually, the Eurygon is a WA enlaging lens that allows you to make big
> prints with short enlargers. The 80 covers 6x9, (snip)

Thanks, that was exactly what I wanted to hear.  :)

It's mine.

-Aaron
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Re: Digital SLR

2002-03-25 Thread Bruce Rubenstein

Since you are doing the printing, I'm not going to argue with what you see (at
least you actually look at something). I do know the the 2400 dpi files from my
HP s20 (~20meg @ 8bit) do not have all the detail that's in the film. 11x14
inkjets from the files, at closer than normal viewing distance, don't appear to
be lacking any detail. With 400 print film the grain becomes noticable first
(the DSLR files are much cleaner).
Most of the pro comments pertain to images used in the print media. I was
surprised by the wedding folks, since they do deliver prints. I suspect that if
you start with a digital file, and don't have film to compare it to, it looks
good and you don't notice anything that might be missing.


--- Aaron Reynolds <[EMAIL PROTECTED]> wrote:
If the final result is for printing at 8x10 or 
> smaller, or reproduction in a lower-resolution magazine or a newspaper, 
> digital rocks.  If you want to make nice 11x14s or 16x20s that rival 
> traditional prints with plenty of detail, digital ain't there.  Yet.
Yahoo! Movies - coverage of the 74th Academy Awards®
http://movies.yahoo.com/
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Re: Digital PIC

2002-03-25 Thread William Robb

- Original Message -
From: Shel Belinkoff
Subject: Digital PIC


> Dry film processing yields digital images:
>
> http://www.asf.com/products/pic/
>
> Any comments?

Of course. Apparently, this technology results in the
destruction of the film image. All you get is a digital file.

William Robb
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Re: Digital detail

2002-03-25 Thread Len Paris

This can be a result of in-camera processing.  Pro and pro-sumer
digitals usually give quite a bit of control over that.
Allowing us to not use in-camera processing.  It also could be
the result of certain picture editing software.  Do you know for
sure that this wasn't  the result of post-camera processing?

I've never noticed a lack of texture detail in my own digital
images.

Len
---

> I just saw a few pics from the latest Sony Digi cam
> that our marketing dept aquired and I must say the
> pictures look very good. I do have to add tho that the
> 16x20" prints are sharp and have no percievable grain
> or artifating to them at all BUT there is no detail in
> textures. This is what it seems makes these digital
> pictures look so good, a wall that has many fine
> cracks and surface imperfections is just a flat non
> textured wall, skin blemishes and wrinkles are gone,
> goose bumbs are not visible. The pictures still look
> very impressive despite the loss of all fine detail
> especially from 2-3 ft away. This is what people seem
> to want and like about digital it seems, they don't
> want to see the fine detail and minute imperfections
> but even tones and smooth surfaces.
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RE: My plastic is fantastic!!

2002-03-25 Thread Łukasz Kacperczyk

Good for you, Maciek. You're the first Pole I found on this list since
joining a few days ago. I'd really like to know the name of the shop you
wrote about (I live in Warsaw). I'm writing in English so that the other
members of the group could understand.
Best regards,
Łukasz
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Re: Pentax WILL produce a digital SLR!

2002-03-25 Thread William Robb

- Original Message -
From: Kevin Hall
Subject: Re: Pentax WILL produce a digital SLR!



>
> When your talking about pro gear you're really only talking
about four
> brands, Leica, Hassleblad, Nikon and Canon. Most
self-proclaimed
> advanced amateurs almost certainly would never have the kind
of money or
> requirement to invest in this kind of equipment. I would
imagine that
> Pentax aren't terribly interested in trying to break into the
market of
> the Canon's and Nikon's; their user base is well established
with very
> specific needs. Amateurs just don't get any benefit from
buying at that
> end of the market. Pentax, like Olympus and Minolta, are very
strong
> brands in the amateur market of which there are more than
enough
> customers to keep them all in business.

Whether or not the amateur will ever invest in the "pro" camera
is immaterial. What is important to the consumer is the cachet
value that the brand imparts. Having an F5 in the lineup makes
an F50 look like better equipment.
The benefit derived is purely psychological, but is more
important than any operating function of the camera.

William Robb
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Re: Digital PIC

2002-03-25 Thread David Spaulding

-- 
David Spaulding
Photographer
http://d.spaulding.tripod.com
> From: Shel Belinkoff <[EMAIL PROTECTED]>
> Reply-To: [EMAIL PROTECTED]
> Date: Mon, 25 Mar 2002 14:22:43 -0800
> To: Pentax List <[EMAIL PROTECTED]>
> Subject: Digital PIC
> 
> Dry film processing yields digital images:
> 
> http://www.asf.com/products/pic/
> 
> Any comments?
> -- 
> Shel Belinkoff

Doesn't look like you get a "negative" other than on CD. Makes me wary. It
will have to a wait and see...it will be interesting to watch the effect on
the consumer side of film processing. I'll stick with standard slides and
negs thanks.

Dave 
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Re: 67 enabling run rampant, was Re: Unenable me, please!

2002-03-25 Thread Jeff

Hey Dave, how's your D-1 for IR imaging.
On my D7 I use an R72 Hoya. Works like a charm.
And you don't have to get intimidated by "67" Brother Aaron.

Jeff

- Original Message - 
From: "David Brooks" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Monday, March 25, 2002 4:09 PM
Subject: Re: 67 enabling run rampant, was Re: Unenable me, please!


> Thats why i'm afraid to bring the IR film in.You
> might have the 67 there.:)
> 
> Dave:)
> 
>  Begin Original Message 
> 
> From: Aaron Reynolds <[EMAIL PROTECTED]>
> Sent: Mon, 25 Mar 2002 15:34:29 -0500
> To: [EMAIL PROTECTED]
> Subject: 67 enabling run rampant, was Re: Unenable me, please!
> 
> 
> On Monday, March 25, 2002, at 02:27 PM, Fred wrote:
> 
> > You've obviously sent this plea to the wrong mailing list by
> > mistake, Paul.
> 
> Here's an example of rampant enabling run wild --
> 
> A photographer spent the day in our lab on Sunday, approving big 
> watercolour prints for a somewhat rush job. (Brendan met his dog 
> while 
> picking up that enlarger.) While waiting for one of the prints to 
> come 
> out, we got talking about camera equipment.
> 
> He's looking for a supplementary system to what he has now. He 
> shoots 
> primarily with a Mamiya RZ, with a range of lenses and backs and 
> accessories, and with a Nikon FM2. He's looking for something like 
> the 
> FM2 but in medium format.
> 
> I tell him about the Pentax 67, describe in loving detail what I like 
> about it, am upfront about its shortcomings. He seems really 
> interested. So, I haul out the MiniTrekker and hand him my 67 with 
> the 
> 75mm f2.8 on it. He's knocked out by the size and weight and 
> handling. 
> Then I tell him how much they go for used, and he's floored. He's 
> even 
> amazed at how little the brand new 75mm cost.
> 
> The funny part is that I really didn't mean to enable him. We were 
> just 
> chatting, and I got talking about the 67. Now he's looking around 
> for 
> one in good shape at a good price. He's also interested in lenses in 
> the 150mm range, for portraiture...do any of our Brothers have 
> favourites?
> 
> -Brother Aaron, the accidental enabler
> -
> This message is from the Pentax-Discuss Mail List. To unsubscribe,
> go to http://www.pdml.net and follow the directions. Don't forget to
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> 
> 
> 
>  End Original Message 
> 
> 
> 
> 
> Pentax User
> Stouffville Ontario Canada
> http://home.ca.inter.net/brooksdj
> 
> Sign up today for your Free E-mail at: http://www.canoe.ca/CanoeMail 
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Re: too much grain?!?

2002-03-25 Thread Aaron Reynolds

I would suggest the median or dust and scratches tools in Photoshop.  
Try filter-->noise-->dust and scratches first.

-Aaron
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RE: Unenable me, please!

2002-03-25 Thread tom

On 25 Mar 2002 at 22:06, Familie Scheffler wrote:
> ... But deep inside there is a little voice that says: You don't need so much
> stuff but you have to go out and do nice pictures! Regards Bernd (PS: I don't
> want to miss my FA 24/2.0 and my very new 77/1.8 limited!!!)

I *personally* could probably do 95% of the photography I like to do with these 2 
lenses. In fact, that's my walking around kit, though sometimes I sub the 20-35/4 for 
the 
24/2.

I could probably do all the wedding stuff with those 2 lenses, though it would be a 
pain.

tv
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Re: too much grain?!?

2002-03-25 Thread tom

On 25 Mar 2002 at 17:12, Brendan wrote:

> Were or who did the scans? most of the photo cd's are
> actually print scans and there is little you can do to
> fix the grain once scanned.

Kodak PhotoCD's are scanned from negs.

tv
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Re: OT: French speaking Pentax list alive

2002-03-25 Thread tom

On 25 Mar 2002 at 16:42, Doug Brewer wrote:

> How do I tell if my Pentax speaks French?

It would mock you.

tv
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re:My plastic is fantastic!!

2002-03-25 Thread Familie Scheffler

Just make some nice pictures of those people with your new lenses  and they
will like you (I hope).
Happy Easter!
Bernd
  >Date: Mon, 25 Mar 2002 19:01:34 +0100
  >From: "Maciej Marchlewski" <[EMAIL PROTECTED]>
  >Subject: My plastic is fantastic!!

  >

  >So now, in addition to my previously owned equipment I'm a happy owner of
  >M85/2 and M28/2.8.
  >The tough part is that I have to convince some people that they are happy
  >with their easter gift - two great lenses :-)

  >Maciej
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Re: 67 enabling run rampant, was Re: Unenable me, please!

2002-03-25 Thread Aaron Reynolds

On Monday, March 25, 2002, at 04:09  PM, David Brooks wrote:

> Thats why i'm afraid to bring the IR film in.You
> might have the 67 there.:)

Sheesh, Dave, why would I NOT have the 67 there?  ;)

I should sell these things...maybe time to call Pentax again and bug 'em.

-Aaron
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Re: OT: Enlarging lens questions

2002-03-25 Thread Aaron Reynolds

On Monday, March 25, 2002, at 04:29  PM, tom wrote:

> On 25 Mar 2002 at 15:56, Aaron Reynolds wrote:
>>
>> I'm taking the Rodenstock 50mm f2.8 APO Rodagon, without a doubt.
>
> I hate you.

You would hate me more if you knew how little it costs.
>
> It's what the Rodenstock WA lenses used to be called, I think. It's 
> probably pretty good, and I would guess it covers 6x9.

If that Eurygon covers 6x7, I'll be a happy boy.

Thanks all for the quick replies!

-Aaron
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Digital PIC

2002-03-25 Thread Shel Belinkoff

Dry film processing yields digital images:

http://www.asf.com/products/pic/

Any comments?
-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
http://home.earthlink.net/~belinkoff/darkroom-rentals/index.html
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Re: too much grain?!?

2002-03-25 Thread Bill Owens

Try a touch of Gaussian blur.

Bill  KG4LOV
[EMAIL PROTECTED]


- Original Message -
From: "Pat White" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Monday, March 25, 2002 5:06 PM
Subject: too much grain?!?


> Recently, I did a fashion/glamour shoot with my favorite model, and used
Fuji HG1600 for the first time.  I rated it at ISO1250 to be on the safe
side.  The available light shots are nice and moody, and the grain is
interesting on some of the shots, but on others I wish I'd used a finer
grained film.
>
> I had the film scanned to PhotoCD, and I'm wondering whether anyone knows
of a way to reduce the appearance of grain digitally?  Sharpen only adds to
the grainy look.  Smoothing helps, but is there a better way?  I'm using
PhotoMAX Pro, and sometimes Photoshop 5.0.
>
> Pat White
> -
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Re: too much grain?!?

2002-03-25 Thread Doug Franklin

On Mon, 25 Mar 2002 14:06:07 -0800, Pat White wrote:

> [...] a way to reduce the appearance of grain digitally?  [...]

Try a median filter before sharpening.

TTYL, DougF KG4LMZ
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RE: OT: I need an independant website checker.

2002-03-25 Thread William Robb

Thanks to all who got back to me on that website problem. For
the IE users, I discovered a hidden link in the coding that was
causing the Microsoft browser to look for different pictures,
which I hadn't bothered to upload. A simple thing to fix, once I
found the problem.
Thanks again
Bill
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Re: too much grain?!?

2002-03-25 Thread Shel Belinkoff

Probably using a scanner that has Digital GEM would be your best bet:

http://www.asf.com/products/gem/

Pat White wrote:
 
> I had the film scanned to PhotoCD, and I'm wondering 
> whether anyone knows of a way to reduce the appearance 
> of grain digitally?  Sharpen only adds to the grainy look.  
> Smoothing helps, but is there a better way?  I'm using 
> PhotoMAX Pro, and sometimes Photoshop 5.0.

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
http://home.earthlink.net/~belinkoff/darkroom-rentals/index.html
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Re: too much grain?!?

2002-03-25 Thread Brendan

Were or who did the scans? most of the photo cd's are
actually print scans and there is little you can do to
fix the grain once scanned.

--- Pat White <[EMAIL PROTECTED]> wrote:
> Recently, I did a fashion/glamour shoot with my
> favorite model, and used Fuji HG1600 for the first
> time.  I rated it at ISO1250 to be on the safe side.
>  The available light shots are nice and moody, and
> the grain is interesting on some of the shots, but
> on others I wish I'd used a finer grained film.
> 
> I had the film scanned to PhotoCD, and I'm wondering
> whether anyone knows of a way to reduce the
> appearance of grain digitally?  Sharpen only adds to
> the grainy look.  Smoothing helps, but is there a
> better way?  I'm using PhotoMAX Pro, and sometimes
> Photoshop 5.0.
> 
> Pat White
> -
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> go to http://www.pdml.net and follow the directions.
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> 


__ 
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Re: OT: French speaking Pentax list alive

2002-03-25 Thread William Robb

- Original Message - 
From: Doug Brewer 
Subject: Re: OT: French speaking Pentax list alive


> How do I tell if my Pentax speaks French?
> 
> curious,

The shutter noise has a weird accent?
WW
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RE: Unenable me, please!

2002-03-25 Thread Familie Scheffler

When I first thought about what lenses I would like to have I read in some
CANON-magazines (for I could get them for no money - that was 25 years ago)
and found a report of someone only using a 20mm, 100mm and 200mm lens. At that
time I bought three other lenses to complete my stuff.
For a very long time I only had 28 - 50 - 100 - 200, just four lenses and I
believed to be happy.
Then, last year - I went to read the mails of PDML...
Now I am getting more and more lenses ...
But deep inside there is a little voice that says: You don't need so much
stuff but you have to go out and do nice pictures!
Regards
Bernd
(PS: I don't want to miss my FA 24/2.0 and my very new 77/1.8 limited!!!)
  Date: Mon, 25 Mar 2002 13:45:03 -0500
  From: "[EMAIL PROTECTED]" <[EMAIL PROTECTED]>
  Subject: Unenable me, please!

  To streamline my gear, I've been shedding lenses and accessories until I
have essentially nothing more to shed. Today I sent off my SMC 24/2.8K and my
1.4X-L. That leaves me with 4 bodies, 10 primes (16 fisheye, 20, 28, 35, two
50s, 105 macro, 135, 200, 400), and 1 zoom (a 90-180 1:2 macro).

  I have one flash, which works on my three TTL bodies.

  I have no teleconverters. I've decided that I like seeing the aperture in
the viewfinder of my KX and XR-P, and I'd have to give that up with a TC.

  Two bodies have a 2X flip-up magnifier. I wouldn't mind two more 2Xs.

  I have two cheap ($60-range) Yashica rangefinders.

  I have a lightweight tripod and a serious tripod, each with a decent head. I
have a heavy-duty monopod with a fine head. I have a single quick-release
system across all my gear.

  All that I could conceivably sell is the Refconverter A, since I'll be using
my KX for any tripod macro work.

  I could sell the Kiron 105 macro, but that would leave a big hole between 50
and 135.

  Anyway, I find myself still scouring the Web for deals on holes in my
lineup, real or imagined. I've decided I don't need an 8mm circular fisheye.
But I still have no 300. Or a practical zoom, like the Ricoh 28-100/4 that
just got away--something to take to the fair or amusement park.

  Driving in to work today, I heard an ad for a site called Choose to Save. It
made me realize how discretionary all these new purchases are, and how I've
neglected savings and other family obligations to acquire each "just this
once" find. Maybe my wife is wrong that I should get by with just one body and
one lens. But Surely I already own an embarrassment of riches. Do I really
need a 300/4 or 4.5? Of course not. It's too dim for indoor use anyway, and
right now my girls aren't into outdoor team sports. Of course, they probably
will be in a year or two, and the 300 I want is scarce but available now.

  I have no trouble resisting items that are readily available. It's the
elusive, buy-me-now-or-lose-me-forever deals that I find hard to pass up. And
while forever may be an exaggeration, I can name you a handful of lenses that
come around less often than once a year, in all my 100+ links.

  Will someone help me appreciate what I have and STOP ALREADY?

  [EMAIL PROTECTED]

  - 
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  http://mail2web.com/ .
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too much grain?!?

2002-03-25 Thread Pat White

Recently, I did a fashion/glamour shoot with my favorite model, and used Fuji HG1600 
for the first time.  I rated it at ISO1250 to be on the safe side.  The available 
light shots are nice and moody, and the grain is interesting on some of the shots, but 
on others I wish I'd used a finer grained film.

I had the film scanned to PhotoCD, and I'm wondering whether anyone knows of a way to 
reduce the appearance of grain digitally?  Sharpen only adds to the grainy look.  
Smoothing helps, but is there a better way?  I'm using PhotoMAX Pro, and sometimes 
Photoshop 5.0.

Pat White
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OT - Digital printing in Boston area

2002-03-25 Thread Anand DHUPKAR

Hello Folks,

I have scanned some good negatives on my HP scanner and done some fixing 
work on the scratches etc.  I printed it at home - I have HP 932 C printer, 
which does quite good job, however, I want to have couple of photographs 
printed in size larger than 8.5 * 11.

I want to have the colours maintained as I have in my printing at home - I 
live in Boston.  Any idea where can I have this kind of work done ?

Also, what I am thinking is to have it printed on Epson 1280 - if I feel, I 
might go for at some later date.  Is it possible to have this kind of 
arrangement made ?  Any and all links most welcome.

Oh, I forgot to mention - I have the .tiff file of the pictures.

Thanks in advance.

Anand




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