RE: Hams (was Re: OT: Bummer)

2006-09-18 Thread Antti-Pekka Virjonen
Hi,

OH1YF here...

73,
Antti-Pekka



Antti-Pekka Virjonen

Computec Oy
RD Turku

www.computec.fi


 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf
 Of Jon Myers
 Sent: Sunday, September 17, 2006 4:49 AM
 To: Pentax-Discuss Mail List
 Subject: Hams (was Re: OT: Bummer)
 
 Collin, are you a ham too?
 
 I wonder how many hams we have on this list. :)
 
 I'm a technician class ham, soon to upgrade to general
 or extra.
 
 --- Collin R Brendemuehl [EMAIL PROTECTED]
 wrote:
 
  At 06:40 PM 9/16/2006, you wrote:
  Message: 5
  Date: Sat, 16 Sep 2006 23:22:24 +0100
  From: Cotty [EMAIL PROTECTED]
  Subject: Re: OT: Bummer
  To: pentax list PDML@pdml.net
  Message-ID: [EMAIL PROTECTED]
  Content-Type: text/plain; charset=US-ASCII
  
  On 16/9/06, Collin R Brendemuehl, discombobulated,
  unleashed:
  
   I came close last night, but just missed it.
   http://cgi.ebay.com/ws/eBayISAPI.dll?
  
 
 ViewItemih=002item=120029822978rd=1sspagename=STRK%3AMEDW%3AITrd
 =1
  
  That wide a 20mm f4 ?
 
 
  The old K is a big beast, like the K35/2.
  I got to see one last year in Dayton at the ham
  radio gathering.
 
  Sincerely,
 
  Collin Brendemuehl
  http://www.brendemuehl.net
  http://evangelicalperspective.blogspot.com
 
  He is no fool who gives what he cannot keep to gain
  what he cannot lose
   --
  Jim Elliott
 
 
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RE: Ordered a K10D

2006-09-18 Thread Bob W
 With pre-ordering, you don't get charged until it ships.

you don't get charged until the goods ship anyway, whether you
'pre-order' or not.

Bob



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RE: It is ingenious! Was: Does this mean what I think it means?

2006-09-18 Thread Antti-Pekka Virjonen
 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf
 Of graywolf
 Sent: Friday, September 15, 2006 5:37 PM
 To: Pentax-Discuss Mail List
 Subject: Re: It is ingenious! Was: Does this mean what I think it
 means?
 
 Lets back up a bit here. You have a sensor that has an analog out put.
 You send that output to an analog to digital converter. The converter
 produces an 8, or 10, or 12, or in this case 22 bit digital
 representation of the analog signal. Then that digital representation
 is
 processed digitally. Note that the analog signal does not change. The
 only difference is that the higher bit rates produce a more accurate
 representation of the analog signal. There is no magic here, just
 technology.
 
 Rephrasing that, the analog signal is simply broken up into more
 digital
 pieces, nothing is added to it.
 
 --
 graywolf
 http://www.graywolfphoto.com
 http://webpages.charter.net/graywolf
 Idiot Proof == Expert Proof

Hi,

I did not say the digital processing would add anything else than noise!

If you look closely at the if part:

Yes, it has to decide the exposure time and f-stop but *IF* the imaging
*AND* image processing has a really wide dynamic range you can still 
choose the correctly exposed part of that range (choose the most
fitting 12 bits space from the full 22 bit space for example).

With *imaging* I mean the sensor and with *image processing* I mean
the analog amplifier stage and the a/d conversion.

Sorry for maybe not being very clear (English not my first language).
In another e-mail to this thread I already said this was going into 
a bit too technical (and theoretical). I know there is no magic in the
electronics design (I do it at work) but sometimes I sure feel like
a magician...

At least in theory (and I am sure we will see that partly in practice
with the K10D), using a higher bit depth in the a/d stage is a really
good thing to do.

Antti-Pekka


Antti-Pekka Virjonen

Computec Oy
RD Turku

www.computec.fi


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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-18 Thread Cotty
On 17/9/06, Paul Stenquist, discombobulated, unleashed:

I sold my *istD for $666 US two weeks ago.

It's true then. Pentax - the official camera of the devil.

-- 


Cheers,
  Cotty


___/\__
||   (O)   | People, Places, Pastiche
||=|http://www.cottysnaps.com
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RE: It is ingenious! Was: Does this mean what I think it means?

2006-09-18 Thread Antti-Pekka Virjonen
 I think the actual sensors do have the 14-16 bits you mention - which
 literally means that the max charge is up to some 65000 electrons.
 However, they also have a readout noise of at least 10 electrons,
 which
 is equivalent to 3 or 4 bits. This essentially means that you are left
 with a usable dynamic range or latitude equivalent to 12 bits; any
 additional bits would just be measuring the noise, if they contained
 any information at all. That's why a 12-bit A/D is traditionally used.
 
 Furthermore, when you amplify the signal for a higher ISO setting, you
 also amplify the noise, thus shifting up the 3 or 4 bits so that
 contain
 noise, so it enters even the 12 bits you keep.
 
 But like I said, this has been discussed a lot in the past few weeks.
 In
 in several rounds before that, too. Enough for now.
 
 I'm not sure I've read the data sheets of the *exact* sensors used in
 the Pentax cameras, either, by the way (I've seen technical data for
 various ones of similar type...)
 
 - Toralf

Hi,

Yes, actually I was talking about usable bits, taking the noise into
account, thus giving 14-16bits of usable data.

This is so at least with the good quality astronomical ccd sensors but I

am sure the DSLR camera sensors are coming close nowadays (or am I just
hoping?). 

In any case, when designing measuring systems (using amplifiers and a/d 
converters) it is a good thing to have plenty of more bits and precision
compared to the original signal. This way you will minimize the added
noise. When having a 22 bits a/d converter on the K10D you can also
measure and analyze the noise of the low expusure pixels. You will get
all the available information out of the sensor.

Antti-Pekka




Antti-Pekka Virjonen

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www.computec.fi



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RE: Pentax 750Z

2006-09-18 Thread Antti-Pekka Virjonen
Hi Cottie,

I have one of those at work. At home we have the 555.
Nice little camera with excellent optics and great 
results.

Antti-Pekka



Antti-Pekka Virjonen

Computec Oy
RD Turku

www.computec.fi


 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf
 Of Cotty
 Sent: Saturday, September 16, 2006 11:31 AM
 To: pentax list
 Subject: Pentax 750Z
 
 Just got one of these (refurbished grade A stock) for my son - anyone
 have one? Any comments?
 
 TIA
 
 --
 
 
 Cheers,
   Cotty
 
 
 ___/\__
 ||   (O)   | People, Places, Pastiche
 ||=|http://www.cottysnaps.com
 _
 
 
 
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RE: PESO -- Ken

2006-09-18 Thread Shel Belinkoff
I'm sure they're lovely, Dave ... 

Could you combine a flower, a sunset, and a grandchild holding a puppy and
a kitten ... some back lighting would be a nice touch.  Call me when my
prints are ready ;-))

Shel



 [Original Message]
 From: David Savage 

 I took a couple of flower pictures (gerbera  viola) yesterday if you'd 
 like to see them.

 Dave ;-)

 Shel Belinkoff wrote:

 I like this quite a bit, just the way it is.  The saturated colors, the
 clutter, the curved look from the fish eye lens all make this look kind
of
 avant garde.  This is one of the most interesting photos I've seen posted
 here in a while.  It's different ... on the edge  follows no rules
...
 it's not a flower or a sunset or someone's grand child, puppy, or cutesy
 kitten.  Way to go!



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RE: PESO -- Ken

2006-09-18 Thread David Savage
At 03:19 PM 18/09/2006, Shel Belinkoff wrote:
I'm sure they're lovely, Dave ...

Technically fine. I took them for no other reason than I was bored (after 
planting this seasons tomato's), had a camera close at hand  the flowers 
were there.

Could you combine a flower, a sunset, and a grandchild holding a puppy and
a kitten ... some back lighting would be a nice touch.  Call me when my
prints are ready ;-))

I'd love to accommodate you, but I don't have any puppy or kitten shots, 
and a limited selection of grandchildren pictures. :-(

g

Dave 


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Re: *istD and Sigma EF 500

2006-09-18 Thread Jan van Wijk
Hi David,

On Mon, 18 Sep 2006 09:04:21 +0800, David Savage wrote:

Yes, works with the AF-360FGZ too, just did that today :-)

The pop-up flash on the D doesn't quit make it with the AF-540FGZ.

It does not completely make it on with the 360 either,
but enough to get catch-lights or extra front-light
in a macro setup :-)

Regards, JvW

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Re: PESO -- Ken

2006-09-18 Thread Ralf R. Radermacher
Mike Hamilton [EMAIL PROTECTED] wrote:

 Comments?

Couldn't say why but I like it. 

Ralf

-- 
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private homepage: http://www.fotoralf.de
manual cameras and photo galleries - updated Jan. 10, 2005
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Re: PESO: Rue de l'acier

2006-09-18 Thread Brian Walters
Hi Ralf

I agree with Mitch.  Wonderful lighting - makes for a great urban landscape.  I 
doubt the subject would be as interesting in daylight.

Cheers

Brian

++
Brian Walters
Western Sydney Australia

Quoting Ralf R. Radermacher [EMAIL PROTECTED]:

 Ralf R. Radermacher [EMAIL PROTECTED] wrote:
 
  Home improvement, Belgian style:
  
  http://www.photosight.ru/photo.php?photoid=1651420
 
 Sorry, wrong URL. Here's the correct one:
 
 http://www.photosight.ru/photo.php?photoid=1651431
  
 Your comments and suggestions are, as always, most welcome.
  
 Ralf



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Cropping and MP count

2006-09-18 Thread MikeM
I have just read that Pentax have stuck with 6 MP for their K100D. I 
crop many of my photos taken with my 7.1 MP camera because I can't 
yet get a digital SLR. I was planning to get a Pentax digital camera 
and possibly use the tele lens from my Pentax film cameras but I 
thought I could crop more heavily with a higher number of MPs. I 
assume the photo quality must be good for Pentax to continue using 6 
MP, but I thought cropping would be more limited with the 6 MP than 
with more MPs. Why is Pentax staying with the 6?

Thanks
Mike


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Re: OT: Lost and found CF card

2006-09-18 Thread David Mann
On Sep 17, 2006, at 10:15 PM, Jens Bladt wrote:

 Did you ever loose a memory card.
 I have. It's a pain i the a..

I once accidentally left two bags of film in a motel refrigerator  
(one was my unexposed film, the other was exposed).  When we went  
back the cleaner had just started so I was able to retrieve them  
without any fuss.

- Dave



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Re: *istD and Sigma EF 500

2006-09-18 Thread David Savage
At 03:42 PM 18/09/2006, you wrote:
Hi David,

G'day Jan

On Mon, 18 Sep 2006 09:04:21 +0800, David Savage wrote:

 Yes, works with the AF-360FGZ too, just did that today :-)
 
 The pop-up flash on the D doesn't quit make it with the AF-540FGZ.

It does not completely make it on with the 360 either,
but enough to get catch-lights or extra front-light
in a macro setup :-)

Because it doesn't open far enough the pop-up flash won't even trigger.

Dave 


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Re: Peso One for Steady

2006-09-18 Thread Jostein Øksne
On 9/17/06, P. J. Alling [EMAIL PROTECTED] wrote:
 What are you when you use three?

Two cameras: Pro.
Three cameras: Contras.

Don't wear them all while in Nicaragua. :-)

Jostein

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Re: ot: printing on acetate or other clear media with epson 220

2006-09-18 Thread keith_w
Mat Maessen wrote:
 On 9/17/06, Ann Sanfedele [EMAIL PROTECTED] wrote:
 I was winging the settings as there isnt one on the 220 for
 transparancies.
 
 Not related to your question, but how do you like the 220 for
 general-purpose photo printing? I'm thinking I need to kick my 820 to
 the curb...
 
 -Mat

I'll be interested in Ann's comments.
I had an 820 that finally got dumped, and replaced with a Canon PIXMA i3000 
bubblejet printer. Best home printer move I've made.

keith whaley

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Re: *istD and Sigma EF 500

2006-09-18 Thread David Savage
Your saying that the 360 worked made me re-check.

I can get it to work so long as I don't have the locking clap on.
That's what the pop-up flash hits and stops it from opening enough to
fire.

Cheers,

Dave

On 9/18/06, David Savage [EMAIL PROTECTED] wrote:
 At 03:42 PM 18/09/2006, you wrote:
 Hi David,

 G'day Jan

 On Mon, 18 Sep 2006 09:04:21 +0800, David Savage wrote:
 
  Yes, works with the AF-360FGZ too, just did that today :-)
  
  The pop-up flash on the D doesn't quit make it with the AF-540FGZ.
 
 It does not completely make it on with the 360 either,
 but enough to get catch-lights or extra front-light
 in a macro setup :-)

 Because it doesn't open far enough the pop-up flash won't even trigger.

 Dave

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Re: *istD and Sigma EF 500

2006-09-18 Thread Thibouille
It will trigger (on mine) with 360FGZ.

2006/9/18, David Savage [EMAIL PROTECTED]:
 At 03:42 PM 18/09/2006, you wrote:
 Hi David,

 G'day Jan

 On Mon, 18 Sep 2006 09:04:21 +0800, David Savage wrote:
 
  Yes, works with the AF-360FGZ too, just did that today :-)
  
  The pop-up flash on the D doesn't quit make it with the AF-540FGZ.
 
 It does not completely make it on with the 360 either,
 but enough to get catch-lights or extra front-light
 in a macro setup :-)

 Because it doesn't open far enough the pop-up flash won't even trigger.

 Dave


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*ist-D,Z1,SuperA,KX,MX, P30t and KR-10x ;) ...

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Re: Cropping and MP count

2006-09-18 Thread Thibouille
At that price you can't get everything.
If you want 10MP, get a K10D.

2006/9/18, MikeM [EMAIL PROTECTED]:
 I have just read that Pentax have stuck with 6 MP for their K100D. I
 crop many of my photos taken with my 7.1 MP camera because I can't
 yet get a digital SLR. I was planning to get a Pentax digital camera
 and possibly use the tele lens from my Pentax film cameras but I
 thought I could crop more heavily with a higher number of MPs. I
 assume the photo quality must be good for Pentax to continue using 6
 MP, but I thought cropping would be more limited with the 6 MP than
 with more MPs. Why is Pentax staying with the 6?

 Thanks
 Mike


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RE: Cropping and MP count

2006-09-18 Thread Shel Belinkoff
While Pentax has two or three 6mpx cameras, they have also just come out
with a 10mpx camera, the K10D.  You can read about it here:

http://www.dpreview.com/news/0609/06091305pentaxk10dpreviewed.asp and many
other places on the web, or take a cruise through our September archives:

http://pdml.net/pipermail/pdml_pdml.net/2006-September/date.html

The 6mpx cameras have been great, and for may they are sufficient for the
work that they do, and they are also priced well and make a great
introduction to DSLR cameras, but some people want more advanced features
and more mpx's, so the K19D was introduced.

Shel



 [Original Message]
 From: MikeM 

 I have just read that Pentax have stuck with 6 MP for their K100D. I 
 crop many of my photos taken with my 7.1 MP camera because I can't 
 yet get a digital SLR. I was planning to get a Pentax digital camera 
 and possibly use the tele lens from my Pentax film cameras but I 
 thought I could crop more heavily with a higher number of MPs. I 
 assume the photo quality must be good for Pentax to continue using 6 
 MP, but I thought cropping would be more limited with the 6 MP than 
 with more MPs. Why is Pentax staying with the 6?



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Re: GESO: Boris the Spider

2006-09-18 Thread Bob Shell

On Sep 17, 2006, at 1:16 PM, Jens Bladt wrote:

 http://www.flickr.com/photos/bladt/sets/72157594287992273/show/

 Regards
 Jens Bladt
 http://www.jensbladt.dk


I hate to disappoint you, Jens, but Boris is a lady.  She's an orb  
weaver, and in that spider family it is the big females we notice.   
The males are tiny and slender and creep about in the shrubbery  
looking for receptive females.  They're rarely seen.

Bob

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Re: *istD and Sigma EF 500

2006-09-18 Thread Jan van Wijk
On Mon, 18 Sep 2006 16:13:38 +0800, David Savage wrote:

It does not completely make it on with the 360 either,
but enough to get catch-lights or extra front-light
in a macro setup :-)

Because it doesn't open far enough the pop-up flash won't even trigger.

Ah, I see.

With the 360 it opens almost completely, perhaps 5 degrees short.

You could get it to extend fully if you file half a milimeter from the 
360 mount :-) But it works this way too, so I did not need to.

Regards, JvW



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Re: PESO - New Yorker DeLuxe

2006-09-18 Thread J and K Messervy
The composition and depth of field are great.  The angle is really nice and 
the only thing that detracts from the shot is the distractions in the 
background...probably unavoidable though, considering the excellent DOF you 
achieved and the likelyhood that you couldn't shift the car to another 
location.

Having said that, those detractions are really minor...great shot.

James M
- Original Message - 
From: Mitch Conant [EMAIL PROTECTED]
To: Pentax-Discuss Mail List pdml@pdml.net
Sent: Monday, September 18, 2006 10:40 AM
Subject: Re: PESO - New Yorker DeLuxe


 Shel:

 I like it. Car pictures from an unusual vantage point are interesting to
 me. I'm not proficient with cloning tools, but if what looks like a
 baseball backstop (left background) and the power pole over the
 taillight fin could be cloned out, it would be better.

 I like it.

 Thanks for sharing,
 Mitch

 Shel Belinkoff wrote:

http://home.earthlink.net/~my-pics/nydeluxe.html

Tech details: Sony DSC-S85


Shel








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Re: *istD and Sigma EF 500

2006-09-18 Thread J and K Messervy
Hmmm, doesn't work with the EF500 on the DL.
- Original Message - 
From: David Savage [EMAIL PROTECTED]
To: Pentax-Discuss Mail List pdml@pdml.net
Sent: Monday, September 18, 2006 11:04 AM
Subject: Re: *istD and Sigma EF 500


 At 05:34 AM 18/09/2006, Jan van Wijk wrote:
Hi Bill,

On Sun, 17 Sep 2006 14:40:51 -0400, Bill Owens wrote:

 I just discovered, quite by accident, that the built in flash will pop 
 up
 enough to fire at the same time as the EF 500.  Does this mean that I 
 can
 use the EF 500 as a bounce flash and use the built in for getting
 catchlights?

Yes, works with the AF-360FGZ too, just did that today :-)

 The pop-up flash on the D doesn't quit make it with the AF-540FGZ.

 Dave


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Re: JunkEmail: Re: Photokina

2006-09-18 Thread Jan van Wijk
Hi Dario (and Thibouille),

On Tue, 22 Aug 2006 11:04:19 +0200, Dario Bonazza wrote:

I'm planning attending the show for business. 
I'll be there (very busy) for a few days.
However, if someone will manage a PDML meeting, I might well show up.

Not an organized PDML meet, but I will be there on Wednesday the 27th.
Will be taking another Pentax Ds user (PDML lurker from Bavaria :-)

I will make sure we are at the Pentax stand at 14:00.
Will probably be carrying my *istD with me.

Regards, JvW


PS:
For identification, there is a picture of me in my gallery
if you follow the 'Miscellaneous Galleries - GUIDE' link.

http://www.dfsee.com/gallery/guide/

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Re: PESO: Rue de l'acier

2006-09-18 Thread J and K Messervy
I agree, it's beautifully exposed and very sharp...really nice.

James M
- Original Message - 
From: Paul Stenquist [EMAIL PROTECTED]
To: Pentax-Discuss Mail List pdml@pdml.net
Sent: Monday, September 18, 2006 10:27 AM
Subject: Re: PESO: Rue de l'acier


Very nice. Well seen, well captured.
paul
On Sep 17, 2006, at 7:35 PM, Ralf R. Radermacher wrote:

 Home improvement, Belgian style:

 http://www.photosight.ru/photo.php?photoid=1651420

 Your comments and suggestions are, as always, most welcome.

 Ralf

 -- 
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 private homepage: http://www.fotoralf.de
 manual cameras and photo galleries - updated Jan. 10, 2005
 Contarex - Kiev 60 - Horizon 202 - P6 mount lenses

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Re: OT: Lost and found CF card

2006-09-18 Thread David Savage
On 9/18/06, David Mann [EMAIL PROTECTED] wrote:
 On Sep 17, 2006, at 10:15 PM, Jens Bladt wrote:

  Did you ever loose a memory card.
  I have. It's a pain i the a..

 I once accidentally left two bags of film in a motel refrigerator
 (one was my unexposed film, the other was exposed).  When we went
 back the cleaner had just started so I was able to retrieve them
 without any fuss.
That's nothing.

I once left my camera bag behind on the the train. I ran to the
security office and it was gone by the next stop.

I was a student at the time and was very distressed. I put a lost and
found ad in the paper with a $250 reward (my entire savings at the
time). 4 days later I get a call and am told to meet this bloke at a
certain spot at a certain time.

I got it back with a few interesting picture on the roll of slide
film.  The drop of point was right next to a pub so the reward money
was probably pissed away. Needless to say I'm now paranoid about where
my camera is when I take it out  about.

Dave

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Re: GESO: Boris the Spider

2006-09-18 Thread J and K Messervy
Bob said:

 The males are tiny and slender and creep about in the shrubbery  
 looking for receptive females.  


Hmmm, sounds like some blokes I know..

James M

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Re: Teton Fall 'PeaK'

2006-09-18 Thread J and K Messervy
That is a lovely shot mate.  Well spotted, composed and exposed.  Those LXs 
are lovely cameras and that shot shows why.  Nice stuff!

James M
- Original Message - 
From: Jack Davis [EMAIL PROTECTED]
To: pdml@pdml.net
Sent: Monday, September 18, 2006 11:14 AM
Subject: PESO: Teton Fall 'PeaK'


 Resent weather has me thinking again about the fall leaf chase, so dug
 out an '03 shot taken at Grand Teton Ntl Pk.
 After concentrating on my usual photo vantage points, we decided to
 explore a couple side roads.
 Discovered this scene perhaps a little late to have the best sun angle
 for the leaves, but as it happened, I think it helped bring out the
 mountain crags. (Shooting WSW)
 LX, A*300 f/2.8 w/1.4L T/C, Provia 100F.

 Jack

 http://photolightimages.com/aspupload/detail.asp?ID=185

 Comments welcome







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To (convert to) DNG or not to DNG

2006-09-18 Thread Boris Liberman
Hi!

It seems that DNG format is gaining proper support by Pentax (K10D)...
I read on the list that DNG essentially retains *all* goods of
original PEF but DNG is losslessly compressed (less space) and less
proprietary.

A question to you, digital pundits, should I mass convert my PEFs to
DNGs for archival or should I retain the PEFs? To accentuate my
question a little - I would want to keep only one flavor - either
PEF or DNG but *not* both.

In particular, is there anything that is terminally lost in PEF to DNG
conversion

Thanks.

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Re: PESO -- Ken

2006-09-18 Thread David Savage
On 9/18/06, Ralf R. Radermacher [EMAIL PROTECTED] wrote:
 Mike Hamilton [EMAIL PROTECTED] wrote:

  Comments?

 Couldn't say why but I like it.

That about sum's up my feelings too.

Dave

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Re: PESO: Rue de l'acier

2006-09-18 Thread David Savage
On 9/18/06, Ralf R. Radermacher [EMAIL PROTECTED] wrote:
 Ralf R. Radermacher [EMAIL PROTECTED] wrote:

  Home improvement, Belgian style:
 
  http://www.photosight.ru/photo.php?photoid=1651420

 Sorry, wrong URL. Here's the correct one:

 http://www.photosight.ru/photo.php?photoid=1651431

 Your comments and suggestions are, as always, most welcome.

Another excellent shot Ralf.

The detail is fantastic  the exposure is spot on.

Dave

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Re: PESO Travel Air Mystery Ship

2006-09-18 Thread Ted Beilby
Thanks for the suggestion Godfrey. A little snap might help, curves not 
sure how to do it. Still learning PS.

Mike, It is a replica of an american design from the Travel Air Company. 
Built to race. contemporary of the GeeBee, etc. The H1 was a later design. 



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Re: PESO: Rue de l'acier

2006-09-18 Thread Bob Shell
 Ralf R. Radermacher [EMAIL PROTECTED] wrote:


 Home improvement, Belgian style:

 http://www.photosight.ru/photo.php?photoid=1651420


 Sorry, wrong URL. Here's the correct one:

 http://www.photosight.ru/photo.php?photoid=1651431

 Your comments and suggestions are, as always, most welcome.


Both seem to be the same photo

Bob

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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-18 Thread Adam Maas
Godfrey DiGiorgi wrote:
 On Sep 17, 2006, at 5:57 PM, Adam Maas wrote:
 
 
I find the DA40/2.8 to be mind-boggling. Has it sold well?

I do not know but I thought it was rather a novelty.

I thought so too, but I know several people who've bought one and
they seem to like it a lot.

Considering the price these days, I'm seriously thinking about it.  
Just
because it's limited glass at about 3/4 the cost of a FA 35/2. At that
price I can afford to try it out and see if it works for me.
 
 
 Hmm. Last I recalled the FA35/2 AL was $299 and the DA40/2.8 Ltd was  
 $275 or so. I guess the rebate means $50 off the DA price.
 
 I still prefer the shorter focal length and the easier-to-grip lens,  
 as well as the additional stop in speed. The DA40 is too thin for my  
 hands! The DA21 and DA70 are more to my liking.
 
 Godfrey
 

Here in Canada, the 35/2 is running about $400 and the 40 DA is $299.

-Adam

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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-18 Thread Digital Image Studio
On 18/09/06, Adam Maas [EMAIL PROTECTED] wrote:

 Here in Canada, the 35/2 is running about $400 and the 40 DA is $299.

The FA is far better value on a weight basis. ;-P

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Tel +61-2-9554-4110
UTC(GMT)  +10 Hours
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Re: To (convert to) DNG or not to DNG

2006-09-18 Thread Adam Maas
Boris Liberman wrote:
 Hi!
 
 It seems that DNG format is gaining proper support by Pentax (K10D)...
 I read on the list that DNG essentially retains *all* goods of
 original PEF but DNG is losslessly compressed (less space) and less
 proprietary.
 
 A question to you, digital pundits, should I mass convert my PEFs to
 DNGs for archival or should I retain the PEFs? To accentuate my
 question a little - I would want to keep only one flavor - either
 PEF or DNG but *not* both.
 
 In particular, is there anything that is terminally lost in PEF to DNG
 conversion
 
 Thanks.
 

I've gone to DNG with my switch to the K100D. But that's simply because 
it's the only way to use my preferred workflow with the K100D (Adobe has 
not released support for thr K100D PEF files in ACR yet)

-Adam

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Re: OT: Lost and found CF card

2006-09-18 Thread Doug Franklin
David Savage wrote:

 I once accidentally left two bags of film in a motel refrigerator

 I once left my camera bag behind on the the train.

My worst was leaving my entire Domke F2 in the hotel when we checked
out, with (then new) MZ-S, BG-10, FA* 200/2.8, FA 300/4.5, and about
five more lenses in it, along with a tool box containing heaven only
knows how many tools.  I noticed it within an hour or so, called the
hotel, and the manager was good enough to get them and hold them for me
in the office until I could come a couple of hours later.  Now I'm also
paranoid about my cameras and tools. :-)

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Re: To (convert to) DNG or not to DNG

2006-09-18 Thread Mark Roberts
Boris Liberman wrote:
  It seems that DNG format is gaining proper support by Pentax (K10D)...
  I read on the list that DNG essentially retains *all* goods of
  original PEF but DNG is losslessly compressed (less space) and less
  proprietary.
 
  A question to you, digital pundits, should I mass convert my PEFs to
  DNGs for archival or should I retain the PEFs? To accentuate my
  question a little - I would want to keep only one flavor - either
  PEF or DNG but *not* both.
 
  In particular, is there anything that is terminally lost in PEF to DNG
  conversion

Nope. Nothing lost.
I've been archiving my stuff in DNG format for some time now.


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Re: Cropping and MP count

2006-09-18 Thread Mark Roberts
MikeM wrote:
  I have just read that Pentax have stuck with 6 MP for their K100D. I
  crop many of my photos taken with my 7.1 MP camera because I can't
  yet get a digital SLR. I was planning to get a Pentax digital camera
  and possibly use the tele lens from my Pentax film cameras but I
  thought I could crop more heavily with a higher number of MPs. I
  assume the photo quality must be good for Pentax to continue using 6
  MP, but I thought cropping would be more limited with the 6 MP than
  with more MPs. Why is Pentax staying with the 6?

They aren't staying with 6, they've just introduced a 10 megapixel 
camera. We're seeing DSLR's stratify into two tiers - 6 megapixels, like 
te K100D, and 10 megapixels, like the K10D. It's strictly economics: The 
6 megapixel cameras are cheaper :)
 From a consumer standpoint, I suppose one might also observe that the 6 
megapixel cameras can get by with smaller, less expensive memory cards 
and slower/cheaper/older card readers.


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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-18 Thread Doug Franklin
J. C. O'Connell wrote:

 I have gotten some nice very sharp shots with my 135-600mm SMCT @ 600mm
 Hand held using only a monopod and 1/500 and 1/100. Monopods ROCK!.

Yep, I love my monopod.  I even use it for panning the 400 on both the
MZ-S and the *ist D.  I've gotten to where I can usually hand hold the
300 without much problem, as long as I keep the shutter speed faster
than 1/125.  But the monopod helps there, too.  And the Manfrotto
three-section monopod doubles as a cudgel when needed, too. :-)

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Re: It is ingenious! Was: Does this mean what I think it means?

2006-09-18 Thread Toralf Lund
Antti-Pekka Virjonen wrote:
 I think the actual sensors do have the 14-16 bits you mention - [ ... ]

 

 Hi,

 Yes, actually I was talking about usable bits, taking the noise into
 account, thus giving 14-16bits of usable data.
   
 This is so at least with the good quality astronomical ccd sensors but I

 am sure the DSLR camera sensors are coming close nowadays (or am I just
 hoping?). 
   
As has also been mentioned many times, the max. charge or full-well 
capacity of the sensor depends directly on the pixel area. Apparently 
it's approximately 1000 electrons per square micrometer in a normal CCD

I'm not sure about astronomical sensors, but in the linear CCDs I've 
used at work, the pixels are 12x12 or 14x14 micrometers, which should 
give you 2-3 times the data required for 16 bits. That may not be quite 
enough to leave you with 16 good bits after you've thrown away the 
noise, but 14 should be no problem.

On a DSLR, on the other hand, the pixel size has been something like 8x8 
microns for a while now, but on the latest (10MP) cameras, it's down to 
6x6 or so. In other words, the DSLRs cameras are not coming close; 
they are actually moving further away in that the pixels keep getting 
smaller!

A different side of this is obviously the noise situation. You can also 
improve the number of usable bits by reducing the noise, and this is an 
area where the DLSRs probably are getting better - but they also have 
to, in order to compensate for the smaller pixels. And it wouldn't 
surprise me if the astronomical sensors have very low noise, too.
 In any case, when designing measuring systems (using amplifiers and a/d 
 converters) it is a good thing to have plenty of more bits and precision
 compared to the original signal. This way you will minimize the added
 noise. When having a 22 bits a/d converter on the K10D you can also
 measure and analyze the noise of the low expusure pixels. You will get
 all the available information out of the sensor.
   
Yes. It definitely seems like I good thing to keep *all* the info for 
the early image processing stages. Also, having some extra bits around 
will minimise round-off errors that might accumulate across multiple 
pixel value adjustment steps. You may think of extra bits as more 
decimals in intermediate results. I think this may be the most important 
consideration behind the choice of 22 bits.

- Toralf




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Re: PESO: Rue de l'acier

2006-09-18 Thread Doug Franklin
Bob Shell wrote:

 Ralf R. Radermacher [EMAIL PROTECTED] wrote:

 Home improvement, Belgian style:

 http://www.photosight.ru/photo.php?photoid=1651420
 http://www.photosight.ru/photo.php?photoid=1651431

 Both seem to be the same photo

To me it looks like the same shot with different post-processing
applied.  One is slightly warmer than the other.

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Re: Ordered a K10D

2006-09-18 Thread Mark Roberts
Bob W wrote:
  With pre-ordering, you don't get charged until it ships.
 
  you don't get charged until the goods ship anyway, whether you
  'pre-order' or not.

Well, you're not *supposed* to be charged until the product ships. Lots 
of places do anyway. Smart ones don't because once they charge your 
credit card they're contractually bound to provide the product specified 
at the price specified, and things might change if the product is back 
ordered. (Not that plenty of places don't ignore this as well!)


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Re: To (convert to) DNG or not to DNG

2006-09-18 Thread Boris Liberman
Mark,

How one does obtain PEF-DNG converter? Is it free by Adobe or one has
to use 3rd party software?

Thanks.

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Re: It is ingenious! Was: Does this mean what I think it means?

2006-09-18 Thread Toralf Lund

 So you are saying a 22 bit ADC is overkill. Wonder if Pentax knows that?
   
The marketing people probably don't know, or care; they only know they 
can quote a higher number than the competitors.

The engineers probably deliberately chose to have extra bits, so as to 
avoid problems with accumulating round-off errors etc. in the processing 
stages.
 BTW, Rob's explanation was clearer, but still not documented for my 
 curiosity.
   
I'm not sure this can be considered an authoritative reference, but at 
least it contains some actual numbers:

http://micro.magnet.fsu.edu/primer/digitalimaging/concepts/dynamicrange.html

- Toralf


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Re: To (convert to) DNG or not to DNG

2006-09-18 Thread Boris Liberman
Sorry,

I've found the answer to my question on my own...

Sometimes my fingers outran my brains...

Sorry again.


On 9/18/06, Boris Liberman [EMAIL PROTECTED] wrote:
 Mark,

 How one does obtain PEF-DNG converter? Is it free by Adobe or one has
 to use 3rd party software?

 Thanks.

 --
 Boris



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Re: Teton Fall 'PeaK'

2006-09-18 Thread Jack Davis
Ken, thank you!
This is a full frame shot from a small turnoff on a shelf like road
skirting some fairly substantial hills. 
Was, of course, a balance of sky and fall ridge. Had I been using a
zoom, who knows.

Jack

--- Kenneth Waller [EMAIL PROTECTED] wrote:

 Simply a great capture.!
 A wonderful juxtaposition of the colorful fore ground  the almost 
 monochromatic background.
 I would only add that I'd like some room above the top of the peak to
 the 
 edge.
 
 Kenneth Waller
 
 - Original Message - 
 From: Jack Davis [EMAIL PROTECTED]
 Subject: PESO: Teton Fall 'PeaK'
 
 
  Resent weather has me thinking again about the fall leaf chase, so
 dug
  out an '03 shot taken at Grand Teton Ntl Pk.
  After concentrating on my usual photo vantage points, we decided to
  explore a couple side roads.
  Discovered this scene perhaps a little late to have the best sun
 angle
  for the leaves, but as it happened, I think it helped bring out the
  mountain crags. (Shooting WSW)
  LX, A*300 f/2.8 w/1.4L T/C, Provia 100F.
 
  Jack
 
  http://photolightimages.com/aspupload/detail.asp?ID=185
 
  Comments welcome
 
 
 
 
 
 
 
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Re: Teton Fall 'PeaK'

2006-09-18 Thread Jack Davis
Thanks, James. The Tetons furnish one so many scenic opportunities that
the percentages guarantee an occasional keeper.

Jack

--- J and K Messervy [EMAIL PROTECTED] wrote:

 That is a lovely shot mate.  Well spotted, composed and exposed. 
 Those LXs 
 are lovely cameras and that shot shows why.  Nice stuff!
 
 James M
 - Original Message - 
 From: Jack Davis [EMAIL PROTECTED]
 To: pdml@pdml.net
 Sent: Monday, September 18, 2006 11:14 AM
 Subject: PESO: Teton Fall 'PeaK'
 
 
  Resent weather has me thinking again about the fall leaf chase, so
 dug
  out an '03 shot taken at Grand Teton Ntl Pk.
  After concentrating on my usual photo vantage points, we decided to
  explore a couple side roads.
  Discovered this scene perhaps a little late to have the best sun
 angle
  for the leaves, but as it happened, I think it helped bring out the
  mountain crags. (Shooting WSW)
  LX, A*300 f/2.8 w/1.4L T/C, Provia 100F.
 
  Jack
 
  http://photolightimages.com/aspupload/detail.asp?ID=185
 
  Comments welcome
 
 
 
 
 
 
 
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Re: To (convert to) DNG or not to DNG

2006-09-18 Thread Mark Roberts
Boris Liberman wrote:
  Mark,
 
  How one does obtain PEF-DNG converter? Is it free by Adobe or one has
  to use 3rd party software?

Free from Adobe http://www.adobe.com/products/dng/
The latest version of the Pentax Photo Browser also does DNG conversion.


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Had the talk with the CFO last night... :-(

2006-09-18 Thread Charles Robinson
Charles, we really have a lot of other things that we need to spend  
money on, and you have a perfectly good camera...

:-(

Looks like my save up the moonlighting money for a K10D plan just  
got shot full of holes.  I'm bummed.  Even though I know she's right.

(sigh)


  -Charles

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Re: To (convert to) DNG or not to DNG

2006-09-18 Thread David Savage
Your after Adobe DNG Converter  Camera Raw x.x Update. The converter is 
a free stand alone application Included with the Camera Raw update. I have 
it sitting on my desktop.

Windows:
http://www.adobe.com/support/downloads/product.jsp?product=39platform=Windows

Mac:
http://www.adobe.com/support/downloads/product.jsp?product=39platform=Macintosh

Cheers,

Dave


At 08:57 PM 18/09/2006, you wrote:
Mark,

How one does obtain PEF-DNG converter? Is it free by Adobe or one has
to use 3rd party software?

Thanks.


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Re: PESO: Rue de l'acier

2006-09-18 Thread Ralf R. Radermacher
Doug Franklin [EMAIL PROTECTED] wrote:

 To me it looks like the same shot with different post-processing
 applied.  One is slightly warmer than the other.

Exactly. I wasn't aware the first version is still available since I had
to delete it before I could upload the second version. 

Ralf

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manual cameras and photo galleries - updated Jan. 10, 2005
Contarex - Kiev 60 - Horizon 202 - P6 mount lenses

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Re: PESO - New Yorker DeLuxe

2006-09-18 Thread Godfrey DiGiorgi

On Sep 17, 2006, at 1:04 PM, Shel Belinkoff wrote:

 http://home.earthlink.net/~my-pics/nydeluxe.html
 Tech details: Sony DSC-S85

Neat!
Perhaps a little selective blur applied to the foliage and fence in  
the distance would help reduce their impact.

Godfrey

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Re: Had the talk with the CFO last night... :-(

2006-09-18 Thread pnstenquist
sell stuff
 -- Original message --
From: Charles Robinson [EMAIL PROTECTED]
 Charles, we really have a lot of other things that we need to spend  
 money on, and you have a perfectly good camera...
 
 :-(
 
 Looks like my save up the moonlighting money for a K10D plan just  
 got shot full of holes.  I'm bummed.  Even though I know she's right.
 
 (sigh)
 
 
   -Charles
 
 --
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 [EMAIL PROTECTED]
 Minneapolis, MN
 http://charles.robinsontwins.org
 
 
 
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Re: JunkEmail: Re: Photokina

2006-09-18 Thread Dario Bonazza
Ok Jan, I'll be there too. This is me:
http://www.dariobonazza.com/indexe.htm

See you!

Dario

- Original Message - 
From: Jan van Wijk [EMAIL PROTECTED]
To: Pentax-Discuss Mail List pdml@pdml.net
Sent: Monday, September 18, 2006 12:47 PM
Subject: Re: JunkEmail: Re: Photokina


 Hi Dario (and Thibouille),
 
 On Tue, 22 Aug 2006 11:04:19 +0200, Dario Bonazza wrote:
 
I'm planning attending the show for business. 
I'll be there (very busy) for a few days.
However, if someone will manage a PDML meeting, I might well show up.
 
 Not an organized PDML meet, but I will be there on Wednesday the 27th.
 Will be taking another Pentax Ds user (PDML lurker from Bavaria :-)
 
 I will make sure we are at the Pentax stand at 14:00.
 Will probably be carrying my *istD with me.
 
 Regards, JvW
 
 
 PS:
 For identification, there is a picture of me in my gallery
 if you follow the 'Miscellaneous Galleries - GUIDE' link.
 
 http://www.dfsee.com/gallery/guide/
 
 --
 Jan van Wijk;   http://www.dfsee.com/gallery
 
 
 
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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-18 Thread David Savage
LOL

Dave

On 9/18/06, graywolf [EMAIL PROTECTED] wrote:
 John Wayne could have done it one handed while running up a beach
 shooting a .50 Cal. MG from the other. At least in the movies GRIN.

 Kenneth Waller wrote:
  How many of us are using 600mm lenses...handheld or
  otherwise?
 
  Me.
  Otherwise. A 600mm FA on a Gitzo 1548 with a Kirk King Cobra Head.

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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-18 Thread graywolf
John Wayne could have done it one handed while running up a beach 
shooting a .50 Cal. MG from the other. At least in the movies GRIN.

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Kenneth Waller wrote:
 How many of us are using 600mm lenses...handheld or
 otherwise?
 
 Me.
 Otherwise. A 600mm FA on a Gitzo 1548 with a Kirk King Cobra Head.
 
 I defy anyone to hand hold a prime 600mm  consistently get acceptable 
 results.
 
 Kenneth Waller
 
 - Original Message - 
 From: Brendan MacRae [EMAIL PROTECTED]
 Subject: Re: 50/1.4 or 1.2 for the DSLR Bodies
 
 
 How many of us are using 600mm lenses...handheld or
 otherwise?

 -Brendan

 --- John Francis [EMAIL PROTECTED] wrote:

 On Sun, Sep 17, 2006 at 11:09:22AM -0700, Brendan
 MacRae wrote:

 --- John Francis [EMAIL PROTECTED] wrote:


 As has been pointed out many times in the past,
 that's
 incorrect if you're using a long-ish telephoto;
 your
 hand is nowhere near the aperture ring.
 nowhere near? If your hand is on the lens it is,
 by
 pure definition, near the aperture ring.

 -Brendan
 Try steadying a 600mm lens sometime (the recommended
 fashion
 is with your hand applying slight pressure on the
 top of the
 lens hood).  That's not near by any stretch of
 imagination.
 (And, in any case, your other hand is much nearer;
 if distance
 is the sole criterion you should adjust the aperture
 with your
 right hand).


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Re: JunkEmail: Re: Photokina

2006-09-18 Thread David Savage
O.M.G.

What happend to your right eye?

Dave ;-)

On 9/18/06, Dario Bonazza [EMAIL PROTECTED] wrote:
 Ok Jan, I'll be there too. This is me:
 http://www.dariobonazza.com/indexe.htm

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RE: It is ingenious! Was: Does this mean what I think it means?

2006-09-18 Thread Antti-Pekka Virjonen
Toralf,

I think you got it all just right and I believe we were both 
talking about the same thing in the first place :-). Sometimes
it just takes a lot of writing when trying to describe not so easy
things.

I have to admit I wasn't looking too deep into the DSLR ccd data
sheets when trying to figure out why they chose 22 bits.
Plus, it is not very easy to get the bare foot data from the
current sheets, since the ccd manufacturers seem to be 
hiding the basic facts to get more of their sensors sold (?).
Astronomical sensors generally have quite big pixel sizes
(but there are quite small as well, comparable to DSLR).

The smaller the wells, the higher the noise (because of the
smaller area to capture photons and smaller space to store 
electrons. Making better signal processing stages is one
way (maybe the only one at this time) to improve the results.
Pentax seems to be ahead of the competition with the new 
(to DSLR world) approach when using better designed signal 
processing.

Let us hope there will also be better sensors in the future :-).

Actually the only negative thing I have with the K10D is
I hoped they would incorporate a full frame sensor to get more
sensitivity and lower noise (more exposure latitude). But maybe 
it would have competed with their coming 645D too much.

BTW I did preorder my K10D today! 

It will be exciting to see the sample photos of production model
K10D. I think what we will see is a little different digital pictures
(closer to film kind of images). But I have been proven wrong before...

Antti-Pekka



Antti-Pekka Virjonen

Computec Oy
RD Turku

www.computec.fi

 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf
 Of Toralf Lund
 Sent: Monday, September 18, 2006 3:41 PM
 To: Pentax-Discuss Mail List
 Subject: Re: It is ingenious! Was: Does this mean what I think it
 means?
 
 Antti-Pekka Virjonen wrote:
  I think the actual sensors do have the 14-16 bits you mention - [
 ... ]
 
 
 
  Hi,
 
  Yes, actually I was talking about usable bits, taking the noise into
  account, thus giving 14-16bits of usable data.
 
  This is so at least with the good quality astronomical ccd sensors
 but I
 
  am sure the DSLR camera sensors are coming close nowadays (or am I
 just
  hoping?).
 
 As has also been mentioned many times, the max. charge or full-well
 capacity of the sensor depends directly on the pixel area. Apparently
 it's approximately 1000 electrons per square micrometer in a normal
 CCD
 
 I'm not sure about astronomical sensors, but in the linear CCDs I've
 used at work, the pixels are 12x12 or 14x14 micrometers, which should
 give you 2-3 times the data required for 16 bits. That may not be
 quite
 enough to leave you with 16 good bits after you've thrown away the
 noise, but 14 should be no problem.
 
 On a DSLR, on the other hand, the pixel size has been something like
 8x8
 microns for a while now, but on the latest (10MP) cameras, it's down
 to
 6x6 or so. In other words, the DSLRs cameras are not coming close;
 they are actually moving further away in that the pixels keep getting
 smaller!
 
 A different side of this is obviously the noise situation. You can
 also
 improve the number of usable bits by reducing the noise, and this is
 an
 area where the DLSRs probably are getting better - but they also have
 to, in order to compensate for the smaller pixels. And it wouldn't
 surprise me if the astronomical sensors have very low noise, too.
  In any case, when designing measuring systems (using amplifiers and
 a/d
  converters) it is a good thing to have plenty of more bits and
 precision
  compared to the original signal. This way you will minimize the
 added
  noise. When having a 22 bits a/d converter on the K10D you can also
  measure and analyze the noise of the low expusure pixels. You will
 get
  all the available information out of the sensor.
 
 Yes. It definitely seems like I good thing to keep *all* the info for
 the early image processing stages. Also, having some extra bits around
 will minimise round-off errors that might accumulate across multiple
 pixel value adjustment steps. You may think of extra bits as more
 decimals in intermediate results. I think this may be the most
 important
 consideration behind the choice of 22 bits.
 
 - Toralf
 
 
 
 
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Re: ot: printing on acetate or other clear media with epson 220

2006-09-18 Thread graywolf
The R200 I have has never clogged in the two years I have had it, it 
uses the same ink as the R220. The only thing wrong with the R200 is I 
should have bought several of them when I got this one, because with the 
rebate it cost a lot less ($49) than a set of ink carts ($87 locally).

I suggest you toss that 820 in the trash (I did), and get the new 
printer. Life will be far happier if you do.

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---


Mat Maessen wrote:
 On 9/18/06, Kenneth Waller [EMAIL PROTECTED] wrote:
 than the original Stylus Photo. A full set of replacement inks cost almost
 as much as the printer itself which comes with all the inks.
 I don't think you can go wrong if you want a cheap photo quality printer.
 
 Have Epson figured out how to make the nozzles not clog up nearly as
 much? That's the fatal flaw of the 820 - the nozzles clog if you look
 at them funny, and you end up wasting most of your ink in cleaning
 cycles.
 
 -Mat
 

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Re: It is ingenious! Was: Does this mean what I think it means?

2006-09-18 Thread graywolf
Thanks, Toralf, I have skimmed that and bookmarked to read more closely.

Getting a bit of an Ah-Ha from that skim, apparently folks are talking 
about electrons and holes as if they are the same thing. They definately 
are not. A hole is a space that can accept an electron, and if we are 
talking about 40K or so holes in the photodiode then that makes sense as 
that would be the amount of additional free electrons that the diode can 
accept (note that lots of them will bounce around and never find a hole 
to fit into). Still in the real world sense the output can not be 
considered stepped but a fairly smooth analog curve. Sometimes we try to 
apply too much to our understanding of things.

For those of you who insist that quantum mechanics apply at the real 
world level, please send me a quart of quantum foam, I want to use it as 
a battery. Reading too much SF lately grin.

-- 
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http://webpages.charter.net/graywolf
Idiot Proof == Expert Proof
---


Toralf Lund wrote:
 So you are saying a 22 bit ADC is overkill. Wonder if Pentax knows that?
   
 The marketing people probably don't know, or care; they only know they 
 can quote a higher number than the competitors.
 
 The engineers probably deliberately chose to have extra bits, so as to 
 avoid problems with accumulating round-off errors etc. in the processing 
 stages.
 BTW, Rob's explanation was clearer, but still not documented for my 
 curiosity.
   
 I'm not sure this can be considered an authoritative reference, but at 
 least it contains some actual numbers:
 
 http://micro.magnet.fsu.edu/primer/digitalimaging/concepts/dynamicrange.html
 
 - Toralf
 
 

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Re: ot: printing on acetate or other clear media with epson 220

2006-09-18 Thread Ann Sanfedele
Mat Maessen wrote:
 
 On 9/17/06, Ann Sanfedele [EMAIL PROTECTED] wrote:
  I was winging the settings as there isnt one on the 220 for
  transparancies.
 
 Not related to your question, but how do you like the 220 for
 general-purpose photo printing? I'm thinking I need to kick my 820 to
 the curb...
 
 -Mat
 
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I LOVE it!

The inks are a bit pricey so I'm not printing a lot, but the
little stuff I have is 
beautiful and it is wonderfully quiet when it prints... so
much so that I think I forgot
to hit that second OK to get it to go.

I wish it had a larger carriage but other than that I'm very
happy

ann

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Re: ot: printing on acetate or other clear media with epson 220

2006-09-18 Thread Ann Sanfedele
Thanks, Dave -

I'll try it...
I didn't like the results from the couple of pages I got at
the local art store of
Grafix.

ann

David Savage wrote:
 
 Try Epson's transparency film:
 
 http://www.epson.com/cgi-bin/Store/ProductMediaSpec.jsp?BV_UseBVCookie=yesinfoType=Overviewoid=-8796category=Paper%20%20Media
 
 According to their website it's compatible with the R220.
 
 HTH
 
 Dave
 
 At 10:47 AM 18/09/2006, you wrote:
 
 Recommendations?
 
 I'm going to be doing some stuff where the photos will be
 displayed as on light boxes but
 hung on the wall...
 
 If anyone has any experience with this, I'd be grateful for
 some tips
 
 I tried parchment paper - didn't work too well.  I tried
 GRAFIX and the black and white looked
 good but using the ultra glossy setting but the edges
 smudged and it was hard feeling which side wsa the correct
 one for printing.
 
 Although I'll be paid for the materials, Id like to keep
 costs down and quality up... and still
 do it myself on my 220.
 
 I was winging the settings as there isnt one on the 220 for
 transparancies.
 
 The sheets will be just slid into holders for the display
 
 Thanks  -
 
 ann
 
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Re: To (convert to) DNG or not to DNG

2006-09-18 Thread Shel Belinkoff
It's free from Adobe, but, iirc, Pentax just updated its software (also
free) to include a DNG converter ... BTW, after careful consideration, I've
converted all my PEF files to DNG.  The space saving was considerable.

Shel



 [Original Message]
 From: Boris Liberman [EMAIL PROTECTED]
 To: Pentax-Discuss Mail List pdml@pdml.net
 Date: 9/18/2006 6:02:25 AM
 Subject: Re: To (convert to) DNG or not to DNG

 Mark,

 How one does obtain PEF-DNG converter? Is it free by Adobe or one has
 to use 3rd party software?

 Thanks.

 -- 
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Re: ot: printing on acetate or other clear media with epson 220

2006-09-18 Thread Ann Sanfedele
P.S.
another good thing about the 220 was that it came with a set
of ink
that lasted far longer than you would expect the initial
included set to last.

The only really annoying thing is that Staples took back the
$3.00 rebate for recycling
EPSON inkjet cartridges.   

I haven't done serious BW printing yet... the color is
glorious

ann


Mat Maessen wrote:
 
 On 9/17/06, Ann Sanfedele [EMAIL PROTECTED] wrote:
  I was winging the settings as there isnt one on the 220 for
  transparancies.
 
 Not related to your question, but how do you like the 220 for
 general-purpose photo printing? I'm thinking I need to kick my 820 to
 the curb...
 
 -Mat
 
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RE: Ordered a K10D

2006-09-18 Thread Jens Bladt
I got mail. From Germany.
They will get the K10D in 16 days (October 4th 2006).
I could order it now, pre pay and probaly have it in my hands three weeks
from now :-).
I just got to find 929 Euro's lying arround somewhere ...
Or what can I sell? My Pentacon 6x6 system, some Metz 45's, perhaps even my
MZ-S.
Or I could sell some photographs...let's see, hm...

Jens Bladt
http://www.jensbladt.dk
+45 56 63 77 11
+45 23 43 85 77
Skype: jensbladt248

-Oprindelig meddelelse-
Fra: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] vegne af Adam
Maas
Sendt: 17. september 2006 16:55
Til: Pentax-Discuss Mail List
Emne: Re: Ordered a K10D


Lawrence Kwan wrote:
 On Sat, 16 Sep 2006, David S. wrote:

Stores out here in western Canada do not have Pricing from Pentax yet 
are also not taking orders yet.


 Cameracanada.com is taking pre-orders at C$1,049.88.  It is located in
 London, Ontario; so you may be able to save on PST (assuming that you are
 not in Alberta).  C$15 shipping.
 But I have not personally bought from this retailer.


A good friend of mine shops there and swears by them. I stick to my
local pusher though (Who will match their prices)

-Adam


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Re: ot: printing on acetate or other clear media with epson 220

2006-09-18 Thread Ann Sanfedele
Mat Maessen wrote:
 
 On 9/18/06, Kenneth Waller [EMAIL PROTECTED] wrote:
  than the original Stylus Photo. A full set of replacement inks cost almost
  as much as the printer itself which comes with all the inks.
  I don't think you can go wrong if you want a cheap photo quality printer.
 
 Have Epson figured out how to make the nozzles not clog up nearly as
 much? That's the fatal flaw of the 820 - the nozzles clog if you look
 at them funny, and you end up wasting most of your ink in cleaning
 cycles.
 
 -Mat
 
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No clogging yet - I'm hopeful :)

ann

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Re: Had the talk with the CFO last night... :-(

2006-09-18 Thread David Savage
Your women, how much for the women?

On 9/18/06, [EMAIL PROTECTED] [EMAIL PROTECTED] wrote:
 sell stuff

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Re: PESO: Rue de l'acier

2006-09-18 Thread Shel Belinkoff
This may be my favorite of all the shots you've posted in the past few
months.  How do you avoid the noise in the dark areas?  I'm having problems
with that.

Shel



 [Original Message]

 http://www.photosight.ru/photo.php?photoid=1651431



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Re: ot: printing on acetate or other clear media with epson 220

2006-09-18 Thread Gonz


[EMAIL PROTECTED] wrote:
 
 p.s. sorry I'm not leaping into more discussions and pesos _
 guilty with an explanation
 
Yes my dear, that will be 10 Hail Pentax's, and 5 Our FA851.4's, and all 
will be forgiven.



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Re: RE: PESO -- Ken

2006-09-18 Thread Mike Hamilton
Thanks, Shel, Dave, and Ralf.

Mike

On 9/17/06, Shel Belinkoff [EMAIL PROTECTED] wrote:
 Hi,

 I like this quite a bit, just the way it is.  The saturated colors, the
 clutter, the curved look from the fish eye lens all make this look kind of
 avant garde.  This is one of the most interesting photos I've seen posted
 here in a while.  It's different ... on the edge  follows no rules ...
 it's not a flower or a sunset or someone's grand child, puppy, or cutesy
 kitten.  Way to go!

 Shel



  [Original Message]
  From: Mike Hamilton

  http://www.michaelhamilton.ca/?p=141
 
  Pentax DS, zenitar 16/2.8 fisheye (probably wide
  open or close to wide open), 1/12sec.



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RE: To (convert to) DNG or not to DNG

2006-09-18 Thread Shel Belinkoff
Boris, one of the other benefits to using DNG is that you can use Thomas
Knoll's neat program, Recover Edges.

http://www.luminous-landscape.com/contents/DNG-Recover-Edges.shtml

Shel




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US Customs Can Inspect Laptop Drives

2006-09-18 Thread Cotty
The ramifications are pretty clear:

http://www.abanet.org/journal/ereport/s15border.html




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Re: Had the talk with the CFO last night... :-(

2006-09-18 Thread David Savage
On 9/18/06, Charles Robinson [EMAIL PROTECTED] wrote:
 Charles, we really have a lot of other things that we need to spend
 money on, and you have a perfectly good camera...

I've said it before and I'll say it again. This is one of the benefits
(and it's the only one) of being single.

I'll send you a picture of mine when I get it.

evil grin

Seriously though, there are more important thing in life.

Dave

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Re: To (convert to) DNG or not to DNG

2006-09-18 Thread Shel Belinkoff
A couple of DNG pages that may be of interest:

http://www.barry.pearson.name/articles/dng/benefits.htm
http://www.barry.pearson.name/articles/dng/safety.htm

Shel



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Re: ot: printing on acetate or other clear media with epson 220

2006-09-18 Thread Paul Sorenson
Check out OfficeMax for recycling rebates.  As of a couple weeks ago it 
was $3/cartridge even if it was a cartridge they didn't stock.  Sure 
helps cut the cost of ink, especially w/the R-800 and its eight cartridges.

-P

Ann Sanfedele wrote:

 
 The only really annoying thing is that Staples took back the
 $3.00 rebate for recycling
 EPSON inkjet cartridges.   
 


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Re: US Customs Can Inspect Laptop Drives

2006-09-18 Thread David Savage
On 9/18/06, Cotty [EMAIL PROTECTED] wrote:
 The ramifications are pretty clear:

 http://www.abanet.org/journal/ereport/s15border.html

Yeah. Don't look a kiddie porn.

Man that's nuts. There is a fine balance between protecting your
population and infringing on their rights. And from down here it looks
like the balance is shifting in the wrong direction.

Dave

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Re: Had the talk with the CFO last night... :-(

2006-09-18 Thread Cotty
On 18/9/06, Charles Robinson, discombobulated, unleashed:

Charles, we really have a lot of other things that we need to spend  
money on, and you have a perfectly good camera...

:-(

Looks like my save up the moonlighting money for a K10D plan just  
got shot full of holes.  I'm bummed.  Even though I know she's right.

!!

You gonna let her tell you what's what ??

You gonna let her wear the trousers ??

You gonna let her have the final say ??

Sure you are.

But the key trick here is, confusion. Works a treat.

Use dummy equipment and decoys to your advantage. Build up a collection
of tat and old junk so she doesn't know what's coming or going. Then
when the coast is clear, pounce. Go into covert operational mode.
Delivery to work address only. Substitute items that look like each
other. Stifle hysteria over new acquisitions until late at night with vodka.

I've got so much stuff in and out that she can't tell what's coming or
going. It's like a sleight of hand, only bigger.

Values - nothing is as advertised. (Converted to US dollars for clarity)
so anything around 50 bucks comes in at 25 or 30. This builds in room
for human error which we all have to take into account. It's not lying -
it's like traffic cops allow 10% on your speedo for error. It's just
'write-off' ergonomics. 500 bucks comes in at 'Oh a couple a hundred or
so'. Once you get over a thousand, it gets more tricky, but can be done
with some creative accounting. Always deduct any local taxes, postage,
insurance, anything like that. Then of course there's the profit margin
the manufacturer makes, that's got to come off. Before you know it, a
$1200 camera can come in at gee, WAY under a grand, honey, and sound
very palatable.

Creativity with numbers. It helps if you cross your fingers behind your
back as well.

Good luck Mr Phelps.

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Re: It is ingenious! Was: Does this mean what I think it means?

2006-09-18 Thread Digital Image Studio
On 19/09/06, graywolf [EMAIL PROTECTED] wrote:
 Thanks, Toralf, I have skimmed that and bookmarked to read more closely.

 Getting a bit of an Ah-Ha from that skim, apparently folks are talking
 about electrons and holes as if they are the same thing. They definately
 are not. A hole is a space that can accept an electron, and if we are
 talking about 40K or so holes in the photodiode then that makes sense as
 that would be the amount of additional free electrons that the diode can
 accept (note that lots of them will bounce around and never find a hole
 to fit into). Still in the real world sense the output can not be
 considered stepped but a fairly smooth analog curve. Sometimes we try to
 apply too much to our understanding of things.

Yes, but I don't know if here is the place to discuss Solid-state
technology in detail :-)

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Re: Had the talk with the CFO last night... :-(

2006-09-18 Thread Shel Belinkoff
Hey, you can drink milk directly from the bottle, walk around in your
underwear, and fart as much as you want ... 

Shel



 [Original Message]
 From: David Savage

  Charles, we really have a lot of other things that we need to 
  spend money on, and you have a perfectly good camera...

 I've said it before and I'll say it again. This is one of the benefits
 (and it's the only one) of being single.



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Re: To (convert to) DNG or not to DNG

2006-09-18 Thread skye
I think it was the digital asset management book that said one reason
you would want to retain the original PEF is if you want to edit your
file with something other than photoshop. At least, that was how I
understood what the book said.

--s

On 9/18/06, Boris Liberman [EMAIL PROTECTED] wrote:
 A question to you, digital pundits, should I mass convert my PEFs to
 DNGs for archival or should I retain the PEFs? To accentuate my
 question a little - I would want to keep only one flavor - either
 PEF or DNG but *not* both.


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Re: Had the talk with the CFO last night... :-(

2006-09-18 Thread Charles Robinson
On Sep 18, 2006, at 10:17, David Savage wrote:

 On 9/18/06, Charles Robinson [EMAIL PROTECTED] wrote:
 Charles, we really have a lot of other things that we need to spend
 money on, and you have a perfectly good camera...

 I've said it before and I'll say it again. This is one of the benefits
 (and it's the only one) of being single.

 I'll send you a picture of mine when I get it.

 evil grin

 Seriously though, there are more important thing in life.


Oh, I know that.

But I wt it!  Isn't that a good enough reason?

  -Charles

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Re: Re: Had the talk with the CFO last night... :-(

2006-09-18 Thread Mike Hamilton
On 9/18/06, David Savage [EMAIL PROTECTED] wrote:
 On 9/18/06, Charles Robinson [EMAIL PROTECTED] wrote:
  Charles, we really have a lot of other things that we need to spend
  money on, and you have a perfectly good camera...

 Seriously though, there are more important thing in life.

Lenses?

Mike
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Re: OT - Checked Luggage Info

2006-09-18 Thread Peter Jordan
I can testify to the use of having a different looking bag. I had a bright 
red pull along case and recently, I looked out of the aircraft window as the 
plane was loading to see a baggage handler wheeling my bag away from the 
plane.

Grabbing the nearest stewardess (not literally) resulted in my bag getting 
put back onto the flight. It wouldn't have been noticed if it were plain 
black.

Peter


- Original Message - 
From: Cotty [EMAIL PROTECTED]
To: pentax list PDML@pdml.net
Sent: Sunday, September 17, 2006 8:39 AM
Subject: OT - Checked Luggage Info


 On another list I belong to, there's a discussion about computer bags
 and cases, and I introduced cameras and lenses into the equation, saying
 that I have a problem hauling my photo gear and my laptop together when
 using a Pelican 1510. Someone suggested a Pelican 1660, but I replied
 that that was too big for carry-on, because I never check photo gear.

 An interesting post was this:


 ---
 Some advice based on my wife's comments. She's a baggage claims
 supervisor for a major airline.

 Make your bag look different. Stupid different. Paint the wheels purple.
 Wrap the handle with a barber pole pattern of yellow and blue tape.
 Whatever.

 The biggest reason for truly missing bags, both checked and carry-on, is
 that they all look alike. Make sure yours doesn't look like the rest and
 that you can easily spot it. They tends to prevent accidental pickups by
 others and allows you to see someone walking off with it. Either at a
 baggage claims area or in the security checkpoints.
 -



 -- 


 Cheers,
  Cotty


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RE: To (convert to) DNG or not to DNG

2006-09-18 Thread D Brooks
Another benefit is, if you buy a D200, you won't have to upgrade to  
CS2 or have to buy Nikons program.

:-)

Dave

Quoting Shel Belinkoff [EMAIL PROTECTED]:

 Boris, one of the other benefits to using DNG is that you can use Thomas
 Knoll's neat program, Recover Edges.

 http://www.luminous-landscape.com/contents/DNG-Recover-Edges.shtml

 Shel




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Re: PESO: Rue de l'acier

2006-09-18 Thread Godfrey DiGiorgi

On Sep 17, 2006, at 4:45 PM, Ralf R. Radermacher wrote:

 http://www.photosight.ru/photo.php?photoid=1651431

Very nice, love the texture of the lighting and the lines. Dramatic  
without being overly so.

Godfrey

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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-18 Thread John Francis
On Mon, Sep 18, 2006 at 08:36:32AM -0400, Doug Franklin wrote:
 J. C. O'Connell wrote:
 
  I have gotten some nice very sharp shots with my 135-600mm SMCT @ 600mm
  Hand held using only a monopod and 1/500 and 1/100. Monopods ROCK!.
 
 Yep, I love my monopod.  I even use it for panning the 400 on both the
 MZ-S and the *ist D.  I've gotten to where I can usually hand hold the
 300 without much problem, as long as I keep the shutter speed faster
 than 1/125.  But the monopod helps there, too.  And the Manfrotto
 three-section monopod doubles as a cudgel when needed, too. :-)

These shots (which many here have seen before) were taken using a monopod
and the monster zoom.  In fact a good number of my motorsports shots were
taken with the 300/f2.8 (with or without the 1.7x AF adapter) or the big
zoom, and I almost always use a monopod with them.

  http://panix.com/~johnf/temp/PortlandPitStop.jpg

  http://panix.com/~johnf/temp/CityStreets.jpg


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Re: Ordered a K10D

2006-09-18 Thread John Francis
On Mon, Sep 18, 2006 at 07:18:03AM +0100, Bob W wrote:
  With pre-ordering, you don't get charged until it ships.
 
 you don't get charged until the goods ship anyway, whether you
 'pre-order' or not.

That ain't necessarily so.   Some places insist on at least a
deposit (which may, or may not, be refundable) before they'll
order the product for you; some will require payment in full.


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Re: It is ingenious! Was: Does this mean what I think it means?

2006-09-18 Thread mike wilson

 
 From: graywolf [EMAIL PROTECTED]
 
 For those of you who insist that quantum mechanics apply at the real 
 world level, please send me a quart of quantum foam, I want to use it as 
 a battery. Reading too much SF lately grin.

That would be a couple of bottles of Bud.  Battery acid by any name is still 
battery acid.  Foamy or not.


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Returned From Travel

2006-09-18 Thread Joseph Tainter
I'm back from a few days in Italy--Milan, Venice, Porto Venere. The trip 
was mainly for a conference in Porto Venere, so there was only a little 
chance for photography. Because of this I took only a minimal kit--*ist 
D, DA 21, DA 40, and A 50 F1.2. The DA 21 got a workout, and proved 
consistently to be a good focal length for architecture and landscapes.

There were, of course, a lot of people lugging around big, heavy Nikons 
 Canons, with enormous zoom lenses. I caught several of them glancing 
at my diminutive D with its tiny DA 21. In Porto Venere I walked past a 
pro photographing a wedding with a big Canon L lens. Even she glanced at 
my petite kit.

I'll never get through all of the back posts on the K10D. I gather there 
is no indication that it can take replaceable batteries. Bummer. Did we 
learn which is the killer feature for which Aaron would sell a kidney? 
Is it the fly paper in the mirror box?

I'll probably get one, but I'll gripe about some of its specifications, 
particularly the battery. (I'm not a grip guy, so please don't recommend 
that.)

My DA 21 is a tired little pup. I'll have to rest it for a few days.

Joe

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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-18 Thread Brendan MacRae
That probably makes sense with such an enormous lens
(said I with more than a hint of jealousy).

-Brendan

--- Kenneth Waller [EMAIL PROTECTED] wrote:

 FWIW, I normally control the aperture on my 600mm FA
 using the camera 
 control wheel.
 
 Kenneth Waller
 
 - Original Message - 
 From: Paul Stenquist [EMAIL PROTECTED]
 Subject: Re: 50/1.4 or 1.2 for the DSLR Bodies
 
 
  Three that I know of. Ken, Bill, and Pal. But many
 of us shoot with
  an A 400/5.6 or similar on a regular basis. An
 aperture ring is among
  my worst nightmares. Keep it.
  Paul
  On Sep 17, 2006, at 7:36 PM, Brendan MacRae wrote:
 
  How many of us are using 600mm lenses...handheld
 or
  otherwise?
 
  -Brendan
 
  --- John Francis [EMAIL PROTECTED] wrote:
 
  On Sun, Sep 17, 2006 at 11:09:22AM -0700,
 Brendan
  MacRae wrote:
 
 
  --- John Francis [EMAIL PROTECTED] wrote:
 
 
  As has been pointed out many times in the
 past,
  that's
  incorrect if you're using a long-ish
 telephoto;
  your
  hand is nowhere near the aperture ring.
 
  nowhere near? If your hand is on the lens it
 is,
  by
  pure definition, near the aperture ring.
 
  -Brendan
 
  Try steadying a 600mm lens sometime (the
 recommended
  fashion
  is with your hand applying slight pressure on
 the
  top of the
  lens hood).  That's not near by any stretch of
  imagination.
  (And, in any case, your other hand is much
 nearer;
  if distance
  is the sole criterion you should adjust the
 aperture
  with your
  right hand).
 
 
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Re: Cropping and MP count

2006-09-18 Thread P. J. Alling


  but some people want more advanced features
and more mpx's, so the K19D was introduced.

Seems Shel has special inside information.


Shel Belinkoff wrote:

While Pentax has two or three 6mpx cameras, they have also just come out
with a 10mpx camera, the K10D.  You can read about it here:

http://www.dpreview.com/news/0609/06091305pentaxk10dpreviewed.asp and many
other places on the web, or take a cruise through our September archives:

http://pdml.net/pipermail/pdml_pdml.net/2006-September/date.html

The 6mpx cameras have been great, and for may they are sufficient for the
work that they do, and they are also priced well and make a great
introduction to DSLR cameras, but some people want more advanced features
and more mpx's, so the K19D was introduced.

Shel



  

[Original Message]
From: MikeM 



  

I have just read that Pentax have stuck with 6 MP for their K100D. I 
crop many of my photos taken with my 7.1 MP camera because I can't 
yet get a digital SLR. I was planning to get a Pentax digital camera 
and possibly use the tele lens from my Pentax film cameras but I 
thought I could crop more heavily with a higher number of MPs. I 
assume the photo quality must be good for Pentax to continue using 6 
MP, but I thought cropping would be more limited with the 6 MP than 
with more MPs. Why is Pentax staying with the 6?





  



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Re: Cropping and MP count

2006-09-18 Thread P. J. Alling
Because they're going with a High-Low strategy.  The 6mp camera is the 
budget model.  The K10D is being released this month, with a 10mp 
sensor.  That's the current high end.  You've been partly misinformed.

MikeM wrote:

I have just read that Pentax have stuck with 6 MP for their K100D. I 
crop many of my photos taken with my 7.1 MP camera because I can't 
yet get a digital SLR. I was planning to get a Pentax digital camera 
and possibly use the tele lens from my Pentax film cameras but I 
thought I could crop more heavily with a higher number of MPs. I 
assume the photo quality must be good for Pentax to continue using 6 
MP, but I thought cropping would be more limited with the 6 MP than 
with more MPs. Why is Pentax staying with the 6?

Thanks
Mike


  



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Re: K10D sensitivity?

2006-09-18 Thread Joseph Tainter
Pentax is reportedly still finalizing the firmware as we speak

-- 
Mark Roberts Photography  Multimedia

-

Does anyone else find this worrisome? Since dealers have been given 
availability dates, Pentax's engineeers and code writers will be working 
under pressure to get everything finished. I'd prefer that Pentax take 
time to do it well, and ship later.

Joe

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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-18 Thread P. J. Alling
It's been said...

Cotty wrote:

On 17/9/06, Paul Stenquist, discombobulated, unleashed:

  

I sold my *istD for $666 US two weeks ago.



It's true then. Pentax - the official camera of the devil.

  



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Re: Re: Re: PESO -- Ken is looking much healthier now

2006-09-18 Thread Kenneth Waller
That looks pretty much what I got when I worked on your original image. If 
you go much further you'll be sacrificing the lighter details to the right 
of Ken.

Kenneth Waller

- Original Message - 
From: Mike Hamilton [EMAIL PROTECTED]

Subject: Re: Re: Re: PESO -- Ken is looking much healthier now


 Thanks to you, Ken.  :)  It's still missing detail due to the shadows
 on his face, but it looks much better.

 http://www.michaelhamilton.ca/?p=141

 mike



 On 9/17/06, Kenneth Waller [EMAIL PROTECTED] wrote:
 Any tips for rescuing this in PP?

 Using CS2, setting white point  using a shadows adjustment will bring 
 out
 Ken.

 HTH
 Kenneth Waller

 - Original Message -
 From: Mike Hamilton [EMAIL PROTECTED]
 Subject: Re: Re: PESO -- Ken


  yeah.  Thanks.I've played with
  the curves a bit, but haven't had much luck.
 
  Mike
 
  On 9/17/06, Kenneth Waller [EMAIL PROTECTED] wrote:
  Sorry Mike this one doesn't do much for me.
  Either a bad title or Ken needs better exposure.
 
  Kenneth Waller
 
  - Original Message -
  From: Mike Hamilton [EMAIL PROTECTED]
 
  Subject: PESO -- Ken
 
 
   http://www.michaelhamilton.ca/?p=141
  
   Pentax DS, zenitar 16/2.8 fisheye (probably wide open or close to 
   wide
   open), 1/12sec.
  
   Comments?
  
   Mike
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Re: Had the talk with the CFO last night... :-(

2006-09-18 Thread David J Brooks
Hey, three of the 130 things my wife hates me doing.:-)

Dave

Quoting Shel Belinkoff [EMAIL PROTECTED]:

 Hey, you can drink milk directly from the bottle, walk around in your
 underwear, and fart as much as you want ...

 Shel



 [Original Message]
 From: David Savage

  Charles, we really have a lot of other things that we need to
  spend money on, and you have a perfectly good camera...

 I've said it before and I'll say it again. This is one of the benefits
 (and it's the only one) of being single.



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Digital IR, Answered my histo question

2006-09-18 Thread David J Brooks

http://www.bythom.com/infrared.htm

See step 6. He is suggestion a wide histo, not the narrow one i have  
been getting using 1/20 or so shutter.

Seems the 3-5 second, f 8 ish is a standard.

See below what i am getting for a histo at 1/20 and f4 at 1600 ISO



1   . . . .   1
1  .   .  1
1 . . 1
1.   .1
1---..1

Dave

Dave
Equine Photography in York Region

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Re: To (convert to) DNG or not to DNG

2006-09-18 Thread P. J. Alling
Pentax's own Photobrowser/Photolab 3 will do that now.  I haven't tried 
it yet but then I don't have a reason to at this point.

Boris Liberman wrote:

Mark,

How one does obtain PEF-DNG converter? Is it free by Adobe or one has
to use 3rd party software?

Thanks.

  



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