Re: 78 rules of photography

2009-07-04 Thread Matthew Miller
On Sat, Jul 04, 2009 at 01:50:53AM +0200, tim...@clancode.hu wrote:
 http://gawno.com/2009/05/78-photography-rules/
 No. 15 is s me :)

#77 is half the pictures that make it into PPG

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Pentax listens to the little things

2009-07-03 Thread Matthew Miller
On Sun, May 03, 2009 at 08:40:59PM -0400, Matthew Miller wrote:
 I often take photographs in my girls' room, which has big green fabric
 leaves from Ikea near the ceiling. Bounce flash works great in there, but
 everything, not surprisingly, ends up with a green tint. Now, I can -- and
 do -- set the white balance perfectly with a gray card. But since the
 lighting there is always the same, what I'd _like_ to do is transfer that
 setting to one of the three custom white balance settings available.

Hah! K-7 manual, page 198:

  You can copy the white balance setting of a captured image and save it as
  Manual White Balance.

Now, I don't want to claim personal credit for this idea, because surely I'm
not the first to have it. But as with the K10D to K20D, it's awesome that a
lot of these small improvements which seem to address individual complaints
are indeed there.

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Re: Exploring Boston: Bromfield Camera

2009-07-03 Thread Matthew Miller
On Wed, Jul 01, 2009 at 06:06:17PM -0400, John Graves wrote:
 Welcome to Boston.  There is another camera dealer in Melrose, a suburb of 
 Boston.  They used to be Hunt Drug, but now are Hunt Photo  Video. They 
 sell most of the major brands but not much of Pentax, unfortunately.  They 
 have several branch stores including Boston at 520 Commonwealth Drive.  
 Commonwealth Drive is worth the walk or drive anyway.  A very 1920's kind 
 of promenade.

The Hunt's in Harvard Square tends to have more Pentax stuff than the
Kenmore Square (Comm Ave) one. Although neither are very exciting in that
way.

There's also Cameras Inc, which is based in Arlington (never visited that
location) and has a store in Davis Square. They had Pentax until a year and
a half ago -- I'm pretty sure they've dropped it now.

And of course there's Calumet out by the Galleria Mall (Lechemere); a bigger
chain.


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Re: Pentax Users Gallery

2009-06-05 Thread Matthew Miller
On Fri, Jun 05, 2009 at 08:17:27PM -0400, Graydon wrote:
  Here they are, what do you think ? Thanks Joe
  http://photo.net/photodb/photo?photo_id=9296930
 Really splendid photo but it's violent (at least implicatively) so the
 PUG won't generally take it.

Took me a while to figure out where the implicit violence was in the banjo
scene. :)


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Re: Ricehigh is at it again

2009-05-27 Thread Matthew Miller
On Wed, May 27, 2009 at 09:20:57PM +1000, Anthony Farr wrote:
 OTOH it's an interesting method of market research.  Just fly a few
 extravagent kites and see how much interest they arouse.  If the
 rumoured products are unpopular then the company merely disclaims
 them.


Yeah, although based on the forum posts, I think there's a lot of people who
want the f/1.0 lens because IN YOUR FACE CANON AND NIKON LOOOK AT HOW
AWESOMES PENTAX IS OUR CAMERA BRAND RULZE111!

And not because they'd actually spend the money to buy one.

As you point out, that might not be a horrible strategy after all -- as long
as Pentax is basically using it for advertising and sets their sales figures
appropriately.


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Confirmed: no K30D ever. The K-7 *is* the K30D.

2009-05-27 Thread Matthew Miller
http://www.pentaxforums.com/forums/pentax-dslr-discussion/61649-there-will-no-k30.html

  The original name for the K-7 was the K30. However, as developement rolled
  on, we realized that this camera was much more than a replacement to the
  K20D. Therefore, we decided to move to a different number.

  As far as where that number came from, it is hard to say. I probably
  shouldn't share this, but the original suggestion was K-9. For obvious
  reasons we here in the US and our European counterparts vetoed this idea.

Says John Carlson, Pentax Product Managerfor Imaging Systems.


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Re: Ricehigh is at it again

2009-05-26 Thread Matthew Miller
On Tue, May 26, 2009 at 11:07:52PM -0400, Graydon wrote:
  OR, someone in the Graphic Arts department PhotoShopped a copy of the
  'real' Lens Map to screw with (and bring out) the culprit who has been
  leaking stuff within Pentax's fold. That'd be my bet.
 While that is certainly not impossible, the marketing department is not
 likely to be happy at the prospect of having to explain they were only
 joking, no one could possibly have believed that, what do you mean you
 want one, about some if not all of those lenses.  So I don't think it's
 obvious that it's fake.

Why would it have to be Pentax's graphics department? Anyone could do it.

*I* could do it.


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Re: Oh another K-7 thread...

2009-05-22 Thread Matthew Miller
On Fri, May 22, 2009 at 07:49:36AM -0400, paul stenquist wrote:
 Because you get only partial flash output, the catchlights and the 
 illumination are minimal with artificial high-speed synch. Non-existent in 
 bright light at a distance of more than five or six feet. I use it all the 
 time, but it's a poor substitute for the real thing.

To put some numbers on it: the Metz 48 AF-1 has a GN of 35 at 50mm-e @ ISO
100, but in HSS mode, only 15. That means about 80% of the power is lost.



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Re: K-7 shutter/mirror noise, SD card storage in grip, compresed DNG

2009-05-22 Thread Matthew Miller
On Fri, May 22, 2009 at 07:20:42AM +0300, Boris Liberman wrote:
 1. The camera sensor seems to be totally new. They have played with the 
 micro lenses to increase actual area of a single pixel. The reviewer also 
 mentions that this new micro lens design makes it work better with film 
 lenses and it allows for wider range of angles of falling light.

I'm having deja vu here:

http://www.pentax.jp/english/imaging/digital/slr/k20d/feature.html

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Re: CA correction on the K-7

2009-05-21 Thread Matthew Miller
On Wed, May 20, 2009 at 11:57:37PM -0400, John Francis wrote:
 Apparently (from posts on the DPReview forum) this takes
 *several seconds* per exposure.  Sounds hard to believe,
 but if this is true I guess it's not all that useful.

Yeah, seriously. Although the in-camera raw conversion can still do it. If
the feature turns out to be debilitating 3-4 seconds downtime after I click
would definitely cause me to miss shots. On the other hand, maybe I can
learn turn it on sometimes simply to force myself to be more deliberate in
my shooting. :)

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Re: CA correction on the K-7

2009-05-21 Thread Matthew Miller
On Wed, May 20, 2009 at 09:36:29PM -0700, Joseph McAllister wrote:
 I would guess that CA reduction and perspective correction could / would be 
 done post capture, but prior to offloading the card. After all, all the 
 information about the taking lens is there in the metadata. It's just a 
 software routine with sub-routines for each lens model that it can cover.

It can be done in the in-camera RAW converter, which is probably where I'll
use it most often.

 It would be nice if over time Pentax did run through the older lenses CA / 
 Distortion to update the firmware for A*, F*, FA*, then A, F, and FA. And 
 so forth. And a way to tell the camera a bit more than the focal length. If 

So, apparently, there's no lens data in the firmware -- it's all
communicated by the lens. And that communication started with the DA series,
even though there weren't yet bodies with the ability do do something with
the data. (So says JohnCPentax on the dpreview forums.)

 not in camera, then perhaps the Pentax software in computer could create a 
 file from the corrections you would make to an images or three from one of 
 these older lenses to correct for CA  Distortion, which could then be 
 loaded into the sub-routine cue of the camera's firmware.

Sure -- there's software to do this already. Noteably DxO, but in the open
source world, there's Fulla. http://wiki.panotools.org/Fulla

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Re: K-7 size compared to competitors.

2009-05-21 Thread Matthew Miller
On Thu, May 21, 2009 at 11:14:43AM +0200, Thibouille wrote:
 Even though I do not like Ricewhine, his blog shows a picture of great
 interest IMO.
 It shows K-7 compared to a couple competitors cameras. Difference is
 quite stunning IMO.

He's just reposting from here:
http://www.flickr.com/photos/sveinmb/3543097453

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Re: Oh another K-7 thread...

2009-05-21 Thread Matthew Miller
On Thu, May 21, 2009 at 08:54:29PM -0400, paul stenquist wrote:
 The difference between 1/180th and 1/250th flash synch is substantial when 
 shooting a brightly backlit subject in bright daylight.

A lot can happen in  0.0016 seconds.


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Re: Oh another K-7 thread...

2009-05-21 Thread Matthew Miller
On Thu, May 21, 2009 at 07:10:28PM -0600, William Robb wrote:
  The difference between 1/180th and 1/250th flash synch is substantial
  when shooting a brightly backlit subject in bright daylight.
  A lot can happen in  0.0016 seconds.
 C'est what?

For example, someone walking by at a brisk pace of 4mph will move an
additional tenth of an inch. With a 1/250th sync, you could have caught them
moving only 0.3 inches, but n, with Pentax's horrible 1/180th, we're
stuck with a whole 0.4 inches of movement.

Of course, with hummingbirds, it's even worse. Why, at 1/180th, the
hummingbird's wings have gone through a whole 38% of a stroke. With 1/250th,
that'd be reduced to a mere 28%.

Okay, seriously -- the time difference just doesn't seem that much. (1/643
of a second *different*.) Neither does half a stop. I accept that there's
some narrow cases where it'd help, but I can't see it as the huge deal that
it seems to be to some folks. What am I missing?


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Re: Oh another K-7 thread...

2009-05-21 Thread Matthew Miller
On Thu, May 21, 2009 at 11:09:00PM -0400, Paul Stenquist wrote:
 You're missing the fact that the amount of flash exposure you can work
 into a shot is dependent only on the f stop. So if I shoot a backlit
 portrait outdoors at f5.6, 1.250th, I can fill flash in at that 5.6 value.
 If I'm forced to stop down to f6.7 because I can't go beyond 1/180th in
 shutter speed, I lose flash exposure and increase DOF.

But again, *half* a stop. Assuming the FA 77mm at 10 feet, the depth of
field is going from about 13 to 15. (Right? Up past my bedtime, so feel
free to check my math.) Two (and a half, actually -- rounding) inches isn't
nothing, but it's still only two inches.

 Ideally, I'd like to have flash synch up to 1/1000th, but that's complex
 and cost;y. 

Right, I understand that going from 0.0056s to 0.0010s would be useful.
That's two and a half stops better, and in the example above, you're
shooting at f/2.8 and have more than halved your DOF, down to about 6.


 And high-speed synch doesn't help much, because the flash power is greatly
 diminished by multiple firings.

So, improved noise performance should help just as well, right? I wouldn't
be surprised at all if the sensor refinements gain you your half stop back
right there. Optimistically, more.

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Re: Pentax K7

2009-05-20 Thread Matthew Miller
On Wed, May 20, 2009 at 07:55:00PM -0400, Ken Waller wrote:
 I'm very happy with my K20D (K10D in reserve) and just don't see enough in 
 the K7 to get one.
 I said the same about the K20D when it came out but some high ISO shots by 
 Paul S. pushed me over the edge.

In the OK1000 preview (from the blog at
http://www.ok1000pentax.com/2009/05/pentax-k-7-hands-on-preview.html),
Pentax Product Manager Chris Pound is quoted as saying:

  We think this will really appeal to K10D or *ist users, classic users,
  advanced amateurs or budget pros.

Sounds like they're not aiming to get K20D users to convert en masse.
They're going for new users plus owners of older Pentax models who hadn't
seen a compelling reason to go for the K20D. (That'd be me, for example,
although I was tempted by the higher ISO as well.)


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Re: Pentax K7

2009-05-20 Thread Matthew Miller
On Wed, May 20, 2009 at 10:50:30PM -0400, paul stenquist wrote:
 Sounds like they're not aiming to get K20D users to convert en masse.
 They're going for new users plus owners of older Pentax models who hadn't
 seen a compelling reason to go for the K20D. (That'd be me, for example,
 although I was tempted by the higher ISO as well.)
 That kind of thinking leads me to believe we may still see a higher spec 
 K30D later this year. The K7 is nice, but it isn't the game changer that 
 some were predicting a few weeks ago.

Nah, I just think they're being realistic about whether they can sell a new
camera to every user every year. I'll be very surprised if the new camera
later this year isn't aimed to replace the K200D. I think they're going to
_try_ to keep the K-7 priced above $1000, so there's room between it and the
$500 K2000.

The game changer speculations have been wishful thinking for a long, long
time. I don't think the economics of it lend any support to the idea,
though.

Although it's worth noting that Adorama actually literally says this:
The Pentax K-7 is a game changer.
http://www.adorama.com/alc/blogarticle/11608 :)

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Re: New K body coming... official !

2009-05-14 Thread Matthew Miller
On Wed, May 13, 2009 at 05:39:09PM -0400, paul stenquist wrote:
 I think I prefer the size of the k20/k10. Aside from my Leica, I've always 
 worked with big cameras, and I'm comfortable with that. Now, someone said a 
 new K30D is coming later this year. I wonder if it will be spec'ed as well 

So say some rumors. I think it's more likely that we'll see a
K-[somerandomletter] aimed at replacing the K200D and fit between the K-7
and K-m. (Probably essentially a K20D crammed in a K-m-like body.)

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Re: People Scanning Our Prints

2009-05-14 Thread Matthew Miller
On Wed, May 13, 2009 at 11:51:54PM -0500, Christine  Aguila wrote:
 I gave a nice print--as a gift--to a friend.  My friend's father-in-law 
 took the print to get it framed, and come to find out, he also made some 
 scans of the print and gave them to family members.  I'm just going to come 
 out and say it--I'm really irked by this.  I often sign my prints in the 
 lower right hand edge, but I didn't on this print.

I think most likely the offense hasn't even occured to them. It's just a
nice thing that they own -- not something that has meaning to you as the
original artist. I think the approach to take is to explain nicely that
that's not cool.


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Re: New K body coming... official !

2009-05-13 Thread Matthew Miller
On Wed, May 13, 2009 at 11:49:57AM +0200, Frits Wüthrich wrote:
 I read on the Dutch Pentax web site
 http://www.pentax.nl/nl/photo/news/71/
 there is a new X70 camera, combining a SLR with teh comfort of a 
 compactcamera (point and shoot) and the functions of a video camera. The X 
 in X70 stands for crossover.

Think this one isn't very exciting. It's a small-sensor super-zoom PS
camera that I don't think Pentax even designed themselves -- it's
suspiciously like the Nikon Coolpix P90. I think both companies said we
need to hit this market niche and contracted out someone to make something
to put their name on.


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Re: Wedding Photographer

2009-05-13 Thread Matthew Miller
On Wed, May 13, 2009 at 07:21:47AM -0400, Christian wrote:
 http://lynchburg.craigslist.org/bfs/1126049517.html

Wow, that's priceless. The I own a camera therefore I can take photos like
the pros, who charge alot more line reveals it as definitely a fake, but
it's still funny.

I think my favorite is I add glow and selective color to all of my images,
giving them the best look possible.



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Re: [k10d] replicating custom white balance in kelvin + offsets?

2009-05-11 Thread Matthew Miller
On Sun, May 10, 2009 at 10:01:02PM -0400, paul stenquist wrote:
 Well, sure. But I don't want the data for the sake of the data. I want it
 so I can enter it into the other wb setting on the camera.
 To what end? To save the setting? I've found that unless the light source 
 is controlled, color temperature is unique to a specific time and place.

Enough specific places that I happen to be in (like the example given in my
first post) have similar-enough lighting that it would be helpful. 

I understand that no one actually has a helpful answer to my question, but
that doesn't mean that there *shouldn't* be one. Pentax customer support USA
couldn't help me either -- presumably only some engineers in Pentax Japan
know the answer. It irritates me that information like this isn't just in
the manual.


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Re: [k10d] replicating custom white balance in kelvin + offsets?

2009-05-11 Thread Matthew Miller
On Tue, May 12, 2009 at 07:34:28AM +0800, David Savage wrote:
 I understand that no one actually has a helpful answer to my question
 Mark!

:) thanks.


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Re: [k10d] replicating custom white balance in kelvin + offsets?

2009-05-10 Thread Matthew Miller
On Sat, May 09, 2009 at 09:06:26PM -0400, paul stenquist wrote:
 When I have to do a custom white balance, which of course is only when 
 shooting jpegs, I just use the grey card or a white card for that matter.  
 If I don't like the results, I use the -3 +3 adjustments. It doesn't really 
 mater what the Kelvin temp might be if the shots look good. The only time I 
 shoot jpegs is for virtual tours. But many of these involve complex 
 lighting: windows, tungsten, sometimes even some fluorescent. But the data 
 is irrelevant. Only the results matter.

Well, sure. But I don't want the data for the sake of the data. I want it so
I can enter it into the other wb setting on the camera.

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Re: [k10d] replicating custom white balance in kelvin + offsets?

2009-05-09 Thread Matthew Miller
On Fri, May 08, 2009 at 10:14:51AM -0400, Doug Brewer wrote:
 G-M means Green - Magenta. The other one is Blue - Amber. When you set
 manual white balance, you choose a Kelvin value, and then can set both of
 these two axes between -3 and +3. (The same adjustment grid that you use to
 tweak the pre-set white balance.) The question is: -3 to +3 *what*?
  now, see, I had considered that this might have been the case, then tried 
 to over-complicate it.

:)

 I guess the way to figure -3 to +3 what? would be to establish the zero 
 point (what is the Kelvin value of zero in this instance?) then look to see 
 what the Kelvin values are at +1, -1, etc, and the interval would establish 
 what they (Pentax) consider the units.
 Make sense?

Yeah, it makes sense, but for two things. First, the kelvin value displayed
doesn't actually change -- the G-M/B-A grid is over to the right of that
value and appears completely independent. And that's the second thing: the
Kelvin scale measures along a blue-red axis. The green-magenta axis isn't
related to that, so it makes sense that the Kelvin values aren't changed by
it. But the blue-amber axis, by virtue of including blue, seems like it must
have a complicated relationship with the Kelvin number.

And I guess that's the third thing: it's hard to measure the actual impact
of changes here.

I suppose the test is to shoot a gray card with the custom white balance
set to the card itself, and then see what divergence I get by changing the
scale on *that* screen around.

But even then, that's only part of the puzzle, and it seems like it should
be the *harder* part, when I haven't even solved the easier part. Namely,
once one has set the white balance with the gray card, there's no way to get
a display of what Kelvin value that represents -- let alone the other
offsets.

I could buy an expensive color meter, of course, but that seems really weird
to have to do when the camera clearly has one _built in_. Why can't it just
display its readings?

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Re: [k10d] replicating custom white balance in kelvin + offsets?

2009-05-07 Thread Matthew Miller
On Wed, May 06, 2009 at 10:10:55PM -0400, Doug Brewer wrote:
 oh, sorry Matthew. I was looking into this and got distracted when I found 
 out my job had been eliminated.

Sorry to hear -- and sheesh, no worries: keep your priorities straight!

 GM, near as I was able to guess, means gamma, and I was looking, but not 
 really grasping as yet, the units per.

G-M means Green - Magenta. The other one is Blue - Amber. When you set
manual white balance, you choose a Kelvin value, and then can set both of
these two axes between -3 and +3. (The same adjustment grid that you use to
tweak the pre-set white balance.) The question is: -3 to +3 *what*?


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Re: [k10d] replicating custom white balance in kelvin + offsets?

2009-05-07 Thread Matthew Miller
On Thu, May 07, 2009 at 12:17:38AM -0700, Rick Womer wrote:
 You can assign any combination of settings (including white balance) to
 the User spot on the top dial. See page 167 of the manual. That won't
 let you store a bunch of WBs, though; only one.

Yeah, actually what I've got now is the custom WB in USER mode set to match
this particular problematic room. But I'd really like the general solution
-- particularly because without it, what could be a very useful feature (the
three saved K settings) is basically just decoration.




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Re: [k10d] replicating custom white balance in kelvin + offsets?

2009-05-06 Thread Matthew Miller
On Tue, May 05, 2009 at 12:42:04AM -0400, Matthew Miller wrote:
  which camera we talking about here?
 Um, K10D. I can't believe I left that out in such a long message.

But, as far as I know, this information is a complete mystery for any Pentax
dSLR. 

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Re: [k10d] replicating custom white balance in kelvin + offsets?

2009-05-04 Thread Matthew Miller
On Sun, May 03, 2009 at 08:48:48PM -0400, Doug Brewer wrote:
 Matthew Miller wrote:
 I often take photographs in my girls' room, which has big green fabric
 leaves from Ikea near the ceiling. Bounce flash works great in there, but
 everything, not surprisingly, ends up with a green tint. Now, I can -- and
 do -- set the white balance perfectly with a gray card. But since the
 lighting there is always the same, what I'd _like_ to do is transfer that
 setting to one of the three custom white balance settings available.

 Unfortunately, there's no way in-camera to read what the snapped white
 balance is (is there)? There's some possible information in the extended
 EXIF info, but I'm not sure exactly how to interpret it.

 On the other side, the G-M axis and B-A axis settings in-camera are without
 units -- who knows what 1 step of GM compensation means? I mean, literally,
 who knows? :) Since the LCD isn't color calibrated (and unlike the K20D
 isn't even adjustable), it's hard to tell exactly what changes there are
 going to do. I never seem to be able to really get 'em right dialing them
 in.

 My Olympus PS camera had a feature where one could store three (or was it
 four? -- I forget) different shutter-set custom WB settings. That was
 infinitely more useful to me than the custom K settings -- even if I had
 expensive lighting with documented output, a gray card reading would
 probably be more accurate anyway.

 (And yeah, I know that shooting in RAW would relocate the problem to my
 computer where I could address the issue in various ways. But I should be
 able to do this in camera, shouldn't I? Thanks in advance.)

 which camera we talking about here?

Um, K10D. I can't believe I left that out in such a long message.


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replicating custom white balance in kelvin + offsets?

2009-05-03 Thread Matthew Miller
I often take photographs in my girls' room, which has big green fabric
leaves from Ikea near the ceiling. Bounce flash works great in there, but
everything, not surprisingly, ends up with a green tint. Now, I can -- and
do -- set the white balance perfectly with a gray card. But since the
lighting there is always the same, what I'd _like_ to do is transfer that
setting to one of the three custom white balance settings available.

Unfortunately, there's no way in-camera to read what the snapped white
balance is (is there)? There's some possible information in the extended
EXIF info, but I'm not sure exactly how to interpret it.

On the other side, the G-M axis and B-A axis settings in-camera are without
units -- who knows what 1 step of GM compensation means? I mean, literally,
who knows? :) Since the LCD isn't color calibrated (and unlike the K20D
isn't even adjustable), it's hard to tell exactly what changes there are
going to do. I never seem to be able to really get 'em right dialing them
in.

My Olympus PS camera had a feature where one could store three (or was it
four? -- I forget) different shutter-set custom WB settings. That was
infinitely more useful to me than the custom K settings -- even if I had
expensive lighting with documented output, a gray card reading would
probably be more accurate anyway.

(And yeah, I know that shooting in RAW would relocate the problem to my
computer where I could address the issue in various ways. But I should be
able to do this in camera, shouldn't I? Thanks in advance.)

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Re: formatting cards between every use

2009-04-26 Thread Matthew Miller
On Thu, Apr 23, 2009 at 09:02:13AM -0700, Larry Colen wrote:
 mkdir $1
 date
 ls /media/disk/dcim/*/* |wc
 mv /media/disk/dcim/*/* $1
 date

I'm a little paranoid -- I mount the filesystem read-only, and I use rsync
to transfer, because it verifies file checksums after transferring, which
means no loss due to USB glitch or whatnot. Then after my files are
transferred and also backed up to another fileserver, I reformat the card. I
think Linux's FAT mkfs is pretty safe, but I usually do it in-camera just
'cause.
 

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Re: formatting cards between every use

2009-04-26 Thread Matthew Miller
On Thu, Apr 23, 2009 at 05:55:30AM -0700, Godfrey DiGiorgi wrote:
 I've done this with every flash media I've owned since the beginning. 
 Memory Stick, Memory Stick PRO, CF, SD, SDHC, xD ... all of them. No 
 difference at all.

I've *definitely* seen glitches in xD with my wife's Fujifilm F31fd. Unlike
SD, all of the smarts have to be in the controller, and I think there's a
lot more room for errors. Removing card while the filesystem is mounted can
destroy data -- even if you haven't written anything. So in that case, I
think the paranoia is justified. But fortunately, not relevant to Pentax.

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Re: formatting cards between every use

2009-04-26 Thread Matthew Miller
On Thu, Apr 23, 2009 at 09:12:25PM +0100, Bob W wrote:
 I should think the difference is fairly minimal. To delete all, the system
 probably just sets a 'deleted' status for each file entry in the FAT,
 whereas to format the card I expect it simply writes a new FAT. In either
 case I'd be surprised if there was any great difference in the number of
 I/Os.

On my K10D, it's significantly slower to delete-all.

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Re: formatting cards between every use

2009-04-26 Thread Matthew Miller
On Sun, Apr 26, 2009 at 12:13:02PM -0400, Graydon wrote:
  I'm a little paranoid -- I mount the filesystem read-only, and I use
  rsync to transfer, because it verifies file checksums after
  transferring, which means no loss due to USB glitch or whatnot. Then
 That's a *lot* paranoid, unless you're using a 2.0 kernel or something.
 The USB transfer glitches are detected and fixed in the SCSI emulation
 of the USB-managing kernel code; despite the inevitable urk! from USB in
 a multi-gigabyte file transfer, you'll get the whole thing with a
 regular copy command.

Fair enough. Still, the cost of the extra check is pretty low, so might as
well. :)

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Re: Website revisions

2009-04-26 Thread Matthew Miller
On Sun, Apr 26, 2009 at 09:57:47AM -0500, Nick Wright wrote:
 So I've made a few changes to my website. Some things I wanted to do,
 some things you all suggested.
 I'd love to hear what you all have to say about it. Thanks!
 http://www.nickdavidwright.com/

The first image loads really slowly -- oohh, 636K. I'm on broadband, but not
the fastest. Someone on a slower link is going to have to _really_ want to
see your site. (Plus, that'll cost you if the site ever does get insanely
popular.) You could make it a very, very high quality JPEG at 400K, or a
still quite good one for around 150K.

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Re: formatting cards between every use

2009-04-26 Thread Matthew Miller
On Sun, Apr 26, 2009 at 11:51:42AM -0700, Godfrey DiGiorgi wrote:
 As far as I'm aware, SD does not include an in-card controller either. Only 
 CF does.

*shrug*

http://en.wikipedia.org/wiki/Comparison_of_memory_cards#Technical_details

 Removing a card while a write is in progress will cause problems in every 
 flash memory card system I've used, no matter whether it's any particular 
 card format.

Yeah, but with xD, it'll happen sometimes even if you're not writing. Try
it, although not when you have anything valuable on there.

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Re: Website revisions

2009-04-26 Thread Matthew Miller
On Sun, Apr 26, 2009 at 03:49:22PM -0500, Nick Wright wrote:
 Turns out however my editor makes the drops shadows made it that big.
 Turn off the drop shadow function the size goes down to about 150k.
 I'll miss the drop shadows ... but not that much.
 Does it load any better for you all now?

Yes, much. The reason is: in order to do the shadow, it was using the
transparency (alpha channel) feature of the PNG file format. PNG is lossless
compression, which of course will never be as efficient as lossy compression
like JPG -- which doesn't support transparency. There'd be other ways to
make drop shadows, as separate images (ideally with CSS tricks).

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Re: OT: New web site, give me your thoughts

2009-04-24 Thread Matthew Miller
On Wed, Apr 22, 2009 at 06:42:01AM -0500, Nick Wright wrote:
 I designed for 1280 pix wide.

I have a screen with considerably more horizontal pixels than that, but I
don't maximize my browser window. This is partly because I have a lot of
things going on, but also because unadorned paragraphs of text become
impossible to read if they're stretched out so long. (There's a reason
newspaper columns are so narrow, after all.) I think aiming for around 1000
is still the best approach.

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Re: DA 15/4 Limited, ETA, price?

2009-03-26 Thread Matthew Miller
On Thu, Mar 26, 2009 at 09:03:20AM +, John Whittingham wrote:
 Anyone got any info on the arrival of the DA 15mm Limited or a price. I've
 been looking forward to a wide angle lens to replace the 24mm that I used
 on film, something small, light and with a sensible filter size, it would
 fit nicely into my prime lens kit. I used a Sigma 24/2.8 for years and
 really miss having the equivalent FOV of that lens on digital.

The official annoucement says shipping in April for $649.95. 

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