Re: Two questions
Hi Stefan, Clicks like that are most often edited manually. Some people have had success with de-click-type plug-ins but one size usually doesn't fit all. Unless it's just the occasional noise, it becomes quite tedious but the most effective result comes from manual editing. Grab a few clips of silence and some breaths and cut, copy, paste. 2. Stretching that much will almost certainly introduce artifacts. I personally use Serato Pitch 'n Time. You can use the TCE plug-in but, again, you'll get heavy artifacts, especially if you want to maintain pitch. Slau manually > On May 10, 2017, at 5:15 AM, Stefan Albertshauser <orgelste...@icloud.com> > wrote: > > > > Hi, > > > I have two questions: > 1. How would you edit mouth clicks? > 2. How would you time stretch a clip from 30 seconds to 2 minutes without > using the mouse? > > Thanks in advance. > > Stefan > P.S.: What's going on with the groups, that used roger?Von meinem iPhone > gesendet > > -- > You received this message because you are subscribed to the Google Groups > "Pro Tools Accessibility" group. > To unsubscribe from this group and stop receiving emails from it, send an > email to ptaccess+unsubscr...@googlegroups.com. > For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups "Pro Tools Accessibility" group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
RE: Two questions
The groups that used Roger have moved to wechat. -Original Message- From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf Of Stefan Albertshauser Sent: 10 May 2017 10:16 To: Pro Tools Access Subject: Two questions Hi, I have two questions: 1. How would you edit mouth clicks? 2. How would you time stretch a clip from 30 seconds to 2 minutes without using the mouse? Thanks in advance. Stefan P.S.: What's going on with the groups, that used roger?Von meinem iPhone gesendet -- You received this message because you are subscribed to the Google Groups "Pro Tools Accessibility" group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups "Pro Tools Accessibility" group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Two questions
Hi, I have two questions: 1. How would you edit mouth clicks? 2. How would you time stretch a clip from 30 seconds to 2 minutes without using the mouse? Thanks in advance. Stefan P.S.: What's going on with the groups, that used roger?Von meinem iPhone gesendet -- You received this message because you are subscribed to the Google Groups "Pro Tools Accessibility" group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: Two Questions about Clip Gain
Hi, I think clip gain works at the clip level, semi distructively, as in you can undo, but perhaps not undo them once you've got the changes out of the undo queue. Saying that though, I seem to remember something in the undo menu about clip gain removal, so try there. Secondly, because (I think anyway) the clip gain works on the clip rather than acting like aumation, delete a clip will delete it's clip gain stuff, and re-recording that part won't be clip gained at all. I'm really not certain of what I'm talking about here, so I apologise in advance if I'm wrong about any of the above. Good luck! On 03/04/2015 04:01, Christopher-Mark Gilland wrote: 1. If I have a track which I have done some clip gain modifications to, is there a real quick way that I can then get rid of all those mods, as if I'd never done any clip gaining at all to the track? This way, as far as CG goes, I can pretty much start over with a fresh slate? The audio track only has one region if that makes any difference. 2. If I've made some clip gain changes on a track at certain points in the timeline, then, I go back, select that track only in the track list table, hit return to move to the top, ctrl+A to select all, then whack the delete key, what then happens? Will that only delete my audio? Or, would that also then delete my clip gain events, therefore making me have to redo them, if I then was to rerecord the audio on that track. Thank you. Chris. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com mailto:ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Two Questions about Clip Gain
1. If I have a track which I have done some clip gain modifications to, is there a real quick way that I can then get rid of all those mods, as if I'd never done any clip gaining at all to the track? This way, as far as CG goes, I can pretty much start over with a fresh slate? The audio track only has one region if that makes any difference. 2. If I've made some clip gain changes on a track at certain points in the timeline, then, I go back, select that track only in the track list table, hit return to move to the top, ctrl+A to select all, then whack the delete key, what then happens? Will that only delete my audio? Or, would that also then delete my clip gain events, therefore making me have to redo them, if I then was to rerecord the audio on that track. Thank you. Chris. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: Two Questions
Have you actually produced any content and sent it to him or just contacted him saying you could.? Actions speak louder than words usually. And if i am not mistaken you have a site of your own that you run. You could post the content there, link to it, on the list for people that could find it interesting. and when PT access gets going, it could be moved over there or linked from there as well. On May 19, 2013, at 9:31 PM, Chris Gilland clgillan...@gmail.com wrote: Sorry for the really vague subject line, but I honestly can't think of what would be rellavant to put. Anyway, I have two questions. first of all, let's face the blunt truth. Kevin might not like me saying this, and might get a bit irritated at me, but this isn't to shame him, nor is it to knock him nor anyone else down, etc. OK? I want to clear that out of the way from the extreme get go. I am not! and I, repeat, I, am, not! accusing anyone! here of anything, so don't even go there! Kevin made a WordPress blog at http://www.pt-access.net This site/domain name has been there now for at least a year, if not slightly more, give or take a few months. I've asked once on list about this, and Kevin seemed slightly irked that I did so, or at least that's how I took it. I had asked what the status was on the design of the content on the site. I've written Kevin both on and off list and have asked time after time after time again over Twitter, as well as privately via e-mail and all I get is something along the lines of: If anyone contributes any content I'll be happy to put it up. I don't know about others on here... that? I cannot speak to nor, of, but what I can! tell you all is I've offered multiple times to contribute things, being audio demonstrations, tutorials, write-ups, being an editer if needed, I've even offered to help him manage/administrate the blog if needed. Face it! It's been over a year, and not a single thing has been put up there. Not even one. Again, I reidderate that I am not shaming nor blaming anyone here. I'm simply stating fact of matter that no one can argue the truth of. I don't know what the reasonning is behind why I and maybe, though not sure, others have offered to put things up and they've not been apparently acted upon. Frankly the reasons are none of our business, Kevin's probably just extremely busy, I'll give him that, as he does do music professionally, but people, let's be totally realistic here, ok? Kevin, the only reason I'm publicly writing this, and not writing you privately with this concern is that I've addressed this off list with you before, and really didn't get anywhere. Had I, I would not have gone to this measure. Look, the PT access mailing list is a wonderful resource, and I do mean wonderful! But! I also think that blog was a great idea! I remember how excited Kevin was when he first launched the site. I just wonder what happened. It's a little unsettling, frankly. I can't even comment up there, as he's apparently disabled user registration, as well as user commenting. So, yeah, I dono... I mean, Kevin, you're paying for the web hosting, and you're paying for the domain, and possibly even for the blog depending on where you're hosting it. I mean, really... is it worth paying for the hosting of that domain/blog if no one's gonna use it/contribute, and when we offer, it's apparently looked over whether intentially or not? I just wonder ultimately if the web site is really worth the justification. You know? With all due respect to Kevin and the list... Just my thought, take it or leave it, either way's fine by me, jsut don't be rude about it. that's all I ask. It's my opinion, not my fact. OK, the second question is, has anyone yet updated to PT 11? If so, and using Mountain Lion, how're the counters/edit boxes and the other accessibility issues we were having in V10? Have they improved? I'm considering upgrading, but I'm not about! to pay $250 to do so, unless you all can promise me! that things've been fixed to a large extent. Anyway, thanks for the thoughts on the first thing, and the answers for my second question. Chris. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Re: Two Questions
For one, yes. I've posted actual content to be put on the web site, but honestly, that shouldn't be just my job. Wy hasn't anyone else done the same? Second, yes, I do have a web site that I could post contributions to, but I've not done so, in fear of producing duplicate content. I don't want to replicate something that Kevin has already put up, although it's looking like putting things on my own site might wind up being necessary like it or not. Chris. - Original Message - From: TheOreoMonster monkeypushe...@gmail.com To: ptaccess@googlegroups.com Sent: Monday, May 20, 2013 5:33 AM Subject: Re: Two Questions Have you actually produced any content and sent it to him or just contacted him saying you could.? Actions speak louder than words usually. And if i am not mistaken you have a site of your own that you run. You could post the content there, link to it, on the list for people that could find it interesting. and when PT access gets going, it could be moved over there or linked from there as well. On May 19, 2013, at 9:31 PM, Chris Gilland clgillan...@gmail.com wrote: Sorry for the really vague subject line, but I honestly can't think of what would be rellavant to put. Anyway, I have two questions. first of all, let's face the blunt truth. Kevin might not like me saying this, and might get a bit irritated at me, but this isn't to shame him, nor is it to knock him nor anyone else down, etc. OK? I want to clear that out of the way from the extreme get go. I am not! and I, repeat, I, am, not! accusing anyone! here of anything, so don't even go there! Kevin made a WordPress blog at http://www.pt-access.net This site/domain name has been there now for at least a year, if not slightly more, give or take a few months. I've asked once on list about this, and Kevin seemed slightly irked that I did so, or at least that's how I took it. I had asked what the status was on the design of the content on the site. I've written Kevin both on and off list and have asked time after time after time again over Twitter, as well as privately via e-mail and all I get is something along the lines of: If anyone contributes any content I'll be happy to put it up. I don't know about others on here... that? I cannot speak to nor, of, but what I can! tell you all is I've offered multiple times to contribute things, being audio demonstrations, tutorials, write-ups, being an editer if needed, I've even offered to help him manage/administrate the blog if needed. Face it! It's been over a year, and not a single thing has been put up there. Not even one. Again, I reidderate that I am not shaming nor blaming anyone here. I'm simply stating fact of matter that no one can argue the truth of. I don't know what the reasonning is behind why I and maybe, though not sure, others have offered to put things up and they've not been apparently acted upon. Frankly the reasons are none of our business, Kevin's probably just extremely busy, I'll give him that, as he does do music professionally, but people, let's be totally realistic here, ok? Kevin, the only reason I'm publicly writing this, and not writing you privately with this concern is that I've addressed this off list with you before, and really didn't get anywhere. Had I, I would not have gone to this measure. Look, the PT access mailing list is a wonderful resource, and I do mean wonderful! But! I also think that blog was a great idea! I remember how excited Kevin was when he first launched the site. I just wonder what happened. It's a little unsettling, frankly. I can't even comment up there, as he's apparently disabled user registration, as well as user commenting. So, yeah, I dono... I mean, Kevin, you're paying for the web hosting, and you're paying for the domain, and possibly even for the blog depending on where you're hosting it. I mean, really... is it worth paying for the hosting of that domain/blog if no one's gonna use it/contribute, and when we offer, it's apparently looked over whether intentially or not? I just wonder ultimately if the web site is really worth the justification. You know? With all due respect to Kevin and the list... Just my thought, take it or leave it, either way's fine by me, jsut don't be rude about it. that's all I ask. It's my opinion, not my fact. OK, the second question is, has anyone yet updated to PT 11? If so, and using Mountain Lion, how're the counters/edit boxes and the other accessibility issues we were having in V10? Have they improved? I'm considering upgrading, but I'm not about! to pay $250 to do so, unless you all can promise me! that things've been fixed to a large extent. Anyway, thanks for the thoughts on the first thing, and the answers for my second question. Chris. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop
Two questions, one about automation and the other about the project mix
Hello folks. I'm still struggling to come to grips with Pro tools and have a couple questions. Since i come from the world of Porta studios and stand-alone recording units that aren't so advanced, the whole automation thing has me more confused than is my normal state of mind. Is there an idiots guide to automation somewhere that i can read, some terms in Pro tools just don't make sense. I think i understand what read and write does, but what on earth is latch and touch in automation terms? On a different note, can any of you who use the Project mix from M-Audio answer this: How much do you do on the Project mix and how much on the computer? I understand you can use the faders on the Project mix to mix sounds, that's what they're for, but do you use effects, eq and other things from the Project mix or are you using the computer to set values of those? I'm trying to gain an understanding of what the buttons on the Project mix do, therefore all these stupid questions so i know what to do when or rather if i ever get off the ground with PT. /Krister -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Re: Two questions, one about automation and the other about the project mix
Hi Krister, Get this tutorial from groove 3 called Automation Secrets by Michael Costa This is one of the best Tutorials on PT automation. There are some on this list that can testify to this! :) YMMV CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 GUFFAWING :) In GOD I Trust On Mar 24, 2013, at 9:23 AM, Krister Ekstrom wrote: Hello folks. I'm still struggling to come to grips with Pro tools and have a couple questions. Since i come from the world of Porta studios and stand-alone recording units that aren't so advanced, the whole automation thing has me more confused than is my normal state of mind. Is there an idiots guide to automation somewhere that i can read, some terms in Pro tools just don't make sense. I think i understand what read and write does, but what on earth is latch and touch in automation terms? On a different note, can any of you who use the Project mix from M-Audio answer this: How much do you do on the Project mix and how much on the computer? I understand you can use the faders on the Project mix to mix sounds, that's what they're for, but do you use effects, eq and other things from the Project mix or are you using the computer to set values of those? I'm trying to gain an understanding of what the buttons on the Project mix do, therefore all these stupid questions so i know what to do when or rather if i ever get off the ground with PT. /Krister -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Re: Two questions, one about automation and the other about the project mix
How much are those Groove3 tutorials? /Krister 24 mar 2013 kl. 17:38 skrev CHUCK REICHEL: Hi Krister, Get this tutorial from groove 3 called Automation Secrets by Michael Costa This is one of the best Tutorials on PT automation. There are some on this list that can testify to this! :) YMMV CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 GUFFAWING :) In GOD I Trust On Mar 24, 2013, at 9:23 AM, Krister Ekstrom wrote: Hello folks. I'm still struggling to come to grips with Pro tools and have a couple questions. Since i come from the world of Porta studios and stand-alone recording units that aren't so advanced, the whole automation thing has me more confused than is my normal state of mind. Is there an idiots guide to automation somewhere that i can read, some terms in Pro tools just don't make sense. I think i understand what read and write does, but what on earth is latch and touch in automation terms? On a different note, can any of you who use the Project mix from M-Audio answer this: How much do you do on the Project mix and how much on the computer? I understand you can use the faders on the Project mix to mix sounds, that's what they're for, but do you use effects, eq and other things from the Project mix or are you using the computer to set values of those? I'm trying to gain an understanding of what the buttons on the Project mix do, therefore all these stupid questions so i know what to do when or rather if i ever get off the ground with PT. /Krister -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Re: Two questions, one about automation and the other about the project mix
Hi Krister, The Pro Tools Reference Guide has a chapter on automation and explains everything you'll need to know about it. Have you read it yet? Under Part 9 Mixing, go to chapter 44 Automation. Everything is explained there. On top of that, of course, experimentation is perhaps one of the best methods for learning automation. HTH, Slau On Mar 24, 2013, at 1:25 PM, Krister Ekstrom wrote: How much are those Groove3 tutorials? /Krister -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Re: Two questions, one about automation and the other about the project mix
Hi Krister, There priceless! :) But seriously Aaron at groov 3 gives us 50% off because only the audio is usable for us. $20.00 is the average price. :) YMMV CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 GUFFAWING :) In GOD I Trust On Mar 24, 2013, at 1:25 PM, Krister Ekstrom wrote: How much are those Groove3 tutorials? /Krister 24 mar 2013 kl. 17:38 skrev CHUCK REICHEL: Hi Krister, Get this tutorial from groove 3 called Automation Secrets by Michael Costa This is one of the best Tutorials on PT automation. There are some on this list that can testify to this! :) YMMV CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 GUFFAWING :) In GOD I Trust On Mar 24, 2013, at 9:23 AM, Krister Ekstrom wrote: Hello folks. I'm still struggling to come to grips with Pro tools and have a couple questions. Since i come from the world of Porta studios and stand-alone recording units that aren't so advanced, the whole automation thing has me more confused than is my normal state of mind. Is there an idiots guide to automation somewhere that i can read, some terms in Pro tools just don't make sense. I think i understand what read and write does, but what on earth is latch and touch in automation terms? On a different note, can any of you who use the Project mix from M-Audio answer this: How much do you do on the Project mix and how much on the computer? I understand you can use the faders on the Project mix to mix sounds, that's what they're for, but do you use effects, eq and other things from the Project mix or are you using the computer to set values of those? I'm trying to gain an understanding of what the buttons on the Project mix do, therefore all these stupid questions so i know what to do when or rather if i ever get off the ground with PT. /Krister -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Re: Two questions, automation with non-touch sensitive faders and the MBox control panel
There's a difference between touch sensitive and non touch sensitive motorized faders. Touch sensitive faders will disengage the motor the moment you touch it, allowing you to rewrite automation. Faders without touch sensitivity will not disengage the motor, thus you're fighting with it as it's trying to move in conjunction with the automation that is being played back. The workaround for this for the bcf is to undo a pass of automation instead of rewriting it. Then, you will never fight the motor while writing in new automation, thus burning the motor out. Hope this helps. Kevin -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Two questions, automation with non-touch sensitive faders and the MBox control panel
Hi good people. I have two somewhat different questions, that's why i told a bit about them in the subject line, because if someone can't answer one, they might be able to answer the other. I've got the MBox interface bundled with Pro tools and i was trying to get into the system preference for it under Lions system settings, but it seems the control panel is inaccessible, i can't see anything more than a blank window, or rather i see the title of the window and the minimize, zoom and close buttons. Is this control panel needed for anything or can i just ignore it altogether? My next question is this: i'm still trying to figure out what control surface i am going to use. The ones i want, such as the Avid Artist mix or the M-Audio Projectmix are a bit on the expensive side but i heard not so good things about the Beringer BCF2000 so i really don't know what to think. Can one do automation even if faders aren't touch sensitive or is that something one can forget? When does the touch sensitivity come into play and is there a workaround if the faders aren't touch sensitive? Thanks for any help. /Krister -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Re: Two questions, automation with non-touch sensitive faders and the MBox control panel
Only things needed in that control pannel is to enable the high pass filters on the inputs, (which you can do relatively easily enough by putting an eq on the insert as a work around) and changing sync if you wanted to use things like S/PDIF and etc. Otherwise i think you can set up cue mixes in there but thats once again easy enough to do in PT itself if you ever needed to. In all honesty in the whole time i owned mine, i think someone from Avid remoted into my system and turned on the high pass filters for me and that was it never went back in there or needed to. THe only catch to using a non motorized control surface is the faders doesn't snap to their proper location when you load a project. There for you have to move the fader till it crosses the point where the volume or which ever parameter you are trying to control is crossed. at that point it will kick in and start to adjust the parameter. Can it be used for automation? Yes? But before enabling the automation to write make sure the fader is already crossed that point and controlling the parameter. Once it is, enable write and you can start your automation. On 2/14/13, Krister Ekstrom kris...@kristersplace.com wrote: Hi good people. I have two somewhat different questions, that's why i told a bit about them in the subject line, because if someone can't answer one, they might be able to answer the other. I've got the MBox interface bundled with Pro tools and i was trying to get into the system preference for it under Lions system settings, but it seems the control panel is inaccessible, i can't see anything more than a blank window, or rather i see the title of the window and the minimize, zoom and close buttons. Is this control panel needed for anything or can i just ignore it altogether? My next question is this: i'm still trying to figure out what control surface i am going to use. The ones i want, such as the Avid Artist mix or the M-Audio Projectmix are a bit on the expensive side but i heard not so good things about the Beringer BCF2000 so i really don't know what to think. Can one do automation even if faders aren't touch sensitive or is that something one can forget? When does the touch sensitivity come into play and is there a workaround if the faders aren't touch sensitive? Thanks for any help. /Krister -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
two questions
Hi all, Here are two questions: 1. Just to memorize: How do I activate or deactivate the group all wit Shortcuts? 2. How do you compensate beat detective so that you can get the same results? Thanks. Stefan
Two Questions about basic Editing
OK. I totally understand that pressing num pad period then enter your number then period again will jump you to that marker. I also totally get that hitting num pad period, dial in your number, then press num pad enter will let you reassign! that marker to another location. What, however I'm not getting is I know that up arrow and down arrow make in and out drops. So what is the difference in a marker, from using up and down arrows? My second even more important question by far is, let's say that I'm working on a session, and it's, o... I dono... let's just say speech only. there is no music. Well, right now, in the edit window, if I interact with the counters cluster, I notice that my start, end, and length, are all set based on bar/beat. Well, if this is speech only, we don't wanna move through the file by bar/beat. We'd wanna move by hour, minute, second. How can I reconfigure my session, so that we can make this happen? Kevin, I gotta say, I had the hardest time following your tutorial before. I think a lot of it was I wasn't concentrating very thoroughly. I did great up until we started editting, and working with the num pad. Then you totally lost me. Now that I play the file again, it for some reason makes sense. You definitely put me way out of my comfort zone, but that's good! I like a challenge. I think now, I just really need to practice and really get good with those commands you gave me. One thing, when I'm dialing the numbers in, like you kept going to bar 24 in that track... so if we want to just go there, we'd do num pad star, 2 5 period 1, then hit return. My qu3estion there is, do I have to do 2 5 period 1 on the num pad, or does that have to be done from the qwerty numbers, or does it not matter, just so you hit return when done, and not num pad enter, as that is used for assigning a marker. Chris.
Re: Two Questions about basic Editing
From what I understand, markers are for saving spots in your project, whereas arrow keys are for marking regions for editing. You can change to SMTPE time in the counter display. It says counter display or something, can't remember. Anyways, hth, On 30/03/2012, Christopher-Mark Gilland clgillan...@gmail.com wrote: OK. I totally understand that pressing num pad period then enter your number then period again will jump you to that marker. I also totally get that hitting num pad period, dial in your number, then press num pad enter will let you reassign! that marker to another location. What, however I'm not getting is I know that up arrow and down arrow make in and out drops. So what is the difference in a marker, from using up and down arrows? My second even more important question by far is, let's say that I'm working on a session, and it's, o... I dono... let's just say speech only. there is no music. Well, right now, in the edit window, if I interact with the counters cluster, I notice that my start, end, and length, are all set based on bar/beat. Well, if this is speech only, we don't wanna move through the file by bar/beat. We'd wanna move by hour, minute, second. How can I reconfigure my session, so that we can make this happen? Kevin, I gotta say, I had the hardest time following your tutorial before. I think a lot of it was I wasn't concentrating very thoroughly. I did great up until we started editting, and working with the num pad. Then you totally lost me. Now that I play the file again, it for some reason makes sense. You definitely put me way out of my comfort zone, but that's good! I like a challenge. I think now, I just really need to practice and really get good with those commands you gave me. One thing, when I'm dialing the numbers in, like you kept going to bar 24 in that track... so if we want to just go there, we'd do num pad star, 2 5 period 1, then hit return. My qu3estion there is, do I have to do 2 5 period 1 on the num pad, or does that have to be done from the qwerty numbers, or does it not matter, just so you hit return when done, and not num pad enter, as that is used for assigning a marker. Chris. -- Take care, Chris Norman. !-- chris.norm...@googlemail.com --