Re: [time-nuts] Sound Cards for locking to GPSDO 10 MHz references

2009-06-04 Thread Ulrich Bangert
For a lot of people the FFT seems to be the one size fits all solution to
any frequency and phase related problem in DSP. It is NOT! For
frequency/phase detection  comparisons from sets of sampled data the
methods explained in

http://ipnpr.jpl.nasa.gov/progress_report/42-121/121G.pdf

are MUCH more appropiate.

Best regards
Ulrich Bangert

 -Ursprungliche Nachricht-
 Von: time-nuts-boun...@febo.com 
 [mailto:time-nuts-boun...@febo.com] Im Auftrag von Hal Murray
 Gesendet: Mittwoch, 3. Juni 2009 20:00
 An: Discussion of precise time and frequency measurement
 Betreff: Re: [time-nuts] Sound Cards for locking to GPSDO 10 
 MHz references
 
 
 
  One of the main problems is that in working at milli-Hz 
 binwidths the 
  FTT word length needs to be very long to cover even a few 
 tens of Hz 
  range and we run into memory problems.
 
 I'm missing something.  How much memory do you have on your laptop?
 
 I'm not a DSP wizard.  If you have 10 Hz bandwidth and you 
 want milli-Hz 
 bins, that takes 2x10x1000 samples.  Right?  I'd expect that 
 to fit easily.
 
 That's 20K samples, at 8 bytes each, round up to 10, call it 
 200K bytes.
 
 Jumping to micro-Hz might get interesting.  That would be 200 
 megabytes.  
 Lots of laptops have room for that.  Maybe not an old one.
 
 Even with an old laptop without much memory, I'd expect you 
 could do several 
 factors of 2 better than milli-Hz bins.
 
 On the other hand, how much bandwidth do you really need?  
 Junk crystals are 
 50-100 ppm.  100 ppm at 1 KHz is 1/10 Hz.  So why do you need 
 more than 1 Hz 
 input bandwidth?  You can probably get closer than that by 
 calibrating the 
 crystals in your particular gear.
 
 Connie's numbers were 250 micro-Hz drift with a 500 micro-Hz 
 offset.  (That 
 was with reasonably stable temperature.)  So a few milli-Hz 
 bandwidth looks 
 like enough.
 
 
 
 
 
 -- 
 These are my opinions, not necessarily my employer's.  I hate spam.
 
 
 
 
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Re: [time-nuts] Sound Cards for locking to GPSDO 10 MHz references

2009-06-03 Thread Magnus Danielson

Alberto di Bene skrev:

Magnus Danielson wrote:


Hmm, do you get a feeling that I am actually object very much to just 
toss it into the processor. I think you are right. :)


I suppose you are familiar with the old American adage that says that to 
a man with

a hammer every problem looks like a nail :-)


Yes. :o)

Each of us is more familiar with one or another technology (broadly 
speaking), and tend to see it as the best way to solve problems. I am not immune 
from this...


This is why I try to find more tools and more approaches.

Nothing wrong with software, but use it wisely. Build the test-benches 
as if you where doing a ASIC or full-custom design and thus also think 
about each compile costing you milions of dollars and a pipe-line 
depth of many months (6-9).


Given the rate of compiles that sometimes I do especially when near to 
find the solution of a problem that bugged me for a long time, I would be bankrupted
since long, should each compile cycle cost me thousands or millions of 
dollars, even if bogus dollars... :-) :-)


I think you would learn important lessons in test-benching and overall 
design before the compile.


I guess I am becomming more conservative by the day. From my own and 
others mistakes and succsesses.


This is a privilege of becoming older and wiser :-)


Whiee... I got so much to learn then! :)

Cheers,
Magnus

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Re: [time-nuts] Sound Cards for locking to GPSDO 10 MHz references

2009-06-03 Thread Magnus Danielson

Lux, James P skrev:

-Original Message-
From: time-nuts-boun...@febo.com 
[mailto:time-nuts-boun...@febo.com] On Behalf Of Rex Moncur

Sent: Tuesday, June 02, 2009 3:06 PM
To: 'Discussion of precise time and frequency measurement'
Subject: Re: [time-nuts] Sound Cards for locking to GPSDO 10 
MHz references


Hi all

Thank you all for you advice and suggestions re my request.  
At this stage it does not look like there is a simple 
solution of a readily available USB sound card that can be 
locked to a 10 MHz GPSDO reference.


The constraints of portable operation with a Laptop rule out 
a number of solutions.  I have tried the software solution 
using Spectrum Lab but ran into problems and perhaps this 
just needs more work.  One of the main problems is that in 
working at milli-Hz binwidths the FTT word length needs to be 
very long to cover even a few tens of Hz range and we run 
into memory problems. So there is little room to have a 
reference frequency spaced well away from the frequency range 
being used.


The reference frequency can be right on top of your signal, as long as it's 
within the dynamic range. You can subtract it out before doing the FFT, after 
having determined where it is and how big it is.


Considering the length of these traces, the local oscillator vs. the 
reference will shift around.


What I would do is to ensure that the reference signal and input signal 
is either on very different frequencies or different channels.


Then, I would in the sampling phase frequency convert the receive signal 
and reference signal using digital fixed NCO/quadrature oscillators 
(cos, sin) and do integrate and dump (synchronous dump for both receive 
and reference signals) processing for low pass filtering and reducing 
sample rate. Since the signal was fairly narrow banded, this digital 
receiver approach would significantly reduce the amounts of data while 
requiring a very reasonable amount of real-time processing.


The remaining sample stream still contains the crutial information if 
sufficient bandwidth is maintained after the integrate and dump processing.


Cheers,
Magnus

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Re: [time-nuts] Sound Cards for locking to GPSDO 10 MHz references

2009-06-03 Thread Hal Murray

connie.marsh...@suddenlink.net said:
 www.k5cm.com/soundcard.htm

Nice, thanks.

From there:
 Sound card drift over this four hour period is about 250 micro Hertz.
 The temp in the shack was going up during the measurement period.
 Unfortunately I did not track the exact temp rise, but was about
 around 4 to 6 degrees F.

250 micro Hz relative to 1000 Hz is 1/4 ppm.

My memory is that junk PC crystals are ballpark of 1 ppm/degree.  (That's 
probably per degree C rather than F, but that's only a factor of 2.)

So 1/4 ppm for 4 degrees is better than I would have guessed.


-- 
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Re: [time-nuts] Sound Cards for locking to GPSDO 10 MHz references

2009-06-03 Thread Hal Murray

 One of the main problems is that in working at milli-Hz binwidths the
 FTT word length needs to be very long to cover even a few tens of Hz
 range and we run into memory problems.

I'm missing something.  How much memory do you have on your laptop?

I'm not a DSP wizard.  If you have 10 Hz bandwidth and you want milli-Hz 
bins, that takes 2x10x1000 samples.  Right?  I'd expect that to fit easily.

That's 20K samples, at 8 bytes each, round up to 10, call it 200K bytes.

Jumping to micro-Hz might get interesting.  That would be 200 megabytes.  
Lots of laptops have room for that.  Maybe not an old one.

Even with an old laptop without much memory, I'd expect you could do several 
factors of 2 better than milli-Hz bins.

On the other hand, how much bandwidth do you really need?  Junk crystals are 
50-100 ppm.  100 ppm at 1 KHz is 1/10 Hz.  So why do you need more than 1 Hz 
input bandwidth?  You can probably get closer than that by calibrating the 
crystals in your particular gear.

Connie's numbers were 250 micro-Hz drift with a 500 micro-Hz offset.  (That 
was with reasonably stable temperature.)  So a few milli-Hz bandwidth looks 
like enough.





-- 
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Re: [time-nuts] Sound Cards for locking to GPSDO 10 MHz references

2009-06-03 Thread Hal Murray
 There is an overbeleif in what software is suitable for IMHO.

[Fun discussion.  Thanks.]

Many years ago, somebody on the FPGA newsgroup pointed out that, in general, 
if you can do the problem in software that's probably the better way.  One of 
the considerations is that it's easier to hire programmers rather than 
hardware designers.

FPGAs are halfway between real hardware and software.  You can try a simple 
change without any harsh time or cost penalty to make new masks and new 
chips.  If that change is a bug fix, you might think of it as typical sloppy 
programmer behavior.  On the other hand, that change may be a new idea you 
want to try...


For many people in this group, fun is probably the most important 
consideration.  Different things will appeal to different people.



-- 
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Re: [time-nuts] Sound Cards for locking to GPSDO 10 MHz references

2009-06-03 Thread Connie Marshall
You know, I probably need to run the test again and do a better job of
tracking room temp. My thermometer is high up on the wall in the shack. The
computer sets under the bench in a corner. It does represent a typical
afternoon in my shack however.

73,

Connie
K5CM


-Original Message-
From: time-nuts-boun...@febo.com [mailto:time-nuts-boun...@febo.com]on
Behalf Of Hal Murray
Sent: Wednesday, June 03, 2009 12:24 PM
To: Discussion of precise time and frequency measurement
Subject: Re: [time-nuts] Sound Cards for locking to GPSDO 10 MHz
references



connie.marsh...@suddenlink.net said:
 www.k5cm.com/soundcard.htm

Nice, thanks.

From there:
 Sound card drift over this four hour period is about 250 micro Hertz.
 The temp in the shack was going up during the measurement period.
 Unfortunately I did not track the exact temp rise, but was about
 around 4 to 6 degrees F.

250 micro Hz relative to 1000 Hz is 1/4 ppm.

My memory is that junk PC crystals are ballpark of 1 ppm/degree.  (That's
probably per degree C rather than F, but that's only a factor of 2.)

So 1/4 ppm for 4 degrees is better than I would have guessed.


--
These are my opinions, not necessarily my employer's.  I hate spam.




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Re: [time-nuts] Sound Cards for locking to GPSDO 10 MHz references

2009-06-02 Thread Magnus Danielson

Brian Kirby skrev:
I use a Lynx One sound card, it has analog and digital I/O and MIDI I/O 
and clock I/O.  Their manuals are available on line at 
www.lynxstudio.com.  These are profession 24 bit cards, the analog I/O 
uses balanced interfaces.  They handle AES/EBU and SP DIF digital audio 
formats.


The sound card can take an internal clock, an external clock input on 
the MIDI port, there is a parallel clock header on the PC board, and a 
digital clock input on the digital audio lines.


It can accept a 13.5 Mhz video dot clock, a 27 Mhz video dot clock, and 
a word clock and word clock/256.


13,5 MHz is ITU-R BT.601/BT.656 luminance sampling rate.
27 MHz is BT.601/BT.656 luminance/chroma-difference combined sampling 
rate (4:2:2).


27 MHz is the video reference rate of them all. Sad that they broke it 
when they did the North American HD stuff. Breaking numerology like that 
isn't very nice... it always cost extra now.


I think you mean word-clock * 256 as this is Digidesign/ProTools clock 
distribution strategy, giving 12,288 MHz for 48 kHz sampling rate.


Cheers,
Magnus

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Re: [time-nuts] Sound Cards for locking to GPSDO 10 MHz references

2009-06-02 Thread J.D. Bakker
You could always transform this from a hardware problem to a software 
problem. Take the output of your GPSDO, divide it down to somewhere 
inside the audio band, feed it to a spare input on your USB sound 
card and have software track this reference and correct the received 
signal.


JDB.
--
LART. 250 MIPS under one Watt. Free hardware design files.
http://www.lartmaker.nl/

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Re: [time-nuts] Sound Cards for locking to GPSDO 10 MHz references

2009-06-02 Thread Magnus Danielson

Lux, James P skrev:

-Original Message-
From: time-nuts-boun...@febo.com 
[mailto:time-nuts-boun...@febo.com] On Behalf Of Rex Moncur

Sent: Monday, June 01, 2009 3:00 PM
To: 'Discussion of precise time and frequency measurement'
Subject: [time-nuts] Sound Cards for locking to GPSDO 10 MHz 
references


 
Hi all 

Does anyone have any experience of locking a USB external 
soundcard to a GPSDO 10 MHz reference.


I am interested in advice on any good quality soundcards that 
can be readily locked to either 10 MHz or if necessary to 
some other frequency that we can derive from a GPSDO source.  
I have done some tests with the SignalLink soundcard that 
uses a Texas Instruments PCM2904 chip and requires a 12 MHz 
lock frequency.  This requires some cutting of tracks to 
remove the internal oscillator feedback and insert the 
locking frequency.  12 MHz is readily derived from 10 MHz but 
I have not been able to get it to lock.  The Texas 
instruments data sheet suggests that it is possible to use an 
external refernce but also says this is not recommended.  
With this expereicne I would rather find a sound card that is 
designed for external locking that does not require the 
cutting of tracks.


For info the purpose of this request is that we are looking 
at using very narrow bandwidth modes at less than 1 mHz for 
light wave communcation.  To date using LEDs and cloud 
reflection we have worked over 200 km with WSJT but we should 
be able to do 20 dB better if we can get down to milli-Hz 
bandwidths (at the expense of spending all night to complete 
a QSO). Our expereince to date is that standard sound cards 
are just not stable to better than 5 milli-Hz at 1000 Hz 
which should be readily solved by GPS locking let us get down 
to sub milli-Hz levels.


Rex VK7MO



Some of the pro sound interfaces have a word clock input.  

There are a variety of things that take a external input and generate a S/PDIF that's properly timed, as well. Lots of boxes will take a S/PDIF sync input (e.g. the Edirol FA-66 which was used by lots of Flex-Radio folk), so maybe that's something you could easily generate from your 10MHz. 


A chart at Cakewalk shows that MOTU has a USB interface (828MkII) which has a 
word clock sync. It's going to be a pricey beast though, with 8in/8out ($800?)

Even if you have a word clock input, you're going to have to
synthesize that from the 10 MHz.  Maybe it's easier to just
make a S/PDIF which is a MUCH more common sync signal. ( I
think S/PDIF is something like 3 MHz)


S/P-DIF [iec60958-3] has a baudrate which is 128 x sample rate and a bit 
rate which is 64 x sample rate, which is inherited properties from 
AES/EBU [aes3] [tech3250] [iec60958-4].


Locking up a S/P-DIF (128 x sample rate) is about the same job as 
locking up a superclock (256 x sample rate) or wordclock (1 x sample rate).


As long as the signal is samples with low jitter and A/D converted in a 
good fashion, delivery over S/P-DIF should not be too hard. An ADC is 
slammed onto a AES/EBU/S/P-DIF chip which is fairly trivial extra work.


Cheers,
Magnus

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Re: [time-nuts] Sound Cards for locking to GPSDO 10 MHz references

2009-06-02 Thread Lux, James P
 -Original Message-
 From: time-nuts-boun...@febo.com 
 [mailto:time-nuts-boun...@febo.com] On Behalf Of Magnus Danielson
 Sent: Tuesday, June 02, 2009 10:08 AM
 To: Discussion of precise time and frequency measurement
 Subject: Re: [time-nuts] Sound Cards for locking to GPSDO 10 
 MHz references
 
  
  
  Some of the pro sound interfaces have a word clock input.  
  
  There are a variety of things that take a external input 
 and generate a S/PDIF that's properly timed, as well. Lots of 
 boxes will take a S/PDIF sync input (e.g. the Edirol FA-66 
 which was used by lots of Flex-Radio folk), so maybe that's 
 something you could easily generate from your 10MHz. 
  
  A chart at Cakewalk shows that MOTU has a USB interface (828MkII) 
  which has a word clock sync. It's going to be a pricey 
 beast though, 
  with 8in/8out ($800?)
  
  Even if you have a word clock input, you're going to have to 
  synthesize that from the 10 MHz.  Maybe it's easier to just make a 
  S/PDIF which is a MUCH more common sync signal. ( I think S/PDIF is 
  something like 3 MHz)
 
 S/P-DIF [iec60958-3] has a baudrate which is 128 x sample 
 rate and a bit rate which is 64 x sample rate, which is 
 inherited properties from AES/EBU [aes3] [tech3250] [iec60958-4].
 
 Locking up a S/P-DIF (128 x sample rate) is about the same 
 job as locking up a superclock (256 x sample rate) or 
 wordclock (1 x sample rate).

However, if you're buying an off the shelf audio interface, you're stuck with 
whatever the mfr is providing for a sync input, and a (very) casual inspection 
of what's available these days (particularly at low cost) shows that S/PDIF 
seems to be the most common.


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Re: [time-nuts] Sound Cards for locking to GPSDO 10 MHz references

2009-06-02 Thread Alberto di Bene

J.D. Bakker wrote:
You could always transform this from a hardware problem to a software 
problem. Take the output of your GPSDO, divide it down to somewhere 
inside the audio band, feed it to a spare input on your USB sound 
card and have software track this reference and correct the received 
signal.


JDB.


I am in complete agreement with this kind of solution. Sampling on the
second channel a reference signal of known value allows the software
to make a simple adjustment. No need to switch on the soldering iron...
Never do in hardware what can be done in software :-)

73  Alberto  I2PHD


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Re: [time-nuts] Sound Cards for locking to GPSDO 10 MHz references

2009-06-02 Thread Stan W1LE

Hello The Net:

For portable operations with a laptop, usually only one input channel is 
available

and it is at mike (not line) level.

The alternative to sum the analog reference and the analog signal of 
interest may be
possible if the reference noise can be kept out of the signal of 
interest bandwidth.
Maybe a external USB soundcard with at least 2 input channels is more 
appropriate.


Stan, W1LEFN41sr Cape Cod


Alberto di Bene wrote:

J.D. Bakker wrote:
You could always transform this from a hardware problem to a software 
problem. Take the output of your GPSDO, divide it down to somewhere 
inside the audio band, feed it to a spare input on your USB sound 
card and have software track this reference and correct the received 
signal.


JDB.


I am in complete agreement with this kind of solution. Sampling on the
second channel a reference signal of known value allows the software
to make a simple adjustment. No need to switch on the soldering iron...
Never do in hardware what can be done in software :-)

73  Alberto  I2PHD



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Re: [time-nuts] Sound Cards for locking to GPSDO 10 MHz references

2009-06-02 Thread Magnus Danielson

Lux, James P skrev:

-Original Message-
From: time-nuts-boun...@febo.com 
[mailto:time-nuts-boun...@febo.com] On Behalf Of Magnus Danielson

Sent: Tuesday, June 02, 2009 10:08 AM
To: Discussion of precise time and frequency measurement
Subject: Re: [time-nuts] Sound Cards for locking to GPSDO 10 
MHz references




Some of the pro sound interfaces have a word clock input.  

There are a variety of things that take a external input 
and generate a S/PDIF that's properly timed, as well. Lots of 
boxes will take a S/PDIF sync input (e.g. the Edirol FA-66 
which was used by lots of Flex-Radio folk), so maybe that's 
something you could easily generate from your 10MHz. 
A chart at Cakewalk shows that MOTU has a USB interface (828MkII) 
which has a word clock sync. It's going to be a pricey 
beast though, 

with 8in/8out ($800?)

Even if you have a word clock input, you're going to have to 
synthesize that from the 10 MHz.  Maybe it's easier to just make a 
S/PDIF which is a MUCH more common sync signal. ( I think S/PDIF is 
something like 3 MHz)
S/P-DIF [iec60958-3] has a baudrate which is 128 x sample 
rate and a bit rate which is 64 x sample rate, which is 
inherited properties from AES/EBU [aes3] [tech3250] [iec60958-4].


Locking up a S/P-DIF (128 x sample rate) is about the same 
job as locking up a superclock (256 x sample rate) or 
wordclock (1 x sample rate).


However, if you're buying an off the shelf audio interface, you're
stuck with whatever the mfr is providing for a sync input, and a
(very) casual inspection of what's available these days
(particularly at low cost) shows that S/PDIF seems to be the most common.


Do they really lock up to the S/P-DIF input? I doubt it for the cheap 
boards. Rather, they decode the S/P-DIF signal and ship the samples into 
the DSP. The DSP tends to make very rought sample-rate conversions like 
dropping samples etc.


A lockable board isn't that expensive. You can get them off ebay for 
instance.


Cheers,
Magnus

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Re: [time-nuts] Sound Cards for locking to GPSDO 10 MHz references

2009-06-02 Thread Magnus Danielson

Alberto di Bene skrev:

J.D. Bakker wrote:
You could always transform this from a hardware problem to a software 
problem. Take the output of your GPSDO, divide it down to somewhere 
inside the audio band, feed it to a spare input on your USB sound card 
and have software track this reference and correct the received signal.


JDB.


I am in complete agreement with this kind of solution. Sampling on the
second channel a reference signal of known value allows the software
to make a simple adjustment.


Such a double-frequency conversion cancels fairly well the transfer 
oscillators frequency and jitter, as long as it is sufficienly low.



No need to switch on the soldering iron...
Never do in hardware what can be done in software :-)


Respectfully I disagree. There are tasks which is better managed by 
software and tasks which is better managed by hardware. In the world of 
FPGAs, it is also worth mentioning that some tasks is best done there.
The big trick is to find a balance between various methods, available 
resources, partitioning of the problem, doing it on time and achieving 
the needed performance.


There is an overbeleif in what software is suitable for IMHO.

Cheers,
Magnus

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Re: [time-nuts] Sound Cards for locking to GPSDO 10 MHz references

2009-06-02 Thread Alberto di Bene

Magnus Danielson wrote:



No need to switch on the soldering iron...
Never do in hardware what can be done in software :-)


Respectfully I disagree. There are tasks which is better managed by 
software and tasks which is better managed by hardware. In the world of 
FPGAs, it is also worth mentioning that some tasks is best done there.
The big trick is to find a balance between various methods, available 
resources, partitioning of the problem, doing it on time and achieving 
the needed performance.




Of course you are right, the best solution must be decided case by case.
But the biggest plus of the software is that it can be changed on the fly,
without an expensive reworking station, and the manual ability to correctly
use it.  And a side effect is speed : you can test many variants of a solution
in a time frame of a few minutes.  Not so easily doable with hardware changes.

73  Alberto  i2PHD


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Re: [time-nuts] Sound Cards for locking to GPSDO 10 MHz references

2009-06-02 Thread Magnus Danielson

Alberto di Bene skrev:

Magnus Danielson wrote:



No need to switch on the soldering iron...
Never do in hardware what can be done in software :-)


Respectfully I disagree. There are tasks which is better managed by 
software and tasks which is better managed by hardware. In the world 
of FPGAs, it is also worth mentioning that some tasks is best done there.
The big trick is to find a balance between various methods, available 
resources, partitioning of the problem, doing it on time and achieving 
the needed performance.




Of course you are right, the best solution must be decided case by case.
But the biggest plus of the software is that it can be changed on the fly,
without an expensive reworking station, and the manual ability to correctly
use it.  And a side effect is speed : you can test many variants of a 
solution
in a time frame of a few minutes.  Not so easily doable with hardware 
changes.


This is why we do alot of things in FPGAs today, and in the FPGAs we 
often put dedicated DSPs of various complexity, often adapted to their 
task. Keeping quick turn-around is on our mind, but in general, the 
shorter turn-around, the poorer testing usually happends, and the 
sloopier design is often found, and the longer it takes to get the job done.


In general, a CPU is suitable for doing non-common tasks. More dedicated 
designs like firmware and hardware is suitable to do things which is 
essentially the same but happends over and over and over and often at a 
 high speed. Such monotonic tasks just waste energy, space and 
complexity when done in CPUs. The problem with a generic CPU is that it 
is generic, so it can do all kinds of tasks, which makes timing-critical 
bulk-processing tasks problematic to combine with sporadic and possibly 
high-dynamic processing. Splice the bulk off to some dedicated 
processing, which can be done in another CPU, and better performance is 
yielded. There are loads of designs where a few well thought 8-bit 
processors work together and shine over a more modern fancy design.


One such example is found in the SR-620 which has a Zilog Z-8000 
processor as main CPU and a Z-80 co-processor which only does the X-Y 
vector display. The Z-80 has so small program that it is loaded into 
SRAM from the Z-8000 as it boots.


The HP 5334A has actually 3 different 3870 processor, one for overall 
control, one for measurements and one for GPIB.


Hmm, do you get a feeling that I am actually object very much to just 
toss it into the processor. I think you are right. :)
Nothing wrong with software, but use it wisely. Build the test-benches 
as if you where doing a ASIC or full-custom design and thus also think 
about each compile costing you milions of dollars and a pipe-line depth 
of many months (6-9).


I guess I am becomming more conservative by the day. From my own and 
others mistakes and succsesses.


Cheers,
Magnus

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Re: [time-nuts] Sound Cards for locking to GPSDO 10 MHz references

2009-06-02 Thread Alberto di Bene

Magnus Danielson wrote:


Hmm, do you get a feeling that I am actually object very much to just 
toss it into the processor. I think you are right. :)


I suppose you are familiar with the old American adage that says that to a man 
with
a hammer every problem looks like a nail :-)

Each of us is more familiar with one or another technology (broadly speaking),
and tend to see it as the best way to solve problems. I am not immune from 
this...

Nothing wrong with software, but use it wisely. Build the test-benches 
as if you where doing a ASIC or full-custom design and thus also think 
about each compile costing you milions of dollars and a pipe-line depth 
of many months (6-9).


Given the rate of compiles that sometimes I do especially when near to find the
solution of a problem that bugged me for a long time, I would be bankrupted
since long, should each compile cycle cost me thousands or millions of dollars,
even if bogus dollars... :-) :-)

I guess I am becomming more conservative by the day. From my own and 
others mistakes and succsesses.


This is a privilege of becoming older and wiser :-)

Cheers,
Alberto  I2PHD



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Re: [time-nuts] Sound Cards for locking to GPSDO 10 MHz references

2009-06-02 Thread Rex Moncur
Hi all

Thank you all for you advice and suggestions re my request.  At this stage
it does not look like there is a simple solution of a readily available USB
sound card that can be locked to a 10 MHz GPSDO reference.

The constraints of portable operation with a Laptop rule out a number of
solutions.  I have tried the software solution using Spectrum Lab but ran
into problems and perhaps this just needs more work.  One of the main
problems is that in working at milli-Hz binwidths the FTT word length needs
to be very long to cover even a few tens of Hz range and we run into memory
problems. So there is little room to have a reference frequency spaced well
away from the frequency range being used.

The SP DIF solution seems promising if I can generate the required input.
This could perhaps be done with a product that already provides the SP DIF
word output and locking that.  But that could be just as hard as locking the
sound-card in the first place.

So at this time I think I will put some more effort into locking the sound
card and let you know how I go, hi. Injection locking as suggested by some
of you may be the answer.

Some people asked for more details of the cloud scatter experiments which
area at http://reast.asn.au/optical.php  There is also a series of articles
on our work in the last 3 and next issue of DUBUS.

On the question of Doppler shift from clouds - this is much less than a mHz
and not an issue due to the fact that we are using base band and the Doppler
only applies to the audio frequency.  In addition the very narrow beamwidths
(around 2 degrees) mean that the possible paths are all very similar in
length.


Thanks again to everyone for their input.

73 Rex VK7MO


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Re: [time-nuts] Sound Cards for locking to GPSDO 10 MHz references

2009-06-02 Thread Lux, James P
 -Original Message-
 From: time-nuts-boun...@febo.com 
 [mailto:time-nuts-boun...@febo.com] On Behalf Of Rex Moncur
 Sent: Tuesday, June 02, 2009 3:06 PM
 To: 'Discussion of precise time and frequency measurement'
 Subject: Re: [time-nuts] Sound Cards for locking to GPSDO 10 
 MHz references
 
 Hi all
 
 Thank you all for you advice and suggestions re my request.  
 At this stage it does not look like there is a simple 
 solution of a readily available USB sound card that can be 
 locked to a 10 MHz GPSDO reference.
 
 The constraints of portable operation with a Laptop rule out 
 a number of solutions.  I have tried the software solution 
 using Spectrum Lab but ran into problems and perhaps this 
 just needs more work.  One of the main problems is that in 
 working at milli-Hz binwidths the FTT word length needs to be 
 very long to cover even a few tens of Hz range and we run 
 into memory problems. So there is little room to have a 
 reference frequency spaced well away from the frequency range 
 being used.

The reference frequency can be right on top of your signal, as long as it's 
within the dynamic range. You can subtract it out before doing the FFT, after 
having determined where it is and how big it is.

 Some people asked for more details of the cloud scatter 
 experiments which area at http://reast.asn.au/optical.php  
 There is also a series of articles on our work in the last 3 
 and next issue of DUBUS.
 

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Re: [time-nuts] Sound Cards for locking to GPSDO 10 MHz references

2009-06-02 Thread Connie Marshall

Hi Rex,

Here is a plot of my sound card. Maybe I'm just lucky with this particular
sound card/computer, but the drift was only about 250 micro Hertz over a
four hour period. Also for critical measurements I try to run at 200 Hz
center frequency rather than 1000 Hz. Cuts the error by five. Maybe that's
not practical for you modulation schema.

I did not bother to calibrate the sound card before I started the test so
there is about 550 micro Hertz of static error when the test starts.

www.k5cm.com/soundcard.htm

73,

Connie
K5CM


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[time-nuts] Sound Cards for locking to GPSDO 10 MHz references

2009-06-01 Thread Rex Moncur
 
Hi all 

Does anyone have any experience of locking a USB external soundcard to a
GPSDO 10 MHz reference.

I am interested in advice on any good quality soundcards that can be readily
locked to either 10 MHz or if necessary to some other frequency that we can
derive from a GPSDO source.  I have done some tests with the SignalLink
soundcard that uses a Texas Instruments PCM2904 chip and requires a 12 MHz
lock frequency.  This requires some cutting of tracks to remove the internal
oscillator feedback and insert the locking frequency.  12 MHz is readily
derived from 10 MHz but I have not been able to get it to lock.  The Texas
instruments data sheet suggests that it is possible to use an external
refernce but also says this is not recommended.  With this expereicne I
would rather find a sound card that is designed for external locking that
does not require the cutting of tracks.

For info the purpose of this request is that we are looking at using very
narrow bandwidth modes at less than 1 mHz for light wave communcation.  To
date using LEDs and cloud reflection we have worked over 200 km with WSJT
but we should be able to do 20 dB better if we can get down to milli-Hz
bandwidths (at the expense of spending all night to complete a QSO). Our
expereince to date is that standard sound cards are just not stable to
better than 5 milli-Hz at 1000 Hz which should be readily solved by GPS
locking let us get down to sub milli-Hz levels.

Rex VK7MO


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Re: [time-nuts] Sound Cards for locking to GPSDO 10 MHz references

2009-06-01 Thread Jeffrey Pawlan

Soundcards for USB are poor at best.

I have a set of PCI cards that were previously made by EMU and they accept 
external reference input.  They no longer make the model I have but perhaps 
they have another PCI card with an external ref input.


I am interested in your modulation technique which allows you to use WSJT.
Please let me know exactly what you are doing. I also do not know how you are 
using 5 milliHertz with WSJT since the group of discrete tones occupy more 
bandwidth.



73,

Jeffrey Pawlan  WA6KBL


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Re: [time-nuts] Sound Cards for locking to GPSDO 10 MHz references

2009-06-01 Thread Alan Melia
I have seen it talked about (around the LF fraternity, but generally they
are stable enough there and just need calibation) a lot but not accomplished
yet.

How about injection locking the on board oscmaybe gating the feedback
with the referencenote I havent tried this? Another technique I have
used to shift logic-block oscillators is to vary their supply voltage,
they will oscillate from around 3v to well over 5.5v that might enable
you to phase lock it  using a variable regulator to vcxo to crystal??

Alan G3NYK


- Original Message -
From: Rex Moncur rmon...@bigpond.net.au
To: 'Discussion of precise time and frequency measurement'
time-nuts@febo.com
Sent: Monday, June 01, 2009 10:59 PM
Subject: [time-nuts] Sound Cards for locking to GPSDO 10 MHz references



 Hi all

 Does anyone have any experience of locking a USB external soundcard to a
 GPSDO 10 MHz reference.

 I am interested in advice on any good quality soundcards that can be
readily
 locked to either 10 MHz or if necessary to some other frequency that we
can
 derive from a GPSDO source.  I have done some tests with the SignalLink
 soundcard that uses a Texas Instruments PCM2904 chip and requires a 12 MHz
 lock frequency.  This requires some cutting of tracks to remove the
internal
 oscillator feedback and insert the locking frequency.  12 MHz is readily
 derived from 10 MHz but I have not been able to get it to lock.  The Texas
 instruments data sheet suggests that it is possible to use an external
 refernce but also says this is not recommended.  With this expereicne I
 would rather find a sound card that is designed for external locking that
 does not require the cutting of tracks.

 For info the purpose of this request is that we are looking at using very
 narrow bandwidth modes at less than 1 mHz for light wave communcation.  To
 date using LEDs and cloud reflection we have worked over 200 km with WSJT
 but we should be able to do 20 dB better if we can get down to milli-Hz
 bandwidths (at the expense of spending all night to complete a QSO). Our
 expereince to date is that standard sound cards are just not stable to
 better than 5 milli-Hz at 1000 Hz which should be readily solved by GPS
 locking let us get down to sub milli-Hz levels.

 Rex VK7MO


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Re: [time-nuts] Sound Cards for locking to GPSDO 10 MHz references

2009-06-01 Thread Rex Moncur
Hi Jeff

Thanks for your advice which I will follow up - the reason for going for a
USB sound card is that the system must be operated portable with a Laptop -
but perhaps there is a way to use a PCI sound card on a Laptop.

While we use WSJT at present we have a new Mode under development for the
mill-Hz bandwidth. In testing this new mode is acheiveing around 15 dB
better than WSJT with 5 mHz binwidths and should get to 20 dB better with 1
mHz binwidths. It uses M-ary FSK like WSJT but does not need a reference
tone for time or frequency locking on the basis that both soundcards are GPS
locked. Timing errors are not an issue as the tone durations are 16 mins at
1 mHz binwidth.  We use around 20,000 separate M-ary tones (cf 64 for WSJT),
which is sufficient to send the first three characters of a call sign in
Clark-Karn source encoded format - thus it requires only two tones to be
sent to receve a full callsign. However at one mHz bandwidth this takes 16
minutes to send a single tone and thus an hour to send two callsigns.
However, we have some shorter techniques for exchanging reports and RRR so a
QSO can be comppleted in around 3 hours, hi. We can fit 20,000 tones spaced
1 mHz apart into just 20 Hz so there is not problem there. We have not yet
added FEC which should allow a further improvement but we would like to
resolve the sound card stablity issues first.

73 Rex VK7MO 



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Re: [time-nuts] Sound Cards for locking to GPSDO 10 MHz references

2009-06-01 Thread Hal Murray

rmon...@bigpond.net.au said:
 For info the purpose of this request is that we are looking at using
 very narrow bandwidth modes at less than 1 mHz for light wave
 communcation.  To date using LEDs and cloud reflection we have worked
 over 200 km with WSJT but we should be able to do 20 dB better if we
 can get down to milli-Hz bandwidths (at the expense of spending all
 night to complete a QSO). Our expereince to date is that standard
 sound cards are just not stable to better than 5 milli-Hz at 1000 Hz
 which should be readily solved by GPS locking let us get down to sub
 milli-Hz levels. 

Sounds like a fun project.

Do the clouds shift around enough to cause Doppler problems?

You might find something in the way of a DSP or FPGA demo board.  (I don't 
have any suggestions.)  Or maybe a demo board for an audio chip.

How stable is the osc on your current board?  Do you need accuracy or 
stability?

Can you feed a calibration signal in the other stereo channel and sort it out 
in software?

Or tap off some signal in the board and feed that to a counter for 
calibration.


-- 
These are my opinions, not necessarily my employer's.  I hate spam.




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Re: [time-nuts] Sound Cards for locking to GPSDO 10 MHz references

2009-06-01 Thread John Miles
The concern I'd have with modifying a USB sound card, or any of them for
that matter, is that the glue logic between the ADC and the USB chip may be
designed for a certain relationship between the ADC and USB clocks.  Running
the ADC asynchronously may or may not be robust depending on the assumptions
baked into the gate array.  It might be OK if your app can tolerate
occasional misclocking or dropouts but I'd be reluctant to use a hacked
sound card for anything timing-critical.

I just (last week) got an AD7760 ADC eval board working with the Digilent
Nexys2 FPGA platform, with the EVAL-AD7760 board running from its own 40 MHz
clock.  It will accept an external 40 MHz clock source that, in turn,
wouldn't be hard to derive from 10 MHz.  Way overkill for ultra
low-bandwidth work, but if anyone is looking for a clean digitizer for audio
rates in general, you could do a lot worse than this approach.  Cost isn't
too bad either, at $130 for the Nexys2 and $150 for the ADC7760 eval board.
Of course the big drawback is the lack of any sort of standardized audio
driver on the host side.

If/when I spin a PCB for this project I'll definitely include a 10 MHz
input.

-- john, KE5FX


 -Original Message-
 From: time-nuts-boun...@febo.com [mailto:time-nuts-boun...@febo.com]on
 Behalf Of Jeffrey Pawlan
 Sent: Monday, June 01, 2009 3:08 PM
 To: Discussion of precise time and frequency measurement
 Subject: Re: [time-nuts] Sound Cards for locking to GPSDO 10 MHz
 references


 Soundcards for USB are poor at best.

 I have a set of PCI cards that were previously made by EMU and
 they accept
 external reference input.  They no longer make the model I have
 but perhaps
 they have another PCI card with an external ref input.

 I am interested in your modulation technique which allows you to use WSJT.
 Please let me know exactly what you are doing. I also do not know
 how you are
 using 5 milliHertz with WSJT since the group of discrete tones
 occupy more
 bandwidth.




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Re: [time-nuts] Sound Cards for locking to GPSDO 10 MHz references

2009-06-01 Thread Lux, James P

 -Original Message-
 From: time-nuts-boun...@febo.com 
 [mailto:time-nuts-boun...@febo.com] On Behalf Of Rex Moncur
 Sent: Monday, June 01, 2009 3:00 PM
 To: 'Discussion of precise time and frequency measurement'
 Subject: [time-nuts] Sound Cards for locking to GPSDO 10 MHz 
 references
 
  
 Hi all 
 
 Does anyone have any experience of locking a USB external 
 soundcard to a GPSDO 10 MHz reference.
 
 I am interested in advice on any good quality soundcards that 
 can be readily locked to either 10 MHz or if necessary to 
 some other frequency that we can derive from a GPSDO source.  
 I have done some tests with the SignalLink soundcard that 
 uses a Texas Instruments PCM2904 chip and requires a 12 MHz 
 lock frequency.  This requires some cutting of tracks to 
 remove the internal oscillator feedback and insert the 
 locking frequency.  12 MHz is readily derived from 10 MHz but 
 I have not been able to get it to lock.  The Texas 
 instruments data sheet suggests that it is possible to use an 
 external refernce but also says this is not recommended.  
 With this expereicne I would rather find a sound card that is 
 designed for external locking that does not require the 
 cutting of tracks.
 
 For info the purpose of this request is that we are looking 
 at using very narrow bandwidth modes at less than 1 mHz for 
 light wave communcation.  To date using LEDs and cloud 
 reflection we have worked over 200 km with WSJT but we should 
 be able to do 20 dB better if we can get down to milli-Hz 
 bandwidths (at the expense of spending all night to complete 
 a QSO). Our expereince to date is that standard sound cards 
 are just not stable to better than 5 milli-Hz at 1000 Hz 
 which should be readily solved by GPS locking let us get down 
 to sub milli-Hz levels.
 
 Rex VK7MO


Some of the pro sound interfaces have a word clock input.  

There are a variety of things that take a external input and generate a S/PDIF 
that's properly timed, as well. Lots of boxes will take a S/PDIF sync input 
(e.g. the Edirol FA-66 which was used by lots of Flex-Radio folk), so maybe 
that's something you could easily generate from your 10MHz. 

A chart at Cakewalk shows that MOTU has a USB interface (828MkII) which has a 
word clock sync. It's going to be a pricey beast though, with 8in/8out ($800?)

Even if you have a word clock input, you're going to have to synthesize that 
from the 10 MHz.  Maybe it's easier to just make a S/PDIF which is a MUCH more 
common sync signal. ( I think S/PDIF is something like 3 MHz)

The HPSDR folks also might have something...
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Re: [time-nuts] Sound Cards for locking to GPSDO 10 MHz references

2009-06-01 Thread Brian Kirby
I use a Lynx One sound card, it has analog and digital I/O and MIDI I/O 
and clock I/O.  Their manuals are available on line at 
www.lynxstudio.com.  These are profession 24 bit cards, the analog I/O 
uses balanced interfaces.  They handle AES/EBU and SP DIF digital audio 
formats.


The sound card can take an internal clock, an external clock input on 
the MIDI port, there is a parallel clock header on the PC board, and a 
digital clock input on the digital audio lines.


It can accept a 13.5 Mhz video dot clock, a 27 Mhz video dot clock, and 
a word clock and word clock/256.


It can also take a single source frequency as a referenve clock.

Its basicaly set up to sync and slave SMPTE timing systems

Hope that helped..

Rex Moncur wrote:
 
Hi all 


Does anyone have any experience of locking a USB external soundcard to a
GPSDO 10 MHz reference.

I am interested in advice on any good quality soundcards that can be readily
locked to either 10 MHz or if necessary to some other frequency that we can
derive from a GPSDO source.  I have done some tests with the SignalLink
soundcard that uses a Texas Instruments PCM2904 chip and requires a 12 MHz
lock frequency.  This requires some cutting of tracks to remove the internal
oscillator feedback and insert the locking frequency.  12 MHz is readily
derived from 10 MHz but I have not been able to get it to lock.  The Texas
instruments data sheet suggests that it is possible to use an external
refernce but also says this is not recommended.  With this expereicne I
would rather find a sound card that is designed for external locking that
does not require the cutting of tracks.

For info the purpose of this request is that we are looking at using very
narrow bandwidth modes at less than 1 mHz for light wave communcation.  To
date using LEDs and cloud reflection we have worked over 200 km with WSJT
but we should be able to do 20 dB better if we can get down to milli-Hz
bandwidths (at the expense of spending all night to complete a QSO). Our
expereince to date is that standard sound cards are just not stable to
better than 5 milli-Hz at 1000 Hz which should be readily solved by GPS
locking let us get down to sub milli-Hz levels.

Rex VK7MO


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Re: [time-nuts] Sound Cards

2009-01-14 Thread Magnus Danielson
Demian Martin skrev:
 
 Magnus Danielson wrote:
 
 The digital link in question is S/PDIF; with the current popularity
 of Home Theater systems cheap cards with digital I/O have become
 quite prevalent. As an added bonus, S/PDIF can be run over both
 coaxial and optical media, the latter being attractive in further
 isolating PC noise from any measurement setup. And of course, a
 manufacturer's evaluation board is much better documented and more
 suited to measurement-specific mods than a random sound card.
 The optical link commonly being used for S/P-DIF is TosLink and it seems
 like it can be the cause of many problems. It seems like some care in
 doing the optical link setup is needed. I have never digged into why the
 optical links have that problem. I can only guess, but bad optical
 coupling seems reasonable. The multimode fiber seems to be leaving one
 or two things to ask for.

 Cheers,
 Magnus
 
 Without getting too audiophile there are several considerations. Toslink
 is bandwidth limited- the LED's are not really fast enough for 96K and
 really not for 192K sampling. The effect is high jitter on the link or a
 lost connection. The high jitter may not matter if the sampling is done with
 the external capture system (most of which are much more expensive). SPDIF
 or AES/EBU don't have the bandwidth limitation but can have other issues.

I think you meant to say the electrical S/P-DIF and AES/EBU.

 The cheap ones don't have transformer isolation, however the transformers
 can increase the jitter on the link.

Depends on the transformer. The AES-3 electical form of AES/EBU 
(balanced on XLR) has a drawback in that it may be hooked up over lines, 
patchfields and cross-connects not intended for AES/EBU signals. This 
can cause some grief. Installation standards has changed as a result as 
a consequence. For smaller systems may the transformer not be as much of 
an issue as in larger installations. The unbalanced form of AES/EBU, 
AES-3-id, is becomming popular. It should not be confused with S/P-DIF 
since it is distinct in several forms, except for the obvious difference 
in subcode content.

 You can use external USB capture, I'm
 playing with an EMU Tracker pre gadget that seems to do 192K at 24 bits
 pretty well and for $125. But I get better results from the ESI Juli@ pci
 card for around the same price, very low distortion and noise, and good Alsa
 support in Linux. It may be all that's needed.

It is. Wordclock input?

Cheers,
Magnus

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Re: [time-nuts] Sound cards

2009-01-13 Thread J.D. Bakker
Maybe I lost track and missed something, but I don't think I ever saw
more on the subject of specific high-end sound cards that might be
useful for nutty measurements.

 From an earlier list message:

[F]or best noise/jitter-performance an external ADC should be used, 
connected through a digital link to a PC sound card. One could do a 
lot worse than the TI PCM4222 eval board 
(http://focus.ti.com/docs/prod/folders/print/pcm4222.html), which 
accepts an external clock if so desired. At $149 (plus a tenner or 
two for the sound card) this will likely be much cheaper than an 
equivalent FireWire-device.

The digital link in question is S/PDIF; with the current popularity 
of Home Theater systems cheap cards with digital I/O have become 
quite prevalent. As an added bonus, S/PDIF can be run over both 
coaxial and optical media, the latter being attractive in further 
isolating PC noise from any measurement setup. And of course, a 
manufacturer's evaluation board is much better documented and more 
suited to measurement-specific mods than a random sound card.

JDB.
[using a custom board with a similar setup in a narrowband VNA]
-- 
LART. 250 MIPS under one Watt. Free hardware design files.
http://www.lartmaker.nl/

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Re: [time-nuts] Sound cards

2009-01-13 Thread Magnus Danielson
J.D. Bakker skrev:
 Maybe I lost track and missed something, but I don't think I ever saw
 more on the subject of specific high-end sound cards that might be
 useful for nutty measurements.
 
  From an earlier list message:
 
 [F]or best noise/jitter-performance an external ADC should be used, 
 connected through a digital link to a PC sound card. One could do a 
 lot worse than the TI PCM4222 eval board 
 (http://focus.ti.com/docs/prod/folders/print/pcm4222.html), which 
 accepts an external clock if so desired. At $149 (plus a tenner or 
 two for the sound card) this will likely be much cheaper than an 
 equivalent FireWire-device.
 
 The digital link in question is S/PDIF; with the current popularity 
 of Home Theater systems cheap cards with digital I/O have become 
 quite prevalent. As an added bonus, S/PDIF can be run over both 
 coaxial and optical media, the latter being attractive in further 
 isolating PC noise from any measurement setup. And of course, a 
 manufacturer's evaluation board is much better documented and more 
 suited to measurement-specific mods than a random sound card.

The optical link commonly being used for S/P-DIF is TosLink and it seems 
like it can be the cause of many problems. It seems like some care in 
doing the optical link setup is needed. I have never digged into why the 
optical links have that problem. I can only guess, but bad optical 
coupling seems reasonable. The multimode fiber seems to be leaving one 
or two things to ask for.

Cheers,
Magnus

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Re: [time-nuts] Sound cards

2009-01-13 Thread Bruce Griffiths
Magnus Danielson wrote:
 J.D. Bakker skrev:
   
 Maybe I lost track and missed something, but I don't think I ever saw
 more on the subject of specific high-end sound cards that might be
 useful for nutty measurements.
   
  From an earlier list message:

 
 [F]or best noise/jitter-performance an external ADC should be used, 
 connected through a digital link to a PC sound card. One could do a 
 lot worse than the TI PCM4222 eval board 
 (http://focus.ti.com/docs/prod/folders/print/pcm4222.html), which 
 accepts an external clock if so desired. At $149 (plus a tenner or 
 two for the sound card) this will likely be much cheaper than an 
 equivalent FireWire-device.
   
 The digital link in question is S/PDIF; with the current popularity 
 of Home Theater systems cheap cards with digital I/O have become 
 quite prevalent. As an added bonus, S/PDIF can be run over both 
 coaxial and optical media, the latter being attractive in further 
 isolating PC noise from any measurement setup. And of course, a 
 manufacturer's evaluation board is much better documented and more 
 suited to measurement-specific mods than a random sound card.
 

 The optical link commonly being used for S/P-DIF is TosLink and it seems 
 like it can be the cause of many problems. It seems like some care in 
 doing the optical link setup is needed. I have never digged into why the 
 optical links have that problem. I can only guess, but bad optical 
 coupling seems reasonable. The multimode fiber seems to be leaving one 
 or two things to ask for.

 Cheers,
 Magnus

   
Hej Magnus

Relatively high jitter being one problem.
Limited sampling rate being another.

If one has a cheap 16 bit sound card what will it do with 24 bit data
from an external ADC?


Bruce

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Re: [time-nuts] Sound cards

2009-01-13 Thread Lux, James P
  optical media, the latter being attractive in further isolating PC
  noise from any measurement setup. And of course, a manufacturer's
  evaluation board is much better documented and more suited to
  measurement-specific mods than a random sound card.

 The optical link commonly being used for S/P-DIF is TosLink
 and it seems like it can be the cause of many problems. It
 seems like some care in doing the optical link setup is
 needed. I have never digged into why the optical links have
 that problem. I can only guess, but bad optical coupling
 seems reasonable. The multimode fiber seems to be leaving
 one or two things to ask for.


Consumer audio optical links (TOSlink) are 1000 micron (yes, it sounds better 
than 1mm) plastic fiber, which is fairly high loss (1000 dB/km), which is fine 
for 1-2 m cables.  TOSlink is actually a trademark of Toshiba
http://www.toshiba.com/taec/components/ProdLineGuide/toslink.pdf describes all.

TOSlink has worked fine for me, except in one case, where the cable was flexed 
a lot, and it eventually developed cracks and the loss shot up.

It should be relatively trouble free. The connector is a positive mate and 
keyed, and as long as you don't get debris in the hole in the chassis side, it 
should work fine.

It's not a bad interface, although, I think not well suited to many mate/demate 
cycles (I don't know for sure, but the trusty 1/4 phone plug is a pretty 
rugged design). One data sheet I have says 500 mate/demate cycles.


I was amused when the guy at the stereo store tried to sell me on RF shielded 
TOSlink cables, claiming it would provide more clarity and definition in the 
sound.  Uh-huh..   Sort of like the green marking pen for the edges of your CDs 
to reduce internal reflections, etc. (I, of course, would only use the finest 
brush made from selected hairs of Tibetan mountain goats to apply a dye made 
from chlorophyll molecules selected using an electron microscope by trained 
technicians, etc..  A marking pen? My $14000 speaker cables supported on 
carefully oriented pure fused silica supports would wither in shame.)

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Re: [time-nuts] Sound cards

2009-01-13 Thread John Ackermann N8UR
Lux, James P wrote:

 I was amused when the guy at the stereo store tried to sell me on RF shielded 
 TOSlink cables, claiming it would provide more clarity and definition in the 
 sound.  Uh-huh..   Sort of like the green marking pen for the edges of your 
 CDs to reduce internal reflections, etc. (I, of course, would only use the 
 finest brush made from selected hairs of Tibetan mountain goats to apply a 
 dye made from chlorophyll molecules selected using an electron microscope by 
 trained technicians, etc..  A marking pen? My $14000 speaker cables 
 supported on carefully oriented pure fused silica supports would wither in 
 shame.)

We have a rule here -- no discussion of audiophile insanity!  You'll 
thank me in the end if we avoid a few hundred anecdotes about speaker 
cable and $500 knobs. :-)

John

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Re: [time-nuts] Sound cards

2009-01-13 Thread Lux, James P

  The optical link commonly being used for S/P-DIF is TosLink and it
  seems like it can be the cause of many problems. It seems like some
  care in doing the optical link setup is needed. I have never digged
  into why the optical links have that problem. I can only guess, but
  bad optical coupling seems reasonable. The multimode
 fiber seems to
  be leaving one or two things to ask for.
 
  Cheers,
  Magnus
 
 
 Hej Magnus

 Relatively high jitter being one problem.
 Limited sampling rate being another.

 If one has a cheap 16 bit sound card what will it do with 24
 bit data from an external ADC?



I would imagine that the sound card is just being used as a digital bus 
interface, and the A/D won't feature into it. Kind of depends on whether the 
device driver for the sound card accepts anything on the S/PDIF or whether it 
assumes 16 bits.  I think S/PDIF is 20bits/sample, but there's probably a 24 
bit flavor.

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Re: [time-nuts] Sound cards

2009-01-13 Thread J.D. Bakker
At 10:30 +1300 14-01-2009, Bruce Griffiths wrote:
Magnus Danielson wrote:
   J.D. Bakker skrev:
   [F]or best noise/jitter-performance an external ADC should be used,
   connected through a digital link to a PC sound card.[...]

  The digital link in question is S/PDIF; with the current popularity
  of Home Theater systems cheap cards with digital I/O have become
  quite prevalent. As an added bonus, S/PDIF can be run over both
  coaxial and optical media, the latter being attractive in further
   isolating PC noise from any measurement setup.[...]
  
   The optical link commonly being used for S/P-DIF is TosLink and it seems
   like it can be the cause of many problems.[...]

Relatively high jitter being one problem.
Limited sampling rate being another.

Both true; IME practical limits are ~7m for 24bit/96ksps/stereo and 
~3m for 24bit/192ksps/stereo, depending on TX and RX. My best 
experiences are with Toshiba TX/RX and pre-made cable listed as 'ADAT 
Lightpipe' rather than 'TOSLINK'. Both are the same on a mechanical 
level; the former is a pro audio de facto standard used to transfer 
multichannel audio around in studios, and its customers tend to be a 
bit more picky wrt out-of-spec cables.

Jitter is not a problem as long as (a) the converter is the timing 
master and (b) the PC end doesn't try to do resampling or other 
'clever' tricks (I know of no current mainstream chipsets that do).

If one has a cheap 16 bit sound card what will it do with 24 bit data
from an external ADC?

It truncates it to its 16 MSBs. Note that you'll have a very hard 
time buying a new internal 16 bit sound card these days, never mind 
one with S/PDIF. The only 16 bit S/PDIF interfaces you could get are 
USB ones designed around TI's PCM29xx USB codecs (and not much else). 
As these top out at 48ksps, they are of limited use anyway.

Many of the cheapest Home Theater PCI Sound Cards are built around 
the CMI8738 chip or one of its derivatives. This chip offers 
no-frills S/PDIF I/O up to 96ksps for a very low price, and as pretty 
much all boards that I have seen are a clone of the manufacturer's 
evaluation board, the S/PDIF signal is almost always easily available 
on a .1in pitch pin header (which may or may not be populated). I use 
it for quite a few test setups, but I do have a more expensive card 
(RME 9652) if I need more channels or a higher sampling rate.

JDB.
[disclaimer: the drivers are also an issue, naturally. I do most of 
my signal processing under Linux, which has good drivers for the 
CMI8738. On Windows and/or OSX YMMV, but I would be surprised if it 
did not work at all]
-- 
LART. 250 MIPS under one Watt. Free hardware design files.
http://www.lartmaker.nl/

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Re: [time-nuts] Sound cards

2009-01-13 Thread Rex
John Ackermann N8UR wrote:
 Lux, James P wrote:

   
 I was amused when the guy at the stereo store tried to sell me on RF 
 shielded TOSlink cables, claiming it would provide more clarity and 
 definition in the sound.  Uh-huh..   Sort of like the green marking pen for 
 the edges of your CDs to reduce internal reflections, etc. (I, of course, 
 would only use the finest brush made from selected hairs of Tibetan mountain 
 goats to apply a dye made from chlorophyll molecules selected using an 
 electron microscope by trained technicians, etc..  A marking pen? My 
 $14000 speaker cables supported on carefully oriented pure fused silica 
 supports would wither in shame.)
 

 We have a rule here -- no discussion of audiophile insanity!  You'll 
 thank me in the end if we avoid a few hundred anecdotes about speaker 
 cable and $500 knobs. :-)

 John

   

Good, John. I was just about to suggest the same voluntary prohibition.

-Rex


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Re: [time-nuts] Sound cards

2009-01-13 Thread Magnus Danielson
Lux, James P skrev:
 optical media, the latter being attractive in further isolating PC
 noise from any measurement setup. And of course, a manufacturer's
 evaluation board is much better documented and more suited to
 measurement-specific mods than a random sound card.
 The optical link commonly being used for S/P-DIF is TosLink
 and it seems like it can be the cause of many problems. It
 seems like some care in doing the optical link setup is
 needed. I have never digged into why the optical links have
 that problem. I can only guess, but bad optical coupling
 seems reasonable. The multimode fiber seems to be leaving
 one or two things to ask for.

 
 Consumer audio optical links (TOSlink) are 1000 micron (yes, it sounds better 
 than 1mm) plastic fiber, which is fairly high loss (1000 dB/km), which is 
 fine for 1-2 m cables.  TOSlink is actually a trademark of Toshiba
 http://www.toshiba.com/taec/components/ProdLineGuide/toslink.pdf describes 
 all.
 
 TOSlink has worked fine for me, except in one case, where the cable was 
 flexed a lot, and it eventually developed cracks and the loss shot up.

Trouble is, many want some 10 m runs. The unbalanced one into a good 
cable should be able to do much longer runs. The Phono (aka RCA) 
connector isn't really suited to the task, but there is pretty good 
limits on the slopes, so it should be fine. Propper BNC with good cable 
handles 90m of HD-SDI signal so I don't think I am stretching my 
knowledge beyond unreasnoble limits here... :)

Using 4,5 GHz BW cable for AES/EBU testing is kind of interesting... :)

 It should be relatively trouble free. The connector is a positive mate and 
 keyed, and as long as you don't get debris in the hole in the chassis side, 
 it should work fine.
 
 It's not a bad interface, although, I think not well suited to many 
 mate/demate cycles (I don't know for sure, but the trusty 1/4 phone plug is 
 a pretty rugged design). One data sheet I have says 500 mate/demate cycles.
 
 
 I was amused when the guy at the stereo store tried to sell me on RF shielded 
 TOSlink cables, claiming it would provide more clarity and definition in the 
 sound.  Uh-huh..   Sort of like the green marking pen for the edges of your 
 CDs to reduce internal reflections, etc. (I, of course, would only use the 
 finest brush made from selected hairs of Tibetan mountain goats to apply a 
 dye made from chlorophyll molecules selected using an electron microscope by 
 trained technicians, etc..  A marking pen? My $14000 speaker cables 
 supported on carefully oriented pure fused silica supports would wither in 
 shame.)

You must have gold-plated connectros for your TOSlink, you KNOW that. :)
(Yes, those cables exists!)

Cheers,
Magnus

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Re: [time-nuts] Sound cards

2009-01-13 Thread Lux, James P

Message-
 From: time-nuts-boun...@febo.com
 [mailto:time-nuts-boun...@febo.com] On Behalf Of Magnus Danielson
 Sent: Tuesday, January 13, 2009 3:01 PM
 To: Discussion of precise time and frequency measurement
 Subject: Re: [time-nuts] Sound cards

 L
 
  Consumer audio optical links (TOSlink) are 1000 micron
 (yes, it sounds
  better than 1mm) plastic fiber, which is fairly high loss
 (1000 dB/km), which is fine for 1-2 m cables.  TOSlink is
 actually a trademark of Toshiba
 http://www.toshiba.com/taec/components/ProdLineGuide/toslink.p
 df describes all.
 
  TOSlink has worked fine for me, except in one case, where
 the cable was flexed a lot, and it eventually developed
 cracks and the loss shot up.

 Trouble is, many want some 10 m runs.

Exactly.. I was just down in the lab, and looked at the cables we have strung 
all over the place, and for us, a 2m cable is positively short.  An awful lot 
of 5m and 10m cables just patching one thing to another (consider going from a 
connector on a piece of equipment in one 2m high rack to a connector in another 
2m rack.  There's 3-4 m just in going up and down, not to mention the meter or 
so across, if the racks happen to be side by side.

There ARE fancier cables and connectors in the same family that have more 
range, but are still pretty cheap components.

The galvanic isolation and EMI immunity IS attractive.  But, a piece of RG-58 
sized coax and BNC connectors is awfully common and convenient.





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Re: [time-nuts] Sound cards

2009-01-13 Thread Hal Murray

 The optical link commonly being used for S/P-DIF is TosLink and it
 seems  like it can be the cause of many problems. It seems like some
 care in  doing the optical link setup is needed. I have never digged
 into why the  optical links have that problem. I can only guess, but
 bad optical  coupling seems reasonable. The multimode fiber seems to
 be leaving one  or two things to ask for. 

It's been a while since I did any serious work with fibers.

There are 2 limitations.

One is signal to noise.  You have to get enough light in the transmit end so 
that after attenuation there will be enough coming out for the receiver to be 
able to find the bits.  Attenuatiion is linear with length with a constant 
for getting in and out of the fiber.  Add some more for splices/connectors.

The other is dispersion.  If you have a multi-mode fiber, some of the photons 
bounce around more than others which results in a longer path and increased 
transit time.  Simple geometry is a good approximation.  The net result is 
that the photons get smeared in time.  If your pulses are too narrow (bitrate 
too high), the smearing will cause adjacent bits to overlap and you can't 
easily sort things out at the receiver.

Single mode fibers don't have modal dispersion.  But they do have chromatic 
dispersion.  Long distance telco links use very narrow bandwidth lasers.

One characteristic of dispersion is that there is a trade-off between 
distance and bandwidth.  Fibers have ratings in megabit-miles.  Typical 
multi-mode fibers were 300-500 megabit-miles.

Single mode fibers are roughly 7-9 microns dia for the active region.  
Multi-mode fibers were 50 or 62.5 microns.

Roughly 10 years ago, there was a sweet spot at 155 megabits (OC-3) and 2 km 
using LEDs for the transmitter and multi-mode fibers.  Since then, they are 
using low cost lasers (from CDs) so things have changed.  If you wanted 
faster or farther, you used a laser and single mode fibers.

The engineering/specsmanship on the overall link was super conservative.  It 
was essentially impossible to measure the error rate.  The trick is to insert 
enough attenuation so you get enough errors to measure, then compute what you 
would get without the attenuation.

I haven't worked with plastic fibers.  I'd expect the engineering to be 
conservative so it should just work.  If it doesn't the obvious problems are 
dirt/mud at the connectors or cracked/broken fibers.  (I'm assuming a sane 
length.)

One disadvantage of conservative engineering is that a system that's broken 
might actually work well enough to act like a flaky system.  I'm thinking of 
something like a broken fiber that is sometimes held in place close-enough by 
the jacket.




-- 
These are my opinions, not necessarily my employer's.  I hate spam.




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Re: [time-nuts] Sound cards

2009-01-13 Thread Daun Yeagley
Spoil sport!

Daun 

-Original Message-
From: time-nuts-boun...@febo.com [mailto:time-nuts-boun...@febo.com] On
Behalf Of John Ackermann N8UR
Sent: Tuesday, January 13, 2009 4:51 PM
To: Discussion of precise time and frequency measurement
Subject: Re: [time-nuts] Sound cards

Lux, James P wrote:

 I was amused when the guy at the stereo store tried to sell me on RF
shielded TOSlink cables, claiming it would provide more clarity and
definition in the sound.  Uh-huh..   Sort of like the green marking pen for
the edges of your CDs to reduce internal reflections, etc. (I, of course,
would only use the finest brush made from selected hairs of Tibetan mountain
goats to apply a dye made from chlorophyll molecules selected using an
electron microscope by trained technicians, etc..  A marking pen? My
$14000 speaker cables supported on carefully oriented pure fused silica
supports would wither in shame.)

We have a rule here -- no discussion of audiophile insanity!  You'll thank
me in the end if we avoid a few hundred anecdotes about speaker cable and
$500 knobs. :-)

John

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Re: [time-nuts] Sound Cards

2009-01-13 Thread Demian Martin


Magnus Danielson wrote:

  The digital link in question is S/PDIF; with the current popularity
  of Home Theater systems cheap cards with digital I/O have become
  quite prevalent. As an added bonus, S/PDIF can be run over both
  coaxial and optical media, the latter being attractive in further
  isolating PC noise from any measurement setup. And of course, a
  manufacturer's evaluation board is much better documented and more
  suited to measurement-specific mods than a random sound card.
 
 The optical link commonly being used for S/P-DIF is TosLink and it seems
 like it can be the cause of many problems. It seems like some care in
 doing the optical link setup is needed. I have never digged into why the
 optical links have that problem. I can only guess, but bad optical
 coupling seems reasonable. The multimode fiber seems to be leaving one
 or two things to ask for.
 
 Cheers,
 Magnus

Without getting too audiophile there are several considerations. Toslink
is bandwidth limited- the LED's are not really fast enough for 96K and
really not for 192K sampling. The effect is high jitter on the link or a
lost connection. The high jitter may not matter if the sampling is done with
the external capture system (most of which are much more expensive). SPDIF
or AES/EBU don't have the bandwidth limitation but can have other issues.
The cheap ones don't have transformer isolation, however the transformers
can increase the jitter on the link. You can use external USB capture, I'm
playing with an EMU Tracker pre gadget that seems to do 192K at 24 bits
pretty well and for $125. But I get better results from the ESI Juli@ pci
card for around the same price, very low distortion and noise, and good Alsa
support in Linux. It may be all that's needed.
  -Demian 


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Re: [time-nuts] Sound cards

2009-01-13 Thread Lux, James P

 From: time-nuts-boun...@febo.com
 [mailto:time-nuts-boun...@febo.com] On Behalf Of Hal Murray
 Sent: Tuesday, January 13, 2009 3:24 PM
 To: Discussion of precise time and frequency measurement
 Subject: Re: [time-nuts] Sound cards



 I haven't worked with plastic fibers.  I'd expect the
 engineering to be conservative so it should just work.  If it
 doesn't the obvious problems are dirt/mud at the connectors
 or cracked/broken fibers.  (I'm assuming a sane
 length.)

 One disadvantage of conservative engineering is that a system
 that's broken might actually work well enough to act like a
 flaky system.  I'm thinking of something like a broken fiber
 that is sometimes held in place close-enough by the jacket.



And, in a situation where the plastic fiber is just getting the databits from 
A/D into computer, as long as the BER is reasonably low, it works. You're not 
worried about actually using the fiber for accurate timing, just as a data 
transport.

BTW, the scenario of broken fiber held by the jacket is very close to the one 
failure I've had with plastic fiber.

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Re: [time-nuts] Sound Cards

2009-01-13 Thread steve heidmann
Firecomm.com has some nice parts to look at

--- On Tue, 1/13/09, Demian Martin demi...@attglobal.net wrote:

From: Demian Martin demi...@attglobal.net
Subject: Re: [time-nuts] Sound Cards
To: time-nuts@febo.com
Date: Tuesday, January 13, 2009, 4:05 PM


Magnus Danielson wrote:

  The digital link in question is S/PDIF; with the current popularity
  of Home Theater systems cheap cards with digital I/O have become
  quite prevalent. As an added bonus, S/PDIF can be run over both
  coaxial and optical media, the latter being attractive in further
  isolating PC noise from any measurement setup. And of course, a
  manufacturer's evaluation board is much better documented and
more
  suited to measurement-specific mods than a random sound card.
 
 The optical link commonly being used for S/P-DIF is TosLink and it seems
 like it can be the cause of many problems. It seems like some care in
 doing the optical link setup is needed. I have never digged into why the
 optical links have that problem. I can only guess, but bad optical
 coupling seems reasonable. The multimode fiber seems to be
leaving one
 or two things to ask for.
 
 Cheers,
 Magnus

Without getting too audiophile there are several considerations.
Toslink
is bandwidth limited- the LED's are not really fast enough for 96K and
really not for 192K sampling. The effect is high jitter on the link or a
lost connection. The high jitter may not matter if the sampling is done with
the external capture system (most of which are much more expensive). SPDIF
or AES/EBU don't have the bandwidth limitation but can have other issues.
The cheap ones don't have transformer isolation, however the transformers
can increase the jitter on the link. You can use external USB capture, I'm
playing with an EMU Tracker pre gadget that seems to do 192K at 24 bits
pretty well and for $125. But I get better results from the ESI Juli@ pci
card for around the same price, very low distortion and noise, and good Alsa
support in Linux. It may be all that's needed.
  -Demian 


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Re: [time-nuts] Sound Cards

2009-01-13 Thread Bruce Griffiths
Steve

Do you mean?:
http://www.firecom.com/

Bruce
steve heidmann wrote:
 Firecomm.com has some nice parts to look at

 --- On Tue, 1/13/09, Demian Martin demi...@attglobal.net wrote:

 From: Demian Martin demi...@attglobal.net
 Subject: Re: [time-nuts] Sound Cards
 To: time-nuts@febo.com
 Date: Tuesday, January 13, 2009, 4:05 PM


 Magnus Danielson wrote:

   
 The digital link in question is S/PDIF; with the current popularity
 of Home Theater systems cheap cards with digital I/O have become
 quite prevalent. As an added bonus, S/PDIF can be run over both
 coaxial and optical media, the latter being attractive in further
 isolating PC noise from any measurement setup. And of course, a
 manufacturer's evaluation board is much better documented and
   
 more
   
 suited to measurement-specific mods than a random sound card.
   
 The optical link commonly being used for S/P-DIF is TosLink and it seems
 like it can be the cause of many problems. It seems like some care in
 doing the optical link setup is needed. I have never digged into why the
 optical links have that problem. I can only guess, but bad optical
 coupling seems reasonable. The multimode fiber seems to be
 
 leaving one
   
 or two things to ask for.

 Cheers,
 Magnus
 

 Without getting too audiophile there are several considerations.
 Toslink
 is bandwidth limited- the LED's are not really fast enough for 96K and
 really not for 192K sampling. The effect is high jitter on the link or a
 lost connection. The high jitter may not matter if the sampling is done with
 the external capture system (most of which are much more expensive). SPDIF
 or AES/EBU don't have the bandwidth limitation but can have other issues.
 The cheap ones don't have transformer isolation, however the transformers
 can increase the jitter on the link. You can use external USB capture, I'm
 playing with an EMU Tracker pre gadget that seems to do 192K at 24 bits
 pretty well and for $125. But I get better results from the ESI Juli@ pci
 card for around the same price, very low distortion and noise, and good Alsa
 support in Linux. It may be all that's needed.
   -Demian 


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Re: [time-nuts] Sound cards

2009-01-12 Thread christopher hoover
John Ackermann wrote:

 One very interesting possibility is the HPSDR (High Performance
 Software Defined Radio) boards called Ozy and Janus.  

 I'm not aware of anyone using this system for TF work, but it has some
interesting possibilities.

I bought mine for tf work, but sadly I have not gotten to it: I just can't
seem to get my 2.5 yo boy interested enough in the subject yet, although he
is very adept at removing all the dust caps from my gear.  :-)

-ch



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[time-nuts] Sound cards

2009-01-09 Thread Rex

In the uber-thread Sub Pico Second Phase logger, this exchange took 
place on 12/16:

Bruce Griffiths wrote:
 
  Joseph M Gwinn wrote:
 
  time-nuts-boun...@febo.com wrote on 12/15/2008 06:42:59 PM:
 
  I've also looked at the specs for several other high end sound cards.
  Quite a few only have single ended inputs.
  Maybe, I should document the various cards and highlight their
  shortcomings etc for this application.
 
  That would be very useful.
   
  I'll start on this shortly.

Maybe I lost track and missed something, but I don't think I ever saw 
more on the subject of specific high-end sound cards that might be 
useful for nutty measurements.

I'd be interested to hear what any of the group has to share about 
relative merits of current sound cards that can be interfaced for 
measurements like what was being discussed in that earlier thread. (And 
some before and since.)

 From my own point of view, I'd most like to hear about any that are 
external -- connected by USB or 1394, rather than an internal card. This 
makes it more portable and easier to move between different PC's.

Bruce or anyone, got more to share?



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Re: [time-nuts] Sound cards

2009-01-09 Thread John Ackermann N8UR
Rex said the following on 01/09/2009 06:37 AM:

 Maybe I lost track and missed something, but I don't think I ever saw 
 more on the subject of specific high-end sound cards that might be 
 useful for nutty measurements.
 
 I'd be interested to hear what any of the group has to share about 
 relative merits of current sound cards that can be interfaced for 
 measurements like what was being discussed in that earlier thread. (And 
 some before and since.)
 
  From my own point of view, I'd most like to hear about any that are 
 external -- connected by USB or 1394, rather than an internal card. This 
 makes it more portable and easier to move between different PC's.

[Shameless Plug]

One very interesting possibility is the HPSDR (High Performance Software 
Defined Radio) boards called Ozy and Janus.  Together with a passive 
backplane called Atlas, they provide an extremely high performance 
ADC/DAC that supports sampling to 192k and output via USB.  The system 
was designed for use as the interface between a PC and an SDR and 
special attention was paid to low noise and flat frequency response.  I 
am not certain, but I *think* that the inputs are DC coupled.

The two boards, assembled and tested, run about $320, with a discount 
for TAPR members.  The backplane is a fairly simple kit (lots of 
connector pins to solder, but not much complexity) that sells for $28, 
also with a discount for TAPR members.  Bare boards, but not kits, for 
Ozy and Janus are also available for the adventurous.

I'm not aware of anyone using this system for TF work, but it has some 
interesting possibilities.

[/Shameless Plug]

John

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Re: [time-nuts] Sound cards

2009-01-09 Thread Eric Williams
I've been using a Edirol FA-66, a firewire box with two balanced inputs 
plus four more unbalanced.  I think it can handle 192ks/24bit on 4 
channels.  A lot of hams use it for software defined radios, but I just 
know it has better sound, especially the lows, for playing MP3s compared 
to most sound cards and iPods.

Rex wrote:
 I'd be interested to hear what any of the group has to share about 
 relative merits of current sound cards that can be interfaced for 
 measurements like what was being discussed in that earlier thread. (And 
 some before and since.)

  From my own point of view, I'd most like to hear about any that are 
 external -- connected by USB or 1394, rather than an internal card. This 
 makes it more portable and easier to move between different PC's.
   


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Re: [time-nuts] Sound cards

2009-01-09 Thread Bruce Griffiths
Eric Williams wrote:
 I've been using a Edirol FA-66, a firewire box with two balanced inputs 
 plus four more unbalanced.  I think it can handle 192ks/24bit on 4 
 channels.  A lot of hams use it for software defined radios, but I just 
 know it has better sound, especially the lows, for playing MP3s compared 
 to most sound cards and iPods.

 Rex wrote:
   
 I'd be interested to hear what any of the group has to share about 
 relative merits of current sound cards that can be interfaced for 
 measurements like what was being discussed in that earlier thread. (And 
 some before and since.)

  From my own point of view, I'd most like to hear about any that are 
 external -- connected by USB or 1394, rather than an internal card. This 
 makes it more portable and easier to move between different PC's.
   
 


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Like many external Firewire sound boxes it has +48V phantom power
available, which can be something of a hazard for this application
unless all external preamps etc are designed to survive accidental
application of +48V to their outputs.

It also has a relatively low maximum input (+4dBu ~1.2Vrms) making it
perhaps a little less robust than one with a

Bruce

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Re: [time-nuts] Sound cards

2009-01-09 Thread Bruce Griffiths
Rex wrote:
 In the uber-thread Sub Pico Second Phase logger, this exchange took 
 place on 12/16:

 Bruce Griffiths wrote:
  
   Joseph M Gwinn wrote:
  
   time-nuts-boun...@febo.com wrote on 12/15/2008 06:42:59 PM:
  
   I've also looked at the specs for several other high end sound cards.
   Quite a few only have single ended inputs.
   Maybe, I should document the various cards and highlight their
   shortcomings etc for this application.
  
   That would be very useful.

   I'll start on this shortly.

 Maybe I lost track and missed something, but I don't think I ever saw 
 more on the subject of specific high-end sound cards that might be 
 useful for nutty measurements.

 I'd be interested to hear what any of the group has to share about 
 relative merits of current sound cards that can be interfaced for 
 measurements like what was being discussed in that earlier thread. (And 
 some before and since.)

  From my own point of view, I'd most like to hear about any that are 
 external -- connected by USB or 1394, rather than an internal card. This 
 makes it more portable and easier to move between different PC's.

 Bruce or anyone, got more to share?



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I did start compiling info on sound cards and boxes that are suitable.
However I have yet to find a suitable simple way of presenting it.
A spreadsheet doesnt work that well.
I'll look at this again.

Bruce

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Re: [time-nuts] Sound cards

2009-01-09 Thread Bruce Griffiths
John

John Ackermann N8UR wrote:
 Rex said the following on 01/09/2009 06:37 AM:

   
 Maybe I lost track and missed something, but I don't think I ever saw 
 more on the subject of specific high-end sound cards that might be 
 useful for nutty measurements.

 I'd be interested to hear what any of the group has to share about 
 relative merits of current sound cards that can be interfaced for 
 measurements like what was being discussed in that earlier thread. (And 
 some before and since.)

  From my own point of view, I'd most like to hear about any that are 
 external -- connected by USB or 1394, rather than an internal card. This 
 makes it more portable and easier to move between different PC's.
 

 [Shameless Plug]

 One very interesting possibility is the HPSDR (High Performance Software 
 Defined Radio) boards called Ozy and Janus.  Together with a passive 
 backplane called Atlas, they provide an extremely high performance 
 ADC/DAC that supports sampling to 192k and output via USB.  The system 
 was designed for use as the interface between a PC and an SDR and 
 special attention was paid to low noise and flat frequency response.  I 
 am not certain, but I *think* that the inputs are DC coupled.

   
Not according to the circuit schematic.
The input coupling is 10uF + 10K with a corresponding low frequency 3dB
cutoff of 1.6Hz.
Default inputs are single ended, balanced inputs are accessible via a
pair of headers.
Input full scale is that of the AKM5394 ADC chip (1.7Vrms nominal).
There is a small dc offset between the differential inputs to the
AKM5394 to eliminate an idle tone related spurious output.

 The two boards, assembled and tested, run about $320, with a discount 
 for TAPR members.  The backplane is a fairly simple kit (lots of 
 connector pins to solder, but not much complexity) that sells for $28, 
 also with a discount for TAPR members.  Bare boards, but not kits, for 
 Ozy and Janus are also available for the adventurous.

 I'm not aware of anyone using this system for TF work, but it has some 
 interesting possibilities.

 [/Shameless Plug]

 John

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Bruce

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