there are indeed going to be new tracks:
from Astralwerks
http://www.astralwerks.com/kraftwerk/default.html
"The album Tour de France Soundtracks will be released on August 19th and
features all-new recordings of the single Tour de Fance 2003 alongside
brand new compositions as well as a new ver
hey, that dan curtin release is living up to all the praise it's received.
it's nice to hear that early poff/metamorphic sound again. by the way...
that photo on the EP label reminds me of pictures that some of the
replicants in BladeRunner used to carry with them. hmmm.
cheers,
lrh
whats up everyone. first of all i want to say the new kraftwerk 03 is
amazing! who ever said it sounded like"lame basic channel" and should get
slaped in the face :)
my question is the Kraftwerk LP thats comming out going to be reworks of
older tracks. has anyone heard the whole LP??? or i
My boy Ben is leaving for San Diego soon, and this is will be his last gig
before he leaves. Come check it out!
NECTO 516 E. Liberty, Ann Arbor (734)994-5436 http://www.thenecto.com
"Lust" Ben Wu's Farewell Party
GUESTS:
*Ben Wu (Club246/Detroit - techno,house,breaks)
*DJ Teddie (Aquafresh/Det
come on down to spiral.
George Rahme, Ross Katz, Charle George, Scotto
and a few more will be playing some records in the main room and bar area.
Apologies if you get this twice, because I recieved it through 313, but it
appears no one else did...
-Original Message-
From: Dennis Donohue [mailto:[EMAIL PROTECTED]
Sent: Thursday, July 10, 2003 10:29 AM
To: '[EMAIL PROTECTED]'; 313@hyperreal.org
Subject: RE: (313) Tour de France 03
My weekly radio show at WBAR 87.9 FM Barnard College radio, NYC is tomorrow
and every Friday night from 6pm to 8pm.
Last week I took off due to the holiday. The show can be accessed online at
www.wbar.org.
I haven't decided what I will be playing tomorrow - maybe disco house or
techno. It wi
>Comparing today's music to techno from 10 or 15 years ago is like
comparing
>the original Star Wars Trilogy to the newer movies like Episode 1.
>Is newer better? well no because in this case newer technology was not
utilized correctly to
>improve on an old concept which had room for some improve
Hi all,
Here's a mix I did.
Hope the long link doesn't break. If it does you can reach it through the site
anyway.
Mix:
http://www.arcart.org/audio/mixes/Max_Duley_-_Learning_Process_section_3_.mp3
Tracklist:
TERRACE - "INTO DEEP SPACE" (ORLANDO VOORN mix) (EEVO LUTE)
LIKE A TIM - "GROANIN
On 7/10/03 10:30 AM, "Dave Parsons" <[EMAIL PROTECTED]> wrote:
> Did Juan also hear 'Planet Rock'? as this was relased around the same
> time as 'Alley's Of Your Mind' on Deep Space... I don't know which one
> was first.
I believe Planet Rock was 1982, shortly after "Alleys". A better
inspira
>"Detroit, you have to look at a DJ called Electrifying Mojo: he had five
>hours every night, with no format restrictions. It was on his show that I
>first heard Kraftwerk."
Right, cool. Thanks for that. I was interested because I couldn't believe
it!
It's just well, I dunno, out of the 'bellevil
I think this was eloquently answered by JT just now Alex - something about
their influence seeping into the collective unconcious (those latter two are
my words, but I think - *think*) that's what JT meant. So we all have no
need to exhume any argument about who did what first! ;-)
Indeed -
This is why Juan Atkins came up with a similar sound with out even hearing of
Kraftwerk.
Is this true?
Nope it's not. I remember Atkins quoting where he first heard Kraftwerk (I
think it was the Electrifying Mojo show), but it's obvious anyway from the
Model 500 releases that he was influe
Alex Bond:
>look, I'm not starting anything, and this is not a sarcastic question. But,
>
>>This is why Juan Atkins came up with a similar sound with out even hearing
>of Kraftwerk.
>
>Is this true?
I think this was eloquently answered by JT just now Alex - something about
their influence seeping
Did Juan also hear 'Planet Rock'? as this was relased around the same
time as 'Alley's Of Your Mind' on Deep Space... I don't know which one
was first.
-Original Message-
From: Brendan Nelson [mailto:[EMAIL PROTECTED]
Sent: 10 July 2003 15:24
To: [EMAIL PROTECTED]; 313@hyperreal.org
Su
look, I'm not starting anything, and this is not a sarcastic question. But,
>This is why Juan Atkins came up with a similar sound with out even hearing
of Kraftwerk.
Is this true?
just interested to know.
--
This taken from: http://www.jahs
No Problem, always happy to help and keep the list On Topic
> Best DJ Trick goes to Christian - he played one side of a DFA record and
> toward the end of the song put it through an effects processor to echo the
> last bit of it, then flipped the record over, mid-set, while the echo was
> going, a
> -Original Message-
> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
> Sent: 10 July 2003 15:23
>
> look, I'm not starting anything, and this is not a sarcastic
> question. But,
>
> >This is why Juan Atkins came up with a similar sound with
> out even hearing
> of Kraftwerk.
>
> Is
look, I'm not starting anything, and this is not a sarcastic question. But,
>This is why Juan Atkins came up with a similar sound with out even hearing
of Kraftwerk.
Is this true?
just interested to know.
Thanks.
Alex
_
Comparing today's music to techno from 10 or 15 years ago is like
comparing
the original Star Wars Trilogy to the newer movies like Episode 1.
Is newer better? well no because in this case newer technology was not
utilized correctly to
improve on an old concept which had room for some improveme
I just made my point with the man machine concept, which is a conventional
way of interpreting
technology at the time.
Their music was not unconventional and abstract like say a Mortin Subotnick.
I don't know your age or which particular era of Kraftwerk you're
referencing (there is pre-Au
I have been considering the matter further, and have managed to frown my
way to a second conclusion: that the premise of all music is "look, I
can make various melodic and rhythmic sounds with either my voice or
with certain physical objects". From that we can deduce that music isn't
really all tha
Techno is basically a late 80's early 90's music genre, it's like
"electro".
ahh you're one of those people who encapsulates music to a specific time
period. like, jazz is a 1920's genre. rock is 1950's. techno, 1980's. but
then you talk about progress, innovation and improvement - -i dont see
rock is just the sound of electrified strings, plucked, and acoustic drums
hmmm i know i shouldn't rise to it but i can't help meself
robin...
> So today's revelation, broadly speaking, is that electronic music is
> made with electronic equipment?
>
> You know, 313 isn't just informative and e
--- Bleep43 <[EMAIL PROTECTED]> wrote:
> "I don't see their music as being really that
> original?"
>
> er. so who else sounds like them then? And who did they copy? Or is
> this another classic spw wind-up?
>
> I can see what you are saying about them being around at the same time as
> el
> That's the premise of all electro and techno music: "look I can make
futuristic sci-fi sounding
> music with this mechanical sounding drum machine and electronic sounding
on synthesizer which does
> a poor job imitating acoustic sounds"
now, thats what i call CLASSIC ;)
fab
Just because Kraftwerk came out with music using the same instruments, does
not mean that it _sounded_ the same. If all music created with like
instruments sounded exactly the same, than Jimi Hendrix should have never
even picked up a guitar...
Spw, you have good "devil's advocates" thoughts and
A stunning observation!
-Original Message-
From: spw [mailto:[EMAIL PROTECTED]
Sent: Thursday, July 10, 2003 2:00 PM
To: 313@hyperreal.org
Subject: Re: (313) Tour de France 03 video
make that + synthesizers.
That's the premise of all electro and techno music: "look I can make futuristic
So today's revelation, broadly speaking, is that electronic music is
made with electronic equipment?
You know, 313 isn't just informative and entertaining - it's
*educational* too!
> -Original Message-
> From: spw [mailto:[EMAIL PROTECTED]
> Sent: 10 July 2003 15:00
> To: 313@hyperreal.or
make that + synthesizers.
That's the premise of all electro and techno music: "look I can make futuristic
sci-fi sounding
music with this mechanical sounding drum machine and electronic sounding on
synthesizer which does
a poor job imitating acoustic sounds"
--- spw <[EMAIL PROTECTED]> wrote:
>
"I don't see their music as being really that
original?"
er. so who else sounds like them then? And who did they copy? Or is
this another classic spw wind-up?
I can see what you are saying about them being around at the same time as
electronic music and equipment began to make up a head of
the main flaw in your reasoning which is a bit idol worshiping in my opinion is
why didn't we hear
more of that sound when they played live in the late 80's, early 90's, or eve
mid 90's?
They are obviously influenced by todays dance trends, I don't see their music
as being really that
original,
--- Matthew MacQueen <[EMAIL PROTECTED]> wrote:
> To you. So that is an excuse for LFO to keep making the same tracks over
> and over? I don't buy it. While diehard fans might want an artist to
> stay in their personal favorite period (to your ears 'the best' period)
> forever, the vanguard artist
Thanks a lot. Yeah when christian played he used the bassline from my fav
supercollider track and mixed it into the lyrics of this one, figured there
was a connection. Such a warm beautiful track.
Best DJ Trick goes to Christian - he played one side of a DFA record and
toward the end of the song p
yeah, especially the first track on side a really stands out!
the best I've heard from mr Curtin in a while
smooth low-pitched kick with some incredilble cathy funky basslines!
- Original Message -
From: "Arne Weinberg" <[EMAIL PROTECTED]>
To: "313 Mailing List" <313@hyperreal.org>
Se
the album really suprised me!
i expected more of too soften smooth noodlings
but several tracks are very raw and funky as god
going towards super_collider in a way
really suprising, and really good!!
the twelve is more on the regular tip, pretty smooth
- Original Message -
From: <[EMAI
The new 12" on Down Low by Dan Curtin is just released right now. In europe
it's distributed by Rushhour and in the states by Syntax. The usual record
shops should have it. The first edition is limited in clear see through yellow
vinyl, so hurry up
It's a superb new record. Typical Dan Curti
At 09:24 PM 7/9/2003, Cyclone Wehner wrote:
Hey
Oh great, I got part 1 in Detroit and despite searching, there was no Part
2.
;)
Can I ask, where did you get it?
Cheers!
Cyclone
Record Time has these off and on.
jeff
hi folks. anyone have any info regarding downLow's website? i was trying to
get there in order to gather info about dan curtin's latest EP. (like where to
get it.)
hopefully the site won't be down for too long.
cheers,
lrh
[update]
Abstract Science this Thursday night
2003.07.10th 22:00 4hours
guest hosted by: m50
tune in to 88.7 fm or http://147.126.7.8:8010/listen.pls
http://www.wluw.org/
http://www.abstractscience.net/
etc this Friday night
2003.07.12sa 01:00 3hours
hosted by: m50
featuring live PA by:
Proswell (
yup...daughter i believe
-Original Message-
From: Andrew [mailto:[EMAIL PROTECTED]
Sent: 09 July 2003 23:59
To: Matthew MacQueen
Cc: Allday, Andrew; 313@hyperreal.org
Subject: Re: (313) Amp Dog Knights - Vocal Sampler - Somehow, Somewhere.
. .
So that's not Syleena Johnson then? (Rece
Was just flicking through the Rushhour list and spotted two new Omoa music
releases.
an Ayro LP, and a remix 12".
Has anyone heard them?
I've liked the omoa stuff in the past, might buy, could do with listening,
or someone telling me what they think..
Thanks!
___
Phonopsia wrote on Thu, 10 Jul 2003 about following:
> > robert hood - rumors of my doom - drama
>
> Now *that* is a song title!
one of those tracks i keep wondering nobody talks about; it's quite old
by now, but definitely one of the best tracks by hood, up there with
The Vision ep on metro
Its chungking 'making music' which is on their
album 'we travel fast' on tummy touch, and i think that track might
be released as a single - its lovely isn't it? the bassist from
super_collider, James Stephenson plays bass and produces chungking,
That's his proper band so to speak. they are very me
>
> From: "ian cheshire" <[EMAIL PROTECTED]>
> Date: Thu 10/07/2003 12:5 AM GMT+08:00
HI all,
Just to add. I saw Stephen Brown live at House of God a few years back. He was
awesome live. Don't miss that!!!
I wonder if any shops still keep stock of his real time Records releases. I
could not g
Hey
Oh great, I got part 1 in Detroit and despite searching, there was no Part
2.
;)
Can I ask, where did you get it?
Cheers!
Cyclone
--
>From: [EMAIL PROTECTED]
>To: 313@hyperreal.org
>Subject: (313) Theo Parrish - Eclectic Asthetic part II CD
>Date: Wed, 9 Jul 2003 11:55 AM
>
> I jus
- Original Message -
From: "dang" <[EMAIL PROTECTED]>
To: <313@hyperreal.org>
Sent: Thursday, July 10, 2003 12:54 AM
Subject: (313) mix
> robert hood - rumors of my doom - drama
Now *that* is a song title!
Tristan
===
Text/Mixes/Pics: http://www.phonopsia.co.uk
Music: http://www.
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