(313) Re: Theo Parrish Online Interviews

2004-02-01 Thread Andy Mitchell
Someone posted a link to a Theo Parrish interview lately, wondered does anyone still have it? This one is dope... http://www.kcrw.org/cgi-bin/db/kcrw.pl?show_code=ccair_date=7/9/03tmplt_ty pe=show

RE: (313) Kenny and Jeff

2004-02-01 Thread Gerald
That was already done by 'The Scientist' :) -- http://matrix.iroprax.com -Original Message- From: placid [mailto:[EMAIL PROTECTED] Sent: Friday, January 30, 2004 1:26 PM To: [EMAIL PROTECTED]; 313@hyperreal.org Subject: RE: (313) Kenny and Jeff Next ep

Re: (313) Kenny and Jeff

2004-02-01 Thread kj at technotourist dot org
i am waiting here for some to make the joke that the next UR record will be from The Anarchist ;) Oh i saw Plaid The Rephlex disco assault system last friday and they rocked! If you can see them somewhere make sure you go. Cyclob played some amaxing records, DMX Crew live where brilliant and

Re: (313) capturing a live mix.

2004-02-01 Thread Kent williams
I think that any mix represented as 'Live' should be presented without edits, but certainly things like removing silence from then ends, big clicks, etc is certainly fair cricket. But more than anything being able to maximise the average level of a mix after the fact will make it better

(313) roy cordu?

2004-02-01 Thread jurren baars
i've been listening to roy cordu's 'parce que je reve' 12 again the past couple of days, and was wondering if he/he/they had released anything else? anyone know? jurren _ Talk with your online friends with MSN Messenger

Re: (313) RIAA v. DJ's

2004-02-01 Thread Rc
sorry jurren but that's incorrect. in a piece of recorded music there are two copyrights: 1) the copyright in the sound recording (generally owned by the recording company) 2) the copyright in the musical work or composition (ultimately owned by the composer(s) who may be represented by a

Re: (313) RIAA v. DJ's

2004-02-01 Thread jurren baars
Michael Elliot-Knight wrote: OK - so here's another question It's the Record Industry Association of America - which I then assume excludes UK, Japan, Euro, Oz, etc. labels so then, hypothetically, I could make a mix CD consisting solely of labels and artists from these countries and the