He started off with a mix of deep house and minimal dropping the
acapella of a Blaze track over some beepy stuff and also a minimal
mix of that big St. Germain downtempo track that I've never heard
before and could be his own mix since he was playing on Serato.
I've heard that is
On 9/18/07, robin [EMAIL PROTECTED] wrote:
He started off with a mix of deep house and minimal dropping the
acapella of a Blaze track over some beepy stuff and also a minimal
mix of that big St. Germain downtempo track that I've never heard
before and could be his own mix since he was
I'm always open to a new twist on an old favourite.
If it sucks I'll pass, if it doesn't then all good.
robin...
On 18 Sep 2007, at 13:16, Thomas D. Cox, Jr. wrote:
On 9/18/07, robin [EMAIL PROTECTED] wrote:
He started off with a mix of deep house and minimal dropping the
acapella of a
there's nothing missing. and i havent heard yet a remix that sounds better
than/as good as the original. nor blaze, nor spiller, nor the that floorplay
version.
but that doesn't mean you can't give it another twist. especially when we're
talking about such an overplayed (not in our days, but
The one thing I've learned (or come to appreciate) in the past XX years of
listening to this kind of music is that it's extremely rare that a remix
holds a candle to the original. I guess I'm a big believer that original
intent holds the bulk of the emotion / artistic creativity.
the exception proves the rule, gil - dahlbaeck's remix of thomas
krome's the real jazz!
On 9/18/07, Gil Yaker [EMAIL PROTECTED] wrote:
The one thing I've learned (or come to appreciate) in the past XX years of
listening to this kind of music is that it's extremely rare that a remix
holds a
The one thing I've learned (or come to appreciate) in the past XX
years of
listening to this kind of music is that it's extremely rare that a
remix
holds a candle to the original. I guess I'm a big believer that
original
intent holds the bulk of the emotion / artistic creativity.
On 9/18/07, Thomas D. Cox, Jr. [EMAIL PROTECTED] wrote:
i still dont understand why people dont just play the original rose
rouge. what was that track missing that needed remixed?!?!?!
It obviously didn't sound minimal enough to the ears of whoever remixed it.
Thanks for the info re this gig, great little club with no bull$hit, it
had all the elements a good club needs: dark, underground, nice crowd,
nice security. No trendies trying to look cool. Lots of people dancing
all night.
As for May, great tunes, mixed well in his usual style, more house than
