I see that Ade did his job and has put together and incredible line up.
And after seeing Octave One live, 2 nights ago, I would have to say ,
don't miss it!!!
Dave
[EMAIL PROTECTED] wrote:
Oh yeah, Alexander Robotnick, Octave One live, Terrence Parker closing out
the last night, the Br
Dave Barnett wrote:
Any idea who is supporting them in Detroit?, (who should?) - Galaxy to
Galaxy!
- Dave
When they played in Seattle last year, they played for about 3 hours.
They didn't have an opening band
and didn't need one Though, for the Detroit show, they should get
Galaxy
Wish I could see the face of the guy who approves Visa's for the US.
Hmmm... British Murder Boys...
Might be wiser for them to apply seperately
and then just perform together over here
Dave
[EMAIL PROTECTED] wrote:
mucho gracias. now only if they would come to detroit...
Andrew
Think he's from detroit - I seem to remember hearing a mix of his on
frequencydetroit.com 2 or so years back. More house than techno from
what I remember.
For that Mix it was more house then techno. But Mike's a versatile man.
Dave
>>and cyclone said something about it being ON Record Time..? they
don't have a label, do they?
They certainly did have a label it was called "M3" not Record Time. I
believe that it's now defunkt.
Cheers,
Dave
robin wrote:
i still can't quite believe it went for £5400 tho.
Sorry, haven't been following this thread fully, but it's been confirmed
that the actual money has passed
hands and this wasn't a fake bid?
Just use and anonymous web proxy and anonymous email system and setup an
ebay accou
[EMAIL PROTECTED] wrote:
the fact is- the sound of Detroit right now (disregarding the obvious
mainstream dance contingent) still has little to do with Detroit techno in
the traditional sense.
Actually the fact is that this IS a list about detroit techno. So I
don't care of if Detroit Blueg
It's a full Song. It was released on London Records, which I picked up
in Leeds on my last trip(a few years ago) :)
It includes the Acapella as well, which is where NOW picked up from .
You can probably find the
acapella floating around on Soulseek, if you are so inclined.
Cheers,
Dave
[EMAIL PROTECTED] wrote:
Get this - Sasha has designed an ableton live controller. I've got a funny
feeling it could be alright. I think personally alot of controllers on the
market at the mo. are pretty average. But this is specifically designed for
the dj, and the comments I've read about it m
Martin Dust wrote:
We would advise everyone to boycott his release as it is a blatant
attempt to rip Theo off and it only increases the likelihood of the
Ugly series being put to bed all together, which would be a real shame.
So, have to say this when I saw this, maybe just being a devil's
Hi All,
First off, I have to say this does, suck. I enjoyed your site very much.
This type of activity has been happening for quite sometime, at least on
the US front. The RIAA, ASCAP, & BMI all have spider bots that patrol
the web
and compare what they find to their database of registered users
Alexander, Nathaniel wrote:
You may have seen the review posted a while back of Theo Parrish playing in
Belgium - I was also there and while he was pretty good for the first part of
his set, he really lost it and did absolutely nothing to try and regain the
floor. First time I had seen him o
Hopefully they payed the royalties
Tom Churchill wrote:
Just flicked through the TV channels and on Channel 4 right now is a
documentary about Mariah Carey - 'Mariah Carey: The Billion Dollar Babe' -
and the background music is Basic Channel's Quadrant Dub from BC-06. Will
wonders never ce
First Choice's version of Love and Happiness is available as a full
acapella(on what record, I can't tell you).
But there isn't any added reverb or delay, it's just a straight acapella,
but if the DJ was playing on a mixing board that had either effects or
effects sends, then it wouldn't be too
Hmm.. I didn't know about the Radikal Fear version.I only have and
only have heard about the
Warehouse version. Is their any different mixes on the Radikal Fear
version?
Thanks,
Dave
[EMAIL PROTECTED] wrote:
Don't know many, but here's my all time favourite -
With Armando - Welcome
FRED giannelli wrote:
I think I set the record straight here years ago.
http://www.fopi.net/inter/fred.htm
Thanks for the link. Confirms my understanding , but from an insiders
perspective.
Thanks,
Dave
jonathan morse wrote:
yeah...genesis p orridge actually invented acid house, err...well, at least
he claims he did. no really, I swear. it says so right on his 'jack the tab'
compilation.
ok...ill stop now.
Well, Genesis has made quite a few different claims in the past. I
take all sta
Looks like Submerge moving from it's old location to it's present, dug
up some old records. Good to see this flyer still around. It's been
up in my dj booth for about the last 7 - 8 years. Good inspiration.
Dave
Jason Brunton wrote:
that's really, really weird- I opened a record about two
Sneak wishes he was the original source of this... but it's most likely
his trusty Akai S-950.
Grammenos, Peter wrote:
" .. way back, to the Paradise Garage" .. ?
Isn't that an old old DJ Sneak track?
-p
-Original Message-
From: :: evilgenetix :: [mailto:[EMAIL PROTECTED]
Sent:
[EMAIL PROTECTED] wrote:
The only way artists can get around that is to form collectives which gives
them more people power and certain rolls can be divided up. What has been
working within the indie rock world is smaller labels joining forces and
creating their own distribution network. It al
diana potts wrote:
I always had a problem
with certain American producers putting their records
through Europe so they could get the "import" markup.
grrr. but that's another subject.
You have to remember, that they may be putting it out through Europe, as
they may have
a mfg & distribution
Matt Chester wrote:
I think the main reason for a small slump in
sales is pretty much due to the huge increase in artists clamouring for
attention, and most of them only exist now because of the relative ease of
them setting up their own labels and putting out their own records.
A major rea
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