Hey David
>
>Hi Ken,
>I know what you are saying. On the other hand, isn't the value of ALL
>intellectual property somewhat arbitrary and based on artificial
>scarcity (but definitely NOT the quality of information)?
I can agree and disagree with this David. The internet changes things
obviously
ssage-
From: Ken Odeluga [mailto:[EMAIL PROTECTED]
Sent: Tuesday, April 13, 2004 10:14 AM
To: Martin Dust; 313@hyperreal.org
Subject: RE: (313) Putting a Price on good music
You see, as with the Hood and the Moodymann private pressings, the
rationale
would make sense to me if the tracks
as purely do to with some residual good-sense on my part! ...
plus I'm gambling the shop I saw it at will still have copies by Thu -
payday!
k
>-Original Message-
>From: Martin Dust [mailto:[EMAIL PROTECTED]
>Sent: Tuesday, April 13, 2004 4:58 PM
>To: 313@hyperreal.org
&
13@hyperreal.org>
ave.com> cc:
Subject: RE: (313) Putting a
Price on good music
04/13/04 09:54 AM
wasn't
fair to people who really want it.
-Original Message-
From: placid [mailto:[EMAIL PROTECTED]
Sent: 13 April 2004 15:51
To: 313@hyperreal.org
Subject: (313) Putting a Price on good music
Will probably raise some controversy but the new Kenny larkin on
Peacefrog is worth every
> Will probably raise some controversy but the new Kenny larkin on
> Peacefrog is worth every penny of the 14.99 I paid
Is it only one track again?
Martin
I mistakenly ordered 2 copies.
-Original Message-
From: placid [mailto:[EMAIL PROTECTED]
Sent: 13 April 2004 3:51
To: 313@hyperreal.org
Subject: (313) Putting a Price on good music
Will probably raise some controversy but the new Kenny larkin on
Peacefrog is worth every penny of the
Will probably raise some controversy but the new Kenny larkin on
Peacefrog is worth every penny of the 14.99 I paid
Jus listening to it now...
Emotional Detroit techno at its very best.
placid
