Everybody interested in this stuff should go read the interview with
Rashad that Tristan linked. He says more than what Tristan quoted,
namely that he does make adjustments in the mastering room to avoid
phase problems, but they're usually so minor that the music isn't
changed much at all. Also, th
No, the lathe is fed with a DC biased side component in which case
there is always a certain depth above which the groove doesn't go and
therefore the reading head is always held in place by that additional,
say, 0.2mm of depth that is never used. You don't even compromise
dynamics, because it's no
Scream that I sample...but they should sample this-my pitbull.
On Wed, Oct 21, 2009 at 9:42 PM, cheater cheater wrote:
> No, to prevent this you don't make the bass mono, you just make the
> groove deeper. It's obvious to anyone who has ever drawn on wet sand
> as a kid.
>
> D.
>
> On Thu, Oct 22
No, to prevent this you don't make the bass mono, you just make the
groove deeper. It's obvious to anyone who has ever drawn on wet sand
as a kid.
D.
On Thu, Oct 22, 2009 at 1:38 AM, kent williams wrote:
> Well everyone knows not to give a mastering engineer a track with the
> bass out of phase.
Well everyone knows not to give a mastering engineer a track with the
bass out of phase. The problem is how stereo is encoded on vinyl --
vertical motion is the difference between the signals and lateral
motion is what's common between the signals.
Out of phase bass signals will make the groove sh
On 21/10/2009 16:43, kent williams wrote:
Which is why everything below 100HZ needs to be monophonic! A cutting
engineer can't fix that without putting your music through a crossover
and messing with the bass phase while checking a goniometer. They
really hate that shit.
It's interesting that
On Wed, Oct 21, 2009 at 11:43, kent williams wrote:
> Which is why everything below 100HZ needs to be monophonic! A cutting
> engineer can't fix that without putting your music through a crossover
> and messing with the bass phase while checking a goniometer. They
> really hate that shit.
Gonio
Which is why everything below 100HZ needs to be monophonic! A cutting
engineer can't fix that without putting your music through a crossover
and messing with the bass phase while checking a goniometer. They
really hate that shit.
On Wed, Oct 21, 2009 at 10:10 AM, Dan Brenner wrote:
> very good
