Could it be maybe: http://www.portiasurreal.com/
/jens
- Original Message -
From: spacecrusher [EMAIL PROTECTED]
To:
Sent: Monday, June 16, 2003 9:13 PM
Subject: Re: (313) Waveless DJing
this thread is oddly relevant to two different aspects of my friday night.
my bud Jack
;) We give it everything we've got - people are paying and travelling to see
us do our stuff, it only seems right that you should pull out all the stops.
I remember one gig where there was only one guy dancing, all night, he was
mad for it - so we went for it with him - working the decks and the
i dont see why the physical movement of
the artist is what makes you get into the music. it should be the
music that moves you
well you've obviously not been to see riverdance
14/6/03 10:13 PM [EMAIL PROTECTED]
::) wrote:
well you're there for the music, not to watch anyone do anything.
its annoying to have people stare at you during a set, you're just there to
provide the music.
Nothing wrong with this, mostly it's people looking to take a little of what
you
- Original Message -
From: Martin [EMAIL PROTECTED]
its annoying to have people stare at you during a set, you're just there
to
provide the music.
Nothing wrong with this, mostly it's people looking to take a little of
what
you are doing back home to practice with in the bedroom.
On Mon, 16 Jun 2003, sean deason wrote:
Get a proper porn mag or something! I mean, yeah Rob Theakston does know
how to manipulate the decks and tweak the EQ knobs, and the way he works
that crossfader,uhm... I gotta go...something just came up...
Thank you for totally ruining my morning. :P
its not like watching someone put a record on a turntable and then
play with the pitch until it plays at the same tempo as the other
record is the epitome of excitement (theo parrish and titonton are
exactly, it's NOT. i never realized how much the actual turning of the
head,
moving of the
Gosh Martin, those DUST events must be pretty good then eh? ;)
sean you dirty birdie, after reading your post I have visions of DJ peep
booths - lol!
lisa
sean deason wrote:
- Original Message -
From: Martin [EMAIL PROTECTED]
its annoying to have people stare at you during a
this thread is oddly relevant to two different aspects of my friday night.
my bud Jack Buser was doing a live set in a backroom at the big club here in
SF- 1015, and he just gets into it. One of our mutual friends commented that
it was like watching a puppetshow cuz he was bopping around and
performances because...
From: Lester Kenyatta Spence [EMAIL PROTECTED]
To: J. T. [EMAIL PROTECTED]
Cc: [EMAIL PROTECTED]; [EMAIL PROTECTED]; 313@hyperreal.org
Sent: Saturday, June 14, 2003 10:32 PM
Subject: Re: (313) Waveless DJing
But check this out. Back in the day there was a DJ in detroit named
On Sat, 14 Jun 2003, jayson b wrote:
if i just paid ten bucks you see you i best be getting someone juggling fish
or breaking bricks with their heads.
personally, i don't 'go there' for the music. if i wanted to listen to the
music *I* wanted to listen to, i'd do it in my basement. i come
-- Original Message --
From: Rev. Jeffrey Paul [EMAIL PROTECTED]
I think that this would be a non-issue if people who do, for example,
laptop PAs, projected their video output on a screen behind them
so you
can see what they're doing.
ive thought of this,
really i dont go out to hear music too often because for me it is
all about music. i dont need to be entertained, i can entertain
myself. i go out to hear music that is being manipulated by
someone in particular, i dont care how they manipulate it.
hey same here, and i'm with lester too. i'm
| -Original Message-
| From: J. T. [mailto:[EMAIL PROTECTED]
| Sent: Sunday, June 15, 2003 11:57 AM
|
| i'm not trying to draw a line in the sand, my feelings
| arent all one way or another, just talking y'know..
Exactly - I'm coming from the same position myself.
While I'm prepared to
- Original Message -
From: [EMAIL PROTECTED]
To: Brendan Nelson [EMAIL PROTECTED]
Cc: Mann, Ravinder [CCS] [EMAIL PROTECTED]; 313@hyperreal.org
Sent: Friday, June 13, 2003 2:52 PM
Subject: RE: (313) 3rd wave djing
this is what BMG (Ecotmorph) has been doing for about a year now.
- Original Message -
From: Kent williams [EMAIL PROTECTED]
To: 313 list 313@hyperreal.org
Sent: Saturday, June 14, 2003 3:01 AM
Subject: Re: (313) Waveless DJing
On Sat, 14 Jun 2003, Phonopsia wrote:
agree. Brendan (of Ectomorph, not Brendan of Brelson) blew the roof off
the
place
-- Original Message --
From: Phonopsia [EMAIL PROTECTED]
I've always thought DJ's make too much of 'reacting to a crowd',
when really
it's a matter of having the right crowd for the assembled lineup.
Once this
bit is accounted for, it's all a matter of
I've always thought DJ's make too much of 'reacting to a crowd',
when really
it's a matter of having the right crowd for the assembled lineup.
i definitely disagree...
Whenever I see debates like this (to crowd or not to crowd) I think of an
anecdote from my friend Dean who recalls the
On Sat, 14 Jun 2003, Phonopsia wrote:
- Original Message -
From: Kent williams [EMAIL PROTECTED]
Um, it could have been more on the fly than at first glance. Since
Ableton can start tracks on beat, and handle the beatmatching, and you
can see what you're triggering, you
i guess i never got over the part where laptops became accepted parts of
performance.
z
yuck. how excited can you get watching somebody stare straight ahead at a
screen clicking a button -- im not arguing anything crazy like its not
really playing live, it's just really really boring
-- Original Message --
From: J. T. [EMAIL PROTECTED]
i guess i never got over the part where laptops became accepted
parts of
performance.
z
yuck. how excited can you get watching somebody stare straight
ahead at a
screen clicking a button -- im
@hyperreal.org
Sent: Saturday, June 14, 2003 4:11 PM
Subject: Re: (313) Waveless DJing
i guess i never got over the part where laptops became accepted parts of
performance.
z
yuck. how excited can you get watching somebody stare straight ahead at a
screen clicking a button -- im not arguing
it's fun to watch people turn knobs, push sliders, flip vinyl/CDs, mix,
bop around, have fun and work their craft, imho :) of course I mean
watch, not be one of those people who stands there all night and you
wonder if they are just curious or if they are stalkers. heh
if you don't wanna be
its not like watching someone put a record on a turntable and then
play with the pitch until it plays at the same tempo as the other
record is the epitome of excitement (theo parrish and titonton are
exactly, it's NOT. i never realized how much the actual turning of the head,
moving of the
On Sat, 14 Jun 2003, J. T. wrote:
i guess i never got over the part where laptops became accepted parts of
performance.
z
yuck. how excited can you get watching somebody stare straight ahead at a
screen clicking a button -- im not arguing anything crazy like its not
really playing
-- Original Message --
From: J. T. [EMAIL PROTECTED]
exactly, it's NOT. i never realized how much the actual turning
of the head,
moving of the arms, looking around etc, actually mattered, until
i had
witnessed performance after performance of people
well you're there for the music, not to watch anyone do anything.
if i just paid ten bucks you see you i best be getting someone juggling fish
or breaking bricks with their heads.
personally, i don't 'go there' for the music. if i wanted to listen to the
music *I* wanted to listen to, i'd
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