It may be worth noting that (at least in my experience) different record
players like different records. I have the same belt-driven Dual at home
that they have at the FatCat offices and it is very temperamental when it
comes to playing loud pressings, but quite nice when it plays an LP.
m50
Let's face it though not every deck, particularly ones in clubs -
you should have felt the looseness of the arm of one I had to play
out on last Saturday (not your gig Robin, the other one!) - will be
set up this well.
:) you should have seen the setup on the old technics that we swapped
and recut right now at a different place
for an august re-release woohoo
-Original Message-
From: kent williams [EMAIL PROTECTED]
Sent: Jul 24, 2007 9:06 AM
To: list 313 313@hyperreal.org
Subject: Re: (313) badly cut records
Sounds to me like you need a new cutting engineer. Assuming your
It's interesting to hear these stories. I've bought bad pressings of
stuff recently too (thank god I'm just a consumer after reading what
JT and Matt have said). The last Aroy Dee record could have been cut
better. It's such a great record too.
robin...
On 24 Jul 2007, at 16:59, J.T.
can anyone pass me an online contact with DM?
thanks
--
www.myspace.com/apoena
From: Matt Chester [EMAIL PROTECTED]
To: kent williams [EMAIL PROTECTED]
CC: list 313 313@hyperreal.org
Subject: Re: (313) badly cut records
Date: Tue, 24 Jul 2007 14:25:21 +0100
Believe me, I've
I haven't cut a ton of records -- well, I've cut two to be exact. I
don't want to diss Ron, but I liked the results I got from Prairie Cat
mastering much, much better, and when all was said and done, the cost
was about the same as NSC.
Two things that distinguish Prairie Cat from other cutters:
and they couldn't hack it very well.
DM have a website Henrique, http://www.dubplates-mastering.com
-Original Message-
From: kent williams [EMAIL PROTECTED]
Sent: Jul 24, 2007 1:07 PM
To: list 313 313@hyperreal.org
Subject: Re: (313) badly cut records
I haven't cut a ton of records -- well, I've cut
