ÇöüñërpöïñT
Something that everyone needs to think about
Now instead of copying cds... we will be able to copy vinyl. I thought that at
least the producers of dance music who only pressed vinyl were safe. Now all
someone has to do is go buy a track and post it on kazaa...
That
@hyperreal.org
Subject: [313] Final Scratch - thoughts...
??Çöüñ?ërpöïñT??
Something that everyone needs to think about
Now instead of copying cds... we will be able to copy vinyl.
I thought that at least the producers of dance music who only
pressed vinyl were safe. Now all someone has
, 2002 12:43 PM
:To: '[EMAIL PROTECTED]'; 313@hyperreal.org
:Subject: RE: [313] Final Scratch - thoughts...
:
:
:I'd still be more than happy to buy new vinyl, but I could sample it
and
:then keep the originals in minty condition stashed away somewhere. I
guess
:if this really takes off
PROTECTED], 313@hyperreal.org
subject: RE: [313] Final Scratch - thoughts...
And knowing people that run small label that can only afford to press
around 500 copies of a release I'm sure they'd be more than happy that
their release could reach a much larger audience.
:-Original Message
: [313] Final Scratch - thoughts...
I'd still be more than happy to buy new vinyl, but I could sample it and
then keep the originals in minty condition stashed away somewhere. I guess
if this really takes off then eventually record pressing will become a thing
of the past and labels might start
There are currently trading groups on IRC that record their vinyl
to mp3. This has been happening for years. The majority of these groups
don't post their material to P2P apps, even though some does get out. In
my opinion, it has been a nice way to get everything while only being
able to shell
Maybe. If you can sell all 500 copies!
On Thu, 19 Sep 2002, Neil Wallace wrote:
And knowing people that run small label that can only afford to press
around 500 copies of a release I'm sure they'd be more than happy that
their release could reach a much larger audience.
be
great for taking samples of films/tv etc too and be able to scratch them
10mins later :]
-Original Message-
From: Darren Longton (Merch) [mailto:[EMAIL PROTECTED]
Sent: Thursday, September 19, 2002 1:20 PM
To: 313@hyperreal.org
Subject: RE: [313] Final Scratch - thoughts...
I don't think
-
From: Langsman, Marc [mailto:[EMAIL PROTECTED]
Sent: Thursday, September 19, 2002 8:48 AM
To: Darren Longton (Merch); 313@hyperreal.org
Subject: RE: [313] Final Scratch - thoughts...
I probably wouldnt bother buying any more scratch/breaks records either -
making your own by knocking together
Message-
:From: Kent williams [mailto:[EMAIL PROTECTED]
:Sent: Thursday, September 19, 2002 1:48 PM
:To: Neil Wallace
:Cc: 'Langsman, Marc'; [EMAIL PROTECTED]; 313@hyperreal.org
:Subject: RE: [313] Final Scratch - thoughts...
:
:Maybe. If you can sell all 500 copies!
:
:On Thu, 19 Sep 2002, Neil
well ive certainly seen a number of small labels who either:
a) encourage people to download their stuff as a 'try before you buy'
thing.
b) do not mind that there are people who download and then don't buy. I
guess the reason behind this is these people are music fans rather than
MikeD wrote on Thu, 19 Sep 2002 about following:
There are currently trading groups on IRC that record their vinyl
to mp3. This has been happening for years. The majority of these groups
i've heard some of these releases, many of them skip, have bad
scratches, sound quiet..
but i do
[EMAIL PROTECTED] wrote:
for example, Delsin's new
compilation, or one of the new submerge CD's from a napster type site is
very very wrong, it's like stealing in my opinion.
That is stealing. I don't think Neil was advocating this, his point
remains that if a small label wants people to
i tend to remove noise rumble, scratches and stuff and remaster the
tracks for louder volume, as well as EQ them a bit.
sakke
I already knew I was off the scale on my lack of knowledge of audio
technology but that just rams it home. Just out of curiousity can I ask how
you do that? (Pls keep
I can see some benefits for small labels to Final Scratch amongst the many
questions it raises.
One thing that any small independent label wants is as many DJs spinning thier
releases as possible. The costs involved of mailing out x number of promo
copies to DJs who you will more than likley
Inceidently it would be
interesting to know where Richie Hawtin gets the MP3s he's used in his sets.
Has he actually sat down and taken the time to encode his whole record
collection?
yeah - he's playing out here next week and i thought about the same
questionI kinda came to the
@hyperreal.org
Sent: Thursday, September 19, 2002 10:02 AM
Subject: Re: [313] Final Scratch - thoughts...
Inceidently it would be
interesting to know where Richie Hawtin gets the MP3s he's used in his
sets.
Has he actually sat down and taken the time to encode his whole record
collection?
yeah
Odeluga, Ken wrote on Thu, 19 Sep 2002 about following:
i tend to remove noise rumble, scratches and stuff and remaster the
tracks for louder volume, as well as EQ them a bit.
technology but that just rams it home. Just out of curiousity can I ask how
you do that? (Pls keep it simple for a
Wow that¹s some serious processing, lets see...
Sound Forge - $349.99 + NR $279.97
Waves - the plugs you mention are available in the Platinum bundle $2100.00
That¹s, hmmm $2729.98 USD or $4400 cdn
More that my car!
o
On 9/19/02 10:06 AM, Sakari Karipuro [EMAIL PROTECTED]
wrote:
: Re: [313] Final Scratch - thoughts...
Wow that¹s some serious processing, lets see...
Sound Forge - $349.99 + NR $279.97
Waves - the plugs you mention are available in the Platinum bundle $2100.00
That¹s, hmmm $2729.98 USD or $4400 cdn
More that my car!
o
On 9/19/02 10:06 AM, Sakari
1. i think the reason why big corporstion don't take risks with new artists
anymore, also has a lot to do with the fact that it'll put them in a worse
compitition position. investing in something that probably won't be a big
commercial success, but has artistic value will therefore make your
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