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3 <313@hyperreal.org>
Sent: Thursday, October 26, 2000 7:06 PM
Subject: Re: [313] Re: R: [313] Mellow Mills (Was: what do you reccomend?)
> on 10/26/00 12:45 PM, Stewart Fernandez at [EMAIL PROTECTED] wrote:
>
> > X-103 was just jeff and it came out on tresor (think it came out in 93)
>
on 10/26/00 12:45 PM, Stewart Fernandez at [EMAIL PROTECTED] wrote:
> X-103 was just jeff and it came out on tresor (think it came out in 93)
> X-101 & X-102 were by UR of the time (Mike, Jeff and Rob)
And I'm not the only one on this list that finds X-102 to be the best in
that particular "serie
X-103 was just jeff and it came out on tresor (think it came out in 93)
X-101 & X-102 were by UR of the time (Mike, Jeff and Rob)
- Original Message -
From: <[EMAIL PROTECTED]>
To: 313 <313@hyperreal.org>
Sent: Wednesday, October 25, 2000 10:40 PM
Subject: Re: [313] Re:
.html
http://www.mannequinodd.com
- Original Message -
From: "Cyclone Wehner" <[EMAIL PROTECTED]>
To: "313 Detroit" <313@hyperreal.org>
Sent: Wednesday, October 25, 2000 4:48 PM
Subject: Re: [313] Mellow Mills (liner note dribble)
> Who is R. Buckminster Fuller? Never h
>>
>> >re: jeffs liner notes on his records:
>> >
>> >am I the only person that thinks its all total dribble?
>> >I mean, really!
I have to agree that some of it is a bit laboured - esp. some of the stuff
on the axis site which i looked at recently. I didn't need notes to
understand waveform 3, s
What cat no is this one and when it was released? Thanks
and if jeff mills is x-103 then x-102 is mad mike i suppose ?
thanks
robert
I would say x-103/x-102 is not an artist but a particular space in time, I'd
suggest that both would be the orgi. UR?
Peace
R
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Who is R. Buckminster Fuller? Never heard of him?
>I think the real problem is that he has read a bit of R. Buckminster
>Fuller, and has tried to emulate Fuller's very peculiar way of
>expressing himself. If you can get your head around where he is coming
>from, Fullers style is not dribble at all
>> (4) Metropolis
>>> "Mills has conceptualised his score in much the same way as he
approached
>>> X-103's Atlantis, which recounted the myth of the ancient city
sonically.
>>> Mills' Metropolis is surreal and subtle in its scope, as he turns techno
>>> into incidental music, manipulating the mood
hello,
I think the real problem is that he has read a bit of R. Buckminster
Fuller, and has tried to emulate Fuller's very peculiar way of
expressing himself. If you can get your head around where he is coming
from, Fullers style is not dribble at all, in fact it is probably more
effective and ac
I forgot to add there's also the Lifelike CD.
>thanks for answering and the help
>
>fab
>> (1) The Other Day
>>
>> Very soulful and sensual - the sleeve notes are really insightful. Was
>> released through React in the UK.
>>
>> (2) From The 21st
>>
>> Some very abstract moments, very cerebra
Y'all being a little mean. It takes years to develop and refine a writing
style, and it involves a lot of practice. Usually the best way is to write
as you speak and he's highly articulate and well expressed, infinitely more
so than the average techno producer, I might add - I value the notes mysel
Jason Martin wrote:
re: jeffs liner notes on his records:
am I the only person that thinks its all total dribble?
I mean, really!
i completely agree that they are awful and poorly written...
but the music makes up for it...
i think some people should just stick to their core
>re: jeffs liner notes on his records:
>
>am I the only person that thinks its all total dribble?
>I mean, really!
no I definately think its dribble, have you read the lifelike compilation notes?
*sheesh* If he wants us to know about him, why doesn't he just talk a bit about
his life, his family e
re: jeffs liner notes on his records:
am I the only person that thinks its all total dribble?
I mean, really!
at least he's releasing more of his mellow stuff now (IMO much better than the
"minimal" stuff).. the Queens Theme for example is straight up techno!
j
(1) The Other Day
Very soulful and sensual - the sleeve notes are really insightful. Was
released through React in the UK.
(2) From The 21st
Some very abstract moments, very cerebral, arresting - definitely
worthwhile. Hard to find! Released in Japan only through Sony Japan.
(3) Every Dog Has
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