erreal.org>
> Sent: Tuesday, February 17, 2009 11:08:38 AM
> Subject: Re: (313) re: Mills interview in the Wire
>
> On 17 February 2009, kent williams wrote:
>
>> I've seen loads of DJs play boring sets with no consideration for
>> their audience, using good ol vi
Sasha is a prime example of a boring dj becoming even more boring with
Ableton.
- Original Message
From: J.C.
To: list 313 <313@hyperreal.org>
Sent: Tuesday, February 17, 2009 11:08:38 AM
Subject: Re: (313) re: Mills interview in the Wire
On 17 February 2009, kent williams
On 17 Feb 2009, at 15:55, kent williams wrote:
As someone who has embraced Ableton Live as a DJ tool
NO not again
m
This is the kind of argument I hear from friends who don't like music
made with computers/programmable synths/drum machines at all, much
less replayed by computers. For them, there's no feeling or
'mistakes' unless it's played on manually-operated instruments like
guitars, drums and Peruvian panfl
As someone who has embraced Ableton Live as a DJ tool I have two
observations: 1) Removing beat matching from the equation means you
don't make beat-matching mistakes. Plenty of other surprises and
mistakes are possible. 2) a preprogrammed set doesn't interact with
the audience.
To the extent I su
Yeah, it's a bit of a read but well worth it, really, really interesting
stuff he talks about.
Funny to read that one of the dj's being on the forefront of technology
speaks about the fact that all these technological developments
(traktor, ableton and so on) will lead to the fact that dj's might
