In the newest issue of Paper magazine there is a one page article on Hawtin.
Discusses his affection for undersea diving and his work in the La Beaute
installation in Avignon France.
"A major six-month exhibit (which runs through the end of October) examines
artisitc interpretations of beauty
That's RICHIE without the extra 't'. Thank you.
John, that JOHN without the extra 'O' (For those who remember ;-)
-Original Message-
From: 0 0 [mailto:[EMAIL PROTECTED]
Sent: Monday, June 12, 2000 4:57 PM
To: 313@hyperreal.org
Cc: [EMAIL PROTECTED]
Subject: Re: [
No, he doesent always have the funk (but sometimes he does), and I dont
think
thats his main focus either. He's on a different mission in my opionion,
and
when it comes to painting distant, cold, alien soundscapes no one can
compare.
It's all been done before!!
Theres plenty of 'industrial' s
Respect to Hawtin for giving us what we have today. While many have
contirubted to the growth of electronic music this man deserves a lot >more
credit than you are giving him.
I'm a big fan of Richie Hawtin's past work, but the recent tour and it's
corresponding Mix C.D. was frankly dull.
Tec
Damn, I think it's time some of you out there realize that what Richie is
doing is not an easy thing. The man has done so much for advancing all
forms of electronic music and I'm sick of passively reading your emails
trashing him. A couple of redundant sets does not justify your criticism
w
I wouldn't say this is the stance that anyone in this discussion is taking,
Ritchie's output (production) is a far cry from his DF9 shit. I really dug into
some of the concept stuff and Consumed is great once you figure out how to pitch
it. I think the Plastikman stuff took a familiar sound a lit
like preference in icecream flavours, musical tastes are purely subjective...
but for my money hawtin's 'loop' and 'f.u.' are about as funky as techno has
ever achieved. if that's steril, then viva la sterility.
show me the 'fresh talent' that is putting out tracks of that calibre and i'll
gladl
word.
miles
-Original Message-
From: James Bucknell <[EMAIL PROTECTED]>
To: jonathan morse <[EMAIL PROTECTED]>
Cc: 313@hyperreal.org <313@hyperreal.org>
Date: Thursday, February 17, 2000 8:07 PM
Subject: Re: (313) Ritchie Hawtin New Years track title?
>
***THey also re release
knell <[EMAIL PROTECTED]>
To: jonathan morse <[EMAIL PROTECTED]>
Cc: <313@hyperreal.org>
Sent: Thursday, February 17, 2000 8:07 PM
Subject: Re: (313) Ritchie Hawtin New Years track title?
>
>
> it's out of print, but you can pick up what i presume are bootlegs at ro
it's out of print, but you can pick up what i presume are bootlegs at rock and
soul on 7th ave. in new york.
jonathan morse <[EMAIL PROTECTED]> on 02/17/2000 07:40:00 PM
To: 313@hyperreal.org
cc:(bcc: James Bucknell/Magazines/Hearst)
Subject: Re: (313) Ritchie Hawtin New
>Can anybody tell me the name of the track Ritchie Hawtin opened with at
>Motor Lounge on New Year's? Thanks.
>
>[EMAIL PROTECTED]
jaydee "plastic dreams"
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