Is there a mailing list for people who would like to trade tunes? I'd
subscribed to another list for a while, until I tired of heated discussions
of this or that standard thingy with a this %%&(***$%$^%() into that
thingy. Now it seems this list is about arguments of this or that standard
thingy
David Barnert writes:
| Ulf writes:
| >...There must be someone who knows it. What is the name of it?
| >What does the rest of it go like?
| X:1
| T:Unknown Begin Of Danish Folk Tune
| K:G maj
| M:4/4
| L:1/8
| B2c2 ||: "G" d^cde "D7" cBcd | "G" B2b2 b2Bd | "D7" c2 a2 a2 Ac |
| "G" B2 g2 g2 Bc |
Laurie writes:
| And what exactly does it mean to you?
|
| (Faced with this, Muse would currently just interpret the chord up to the
| first thing outside its limited syntax, so E/A is played as E, D/A is played
| as D).
|
| Mike Whitaker wrote:
| I need this. Exactly as notated. A chord sequence
Mike Whitaker writes:
| > C/D is actually Dsus7(9) without 5th, but
| > D/C is actually D7 with the 7th in the bass
| >
| > I don't think it would make any sense to try to get player programs to
| > understand slash-chords, but I don't think they should be forbidden.
| > Band In A Box only plays a
Ulf writes:
>...There must be someone who knows it. What is the name of it?
>What does the rest of it go like?
>
X:1
T:Unknown Begin Of Danish Folk Tune
K:G maj
M:4/4
L:1/8
B2c2 ||: "G" d^cde "D7" cBcd | "G" B2b2 b2Bd | "D7" c2 a2 a2 Ac |
"G" B2 g2 g2 Bc | d^cde "D7" cBcd | "G" B2b2 b2Bd | "D
And what exactly does it mean to you?
(Faced with this, Muse would currently just interpret the chord up to the
first thing outside its limited syntax, so E/A is played as E, D/A is played
as D).
Laurie
- Original Message -
From: "Mike Whitaker" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]
> C/D is actually Dsus7(9) without 5th, but
> D/C is actually D7 with the 7th in the bass
>
> I don't think it would make any sense to try to get player programs to
> understand slash-chords, but I don't think they should be forbidden.
> Band In A Box only plays a single note in the bass and the s
Jeff Bigler writes:
| > And in my copious spare time, I'll try to fill in more rows for all
| > the wonderful feechurz that people are implementing. There is a bit
| > of a problem with trying to collect such info. There isn't enough
| > time for one person to gather all the programs and
On Sun, 2002-04-07 at 11:43, Jeff Bigler wrote:
> I'm particularly interested in dynamics and their
> associated markings (crescendo, diminuendo, etc.), and I'm not aware of
> any existing abc-to-anything-else program that deals with them. (And
> I'm not enough of a programmer to write my own!)
> From: John Chambers <[EMAIL PROTECTED]>
> Date: Sat, 06 Apr 2002 00:37:29 UTC
> And in my copious spare time, I'll try to fill in more rows for all
> the wonderful feechurz that people are implementing. There is a bit
> of a problem with trying to collect such info. There isn't enough
>
I propose to compare the chords example given by Luis Pablo
Gasparotto with a software which has a chord dictionnary (power
tab editor)
>I'm convinced that a good point to start a CHORD STANDARIZATION
>is to
>see what are the concepts which everybody agree. I think this
>concepts are:
(I totall
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