On Mon, Mar 15, 2004 at 03:08:05AM +, John Chambers wrote:
Kristian Nørgaard asked:
| Is it possible to write a part of the melody with smaller notes than
| then rest.
| This is often used when you want to show a short melodyline, which isn't
| part of the main melodi.
|
| It should
On Fri, 12 Mar 2004 13:29:05 -0700 (MST), Tom Satter
[EMAIL PROTECTED] wrote:
Hello everyone,
Hello Tom,
[snip]
I saw one post in the last 9 months suggesting a way to make
this work, but it was not really discussed at length. I would
like to propose that we introduce three new
On Fri, 12 Mar 2004 14:02:21 -0700 (MST), Tom Satter
[EMAIL PROTECTED] wrote:
[snip]
Doing either one of these would give a way for people that like
to embed key changes, etc on new lines to do it:
I:implicit_line_breaks = no
K:D
[V:S] ccAb ccA2|fdab
[V:A] ccAb ccA2|fdab
K:G
[V:S]
I've been typing some things up that require a bit of annotating; alternate
versions of particular bars, for example. The neatest way I've found is
to use %%multicol to drop a new (partial) staff underneath, showing just
the bar in question (%%scaled down). To be comprehensible, this bar must
line
Once the project reaches a certain level of complexety, it may be worth
learning to use MusiXTeX directly , combined with LaTeX and its
relatives. http://icking-music-archive.org/; abc2mtex allowed (still
allows) a shorthand way of writing traditional folk session tunes and
printing them out but
Interesting,
I still like the idea of being able to make line breaks
not be manditory on the newline. However, maybe there
should be a way to say that something applies to all
voices (say V:* for starters)? Then you could write:
I:implicit_line_breaks = no
K:D
[V:S] ccAb ccA2|fdab
[V:A] ccAb
Jean-Francois Moine said:
On Fri, 12 Mar 2004 13:29:05 -0700 (MST), Tom Satter wrote:
[snip]
( - start a voice overlay
- reset time back to previous start point
) - end a voice overlay
abcm2ps has '(..)', but there is a parsing problem on the
closing parenthesis. Now, in the
On 12 Mar 2004 at 15:09, Jeremy Cowgar wrote:
On Fri, 2004-03-12 at 14:43, Ewan A. Macpherson wrote:
On 12 Mar 2004 at 14:26, Jeremy Cowgar wrote:
Can anyone give me some suggestions as to how I would create a nice
book. I want to be able to give a copy or two away to other people who
On Mon, 2004-03-15 at 10:05, Ewan A. Macpherson wrote:
I've snipped this down to two pages'-worth and an exemplary table of
contents ...
snip
cheers,
Ewan,
That worked great, thank you for sharing. I will start working toward
this to make my simple book.
Jeremy
To
Kristian Nørgaard asked:
| Is it possible to write a part of the melody with smaller notes than
| then rest.
| This is often used when you want to show a short melodyline, which isn't
| part of the main melodi.
|
| It should show up in the same staff as the rest.
John Chambers responded:
snip
So... If it can only occur on tune and lyric lines, and it can only
occur
where a staff break or lyric line break would be valid, then that is
why I
suggested a definition along the lines of:
A backslash (\) at the end of a line means do not break the staff or
lyric line at this point if
I like this way of doing it. I think that it is clearer than
what I was proposing a couple days ago. This would mean that
the backslash at the end of a line does not have the semantics
currently written in the 2.0 spec, but it is more backward
compatible with 1.x, it is defined well enough to
Except I'm only proposing this as an aid in defining how to parse 1.* style
completions (when the user has selected that as a parsing flag...), not as a
change to the 2.0 spec. I actually prefer the 2.0 continuation mechanism,
although I'm not strongly attached to it and could see how the 1.*
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