On Mon, 13 Nov 2000, Guido Gonzato wrote:
> P.S. - has anybody got a song for/about a pregnant woman? My son Lorenzo is
> due late January...
Congrats. I don't know of any suitable trad songs but there was a really
drippy song "She's Having My Baby" that came out back in the late 70's...
--
J
Guido Gonzato wrote:
>On Sun, 12 Nov 2000, Jean-Francois Moine wrote:
>
>> OK for me. You may try it in abcm2ps-1.6.5 I'm uploading just now.
>>
>> BTW, it would be fine to have a common ABC definition on how to print
>> and play multi-voice tunes...
>
>thanks for the upload, Jean-François. BTW, y
On Sun, 12 Nov 2000, Jean-Francois Moine wrote:
> OK for me. You may try it in abcm2ps-1.6.5 I'm uploading just now.
>
> BTW, it would be fine to have a common ABC definition on how to print
> and play multi-voice tunes...
thanks for the upload, Jean-François. BTW, your statement raises an
impo
Guido Gonzato a skrivas:
> Hi all,
Hi Guido,
[snip]
> While I'm at it, I may just as well ask for more. Imagine a scheme like
> this: a SATB choral part and a piano/organ accompaniment. The SATB staves
> could be linked by tall bar lines, but not the piano part. So, something
> like:
>
On Tue, 31 Oct 2000 [EMAIL PROTECTED] wrote:
> One thing that I wondered about a while back, but didn't get any
> response from: I've seen music that uses a "broken bar", in the form
> of short vertical dashes (either between the staff lines or crossing
> them). This is useful, for inst
On Tue, 31 Oct 2000, Laura Conrad wrote:
> > "John" == John Atchley <[EMAIL PROTECTED]> writes:
>
>
> John> Rather than risk abc that might break some existing parsers,
> John> it might be better to use a syntax like %%stavesex ...
>
> Maybe it's my dirty mind, but I'd vote against
> "John" == John Atchley <[EMAIL PROTECTED]> writes:
John> Rather than risk abc that might break some existing parsers,
John> it might be better to use a syntax like %%stavesex ...
Maybe it's my dirty mind, but I'd vote against that particular name.
--
Laura (mailto:[EMAIL PROTECT
On Tue, 31 Oct 2000, Guido Gonzato wrote:
> So my question is:
>
> John, could you add an option to jabcm2ps to toggle tall bar lines on/off?
> Jean François, would you do the same?
I'll take a look at it. The change I made for this was only a few lines of code,
but I remember that it did i
> "jc" == jc <[EMAIL PROTECTED]> writes:
jc> One thing that I wondered about a while back, but didn't get any
jc> response from: I've seen music that uses a "broken bar", in the form
jc> of short vertical dashes (either between the staff lines or crossing
jc> them).
John Walsh writes:
| While I'm at it, I think it may also be useful to have invisible
| bar lines. These could be used in difficult cases to aid the alignment
| of notes between staves carrying different voices, or having different
| meters (in polyrhythmic music) or when there is
John Walsh writes:
| While I'm at it, I think it may also be useful to have invisible
| bar lines. These could be used in difficult cases to aid the alignment
| of notes between staves carrying different voices, or having different
| meters (in polyrhythmic music) or when there is
Guido Gonzato writes:
>While I'm at it, I may just as well ask for more. Imagine a scheme like
>this: a SATB choral part and a piano/organ accompaniment. The SATB staves
>could be linked by tall bar lines, but not the piano part. So, something
>like:
>
This may be a question of language. I'
Hi all,
I'm going to touch a subject that I know some of you have strong feelings
against. The most apparent difference between abc2ps and abcm2ps is the
looks of bar lines: the latter has tall bar lines that cross the vocal part.
IIRC, John set out to write jabcm2ps because he couldn't stand tho
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