[paper=a4paper,left=20mm,right=20mm,top=25mm,bottom=25mm]{geometry}
\title {From \grqq Krishna\grqq by Albert Roussel }
\author {Stefan Thomas}
\date { }
\begin{document}
\maketitle
The following is a quote of the composition Joueurs de Fl\^ute by the
french composer Albert Roussel.
\begin{lilypond
I should have mentioned, that I compile those files with a script:
lilypond-book -I /home/stefan/partituren/lilyponds/vorlagen/ --pdf $1.tex
--output=out
cd out/
pdflatex $1.tex
pdflatex $1.tex
mv $1.pdf ../
cd ../
rm -r out/
2012/9/6 Stefan Thomas kontrapunktste...@gmail.com
Dear community
Dear community,
I don't like to write lots of rests by hand into bars with only very few
notes.
Using the wonderful script extractMusic of Gilles, which I found at
http://gillesth.free.fr/Lilypond/extractMusic/extractMusic.ly I've defined
functions that fill up automatically a 3/4 or 4/4 bar with
What is it supposed to do?
Dear David,
I would like to do something like this:
%%%snippet %%
% fully written out example
\relative c' {
\time 4/4
c8 r8 r4 r2
r2 fis8 r8 r4
\time 3/4
c8 r8 r4 r4
r8 e r4 r
}
%% desired form of how to input code
\relative c' {
\time 4/4
the base moment I think is (at least in most cases a dotted
quarter, not a eigth note). Filling up bars with rests isn't maybee as
trivial as I thought.
2012/9/5 David Kastrup d...@gnu.org
Stefan Thomas kontrapunktste...@gmail.com writes:
What is it supposed to do?
Dear David,
I would like
I think it should be possible to type in something like
\makerests 2/4. { c4. }
or
\makerests #2 #4. { c4. }
2012/9/5 Stefan Thomas kontrapunktste...@gmail.com
Dear David,
I'm always astonished what can be done with scheme and lilypond!
But I think this snippet (which You must have been
Dear community,
how can I update all my ly files (including subfolders) with one command?
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Dear community,
in 2.14. I've been quite frequently using a special variable for compound
meters. I would like to use it in the same way as before, but unfortunately
it doesn't work in 2.16.
How can I update it?
% SNIP
\version 2.16.0
aksak = #(define-music-function
(parser
Dear David,
off course,You are right. It's not better to write \aksak #13 #8 #'(3 3 3 2
2 ) instead of \time #'(4 3) 7/8
The problem was: I've been using the alsak-variable before this kind of
syntax was possible and I've used it quite a lot.
An update with convert-ly didn't work in my case.
So,
= #(define-music-function (parser location x) (ly:music?)
#{
\copyArticulations {c--} { \skipTiedNotes $x }
#})
Musik = \relative { c4 d e f g1 ~ g4 f e d r4 c d 2 }
\new Staff
{
\addTenuto { \Musik } }
2012/9/1 Stefan Thomas kontrapunktste...@gmail.com
Dear community,
I know, off course
Dear Gilles,
Yes, I think I didn't see the mail You've mentioned.
Thanks again!
Dear community,
for those who are interested:
I've found a solution for my problem. I've found it in the older version
of
copyarticulations.ly
It is not the older one. It is the newest. :-)
I think you
tried it, unsuccessfully, with
tildeSymbol = { #(make-music 'TieEvent) \once \override Script #'stencil
= ##f }
2012/8/31 Stefan Thomas kontrapunktste...@gmail.com
Dear Phil,
Yes I've seen skipArti = \tag #skipCurrentArticulation s1*0
but do You think this can be used to filter out some
copyarticulations.ly
addTenuto = #(define-music-function (parser location x) (ly:music?)
#{ % in der folgenden Zeile Lilypondcode eingeben
\copyArticulations {c--} $x
#})
\score {
\new Staff \relative c' {
\addTenuto { c4 d e f g1 ~ g4 f e d r4 c d 2 }
}
}
2012/8/27 Stefan Thomas
Dear David,
what do You mean by
Actually makes a good case against s1*0 if you follow it with
{ c c c c }.
Dear community,
I found this very useful snippet at
http://gillesth.free.fr/Lilypond/copyArticulations/copyArticulations.ly
Actually makes a good case against s1*0 if you follow it
...@gnu.org
Stefan Thomas kontrapunktste...@gmail.com writes:
Dear David,
what do You mean by
Actually makes a good case against s1*0 if you follow it with
{ c c c c }.
ha
--
David Kastrup
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lilypond-user
it to be zero length, unless their length is
explicitly stated.
--
Phil Holmes
- Original Message -
*From:* Stefan Thomas kontrapunktste...@gmail.com
*To:* lilypond-user lilypond-user@gnu.org ; David Kastrup d...@gnu.org
*Sent:* Friday, August 31, 2012 2:54 PM
*Subject:* Re
Dear Phil,
Yes I've seen skipArti = \tag #skipCurrentArticulation s1*0
but do You think this can be used to filter out some artitulation-events,
if needed, automatically?
2012/8/31 David Kastrup d...@gnu.org
Stefan Thomas kontrapunktste...@gmail.com writes:
Ok, thanks, I've got it. It's
Dear Gilles,
thanks, it worke now.
You are right, it's not longer necessery, but I have some older files wich
use this script.
I will try to update them and use changepitch instead.
Dear community,
I wanted to update this snippet:
http://lsr.dsi.unimi.it/LSR/Snippet?id=390
But without
Dear community,
I've used quite frequently the addTenuto function, which You can find at
http://lsr.dsi.unimi.it/LSR/Snippet?id=696.
Although lilypond doesn't complain about errors, it doesn't work as
expected. I also would like to update it.
___
Dear David,
thanks for Your tipps.
I've deleted the first two lines, You've suggested, but I didn't find the
lines
(pes (list-ref pitches i))
and
(pnew (ly:music-property pes 'pitch))
Dear community,
it seems, that the following snippet does not work anymore in 2.16.
Dear gilles,
thanks, my snippet works now again, although I don't understand it too.
I think it's a script by Rune Zedeler. but he can't help us, unfortunately.
Dear community,
it seems, that the following snippet does not work anymore in 2.16.
http://lsr.dsi.unimi.it/LSR/Snippet?id=346
I
Dear community,
is there a document available, where one can learn more about the new
scheme-extending possibilities in 2.16.?
I would like to know, how one can use #{…#} for constructing chord
constituents (quotation of the changes site of 2.16.).
___
Dear community,
I wanted to update this snippet:
http://lsr.dsi.unimi.it/LSR/Snippet?id=390
But without sucess. Any ideas how this can be done?
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Dear community,
it seems, that the following snippet does not work anymore in 2.16.
http://lsr.dsi.unimi.it/LSR/Snippet?id=346
I use it quite frequently. How can I update it?
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Dear Gilles,
sorry, I get the error-message
smartrhyhtms.ly:11:15: error: unknown escaped string: `\samePitch'
I've used Your file and the version for 2.14. of extractMusic.ly
2012/8/24 Gilles gilles.thiba...@free.fr
is it possible to get an automatism for smart rhythmic notation.
You can
Thanks, it works now! But the doc about extractMusic is also very
interesting!
Thanks
2012/8/24 Stefan Thomas kontrapunktste...@gmail.com
Dear Gilles,
sorry, I get the error-message
smartrhyhtms.ly:11:15: error: unknown escaped string: `\samePitch'
I've used Your file and the version
Dear community,
is it possible to get an automatism for smart rhythmic notation.
I'm thinking of something like this:
\version 2.14.1
% the following would be fastly written, bad looks bad:
Music= \relative c'' { c16 b8 a g f e d16\bar|| }
% the following looks good, but would be
Dear Urs,
how can I install this package in my xelatex-system on ubuntu?
Hi Reinhold, Werner and Philippe,
thanks for your feedback. Here are a few ideas before I finally leave.
[I won't read this list (from tomorrow), so if you want to contact me in
the next weeks, please write to
This seems safe, although it forces other full implementations that want to
expose protocol version 60002 (or later) to also implement this. What do they
think about this?
BitcoinJS will implement it, it's a useful feature and there is no
reason not to support it.
Two comments from my end:
-
Dear community,
I use the Saffire 6-USB soundcard, which works generally well on my Ubuntu
12.04-machine.
But I have a problem, when I use qjackctl in connection with csound.
First everything works well, I can connect csound's output to jack system's
input but after a while (although jack shows,
Dear Daniel,
sorry for doing this, I didn't do it consciously, sorry!
If I've understood You rightly, I shall always reply to
alsa-user@lists.sourceforge.net and I will do so.
2012/8/16 Daniel Mack zon...@gmail.com
On 16.08.2012 13:38, Stefan Thomas wrote:
I should mention that I can acess
Dear Daniel
thanks for Your reply.
The output of lsusb -v is here http://pastebin.com/0FrEnwd1 and of dmesg
is here http://pastebin.com/CJxy7TcQ.
2012/8/16 Daniel Mack zon...@gmail.com
On 16.08.2012 12:08, Stefan Thomas wrote:
Dear community,
I use the Saffire 6-USB soundcard, which
Hey everyone,
I was working on some custom protocol extensions for Bitcoin that I
wanted to experiment with and I noticed that in order to enable nodes to
announce these services the only mechanism the protocol currently
provides is to use one of the 64 bits of the services field. This is
More elaboration of the use cases might therefore be useful.
I'm implementing a DHT, rather than storing the whole blockchain index
locally, a future version of BitcoinJS will store only a user defined
percentage (anywhere from 0-100%.) Any misses will be resolved by
querying the network.
Dear Peter,
I don't know what You want exactly, but maybee this can lead You to rhe
right idea:
\version 2.14.2
music = { \repeat unfold 4 { f''' c''' fis''4 } }
ledgers = {
s4 \override NoteHead #'no-ledgers = ##t \override NoteHead
#'transparent = ##t
}
\new Staff {
OP_WITHIN is lower-bound-inclusive, but upper bound exclusive, so 1 0 1 WITHIN
is false.
bool fValue = (bn2 = bn1 bn1 bn3);
https://github.com/bitcoin/bitcoin/blob/master/src/script.cpp#L854
On 7/29/2012 6:31 PM, Amir Taaki wrote:
Hi!
Is this a valid script?
[1 0 1, WITHIN NOT]
The
be something that I'd like to help with if pull requests in that
direction are welcome.
On 7/29/2012 6:42 PM, Amir Taaki wrote:
oh, bitcoin...
Thanks justmoon :D
- Original Message -
From: Stefan Thomas m...@justmoon.de
To: bitcoin-development@lists.sourceforge.net
Cc:
Sent: Sunday
I wouldn't expect any really important features which don't have
complicated compromises attached to them to be omitted from all
clients for all that long.
True, it's those compromises that people should base their decision on.
To make that easier was the motivation for me to suggest feature
Dear community,
the very nice code, I've copied in the attached file anweisungen.ly does
some things I don't like but I don't know how to change it:
the page-numbers are at the bottom, not at the head off the page.
The copyright is not printed.
The tagline is empty.
The title and the composers
You are not a developer of any alternative clients
I am and I'm going to have to agree with Greg. Information about clients
is bound to be transient and controversial.
My relatively naive suggestion would be to move it to the Wiki. If it
can handle the controversies involved with the Trade
I think by users you mean, geeks who understand wiki syntax.
The point is to expand the circle of contributors. I'm pretty sure there
are more people who can edit a wiki than people who know HTML and how to
create a git pull request. :)
Inability to agree on columns isn't why the page looks
Dear community,
I have the following problem:
for examinations I have to write lot of examples, e.g. for
ear-training-dictations, etc.
A lot of these examples have the same basic structure, e.g. lamentobass but
these examples are not identical, they use the basic structure in
combination with
I've installed l2ork, that solved the problem.
2012/7/6 Ivica Bukvic i...@vt.edu
Is this with pd, pd-extended, or pd-l2ork or all of them? What solved your
problem?
On Jul 6, 2012 7:22 AM, Stefan Thomas kontrapunktste...@gmail.com
wrote:
I can hear sound from jack and alsa, I didn't try
packages solved the problem.
Best wishes,
Matthias
On 07/03/2012 05:51 PM, Stefan Thomas wrote:
Dear community,
I've installed pd, version 0.43.0-4 on my ubuntu 12.04 machine (64 bit)
from the repositorys.
Unfortunately, I can't get sound out of it.
First I'started qjackctl, and then PD
don't have the option compute audio.
When I click DSP, nothing happens.
Shall I install a newer or older version from source?
2012/7/4 Kaj Ailomaa kaj.ailo...@mousike.me
On Wed, 2012-07-04 at 08:20 +0200, Stefan Thomas wrote:
Dear Iain,
I did as You suggested, the problem remains the same.
One
binary version by
running sudo make install inside the folder (or sudo make uninstall to
remove). You will need to install tkpng lib though by doing sudo apt-get
install tkpng.
Cheers!
On Jul 5, 2012 12:04 PM, Stefan Thomas kontrapunktste...@gmail.com
wrote:
I coulnd't find debian packages
Dear Ivica,
thanks, I did as You suggested and it look at it could work.
But I will try it in deep tomorrow, it's a bit late now!
2012/7/5 Ivica Bukvic i...@vt.edu
Start it from any folder by typing pd-l2ork, not pd.
On Jul 5, 2012 4:08 PM, Stefan Thomas kontrapunktste...@gmail.com
wrote
happens then.
good luck, iain
On Tue, 2012-07-03 at 22:12 +0200, Stefan Thomas wrote:
Dear Iain,
I've installed it with synaptic (sudo synaptic).
There I've choosen the packages puredata, pd-csound, puredata-gui,
puredata-extra and some others.
Maybee I should mention that there's version
the one, I have read on this site:
http://bugs.debian.org/cgi-bin/bugreport.cgi?bug=645041
2012/7/4 Stefan Thomas kontrapunktste...@gmail.com
Dear Iain,
I guess that You mean with all of them the other pd-related packages,
not jack. Am I right?
I will try it soon.
2012/7/3 Iain Mott m
Dear community,
I've installed pd, version 0.43.0-4 on my ubuntu 12.04 machine (64 bit)
from the repositorys.
Unfortunately, I can't get sound out of it.
First I'started qjackctl, and then PD. From the menue Media I choose
Jack.
In qjackctl I can see, that system and puredata are connected.
When I
window)? It might show what is wrong.
What audio patch are you testing? Have you tried the Test audio and
MIDI patch? In my version of Pd this can be found under the Media
menu.
Cheers, Iain
On Tue, 2012-07-03 at 17:51 +0200, Stefan Thomas wrote:
Dear community,
I've installed pd, version
Very interesting for you to bring this up. I had a similar idea for a
totally different use case. Greg recently pointed out an interesting
dilemma saying that (significantly) larger blocks would lead to
centralization. So I've been working on a design for a decentralized
pool that can handle
Flights booked. Mike Hearn and I will be there. :)
On 6/22/2012 1:03 AM, Amir Taaki wrote:
This is happening in Berlin if anyone is around: http://bitcoin-hackathon.com/
I am happy to host if space is needed.
--
6USB2.0], Gerät 0: USB Audio [USB Audio]
Sub-Geräte: 1/1
Sub-Gerät #0: subdevice #0
Stefan Thomas wrote:
cat /proc/asound/cards
3 [S6USB20]: USB-Audio - Saffire 6USB2.0
Focusrite Saffire 6USB2.0 at
usb-:05:00.0-2, high speed
mplayer -ao
Dear community,
I've started Ubuntu with the Unity-Desktop and there it was no problem. The
card worked fine, although the output seems to rather soft.
Maybee it's a problem of the xfce-desktop.
2012/6/14 Stefan Thomas kontrapunktste...@googlemail.com
Dear community,
I've borrowed now
(it's a vaio,
sony).
I can't also playback via qjackctl. The devices I can choose from are only:
hw1
hw0
plughw:0
/dev/audio
(voreinst.)
/dev/dsv
How can I reach the card via jack?
2012/6/16 Stefan Thomas kontrapunktste...@googlemail.com
Dear community,
I've started Ubuntu with the Unity-Desktop
Ok, sorry for making so much trouble!
I found the little next to Schnittstelle. Now I have also acess from
qjackctl.
2012/6/16 Stefan Thomas kontrapunktste...@googlemail.com
Dear community,
it doesn't seem to be a problem of the Desktop. I think it depends on if
the card is hotplugged
Thanks Mike for the writeup - I'm very sad to have missed the discussion
on IRC since fee economics are probably my favorite topic, but I'll try
to contribute to the email discussion instead.
(4) Making the block size limit float is better than picking a new
arbitrary threshold.
Fees are a
priority
transactions get confirmed faster, the low priority ones take even longer.)
On 6/15/2012 7:17 PM, Jeff Garzik wrote:
On Fri, Jun 15, 2012 at 12:56 PM, Stefan Thomas m...@justmoon.de wrote:
The artificial limits like the block size limit are essentially putting
[...]
Changing the block
Dear community,
I've borrowed now a saffire 7 usb focusrite and I'm trying it on Ubuntu
0412
The card is recognized.
After
cat /proc/asound/cards
I get
0 [Intel ]: HDA-Intel - HDA Intel
HDA Intel at 0xea20 irq 55
1 [UM1]: USB-Audio - UM-1
Dear community,
I have the following problem, which is more a problem with rumor and linux
than with lilypond.
When I type
rumor --oss
I get
Can not open /dev/sequencer
When I just type rumor
I get
ALSA port connection error; do it manually using `aconnect'
and it doesn't react von
2012, Stefan Thomas wrote:
Dear community,
I have the following problem, which is more a problem with rumor and
linux than with lilypond.
When I type
rumor --oss
I get
Can not open /dev/sequencer
try
rumor --alsa=IC:IP,OC:OP
where IC:IP is the input device and OC:IP
Dear Mike,
thanks for Your help.
I've never heard before about 'head-slur-distance-max-ratio' and
''head-slur-distance-factor '
Is it mentione somewehre in the Manual?
2012/6/6 m...@apollinemike.com m...@apollinemike.com
On 5 juin 2012, at 21:30, Stefan Thomas wrote:
Dear community
It's a pitty.
I thinks it would be useful to have a feature allowing to type in directly
midi-commands in Lilypond source-code.
I thinks, this wouldn't be too complicated to implement.
2012/6/2 Janek Warchoł janek.lilyp...@gmail.com
On Sat, Jun 2, 2012 at 11:20 AM, Stefan Thomas
kontrapunktste
Dear community,
is it possible to adjust the midi-panorama within lilypond's source code?
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Dear community,
I have a problem within the below quoted snippet.
The Tupletbracket starts to late, I think because of the shorter-rest. What
do I have to do to get the full-length?
Here is the snippet:
%%
\version 2.14.2
le = { \change Staff=left }
ri = { \change Staff=right }
-- Forwarded message --
From: Stefan Thomas kontrapunktste...@googlemail.com
Date: 2012/5/28
Subject: Re: tuplet bracket starts too late after shorter-rest
To: m...@apollinemike.com m...@apollinemike.com
It has no effect, unfortunately
2012/5/28 m...@apollinemike.com m
Dear community,
I have the following problem:
I want to use the software rumor (which can be used do create midi-code via
midi-keyboard).
When I type
rumor --oss
I get
Can not open /dev/sequencer
When I just type rumor
I get
ALSA port connection error; do it manually using `aconnect'
and
Dear community,
I would like to make a definition with scheme. My aim is to create a custom
drummstaff with custom midi sounds, e.g.:
#(define twopercussionsounds '((hiwoodblock default #t 2)
(lowoodblock default #t -2)))
But instead of hiwoodblock and lowoodblock I would like
Dear community,
I've written some scheme-code for making it easier to create ossia-staffs.
The syntax for the code I've created is \ossiastaff staffname { music}
It works fine but now it works only for ossia-staffs above. I would prefer
a syntax like
\ossiastaff staffname above (or below) { music}
Cheers, Jan-Peter
Am 22.04.2012 um 20:27 schrieb Stefan Thomas:
Dear community,
I've written some scheme-code for making it easier to create
ossia-staffs.
The syntax for the code I've created is \ossiastaff staffname { music}
It works fine but now it works only for ossia-staffs above
Since several independent clients (I know at least libcoin
https://github.com/ceptacle/libcoin/blob/master/src/coinHTTP/RequestHandler.cpp
and BitcoinJS
https://github.com/bitcoinjs/bitcoinjs-server/tree/master/lib/rpc) aim
to implement JSON-RPC APIs which are either a superset of the original
I've updated the draft to include long polling, and remove some assumptions of
using HTTP for transport.
Looks good to me.
On 3/3/2012 4:44 PM, Luke-Jr wrote:
On Saturday, March 03, 2012 10:05:58 AM Gavin Andresen wrote:
HTTP and JSON-RPC are a client-server model; there is no way for the
Btw - question to Stefan as the JavaScript guru - what do you consider the
standard/defacto-standard/right/best-practice way of doing S-C json-rpc, what
(javascript) library do you use for this?
As for an explicitly standard way, there is none. The JSON-RPC 1.0 spec
edirol module is
plugged in, maybee it has to do with it, or maybee with my
blacklist-firewire-file?
2012/1/26 Clemens Ladisch cladi...@googlemail.com:
(CC to the FFADO list)
Stefan Thomas wrote:
Dear community,
I hope this is the right adress for my question, because it's not so much
about alsa
Dear Stefan,
Yes, it's a laptop.
The the power switch is on DC IN.
By the way: the fa-66 works well with windows, it can't be a hardware
problem.
2012/1/27 Stefan Richter stef...@s5r6.in-berlin.de
On Jan 26 Stefan Thomas wrote:
Dear Stefan,
I went to pastebin.
You can see the output
Dear Clemens,
what do You mean by:
Please make a new log, but with 7 instead of 3 as debug parameter.
I just had typed in dmesg and pasted this output.
2012/1/27 Clemens Ladisch clem...@ladisch.de
Stefan Richter wrote:
[...]
What's missing is that the FA-66 sends back the read responses.
Dear Casi,
thanks for Your proposals!
It works fine now, I can hear sound.
2012/1/23 Casi Javi casi_j...@yahoo.es
Stefan Thomas wrote:
Dear Casi,
I tried seq24 and it seems to be the right thing for me but:
I can't get sound out of it.
When I open a midi file and play it, I hear nothing
Dear Casi,
I tried seq24 and it seems to be the right thing for me but:
I can't get sound out of it.
When I open a midi file and play it, I hear nothing.
When I type aconnect -o I don't find something like seq24.
How can I connect seq24 to the timidity server?
2012/1/17 Stefan Thomas
I'm firmly against a *blackout* - it would harm users' trust in Bitcoin
since people looking to download the client or to get information about
Bitcoin may end up in the wrong place. I constantly have to delete
YouTube spam advertising this or that miracle GPU miner or secure
Bitcoin client,
Dear community,
I'm searching for an midi-player for ubuntu.
I need a software, that can play midi in any desired tempo and which can
play also loops.
Off course, there's rosegarden, but I think, that's too big and complicated
for my aim.
Thanks, I will try it!
2012/1/17 Casi Javi casi_j...@yahoo.es
Stefan Thomas wrote:
Dear community,
I'm searching for an midi-player for ubuntu.
I need a software, that can play midi in any desired tempo and which can
play also loops.
Off course, there's rosegarden, but I think, that's too
Dear community,
is it possible to get automatic subdivision of beams, e.g. for
32seconds in a 4/4 bar?
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right, nice!
c16 c c c c c c c % how can I avoid automatically, that the 16ths
are subdivided?
}
%
2012/1/5 James pkx1...@gmail.com:
Hello,
On 5 January 2012 11:38, Stefan Thomas kontrapunktste...@googlemail.com
wrote:
Dear community,
is it possible to get automatic
2012/1/5 Stefan Thomas kontrapunktste...@googlemail.com:
Ok, thanks!
I will do it by hand!
2012/1/5 Xavier Scheuer x.sche...@gmail.com:
On 5 January 2012 12:38, Stefan Thomas kontrapunktste...@googlemail.com
wrote:
Dear community,
is it possible to get automatic subdivision of beams, e.g
Dear community,
because I'm awfully bad in mathematics I wrote a function for calculating
the correct length of multimeasure rests.
Although it doesn't cause a crash (which is a huge sucess for me as a
programmer), it doesn't work as expected. Instead of showing one goupt of
multimeasure rests, it
at
lilypond-user-ow...@gnu.org
When replying, please edit your Subject line so it is more specific
than Re: Contents of lilypond-user digest...
Today's Topics:
1. Re:\acciaccatura before barline? (David Kastrup)
2. multimeasure rests (Stefan Thomas)
3. Re:multimeasure rests (David
Dear community,
I have to make an arrangement for string ensemble of a piece originally
written for saxophones.
Unfortunately not all instruments have the same ambitus (e.g. the alto sax
goes lower the the 2nd violin).
With the ambitus engraver it's very simple to find out, if an instruments
Dear David,
thanks!
It's exactly what I've been searching for!
2012/1/3 David Nalesnik david.nales...@gmail.com
Hi Stefan,
2012/1/3 Stefan Thomas kontrapunktste...@googlemail.com:
But: is it possible to find very quickly that point in the score, where
a
desired Ambitus is exceeded
+1. I love this proposal.
It's two less bytes than OP_EVAL even.
It allows static analysis.
It doesn't require any change to the script interpreter. (You can do a
static replacement step between parsing and execution.)
It allows all urgent use cases.
It doesn't consume a NOP. If we ever want
= #(ly:make-moment 3 16) s8. % only two notes are
beamed together, not three!
}
}
2011/12/31 Hans Aberg haber...@telia.com
You did not have the cc on this mail either, so others do not know that
you consider the issue solved.
Hans
On 31 Dec 2011, at 10:24, Stefan Thomas wrote:
Dear Hans
Dear community,
I have a problem with subdivided beams in a 5/16 bar.
I want to have subbeams of irregular length, grouped in 2+3 16ths.
Unfortunately it doesn't work.
Is there a way to realize it?
Here is a short snippet:
\version 2.14.2
motif = \relative c' { c16[ d e f g] }
\new Staff {
Dear community,
I have a problem with beams over rests.
In the below quoted snippet, they don't look like expected.
I would like to have the beams longer and the should include the last rest
of the four sixteenths group,
Does someone have an idea for solving this problem?
\version 2.14.2
\new
Thanks Xavier,
I didn't see it, but it works fine now!
2011/11/19 Xavier Scheuer x.sche...@gmail.com
On 19 November 2011 10:30, Stefan Thomas
kontrapunktste...@googlemail.com wrote:
Dear community,
in the following snippet, I wanted to white out the beam.
Unfortunately it doesn't work
Dear community,
in the following snippet, I wanted to white out the beam.
Unfortunately it doesn't work and I don't understand the reason for it.
Any idea?
\version 2.14.2
Music = \relative c''' {
\override Staff.TimeSignature #'whiteout = ##t
\override TimeSignature #'layer = #3
Dear community,
I have a problem with polymetric music and the Dynamics context.
In the below quoted snippet, a linebreak isn't possible, and the
Dynamics-context is definitely part of the problem:
\version 2.14.2
right = {
\time 5/4
\repeat unfold 3 { c'''8 r b'' r bes'' r a'' r as'' r }
Dear Xavier,
thanks for Your help!
It works fine now!
2011/11/14 Xavier Scheuer x.sche...@gmail.com
On 14 November 2011 15:44, Stefan Thomas
kontrapunktste...@googlemail.com wrote:
Dear community,
I have a problem with polymetric music and the Dynamics context.
In the below quoted
Nice. I'll check with justmoon when I
hopefully meet him at the conference.
It's all fine with me. As soon as the original client switches to
the new format, we will, too.
On 11/13/2011 09:52 PM, Amir Taaki wrote:
Nice. I'll
Dear community,
because of the wrong code, I post You my snippet again.
The Problem is: the quoted voice doesn't appear in the staff
anotherinstrument and it has definetily to do with the command
\set PianoStaff.instrumentName= Piano
Is there possibilitie to get the quodation without quitting
Kainhofer reinh...@kainhofer.com
Am Sonntag, 16. Oktober 2011, 10:01:46 schrieb Stefan Thomas:
Dear community,
because of the wrong code, I post You my snippet again.
The Problem is: the quoted voice doesn't appear in the staff
anotherinstrument and it has definetily to do with the command
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