Re: ANN: MIDI input plugin for jEdit

Dear Bertalan, I don't know the NoteNameMap and Note class. Can You explain me what it is? 2009/1/1 Bertalan Fodor lilypondt...@organum.hu: Remember you can use lilypondtool's NoteNameMap and Note class for quite interesting things. Possibly for this as well.

Re: ANN: MIDI input plugin for jEdit

Dear Andrew, I've downloaded Your very useful plugin. It is grat, but in my opinon is one important feature missing; as far as I see, the enharmonic spelling of a note can't changed immediatels with this tool. This would be very helpful, because an es can also be a dis, even in c-major. Good

Re: ANN: MIDI input plugin for jEdit

Dear David, thanks for Your answer. So, it should be possible to do this within jedit, with a macro. 2008/12/31 David Picón Álvarez da...@miradoiro.com: I doubt such resolution is possible given that MIDI notes are given in a numeric form, meaning n semitones over the baseline. As far as I can

Re: Diatonic/modal transposition function (John Mandereau)

Dear John, many thanks for Your fantastic macro! There is only one thing, I don't understand. I tried to transpose to a minor. Why does it, in the below quoted example, start with d? The first note should be a, I assume. pattern = \relative c' { c2~ c8 d16 e f g a b c4 g e c } \new Staff {

Re: Diatonic/modal transposition function (John Mandereau)

\diatonicTranspose c \major #3 { $x } #}) But, what can be done, if the key is not c? 2008/12/29 Stefan Thomas kontrapunktste...@googlemail.com: Dear John, many thanks for Your fantastic macro! There is only one thing, I don't understand. I tried to transpose to a minor. Why does it, in the below

beams in a two quarter bar

Dear lilypond-users, I have the following, I guess very simple problem, that I can't solve. How can I get the beams in the below quoted example automatically? Thanks for Your help Stefan \new Staff \relative { \time 2/4 c8 [ d e f ] g2 %this works, but it isn't automatic

error message I don't understand

Dear lilpond-users, when compiling the below quoted file I get the error message: warning: type check for `stencil' failed; value `#t' must be of type `unknown' I think it has to do with the tuplets, but I don't understand, what I've done wrong. Here is the snippet: \version 2.11.65.

Re: error message I don't understand

- Original Message - From: Stefan Thomas kontrapunktste...@googlemail.com To: lilypond-user lilypond-user@gnu.org Sent: Sunday, December 28, 2008 11:54 AM Subject: error message I don't understand Dear lilpond-users, when compiling the below quoted file I get the error message: warning: type

Re: problem with substitution

Dear Carl, thanks for Your explanation! Now I understand it! 2008/12/22 Carl D. Sorensen c_soren...@byu.edu: On 12/22/08 2:30 AM, Stefan Thomas kontrapunktste...@googlemail.com wrote: Dear Lilypond-users, I trie to substitute the variable zackigschnell' with APZ', but without sucess

problem with substitution

Dear Lilypond-users, I trie to substitute the variable zackigschnell' with APZ', but without sucess. What is wrong with the following snippet? \version 2.11.60 \include rhythmustest.ly \new Staff { \APZ { c' d' e' f' } } rhythmustest.ly Description: Binary data

Re: New LilyPondTool version available for testing

Dear Lilypond-users, I tried to install the new Lilypond-Tool but I get the error-message (when starting jedit): ~/.jedit/jars$ 11:03:00 [main] [error] ErrorListDialog $ErrorEntry: /home/Stefan/.jedit/jars/LilyPondTool.jar: 11:03:00 [main] [error]

Re: New LilyPondTool version available for testing

Dear Lilypond-users, I get the following error message now (from the linux bash): [main] [error] PluginJAR: Cannot load plugin /home/Stefan/.jedit/jars/antlr-runtime-3.0.1.jar 14:07:08 [main] [error] PluginJAR: java.util.zip.ZipException: error in opening zip file 14:07:08 [main] [error]

change barnumber in the layout block

Dear lilypondusers, is it possible to change the first barnumber in the layoutblock? I tried it with: \layout { \context { \Score \set currentBarNumber #115 } } but without succes. Is there another possibilitie? ___ lilypond-user mailing list

questions about the TimeSig-context

Dear lilypond-users, I have again some questions concerning the TimeSig context. I made a comment to those lines I do not understand. It would be very kind if someone could explain the mening of these lines to me. Thanks! Stefan \layout{ \context { \type Engraver_group \consists Bar_engraver

timeSig and clef changes

Dear lilypond-users, I found out that in a timeig-context the time-signature too far on the left side, if there are clef-changes. In the below quoted snippet the second score-block looks good, but the first doesn't. How can I avoid it? Thanks for Your help! Stefan \version 2.11.60 \layout{

automatic beams over rests

Dear lilypond-users, I have a question: is it possible, to get the beams in the below quoted example automatically? \relative { r8 [ c 8] r8 [ r16 d] r16 [ e8. ] r8 [ d] } Thanks, Stefan ___ lilypond-user mailing list lilypond-user@gnu.org

Re: automatic beams over rests

Dear Mark, thanks for Your answer. I knew that it is possible, to get the beamnings with putting the beams and the music into the same context. But I wanted to ask, if there is maybee a possibilitie to do this fully automatically. I know that there is a possibilitie to do this in Finale and

Re: Quick-insert mode for vim -- work in progress

If You are interested: I made short-cuts for jedit by myself. I type, q qi wi ei and I get c'', dis'', dis'' und eis'' for example and I can input chords quicker. I type asd (shift enter) and then I get c' d' e'. I You are interested, I can send it to You. But now I use most of the time lilykde,

same heigth of markups

Dear Lilypond-users, I would like to have, in the below quoted example, the Dsechsvier on the same heigth as the T. How can I get this? Thanks for Your help, Stefan \version 2.11.60 Dsechsvier = \markup { D \super { \combine \raise #1.1 6 4 } } T = \markup {T} \new Staff \relative c {

slashed stems, but not beams

Dear Lilypond-users, these days I found the great function with the slashed stems. http://lilypond.org/doc/v2.11/Documentation/user/lilypond/Special-rhythmic-concerns#Special-rhythmic-concerns Unfortunately, in the below quoted example, it does not work with the beamed notes. \version 2.11.60

dotted brevis

Dear Lilypond users, how can I get a dotted brevis with lilypond? ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

half diminished chord

Dear Lilypond-users, in the below quoted example the symbol for the half diminished chord is, in my opinion, not printed correctly. How can I get the right one? \version 2.11.59 \header { title =Beautiful love composer = Victor Young } melodie = { \key d \minor \time 4/4 \partial 2. d'4 e' f'

Re: five sixteenth note

Dear Mark, I use the Wanderer(I call this rhythm because it is the basic motive in the Wanderer-Fantasie by Schubert ) and Sarabande rhythms like this: \include rhythmen.ly \relative { \wanderer { c d e f e d } \time 3/4 \sarabande { e d c g' f e } } But, this is not my idea! You can find

Re: too much space for text

a,,, \harmonic b, \harmonic 1 ~ ^\geklaster a,,, \harmonic b, \harmonic 1 ~ a,,, \harmonic b, \harmonic 1 ~ a,,, \harmonic b, \harmonic 4~ a,,, \harmonic b, \harmonic 8 r8 r2 \ottava #0 } \new Staff { \ganzunten } 2008/11/2 Stefan Thomas [EMAIL PROTECTED

Re: too much space for text

| } } \ottava #0 } \new Staff { \ganzunten } *From:* [EMAIL PROTECTED] [mailto: lilypond-user-bounces+nick.payne lilypond-user-bounces%2Bnick.payne= [EMAIL PROTECTED] *On Behalf Of *Stefan Thomas *Sent:* Sunday, 2 November 2008 20:49 *To:* lilypond-user

too much space for text

Dear lilypond-users, in the below quoted example the text takes, in my opinion, too much space, athough I wrote the command \textLengthOff. How can I avoid it? Here is the snippet: \version 3.11.60 ganzunten = {\clef bass \textLengthOff \ottava #-1 %es wird zweistimmig!

five sixteenth note

Dear Lilypond users, I hope, I am not boring. But I found out a possibilitie to get very easily a five-sixteenth note. with the use of the make-rhythm-function. If You like it, please feel free to use it! \version 2.11.60 \include rhythm.ly viertelsechzehntel = #(define-music-function (parser

Re: five sixteenth note

sixteenth, what's wrong with c16*5 or c4*5/4 /Mats Stefan Thomas wrote: Dear Lilypond users, I hope, I am not boring. But I found out a possibilitie to get very easily a five-sixteenth note. with the use of the make-rhythm-function. If You like it, please feel free to use it! \version

collision between tie and pitched trill

Dear lilypond-users, in the below quoted example I get a collision between the tie an the trill note. How can I avoid this? ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

slashed noteheads

Dear lilypond-users, is it possible to get slashed note-heads? ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: slashed noteheads

Dear Bayley, sorry, I expressed it not quite clearly. I thought of a stroked out (hope this is the right expression in english) notehead. 2008/10/25 Bailey James E. [EMAIL PROTECTED] Yes, see section 1.1.4 of the Notation reference on NoteHeads. Am 25.10.2008 um 19:03 schrieb Stefan Thomas

adding rests automatically

Dear Lilypond users, is there possibilitiy to add the rests in the below quoted example not by hand but automatically? \version 2.11.49 restmusic = { d8 r d' r fis r d' r e r d' r a r cis' r } \new Staff { \clef bass \key d \major \restmusic } ___

Re: Augmentation and Diminution

Dear Aaron, maybee this could help You: http://lsr.dsi.unimi.it/LSR/Item?id=390 You can make somerhing like: melody =\relative { c d e f g } \rhythmA{ \melody } \rhythmB{ \melody } 2008/10/7 Aaron Dalton [EMAIL PROTECTED] Is there a way to tell Lilypond to automatically

vim, point and click

Dear lilypond-.users, I tried to get the point and click working with gvim. I've read the (german) documentation about it, but it es not quite clear for me. I added gvim –remote +:line:normchar file in .xdfrc, but after a click, emacs will be opened. Or do I have it to add in the

Re: vim, point and click

Dear Mark, I use Kpdf and acrobat reader on a linux machine. But I don't understand how to use the files You added. 2008/9/26 Mark Knoop [EMAIL PROTECTED] At 10:21 on 26 Sep 2008, Stefan Thomas wrote: Dear lilypond-.users, I tried to get the point and click working with gvim. I've read

Re: vim, point and click

I got now point and click working with emacs. But I have another problem now: every time when I click on a note in xpdf, a new emacs window will be opened. How can I avoid this? 2008/9/26 Stefan Thomas [EMAIL PROTECTED] Dear Mark, I use Kpdf and acrobat reader on a linux machine. But I don't

Re: vim, point and click

in the Application Usage manual for LilyPond, i.e. make sure to use emacsclient. /Mats Stefan Thomas wrote: I got now point and click working with emacs. But I have another problem now: every time when I click on a note in xpdf, a new emacs window will be opened. How can I avoid this? 2008/9/26 Stefan

Re: vim, point and click

Dear Wilbert, thanks. I have now lilykde on my system working. Point and click works without any problems but I have q question: how can I make abbreviations? In jedit I can press stD and I get after the space key StemDown. Can This be done in Kate too? 2008/9/26 Wilbert Berendsen [EMAIL

Re: fong shape of fingering

Which version do You use? With my version it looks convincing 2008/9/19 Bertalan Fodor [EMAIL PROTECTED] I get this when compiling: Stefan Thomas írta: Dear all, maybee You have asked yourself, why I wanted the layout of the fingerings. The reason is: In my opinion lilypond does

fong shape of fingering

Dear lilypond-users, how can I change the fontshape of fingerings? I tried it with \override Score.Fingering #'font-shape = #'italic but without success. ___ lilypond-user mailing list lilypond-user@gnu.org

Re: fong shape of fingering

Ok. What I really want is to change the fingerings to look like tuplet-numbers. But I don't know how to do this. 2008/9/18 Bertalan Fodor (LilyPondTool) [EMAIL PROTECTED] I think you first need to change the family, because IIRC it is currently the music font which has no italic Stefan

Re: fong shape of fingering

#'font-encoding=##f should be Stefan Thomas wrote: I tried it, without out sucess, with: \set Score.Fingering = #'font-encoding #f \override Score.Fingering #'font-shape = #'italic I get the message: Warnung: Typprüfung für »Fingering« gescheitert; Wert »font-encoding« muss vom Typ »list

Re: fong shape of fingering

for bothering You, but it is still difficult for me to understand these things. 2008/9/18 Bertalan Fodor (LilyPondTool) [EMAIL PROTECTED] It seems you have to set the font-family as well in this case. Try to set it to 'roman Stefan Thomas wrote: Dear Bertalan, I tried now ohnezahl = { \override

Re: fong shape of fingering

Dear Risto and Bartalan, thanks! I changed it now succesfully! 2008/9/18 Stefan Thomas [EMAIL PROTECTED] Dear Bartalan, with \override Score.Fingering #'font-encoding = ##f \override Score.Fingering #'font-shape = #'italic \override Score.Fingering #'font-name = #roman I could change

no tuplet bracket, why?

Dear Lilypond-users, is there any reason, why in the below quoted example the tuplet bracket is hidden? I couldn't find a way to make it visible! {\clef bass r2 a, a 4 r r \times 2/3 { r8 a, a4 } r4 r \times 2/3 { r4 a, a8 } r4 r r } ___ lilypond-user

Re: no tuplet bracket, why?

Hello, off course I tried my example, I only forgot to add the version number, which is 2.11.49 I suppose a newer version to solve the problem, but I will try Your suggestions! 2008/9/17 Robin Bannister [EMAIL PROTECTED] One way to keep it longer would be to make the tuplet contents wider,

Re: no tuplet bracket, why?

Thank You! I succeeded with \once \set tupletFullLength = ##t ! 2008/9/17 Stefan Thomas [EMAIL PROTECTED] Hello, off course I tried my example, I only forgot to add the version number, which is 2.11.49 I suppose a newer version to solve the problem, but I will try Your suggestions! 2008/9

Re: text moving to the eft

TimeSig.TextScript #'infinite-spacing-height = ##t } I will see if it works, when I suistitute TimesSig with Score and TextScxript with MetronomeMark. 2008/9/15 Neil Puttock [EMAIL PROTECTED] Hi Stefan, 2008/9/15 Stefan Thomas [EMAIL PROTECTED]: Dear Lilypond users, how can I move a text (it is a tempoMark

Re: text moving to the eft

Score.MetronomeMark #'infinite-spacing-height = ##t } Hope this works to! 2008/9/16 Stefan Thomas [EMAIL PROTECTED] Dear Neil, thanks for Your help. It worked now! But if I want to have more space in the TimeSig for the Tempomark-Text, how can I do this? I understand now, why the followind didn't

hiding staves

Dear lilypond-users, I have troubles with showing and hiding staves. I tried: zeigsmir = { \set Staff.keepAliveInterfaces = #'( rhythmic-grob-interface multi-measure-rest-interface lyric-interface stanza-number-interface percent-repeat-interface) } wegdamit = \unset

more space for instrument names

Dear Lilypond-Users, I use very often the very nice \inst-Plugin: changeInstrument = #(define-music-function (parser location string) (string?) (make-music 'TextScriptEvent 'direction UP 'text (markup #:bold (#:box string inst =

one voice

Dear Lilypond-users, I want to hide some notes. But, in the below quoted example, the rests go down, if it where a second voice. Does somebody know the reason? Thanks for Your help! Stefan ___ lilypond-user mailing list lilypond-user@gnu.org

Re: one voice

Dear Gilles, here is the example: { { \oneVoice gis 8\f\laissezVibrer ^\markup { \small { \italic { \column { (mit Holzschlägel schlagen gleichzeitig mit weichem Schägel abdämpfen) } } } } r r4 r2 \rest } \\ {\oneVoice s8 \hideNotes \repeat unfold 14 { c''16 } } | %schlageins takt 123

Re: one voice

Wow! Thanks! But there is one thing I don't understand: \once \override MultiMeasureRest #'transparent = ##t Could you be so kind to give me an explanation of this? Thanks, Stefan 2008/9/16 Kieren MacMillan [EMAIL PROTECTED] Hi Stefan, here is the example: My suggestion for how to

textlength in timesig

Dear lilypond users, could it be possible, that \textLengthOn does not work in a TimeSig context? ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: textlength in timesig

Dear Kieren, it worked well so far. But let me ask one more question: How could I change the alignment of the tempo-text (e.g. Subito Piu Mosso ) to the left side of the multimeasure bar? 2008/9/15 Kieren MacMillan [EMAIL PROTECTED] Hi Stefan, thanks for Your fast answer. Do You mean with

Re: textlength in timesig

Dear Kieren, thanks for Your fast answer. Do You mean with blabla the actual markup command, like Piu mosso? 2008/9/15 Kieren MacMillan [EMAIL PROTECTED] Hi Stefan could it be possible, that \textLengthOn does not work in a TimeSig context? Sure… if it's defined as, e.g., \override

text moving to the eft

Dear Lilypond users, how can I move a text (it is a tempoMark text) in a TimeSig to the left? Unfortunately \override TimeSig.TextScript #'extra-offset = #'(-1.6 .0 ) \movement meno mosso 4 #76 doesn't help! ___ lilypond-user mailing list

re: strange position of tuplet number

Dear lilypond-users, I found out, that fingerings work much better than tuplet-numbers in connection with cross-staff beams. My problem is: how can I make the fingerings look like the tuplet-numbers? Here a short example: \version 2.11.49 ohnezahl = { \override TupletNumber #'stencil = ##f } re

strange position of tuplet number

Dear lilypond-users, in the below quoted example the positions of the tuplet numbers are very strange. Is it possible, to have the tuplet numbers automatically near to the beams? \version 2.11.49 re = { \change Staff = rechts } li = { \change Staff = links } rechts = { \clef bass s 4. } links =

position of instrument

Dear lilypond-users, in the below quoted example the position Trompete in B should be higher than con sord.. How can I change it? changeInstrument = #(define-music-function (parser location string) (string?) (make-music 'TextScriptEvent 'direction UP

Re: size of bass clef

Dear James, thanks for Your help. But what can I do, if I only want to change the size of the bassclef and if I have an instrument like piano, where the clefs are changing constantly? 2008/9/10 James E. Bailey [EMAIL PROTECTED] On 10.09.2008, at 18:05, Stefan Thomas wrote: Dear Lilypond

dayly summary

Dear lilypond users, since a couple of day I don't get the dayly summary of the user-group any more. Is it a problem I share with others? ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: position of text in timeSig

Dear Gilles, I need the TimeSig, becauses I have written a larger, so called french score. In the score as well in the parts the exrpessions like rit., piu mosso, etc. shall be shown always on top, in all parts and in the score. Or do You know another way to do this without the timeSig? 2008/9/10

maximum inclination of beams

Dear lilypond-users, in the below quoted example the inclination of the beam is, in my opinion, a bit extreme. Is there a possibilitie to change the maximum inclination of beams in general, for a whole score? Here the short example: \relative { \times 4/5 { c16 c' g' c e } g2. }

size of bass clef

Dear Lilypond-users, a friend of mine (he uses finale and he can be very stressing with note-typing things) is of the opinion, that the bass-clef in lilypond is to small. Is it possible to change the size of the bass clef? ___ lilypond-user mailing list

Re: problem with crescendo-text

Dear Kieren, thanks for Your advice. But what can I do with my version of the program? 2008/9/7 Kieren MacMillan [EMAIL PROTECTED] Hi Stefan, in the below quoted example I can't see the crescendo and I don't know why. Does someone know a solution? At least with version 2.11.57, you need

Re: problem with crescendo-text

] Then you need \setTextCresc. You may want to download the documentation for version 2.11.49. http://download.linuxaudio.org/lilypond/binaries/documentation/lilypond-2.11.49-1.documentation.tar.bz2 Am 08.09.2008 um 08:59 schrieb Stefan Thomas: Dear Kieren, thanks for Your advice. But what

Re: problem with crescendo-text

Yes, I understand it is not possible in the way I tried. But the problem is: I have already defined a \pcresc command and I would like to change it once for the whole score, if possible. 2008/9/8 James E. Bailey [EMAIL PROTECTED] On 08.09.2008, at 13:46, Stefan Thomas wrote: Dear James

Re: problem with crescendo-text

} #}) \version 2.11.49 { \pcresc c' d' e' f' g' 1 \f c' 4\p \ d' e' f' g' 1 \f } But I would prefer to write the \pcresc command after (and not before) the note. Is it possible to organize it in this way? 2008/9/8 Stefan Thomas [EMAIL PROTECTED] Yes, I understand it is not possible

problem with crescendo-text

Dear Lilypond-users, in the below quoted example I can't see the crescendo and I don't know why. Does someone know a solution? \version 2.11.49 { \set crescendoSpanner = #'text \override DynamicTextSpanner #'dash-period = #-1.0 a'2\ a a a\mf } ___

longer hshortairpins for the whole score

Dear lilypond-users, I found out (with the help of the manual), that with the following tweak I can get longer hairpins. \version 2.11.49 \relative { \override Voice.Hairpin #'minimum-length = #10 \time 3/4 e 4 \p\ e \ff e } But how can I change it for the whole score? Is it possible to write

Re: longer hshortairpins for the whole score

Dear Kieren, thanks for Your very nice snippet. \override Score.Hairpin #'minimum-length = #10 works very well, but \layout { \context { \Score \override Hairpin #'minimum-length = #10 } } does not work in my score. Maybee it has to do with the cirumstance, that I use \new Score at the

Re: lilypond as an web-based application?

Yes, that looks very promising! 2008/8/30 Kieren MacMillan [EMAIL PROTECTED] Hi all you server-side 'Ponder-ers! I think a few of us are convinced LilyPond can have a future as a client+server application For the record, I eventually want to set up a server for my musical theatre works,

lilypond as an web-based application?

Dear lilypond-users, I have had an (maybee studpid) idea in the last days. You know that there are some programs available, that run in the internet, like e.g. the google office. Do You think it could be possible to make an internet-based version of lilypond?

Re: live cd-with lilypond

Hi, unfortunately I don't know anything about Slackware, but a live CD with the latest stable version of lilypond would be great! 2008/8/29 Wilbert Berendsen [EMAIL PROTECTED] Op donderdag 28 augustus 2008, schreef Valentin Villenave: the Nimblex guys seem to be ready to include LilyPond in

Re: paper size and printing

Dear Alexander, the default paper size in my pdf program is a4. But I have to set there the margins to 1.27 cm, 1.27 cm, 1.57 cm and 1.57 cm. Otherwise the lilypond generated pdf file would be too large for a a4 paper. 2008/8/25 Alexander Kobel [EMAIL PROTECTED] Stefan Thomas wrote: Dear

paper size and printing

Dear lilypond-users, I have a question concerniung the paper size. When I print a pdf-file with lpr, the top off the page is cut off. I think, the defualt paper size is not a4. But the same thing happens, when I include the line #(set-default-paper-size a4) in the ly-file. Does someone know, how

Re: how to change the LILYPOND_GC_YIELD

are of the same kind. 2008/8/23 Mats Bengtsson [EMAIL PROTECTED] Read any general Linux instruction on how to set environment variables. If you use bash as your shell, then it should work to do export LILYPOND_GC_YIELD=60 lilypond ... /Mats Stefan Thomas wrote: Dear lilypondusers, I have read

Re: live cd-with lilypond

Dear Valentin, many thanks for Your tips! You are right, nimblex looks great,it would be a good thing, if there could be included Lilypond! 2008/8/22 Valentin Villenave [EMAIL PROTECTED] 2008/8/22 Stefan Thomas [EMAIL PROTECTED]: I'm searching for a live Cd with lilypond. I know

how to change the LILYPOND_GC_YIELD

Dear lilypondusers, I have read the article in http://lilypond.org/doc/v2.10/Documentation/user/lilypond/Invoking-lilypond but I still don't know, how I can chance the LILYPOND_GC_YIELD to e.g. 60. When I type lilypond LILYPOND_GC_YIELD 60 I get an error message. I should mention I use lilypond

live cd-with lilypond

Hi, I'm searching for a live Cd with lilypond. I know, there is Musix, but it has a very old version. And UBUNTU Studio, as far as I know, is not a live CD, or is it? ___ lilypond-user mailing list lilypond-user@gnu.org

collision with TimeSig

Dear lilypond-users, I have a collision between the note and the text of the TimeSig in the below quoted example. Is there any possibility to avoid this? Thanks for help, Stefan noten = { c''1 } tempotakt = { s 1 ^\markup { \column { \upright subito piu mosso \line { ( \note # 4 #0.75 = 120) }

Re: percussion beaters

Dear Valentin, but how can I open this file? Where do I find it? I don't have the source-code of the documentation and I don't know how to compile it. 2008/8/14 Valentin Villenave [EMAIL PROTECTED] 2008/8/11 Stefan Thomas [EMAIL PROTECTED]: unfortunately I can't reach the link anymore! I

textlentgh on forever

Dear Lilypondusers, how can I switch on textLentgthOn for more than one word? ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: percussion beaters

Dear Valentin, unfortunately I can't reach the link anymore! I would like to add the example to the documentation of percussion instruments! 2008/6/16 Valentin Villenave [EMAIL PROTECTED] 2008/6/16 Stefan Thomas [EMAIL PROTECTED]: is there a possibilitie to integrate symbols for percussion

Re: main storage, error

think, I guess. Could it bee, that there is something wrong with my system? 2008/8/11 Bertalan Fodor (LilyPondTool) [EMAIL PROTECTED] Then I'm not sure. Try: export LILYPOND_GC_YIELD=20 or ask it on lilypond-user. Stefan Thomas wrote: Dear Bartalan, sorry, I forgot. I'm using a linux

Re: scheme function for staccato

Dear Lilypond-users, with my actual version (2.11.49), the very nice addStaccato (or in this case addTenuto) function doens't work as it did before. In the quoted example, the note after the tie has a tenuto too (and I don't want it) and the accent above the tenuto looks strange, it should be

drumpitches

Dear lilypond-users, I have a quesetion concerning the file drumpitch-init.ly. I know it is on a linux machine normally at: /usr/local/lilypond/usr/share/lilypond/current/ly But could someone please tell me, where I can find this file on a windows and on a macintosh machine? I need to know it for

context, drum staff

Dear Lilypond users, in the below quoted example I get two staves, although I would like to have one! What could be wrong? \version 2.11.49 global = { \time 4/4 s1 } drumsA = { \context Voice { \global } { \drummode { tamb4 tamb tamb tamb } } } \new DrumStaff { \drumsA }

main storage, error

Dear Lilypond, when calculating a large score I get an error message: nicht genügend Arbeitsspeicher (not enough main storage). Is there a possibilitie to solve this problem? ___ lilypond-user mailing list lilypond-user@gnu.org

automatic note splitting and ties

Dear lilypond-users, I have a problem with ties in connection with automatic note splitting. I don't understand why the ties in the below quoted example look so strange: Is it a bug? \score { \new Staff { \new Voice \with { \remove Note_heads_engraver \consists

Re: Webern-style accidentals transposition

Dear Lilypond users, how can I revert these webernAccidentalsto normal style? %%% begin %%% \version 2.10.0 webernAccidentals = { % the 5s are just a value different from any accidental \set Staff.keySignature = #'((0 . 5) (1 . 5) (2 . 5) (3 . 5) (4 .

Re: broken octaves

-command, but, it is not much faster then just typing the notes. I desire a function, where You can type just once \quintrauf, and all the following notes will be changed. I think it must be possible. 2008/7/29 Jay Anderson [EMAIL PROTECTED] On Mon, Jul 28, 2008 at 12:11 AM, Stefan Thomas [EMAIL

Re: broken octaves

forbidden)! 2008/7/27 Jay Anderson [EMAIL PROTECTED] On Sun, Jul 27, 2008 at 9:46 AM, Stefan Thomas [EMAIL PROTECTED] wrote: Dear Jay, many thanks for Your very nice plugin! I think it will be a very useful thing for me. But I have one question: I would be interested in having other

re: adding graphics with external program

Dear Luis, on linux, there is the program pdf-edit available. You can add there simple graphice. And as far as I know, You can export lilypond files to other graphic formats, like png. You can read it in the manual. But You can also add graphics with the markup command, at least eps-files.

Re: broken octaves

Dear Jay, many thanks for Your very nice plugin! I think it will be a very useful thing for me. But I have one question: I would be interested in having other plugins for other intervalls, or even for small sequences of notes. If I want to change the Interval from an ovtave to, lets say, a fifth,

Re: broken octaves

Dear Jay, many thanks for Your very nice plugin! I think it will be a very useful thing for me. But I have one question: I would be interested in having other plugins for other intervalls, or even for small sequences of notes. If I want to change the Interval from an ovtave to, lets say, a fifth,

Re: clefs not shown

Dear Valentine, as far as I can remember, I removed the bar-engraver for a special reason, I think it was for pedagogical purposes and it was a longer example. 2008/7/20 Valentin Villenave [EMAIL PROTECTED]: 2008/6/17 Stefan Thomas [EMAIL PROTECTED]: why are the clefs not shown in the below

broken octaves

Dear Lilypond-users, I have in mind an input like: \relative { \brokenoctaves {c d e f g }} and the desired output is: \relative { c c' d d' e e' f f' g g' } Can this be done automatically? ___ lilypond-user mailing list lilypond-user@gnu.org

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