Hi, what jibin said was absolutely right. Rahman is concentrating onthe theme of theme of the film. so that the song and backround score are coming with the complete fitness to the film. No one in asia to score backround score like Rahman to go along with the storyline. Recently i heard from
Hi All, Our Boss, on almost all his latest compositions it seems likehis tunes loosing that natural touch of 90's.I dont know why its happening. it may be becoz of the changing Trend. just now i happened to listen to the RDB Trailor in TV. it is not that much superb. but something catchy in
this is ridiculous:
anyway i am glad that he is still withstanding the stiff competetion
among MD's in
Bollywood.
I dont know where ARR can find a competetion with todays Bollywood
MD's? When his self-proclaimed fans will realise that ARR is far ahead
from other MDs in India currently?
This
Hi jibin
I guess you must put your observations into a pragmatic perspective. In
the 90s, Rahman was in the turf of his own with a lot of independance,
allowing his natural rhythm to flow seamlessly. The movies made were
not very much connected to the music, though both in isolation might
have
I don't really understand what was meant by the
natural touch of the 90s. I believe his music has
progressed brilliantly. Stiff competition? Today? In
Bollywood? Hahahahaha.
--- Arijit Debnath [EMAIL PROTECTED] wrote:
this is ridiculous:
anyway i am glad that he is still withstanding the
hi jibin,
I donot completely agree about your views
regarding Rahman losing the midas touch.
An album for the matter of fact is depended on the
Script,so the musician has to focus on the script
first and in accordance to it deliver music.
As far as RDB is concerned,the story
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