Dear Ed
I am so pleased to hear your lute is back, and so we will
soon be hearing more music, but even sweeter than on your excellent
Conradi CD, if that is possible.
I am interested to hear you mention the singing quality of your
lute. This is also what struck me about my 11c
interested in
the subject
Martyn
--- On Tue, 15/9/09, Anthony Hind anthony.h...@noos.fr
wrote:
From: Anthony Hind anthony.h...@noos.fr
Subject: [BAROQUE-LUTE] Re: Adirondack spruce
To: baroque-lute@cs.dartmouth.edu
Date: Tuesday, 15 September, 2009, 10:45 AM
Dear Ed
I had a look
...@noos.fr wrote:
From: Anthony Hind anthony.h...@noos.fr
Subject: Re: [BAROQUE-LUTE] Re: Adirondack spruce
To: Martyn Hodgson hodgsonmar...@yahoo.co.uk,
baroque-lute@cs.dartmouth.edu
Date: Wednesday, 16 September, 2009, 8:54 AM
Dear Martyn
Le 15 sept. 09 à 16:51, Martyn Hodgson a écrit
Ed
I didn't know anything either, but thought I should try to find
some basic knowledge to be able to discuss with lutemakers.
I feel sure that lute players of the past had far more knowledge than
we have today about woods and lute structure and how these
affect the sound that they were
: [BAROQUE-LUTE] Re: Adirondack spruce
To: baroque-lute@cs.dartmouth.edu
Date: Tuesday, 15 September, 2009, 10:45 AM
Dear Ed
I had a look at what guitar
sites said about Adirondack, and it seems that the chief
benefit of using Adirondak Spruce as a top is its stiffness
to weight ratio.
http
Anthony,
Knowledge of various top woods is an area of
which I have little knowledge, so I dare not make
public statements in these areas.
Concensus does state that Adirondack is a
fantastic top wood, and the proof will be in the playing!
ed
At 02:29 AM 9/16/2009, Anthony Hind wrote:
Ed
I regret that I have no photos of the damaged lute.
ed
At 02:26 PM 9/14/2009, Marius Cruceru wrote:
May we see some pictures of the damaged instrument?
On Mon, Sep 14, 2009 at 8:54 PM, Edward Martin
mailto:e...@gamutstrings.come...@gamutstrings.com wrote:
Dear ones,
I had an accident with my
