Subject: Re: [BAROQUE-LUTE] Re: Pesne
I have no idea which video site that may be.
RT
- Original Message -
From: Dale Young [EMAIL PROTECTED]
To: BAROQUE-LUTE baroque-lute@cs.dartmouth.edu; Roman Turovsky
[EMAIL PROTECTED]
Sent: Sunday, March 04, 2007 3:17 PM
Subject: [BAROQUE
Dear Roman,
What a wonderful picture, thank you!
Very interesting indeed. I make it a twelve course lute with double
top and second courses which, for the date, is very unusual. The red
basses to the octave courses are also clearly shown and clearly
distinguished from the bright white of the
From: David Van Edwards [EMAIL PROTECTED]
Dear Roman,
What a wonderful picture, thank you!
Very interesting indeed. I make it a twelve course lute with double top
and second courses which, for the date, is very unusual. The red basses to
the octave courses are also clearly shown and
PROTECTED]
To: Roman Turovsky [EMAIL PROTECTED]
Cc: BAROQUE-LUTE baroque-lute@cs.dartmouth.edu
Sent: Saturday, March 31, 2007 8:28 AM
Subject: [BAROQUE-LUTE] Re: Pesne
It appears that the lute was a painter's requisite lying around and
the upper courses just got slack and slipped at the nut
Martyn Hodgson [EMAIL PROTECTED] wrote: Date: Sat, 31 Mar 2007 08:43:10
+0100 (BST)
From: Martyn Hodgson [EMAIL PROTECTED]
Subject: Re: [BAROQUE-LUTE] Pesne
To: Roman Turovsky [EMAIL PROTECTED]
Thank you for this.
Indeed, but I wonder about the accuracy of the painter: for example
@cs.dartmouth.edu
Sent: Saturday, March 31, 2007 12:46 PM
Subject: [BAROQUE-LUTE] Re: Pesne
I like her right hand. It looks very relaxed. The pinky is outside
the bridge and I bet she would have slid the whole hand gracefully
upwards when she needed to reach the lowest sounding courses, keeping
