[EMAIL PROTECTED] wrote:
This paradigm of editing the tracks and the timeline, not the clips
themselves, feels natural to people who are accustomed to editing with
tape, because tape works the same way (you edit the tape, not the things
on the tape).
Linear editing is going fast, if it's not
Herman Robak wrote:
Seems like a fair summary. Do you think it's an unreasonable position?
--Herman Robak
I should clarify the last point. Any professional editing suite is going to
have to maintain compatibility with tape based editing techniques - there
are too many people out there
Jason van Gumster wrote:
I regularly use Cinelerra on one of three machines: an eight-year-old
box with an Athlon XP 2500+, a laptop with a hyperthreaded 3GHz P4, and
another laptop with a dual core Turion64.
Interesting thanks - I would have bet on heavier hardware. Can't
imagine that
Mark Carter wrote:
HV is undoubtedly a better programmer than me. I think he wrote it in
a way that made sense for him. He wrote most of the code, so he pretty
much knows the score of what's going on in it. But what works for him
may not work for everybody else.
Certainly there is a lot of
Valentina Messeri wrote:
YOU..you're simply talking about your experience, do'you really
think, talking about educational purposes that propietary tools
worth the while?
I could understand profesional purpose, cause people got so used to
their propietary tools and they, obviously, think
Mark Carter wrote:
I've taken to hacking away a bit at the code - and alas I broke my
version. One thing that leaps out is all those case statements, esp.
wrt colour models. I may be being too niaive, but I'd really like to
see some kind of method of getting a grip on that. I looked at the
Jason van Gumster wrote:
I can't be the only one who's done successful complex editing in
Cinelerra. I do fair amount of of work, professionally and
independently, and while I'll admit Cinelerra isn't perfect, it
certainly does the job for me on the projects I choose to use it on.
Could you
Hermann Vosseler wrote:
I don'tconsider it right to invent a new killer feature every half year and I don't like
cinelerra fighting a competitive war against other video editing products, because
I want it to stay what it is: a working tool for advanced users, enabling
almost unlimited
We'll, I'm new around here, but I have been taking a deep
dive through the code via gdb and Cscope. I also know
a little bit about editing and have spent more that a
few hours with Final Cut Pro and Premier.
My own impression of Cinellera is that it is getting
there, but it is not something I
