I agree wth the statements re recording quality .
So wake me up when we routinely gets music released that actualy
has intrisinic sq beyound the humble cd :)
When the world has changed and all music has the same sq as those very
few audiophile recordings that achive this AND with real music
I really can't find why MQA betters timing and other things.
How i read it it simply is a streaming format that keeps bit depth and
HF content needed for what HiRes is touted.
So for a bitrate of 1MBit/s it may store bits 1-13 lossless and peels
away HF content that is of no use.
So PCM 24/192 in
cliveb wrote:
> Nice of you to ignore everything else I said (for which you presumably
> have no answer).
>
> You're right, I've not heard MQA. I have no need to.
>
> Look: the world is full of basic understanding about all manner of
> things, backed up by plenty of empirical evidence. And ther
philippe_44 wrote:
> argh ... I've not compiled it for an ARM device. Linux x86 or Windows.
> But the very important thing to know is that it DOES NOT NEED to run of
> the same machine than the LMS server. You can use any computer in your
> network running Linux or Windows. If it does not work fo
castalla wrote:
> That sounds good.
>
> So which version would I use for Debian on an arm7 machine?
argh ... I've not compiled it for an ARM device. Linux x86 or Windows.
But the very important thing to know is that it DOES NOT NEED to run of
the same machine than the LMS server. You can use
philippe_44 wrote:
> ouch ... I'm sorry it looks complicated, this is certainly not the
> objective. Seriously, for a Sonos system, you have 1 parameter to set,
> launch it and here you go. There is really nothing to do. I've included
> a config file that should work with your Sonos. Grab the app
castalla wrote:
> Thanks.
>
> I've looked at your app - but it is so horrendously complicated to
> implement that I'm lost!
>
> I'm not sure about the LMS/upnp plugin and playlists - they certainly
> don't appear on any of the upnp clients I've tried.
ouch ... I'm sorry it looks complicated, t
ctbarker32 wrote:
> The CD system is based on samples of an analog sound that is "sampled"
> at a defined rate and then the original sound is reconstructed at
> playback by a DAC that inserts misssing bits to complete the
> reconstruction? Sounds Lossy to me?
Maybe semantics but the DAC redraws t
philippe_44 wrote:
> I've not tried, but this is probably true if you activate the LMS plugin
> that turns it into a uPNP server. I've personally taken a different
> route on my system made of mainly Logitech, but a bit of Sonos and other
> uPnP players : I've developped this app that turns any u
castalla wrote:
> Sonos claim that playlists can be accessed by their devices.
>
> Can anyone confirm that their Sonos 'sees' and plays LMS playlists?
I've not tried, but this is probably true if you active the LMS plugin
that turns it to a uPNP server. I've personally taken a different toute
o
Sonos claim that playlists can be accessed by their devices.
Can anyone confirm that their Sonos 'sees' and plays LMS playlists?
Touch - Muse M50 EX TPA3123 T-Amp Mini - Acoustics Q10 speakers
Logitech Radio
Logitech UE Smart Radio
Raspberry Pi + Squeezeplug LMS + Squeezelite - Logitech Mini B
CommanderROR wrote:
> While this sounds interesing, it does not (IMHO) fix the real problem,
> which occurs during recording.
Couldn't agree more. The problems with a lot of recorded music these
days is in the mixes and lack of dynamic compression (aka "the loudness
wars"). A different lossless
If you can reconstruct the original information, it's not lossy. Lossy
codecs don't reconstruct the missing information.
If it's not reconstructing irrelevant information, like ultrasonic sound
you can probably discuss to eternity but the codec then is technically
lossy.
A/D or D/A conversion is n
cliveb wrote:
> When it's played on a legacy device without the decoder, stuff is
> "missing". That's lossy in my book.
Using your definition doesn't that include all digital audio systems
known to date. The CD system is based on samples of an analog sound that
is "sampled" at a defined rate and
ctbarker32 wrote:
> From my further reading, I think it is incorrect to describe MQA as a
> lossy format as is currently understood e.g. MP3 vs FLAC/ALAC.
>
> It would appear that MQA is as much to do about audio timing information
> as it is about frequency information? I'm thinking along the l
netchord wrote:
> which you know because you've heard it?
Nice of you to ignore everything else I said (for which you presumably
have no answer).
You're right, I've not heard MQA. I have no need to.
Look: the world is full of basic understanding about all manner of
things, backed up by plenty o
>From my further reading, I think it is incorrect to describe MQA as a
lossy format as is currently understood e.g. MP3 vs FLAC/ALAC.
It would appear that MQA is as much to do about audio timing information
as it is about frequency information? I'm thinking along the lines of
Time Aligned Speaker
cliveb wrote:
>
>
> MQA is another solution in search of a problem, and gullible audiofools
> are going to lap it up just because it's Meridian. If Microsoft or Sony
> had come up with this, it would have been laughed at for the smoke &
> mirrors it is.
which you know because you've heard it?
netchord wrote:
> see Virus Killer's post here:
>
> http://www.meridianunplugged.com/ubbthreads/ubbthreads.php?ubb=showflat&Number=225234#Post225234
>
> everything you need to know.
>
> it is truly a paradigm shift.
Hmmm. A few quotes from VirusKiller's post:
> the "compression" applied to th
I think it's actually a pretty clever move. Use high sample rates so
that you can tell people you are really high definition but just throw
away all that useless information about the pink noise in the ultrasonic
frequency ranges. All the HD-marketing bang for CD-quality
bandwidth-bucks.
All fine
While this sounds interesing, it does not (IMHO) fix the real problem,
which occurs during recording. So much music, especially classical
music, is already crippled with auto-gain, bad mic placement (too close,
too far, too many, too few) and similar issues.
All that information that gets thrown a
see Virus Killer's post here:
http://www.meridianunplugged.com/ubbthreads/ubbthreads.php?ubb=showflat&Number=225234#Post225234
everything you need to know.
it is truly a paradigm shift.
--
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Transporter--> Wireworld Eclipse 6 coax-->Meridian G61
G61-->
WiMP HiFi is the sam thing as TIDAL, just different brands for different
markets
---
learn more about iPeng, the iPhone and iPad remote for the Squeezebox
and
Logitech UE Smart Radio as well as iPeng Party, the free Party-App,
at penguinlovesmusic.com
*New: iPeng 8, the Universal App for iOS 7
Hi, Tidal is only available in UK and USA. If you live in Germany you
can't get it yet.
Just use WiMP Hifi instead.
--
Michael
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Webkemmi wrote:
> How can I create a Tidal trial account?
> If I enter my mail address on http://getlossless.com I just can join the
> Tidal mailing list - see screenshot.]
Hi, Tidal is only available in UK and USA. If you live in Germany you
can't get it yet.
---
How can I create a Tidal trial account?
If I enter my mail address on http://getlossless.com I just can join the
Tidal mailing list - see screenshot.
I already installed the ickstream Plugin on my LMS 7.9 but since I do
not get any Tidal credentials, I can't give it a try.
Thanks
Stefan
16861
Hot air. Absolutely NOT a breakthrough. Just another proprietary format
in a world already awash in more audibly-transparent formats than it
needs.
See http://www.hydrogenaud.io/forums/index.php?showtopic=107666
Transporter -> ATC SCM100A
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