--- In FairfieldLife@yahoogroups.com, enlightened_dawn11
no_re...@... wrote:
great find-- i recognized awhile ago while shooting video that
it is very hard to duplicate all of the dolly effects used in
professional cinematography. these guys came up with a cool
solution.
Just as a couple
TurquoiseB wrote:
--- In FairfieldLife@yahoogroups.com, enlightened_dawn11
no_re...@... wrote:
great find-- i recognized awhile ago while shooting video that
it is very hard to duplicate all of the dolly effects used in
professional cinematography. these guys came up with a cool
great find-- i recognized awhile ago while shooting video that it is
very hard to duplicate all of the dolly effects used in professional
cinematography. these guys came up with a cool solution.
--- In FairfieldLife@yahoogroups.com, Marek Reavis reavisma...@...
wrote:
It was a great solution for their purpose. For me, it was almost an
ideal flick; the wonderful matter-of-factness to it, the play of
attention throughout, the uninvolved 'witness' thing, and all those
great people living their lives in the sushi bar for the span of the
video.
Watched it
yep- lots of elements coming together, including the camera being
just the right distances from those in the sushi bar, both while
facing in and facing out. and i wonder if this film would've worked
in the US, because when the camera is facing outward on the belt,
the Japanese guys that see
