- Original Message -
From: Julian Robinson <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Monday, January 07, 2002 11:52 PM
Subject: [filmscanners] Re: Tips needed on difficult scan
Being endlessly interested in contrast taming, I just tried this but
obviously I am missi
Just a point about film names. Provia is made in two versions. The
standard version is rather grainy (in fact it is only made in the 400
ISO version now, if I'm not mistaken, having been superseded by Astia in
the 100 ISO version, and is the same film as Fujichrome 400 Sensia II.)
The fine gr
Yes, that's perfect. Thanks. Stan
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]]On Behalf Of Norman Unsworth
Sent: Tuesday, January 08, 2002 7:35 AM
To: [EMAIL PROTECTED]
Subject: [filmscanners] RE: Tips needed on difficult scan >Stan
Here's a
OTECTED]>
Sent: Monday, January 07, 2002 8:52 PM
Subject: [filmscanners] Re: Tips needed on difficult scan
Being endlessly interested in contrast taming, I just tried this but
obviously I am missing something because I can't get it to work. I
certainly don't understand how it works,
On Mon, 7 Jan 2002 17:07:14 -0800, you wrote:
>I apologize if I'm getting into some else's discussion, but I suggest the
>following:
No apology necessary! All input is welcome. And thanks everyone -
this is going to push me into a new sector of the learning curve with
PS Elements, as I've nev
re I wanted the shadow detail to show through. Is that what you meant?
Stan
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]]On Behalf Of
[EMAIL PROTECTED]
Sent: Monday, January 07, 2002 9:58 AM
To: [EMAIL PROTECTED]
Subject: [filmscanners] Re: Tips needed on difficult scan
>From: [EMAIL PROTECTED]
>[mailto:[EMAIL PROTECTED]]On Behalf Of
>[EMAIL PROTECTED]
>Sent: Monday, January 07, 2002 9:58 AM
>To: [EMAIL PROTECTED]
>Subject: [filmscanners] Re: Tips needed on difficult scan
>
>
>Try making 2 scans - one optimized for the highlights and one
Try making 2 scans - one optimized for the highlights and one for the
dark area, and then layer them.
Maris
On Sat, 05 Jan 2002 00:01:17 -0800 "Ken Durling" wrote:
> HI folks -
>
> I'm still working away here, improving my understanding and
> techniques. Since the addition of histograms to Vue
yd1><008d01c1588d$30199320$621187d9@ste
>ve> <p05010407b7f64e387426@[192.168.100.101]>
><01aa01c15a1b$1596b660$cb38a03d@shen>
><[EMAIL PROTECTED]>
>Date: Sun, 6 Jan 2002 11:03:30 +0100
>X-Priority: 3
>X-MSMail-Priority: Normal
>X-Mailer: Microsoft Outl
]]On Behalf Of Jawed Ashraf
Sent: Sunday, January 06, 2002 12:30 PM
To: [EMAIL PROTECTED]
Subject: [filmscanners] RE: Tips needed on difficult scan
>
> Hi.
> I posted a query in regard of LS-40 (IV ED) performance for the scanner
> users, however nobody answered yet. (I even though
>
> Hi.
> I posted a query in regard of LS-40 (IV ED) performance for the scanner
> users, however nobody answered yet. (I even though no LS-40 users on the
> List yet)
> Would appreciate if you will give your opinion about this scanner.
> I mainly care about his true dynamic range for the abilit
Hi Ken,
this won´t help you here, but in general if you shot slide to scan it then,
you might try out Provia in the future, while being at least as fine grained
as Velvia, it is less hard in its contrast and thus keeps more shadow
detail.
I have seen a Web site (dont have the URL right now, but it
On Sat, 5 Jan 2002 05:54:39 -, you wrote:
>Remind us what scanner you have, Ken?
I just have a lowly Canon FS2710
>
>Bear in mind that dark bits on Velvia are considered the evil of the
>filmscanning world - so dark that lots of scanners simply can't see
>properly! Multi-pass scanning
LS-40 allows multi-pass or multi-sampling ?
Regards,
Alex Z
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]]On Behalf Of Jawed Ashraf
Sent: Saturday, January 05, 2002 7:55 AM
To: [EMAIL PROTECTED]
Subject: [filmscanners] RE: Tips needed on difficult scan
Remind us
Hi Ken,
I don't know about the scanning part but...there are ways to take
several different scans at different settings and merge them in
Photoshop or another application. This will give you the results you
want. I'm not an expert but I've read about this and can find out
some information if yo
On Sat, 5 Jan 2002 05:31:15 EST, you wrote:
>Leave the black point (%) set at 0, and set white point (%)
>to 1.
>
>Then experiment primarily with the "Color|Brightness"
>option. This applies effectively a gamma curve, bringing
>more detail out of dark areas without saturating bright
>areas.
Th
On Sat, 5 Jan 2002 05:31:15 EST, you wrote:
>Leave the black point (%) set at 0, and set white point (%)
>to 1.
>
>Then experiment primarily with the "Color|Brightness"
>option. This applies effectively a gamma curve, bringing
>more detail out of dark areas without saturating bright
>areas.
Th
In a message dated 1/5/2002 3:36:39 AM EST, [EMAIL PROTECTED] writes:
> Needless to say, upon initial scan at the default
> white and black points of 1, the histograms go off the scale at either
> end.
Leave the black point (%) set at 0, and set white point (%)
to 1.
Then experiment primarily
Remind us what scanner you have, Ken?
Bear in mind that dark bits on Velvia are considered the evil of the
filmscanning world - so dark that lots of scanners simply can't see
properly! Multi-pass scanning with Vuescan in combination with the "Long
exposure" pass, with my Nikon LS40, didn't impro
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