Thank you to all those who replied to my query about mail problems
I had become one of "The Unsubscribed",
I have now resubscribed and look forward to many more solved problems,
Thanks again,
All the best,
Lawrence
http://lawrenceyates.co.uk
As far as I remember the "middle line" bass clef is a pretty much archaic
Baritone clef.
Dredging back into my early learning years I seem to recall that the F clef
was sometimes used on the top line, for "Russian Bass" giving the sound of
two (three?) octaves below treble.
Basically all clefs can
I have received nothing from the Finale list for a very long time
Is the problem here or there?
Thanks,
Lawrence
http://lawrenceyates.co.uk
In a message dated 7/8/2002 9:24:10 AM Pacific Daylight Time, [EMAIL PROTECTED] writes:
The next to last clef on the top line is an F clef on the third line, making
that line "F." It is a baritone clef.
Boy, that's a rare one ! What instruments use that? None that I've ever worked with, anyway
subcribe finale
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>From: [EMAIL PROTECTED]
>Date: Mon, 8 Jul 2002 04:07:38 EDT
>
>I think I know what I did -- When I used the clef tool, I selected what
>looks
>like a bass clef on the far right of the top row. That clef is easy to
>confuse with the regular bass clef. It put 3 flats at C, F, and G, I
>thought,
- Original Message -
From: "Andrew Stiller" <[EMAIL PROTECTED]>
> I am setting up a template for a 19th-c. orchl. score, and I want to
> make sure the playback is configured properly. Two questions,
> therefore:
>
> 1) Given the limited number of channels available, it will be
> impossi
The next to last clef on the top line is an F clef on the third line, making
that line "F." It is a baritone clef.
BF
- Original Message -
From: <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Cc: <[EMAIL PROTECTED]>
Sent: Monday, July 08, 2002 4:07 AM
Subject: Re: [Finale] Incorrect transpo
On Monday, July 8, 2002, at 11:17 AM, Andrew Stiller wrote:
> Will the transpositions play back correctly if both staves are assigned
> to a single MIDI channel?
Yes
> Is there any simple way that the volume of an individual staff can be
> globally scaled upward or downward--that is, with all
I am setting up a template for a 19th-c. orchl. score, and I want to
make sure the playback is configured properly. Two questions,
therefore:
1) Given the limited number of channels available, it will be
impossible to assign a separate channel to every staff. I would like
to assign the two ho
Andrew Stiller wrote:
> is there any way for those of us
> who already have all the other Patterson plugins to acquire this one
> alone?
>
You could download the whole file and extract only that plugin, but I
see little advantage to this. Once you've registered, you can use
anything in the co
>I have now put a new plugin up at the website. It allows you to change
>your physical page size while keeping the relative width and height of
>your music the same. It also has options to compensate for booklet
>creep. All this is explained in the User Help pages at the website.
>
>--
>Robert Pat
marcello,
create a shape text expression as follows:
a box with "no line" and "white fill", the lower number in *24* maestro [or the same
size as the upper number], three short horizontal lines [with 1 space/24 EVPUs
vertical distance between each, the same thickness as your staff lines] cros
In a message dated 7/7/2002 5:15:42 PM Pacific Daylight Time, [EMAIL PROTECTED] writes:
can't imagine what you did to get them to display an additional third
higher than that.
I think I know what I did -- When I used the clef tool, I selected what looks like a bass clef on the far right of th
On 08.07.2002 1:32 Uhr, Robert Patterson wrote
> BTW: starting with Fin01, you have much more control if you set all your
> system margins to zero, use 100% page sizes, and scale systems instead.
> It's something of a paradigm shift for page layout.
_All_ System Margins? As far as I worked out,
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