That was helpful.
Thanks; Tammy
___
Finale mailing list
[EMAIL PROTECTED]
http://mail.shsu.edu/mailman/listinfo/finale
At 11:05 PM 10/14/02, shirling & neueweise wrote:
<< a look at the two piano reduction - by igor himself - would likely clear
up the confusion regarding 'proper' register in at least some of the cases.
>>
I don't think there's any confusion about the intended register. It's quite
clear what he w
<< In one of the stupid little things it does, it converts the whole thing
to slash or regular. How do I make it only convert part of the staff? >>
Using the Staff Tool, select only the measures you wish to have appear as
slash notation (on my MAC: click the first one, shift click the last one
Yes, Selmer makes one. I believe you can purchase one for a mere $7000 or
so. Isn't that Suite a great piece (I assume you mean the Op.29)? I've never
played the Bass part but I have done the other two. One of his more
accessible pieces IMHO.
Ronald M. Krentzman
R&M Music Preparation
> -Ori
At 07:31 PM 10/14/02 -0400, Ronald M. Krentzman wrote:
>As a professional clarinetist in a
>large regional orchestra for more than 16 years, I never have heard of an
>"Eb Bass Clarinet".
I'll take your correction. I learned of an Eb contrabass being part of the
family, but never saw one. And afte
On Mon, 14 Oct 2002 19:31:11 -0400, you wrote:
>Bass (in Bb or A, with or without extended range to written C below middle
>C)
Ronald -
Is it still possible to find a Bass in A? I remember performing the
Schoenberg Suite and sure wishing I had one! Not sure how much other
music there is writ
Dennis, I think you're a bit confused. As a professional clarinetist in a
large regional orchestra for more than 16 years, I never have heard of an
"Eb Bass Clarinet". The order goes:
Bass (in Bb or A, with or without extended range to written C below middle
C)
Eb Contrabass (or sometimes mistake
I see that Coda have created Finale Guitar - probably a sensible move one
would think, given the large number of guitar players out there.
An interesting thing in their advertising is that they state:
LISTEN
The ultimate way to proof. Every nuance of your performance plays back.
Tempo variation,
John, where do I find Bandchat? Am I correct in thinking this is a Band
Directors chatlist? Regards, Keith in OZ
- Original Message -
From: John Howell <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Tuesday, October 15, 2002 3:04 AM
Subject: [Finale] Eb contra-alto clarinet notation
>
Actually, before staff styles arrived in Fin2K, you applied alternate
notation from Mass Mover, so this user must have Fin2K or later.
Randy
> -Original Message-
> From: David H. Bailey [mailto:[EMAIL PROTECTED]]
> Sent: Monday, October 14, 2002 1:00 PM
> To: [EMAIL PROTECTED]
> Cc: [EMA
a look at the two piano reduction - by igor himself - would likely clear up the
confusion regarding 'proper' register in at least some of the cases.
jef
--
shirling & neueweise \/ new music notation specialists
mailto:[EMAIL PROTECTED] :.../ http://newmusicnotation.com
From: "Urs Liska" <[EMAIL PROTECTED]>
>I often see ... the piano part notated with four staves...: "15va treble", treble,
>bass, "15va bass". There is only one ledger line between each pair of staves as one
>is used to with the c' in traditional
>piano notation.
there are actually two ledger l
From: Phil Shaw <[EMAIL PROTECTED]>
>I discover that text blocks that I add to the
>master staff don't get mirrored.
sounds like a job for either a note-attached shape expression, or measure-attached
shape expression assigned with a staff list [until finale's text tool is improved in
exactly t
From: Christopher BJ Smith <[EMAIL PROTECTED]>
>...I haven't figured out how to get staves' settings to be different from the default
>without changing them individually after exiting the Wizard.
i'm not sure if you want to change specific instrument default settings to always have
clef x when
At 03:33 PM 10/14/02 -0500, John Howell wrote:
>Are you saying there's an EEb contrabass even lower?
>Are you sure?
Big, metal, heavy, and with its own floor peg. I finally saw one in real
life at a concert at the Stedelijk in Amsterdam about 10 years ago -- it
was the Louis Andriessen piece "Hou
- Original Message -
From: "Mark D. Lew" <[EMAIL PROTECTED]>
> I checked with a colleague who has conducted the piece. He confirmed that
> our interpretation of the flute part is correct. (Rereading your note,
> Colin, I believe you were describing the same thing I was, but in
different
Dennis Bathory-Kitsz wrote:
>Here are the spoken names for the Eb/Bb clarinets as I learned them in the US:
>
>Eb
>Bb
>Eb alto
>Bb bass
>Eb bass
>Bb contrabass
>Eb contrabass
Whoa!! The lowest clarinet I'm aware of is (to borrow tuba and organ
terminology) the BBb contrabass, usually metal and f
This was the favorite type of contra clarinet of Mark Hindsley at the
U of Illinois. He used them exclusively as a true bass to a section
of b-flat and bass clarinets. If he could avoid them, he did not use
E-flat or alto clarinet parts, preferring to use low register
mezzo-soprano or bass c
John Howell wrote:
>
> Back to me. Could someone contact David and give him the subscription
> information? Since everything got screwed up in the changeover to Mailman,
> I don't trust myself to have accurate information. Thanks!
>
> John
I already sent that information (I just copied and p
People have been speaking of using staff styles. Which version of
Finale are you using? They have only been around since Finale2000 (if
memory serves me properly) so if you are using Finale98 or earlier, you
won't have any idea what they are talking about.
In versions before Finale2000, you
There are two flavors of clarinets lower than the normal Bb bass
clarinet, and their terminology seems to get somewhat hazy.
One of them is pitched in Eb and sounds an octave lower than the Alto
clarinet and the other is pitched in Bb and sounds an octave lower than
the Bass clarinet. The Eb
I am confused by your statement that "there is only one ledger line
between each pair of staves..." How can that be between the 15va treble
and the treble? The ledger line above the treble clef would be an A,
which can't be the ledger line below the 15va treble. There would have
to be two
September 23, 2002
Apple, IBM Team on 64-Bit Processor for Macintosh
By Daniel Drew Turner and Matthew Rothenberg
Apple Computer Inc. is looking toward a 64-bit future for the Macintosh,
courtesy of PowerPC partner IBM.
Sources said IBM Microelectronics, a division of IBM, of Armonk, N.Y., is
w
At 12:59 PM 10/14/02 EDT, [EMAIL PROTECTED] wrote:
>I know the two instruments (possibly erroneously) as a
>contrabass in Eb and contrabass in Bb.
Here are the spoken names for the Eb/Bb clarinets as I learned them in the US:
Eb
Bb
Eb alto
Bb bass
Eb bass
Bb contrabass
Eb contrabass
To me, any
And, if you want partial measures in slash notation, turn on "select partial
measures" (edit menu), and use staff styles: slash notation.
On 10/14/02 12:26 PM, "Mr. Liudas Motekaitis" <[EMAIL PROTECTED]> wrote:
> Staff Styles, selecting only the measures you want to change.
>
>
> - Origina
Thanks for your replies,
I know the two instruments (possibly erroneously) as a contrabass in Eb and contrabass in Bb. This may be a British thing, or may just be me being wrong!
Thanks again,
All the best,
Lawrence
http://lawrenceyates.co.uk
At 12:39 PM 10/14/02 -0400, Phil Daley wrote:
>At 10/14/2002 12:08 PM, [EMAIL PROTECTED] wrote:
>
>>What is a contra-alto clarinet?
>>
>>Is it what we call a contrabass clarinet?
>
>No. A Contra-alto is an octave below a alto clarinet.
Also called "Eb bass clarinet".
Dennis
___
At 10/14/2002 12:08 PM, [EMAIL PROTECTED] wrote:
>What is a contra-alto clarinet?
>
>Is it what we call a contrabass clarinet?
No. A Contra-alto is an octave below a alto clarinet.
A Contra-bass is an octave below a bass clarinet.
Phil Daley < AutoDesk >
http://www.conknet.com/~p_da
At 10/14/2002 01:04 PM, John Howell wrote:
>When Eb Contra-Alto Clarinet parts are available with the score, they have
>always been (from my experience) published in transposed treble
clef. Players
>only use tuba parts when they are not available.
Yes, additionally, Bari-sax parts can be u
Staff Styles, selecting only the measures you want to change.
- Original Message -
From: <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Monday, October 14, 2002 6:24 PM
Subject: [Finale] How to get partial slash, partial regular notation?
> My understanding is I am supposed to use "
My understanding is I am supposed to use "Staff attributes" to convert part of a staff from regular to slash notation, or vice versa. I must first select the measures I want to convert, at then select the notation choice. At least that's my understanding.
In one of the stupid little things it does
>
>Date: Sun, 13 Oct 2002 05:46:12 -0400 (EDT)
>From: "Eden - Lawrence D." <[EMAIL PROTECTED]>
>
>Dear Listers,
>
>What is the best way to write a Contralto Clarinet part for the average
>high school player?
>
>Should I write the part as if it were a bass part and have the contra
>pretend the pa
What is a contra-alto clarinet?
Is it what we call a contrabass clarinet?
All the best,
Lawrence
http://lawrenceyates.co.uk
I passed the question on to the Bandchat list, asking what directors found
actually printed in scores and parts. The following replies are
instructive.
***
>A question has been raised on the Finale List regarding whether to notate
>an Eb contra-alto clarinet part in bass clef at
Le lundi, 14 oct 2002, à 09:00 America/Montreal, Christopher BJ Smith a
écrit :
> At 5:42 AM -0400 10/14/02, Darcy James Argue wrote:
>>
>> However, I believe that octave-transposing clefs are becoming more
>> common
>> even in transposed scores, and sometimes even in the instrumental
>> part
Young people I know who download stuff from the net also buy plenty of CDs.
Some of them seem to buy as many CDs as they ever did, and some of them seem
to buy more than before. [I know a few oldies who also use these napster
thingies, but not many]
David McKay
[EMAIL PROTECTED]
http://members.o
At 09:53 AM 10/14/02 -0400, Christopher BJ Smith wrote:
>>By John C. Dvorak - Opinion from PC Magazine
>Man this pisses me off! My comments to follow.
Don't stress. Dvorak's been around a long time, and I think his reputation
is all that's carrying him now. Like a lot of computer geeks washing
[I put an OT in the subject line, as this is definitely off-topic]
On 14 Oct 2002 at 8:02, Phil Daley wrote, quoting John Dvorak:
> September 24, 2002
> By John C. Dvorak - Opinion from PC Magazine
>
> It's rampant. The new P2P systems, such as KaZaA and Morpheus, have picked
> up where Naps
[I put an OT in the subject line, as this is definitely off-topic]
On 14 Oct 2002 at 8:02, Phil Daley wrote, quoting John Dvorak:
> September 24, 2002
> By John C. Dvorak - Opinion from PC Magazine
>
> It's rampant. The new P2P systems, such as KaZaA and Morpheus, have picked
> up where Naps
At 8:02 AM -0400 10/14/02, Phil Daley wrote:
>September 24, 2002
>By John C. Dvorak - Opinion from PC Magazine
Man this pisses me off! My comments to follow.
>It's rampant. The new P2P systems, such as KaZaA and Morpheus, have
>picked up where Napster left off, and blank CDs now outsell
>p
At 5:42 AM -0400 10/14/02, Darcy James Argue wrote:
>
>However, I believe that octave-transposing clefs are becoming more common
>even in transposed scores, and sometimes even in the instrumental parts.
>For instance, nowadays I sometimes see the 8vb treble clef used in guitar
>music.
>
>- Darcy
At 8:21 PM -0400 10/13/02, Darcy James Argue wrote:
>On 2002/10/13 07:22 PM or thereabouts, Christopher BJ Smith
><[EMAIL PROTECTED]> intoned:
>
>>> Again, this problem is easily avoided by using octave-transposing clefs for
>>> octave-transposing instruments.
>>>
>>> - Darcy
>>
>>
>> But that
Dear Phil,
I enjoyed John C Dvorak's comment & logic.
With regards to Edison: While we may consider "wax" cylinders ancient
technology and patently inferior to the disc system as invented by Berliner,
there are aspects which made Edison's invention superior.
1. Cylinders don't change ratio as
- Original Message -
From: "Darcy James Argue" <[EMAIL PROTECTED]>
To: "Fin" <[EMAIL PROTECTED]>
Sent: Monday, October 14, 2002 11:42 AM
Subject: Re: [Finale] Transposed vs. concert pitch.
> On 2002/10/14 03:42 AM or thereabouts, Michael Edwards <[EMAIL PROTECTED]>
> intoned:
>
> > [Dar
September 24, 2002
By John C. Dvorak - Opinion from PC Magazine
It's rampant. The new P2P systems, such as KaZaA and Morpheus, have picked
up where Napster left off, and blank CDs now outsell prerecorded discs. The
trend is clear: concern not for the law but for economics. This happens
with
xcept I got this message two times...
Anyways, there are better deals out there...
- Original Message -
From: "pandaNIC" <[EMAIL PROTECTED]>
To: "domain Guest" <[EMAIL PROTECTED]>
Sent: Monday, October 14, 2002 9:54 AM
Subject: [Finale] Recommend Domain Registration with only $14.95
>
Thank you for this great site! If you use the link ending at
music_plagiarism only, you get to the main page for a lot of music
copyright cases, which are all very interesting. It definitely deserves
a bookmark and further investigation as to how these cases were resolved
(or not).
Andrew
On 2002/10/14 03:42 AM or thereabouts, Michael Edwards <[EMAIL PROTECTED]>
intoned:
> [Darcy James Argue:]
>
>> Again, this problem is easily avoided by using octave-transposing clefs for
>> octave-transposing instruments.
>
> Are they those treble or bass clefs sometimes found in more recent s
I checked with a colleague who has conducted the piece. He confirmed that
our interpretation of the flute part is correct. (Rereading your note,
Colin, I believe you were describing the same thing I was, but in different
words).
As for the bass clarinet part, he tells me that Stravinsky went bac
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[Christopher B. J. Smith:]
>> I don't know whether this is universal, but the way I was taught when
>> writing concert-pitch scores, octave-transposing instruments such as
>> picc, contrabassoon, glock, and double bass are written in the octave
>> read by the player regardless. This seems to
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