I run a G3 iBook with a Novation mm10 keyboard inputting via a Midisport 2 x 2 USB box
and have OMS 2.3.7 installed The programme does not read the keyboard at all, and
merely inserts rests as if it weren't there. I have tried all possible computations of
settings of the OMS preferences without
[EMAIL PROTECTED] wrote:
Isolating the staves
works really well using Michael's method but how do you draw the lines
between the columns?
Define lines as smart shapes, (custom smart shapes, if necessary)
and use those.
ns
>As I mentioned above, the safest (and easiest) way to enter fermatas
>(or other characters in the articulation set) on rests is to enter
>them as text expressions.
Easiest for some people, anyway.
I do sometimes enter fermatas as text expressions -- particularly if it's
on several staves in the
Isolating the staves works really well using Michael's method but how do you draw the lines between the columns?
Thanks,
All the best,
Lawrence
From: Andrew Stiller <[EMAIL PROTECTED]>
I tried that. The plugin tells me it "cannot positively identify at
least one group," then does nothing.
this lack of identity happens here sometimes too, but i haven't
figured out exactly why, when, where, etc. it seems the only
solutions are to dele
It would certainly make sense to do as you suggest if this is all that
is happening at that point. I get the sense however that there may be
more to the music than that simple transition, or perhaps in the
following measures he gets back to breaking the beat in half rather than
in thirds and M
Andrew Stiller wrote:
>I tried that. The plugin tells me it "cannot positively identify at
>least one group," then does nothing.
Hmm. Yes, that can be a problem. I will have to find a way to make the
plug-in rebuild groups from scratch.
Best wishes,
Tobias
__
le 22/11/02 11:59, Vincent Cordel à [EMAIL PROTECTED] a écrit :
> Hello,
>
> I'm new to Finale and I didn't find that in the manual.
>
> Could you please tell me how to do that ?
>
> I have a 3 notes chord. The note on the top and on the bottom is a whole
> note, the one in the middle is a quar
Thanks Tim and Michael for your tip.
I did choose Michael's tip and it's awesome. It's easier than exporting
and importing the staff and it works very well.
Thanks again !
Vincent
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Michael,
Thanks for pointing this out--I didn't think of trying this at all!
Tim
On 11/22/02 12:18 PM, "Michael Cook" <[EMAIL PROTECTED]> wrote:
> Here's a third method which might be useful, since your editor wants
> Finale files. I find it easier than hiding measures.
>
> - In the Page Layou
About embracing:
I gave my copy of "Orchestration" by Walter Piston another look.
There also I see only braces for 2 staves for *one* instrument (keyboards
like piano, celesta, and harp, and more instruments for which you could use
two staves, if you would want to, e.g. guitar), which I think has
Here's a third method which might be useful, since your editor wants
Finale files. I find it easier than hiding measures.
- In the Page Layout tool, go to the Page Layout menu and turn off
"Avoid Margin Collisions".
- Use "Fit Music" (also in the Page Layout menu) to lock the layout
with one me
Hello,
I'm new to Finale and I didn't find that in the manual.
Could you please tell me how to do that ?
I have a 3 notes chord. The note on the top and on the bottom is a whole
note, the one in the middle is a quarter note in parentheses without the
stem.
I had no problem making the two whol
Try doing it in stages, and/or removing the optimized groups first.
Andrew Stiller wrote:
I tried that. The plugin tells me it "cannot positively identify at
least one group," then does nothing.
--
Robert Patterson
http://RobertGPatterson.com
But that is precisely what I am trying to avoid.
David Bailey:
It has been my experience that tempo indications such as
"quarter=54" are one of the most error-prone aspects of published
music.
And mine that such errors are very frequent in composers' MSS. The
temptation to write [q] = X even when some other value carries the
beat is appa
Perhaps you're looking for this: Staff tool / staff menu / add group or edit
group attr./ group optimization options
Does not exist in FinMac 2K2, which I use.
...
By the way: I would use the piano brace only for keyboard staves. Quick work
in the setup wizzard shows you how finale would arrang
I tried that. The plugin tells me it "cannot positively identify at
least one group," then does nothing.
TGTools has a function to recalculate the groups for each optimized
system from
the scroll view groups. I think this will do exactly what you want.
On Thu, 21 Nov 2002 07:44:13 -0800 (PST),
Thanks Tim for your fast answer. I do have a few more questions if you
don't mind...
Vincent,
You have two choices--
1. Do it in Finale, using staff styles to provide the blank areas (and
text
areas) between staff examples on each line. Use the Hide Staff staff
style.
Use the measure tool to
Vincent,
You have two choices--
1. Do it in Finale, using staff styles to provide the blank areas (and text
areas) between staff examples on each line. Use the Hide Staff staff style.
Use the measure tool to show or hide key and meter sigs as required, and to
get rid of the measure number region
Hi there,
I' ve been asked to do some tables with Finale but I have no idea how to
make them.
If you could help me, I'd really appreciate it because this is really
urgent !
Here's what I need to do :
A table with for example 3 columns and 3 lines
The first line contains the instrument name on
I dunno -- I kind liked it myself. Math/Soul -- Mind/Body -- I'm more of
a Spinozean personally -- hopefully that means I'm being creative.
Jerry Berg
Stu McIntire wrote:
Ok, it's been all day and the silence is deafening! Or does everyone but me
know this is just bait and you're accordi
[EMAIL PROTECTED] wrote:
>> This example appears to be notated incorrectly. A duplet is a group
>> of 2 notes to be played in the place of three. In this case, the
>> quarter note duplets should be 8th note duplets for measure 1.
The notation is shown as it is in the original and that is what ad
At 2:18 AM 11/22/02, John Bell wrote:
>You're right, but I don't think it's even restricted to rests. I've
>noticed something similar with the rolled chord articulation.
I think that's unrelated. On any articulation with a repeated character, if
you select the "stretching" handle and type the del
It has been my experience that tempo indications such as "quarter=54"
are one of the most error-prone aspects of published music. And it also
seems it is the one aspect of notation that so many musicians become so
compulsive about following, as if it alone among all other notation
issues in an
The pulse, so that an equation should show dotted-quarter=quarter.
Richard Yates wrote:
This one has me stumped. What beat stays constant in this example:
http://www.yatesguitar.com/misc/Meters.gif (the rhythm is from Edw.
MacDowell)
Richard Yates
___
Hi,
Easy enough, but you wouldn't expect "quarter = 54".
Eighth = xx, or dotted quarter = xx would be correct ...
> From: "Richard Yates" <[EMAIL PROTECTED]>
> Date: Thu, 21 Nov 2002 21:10:58 -0600
> To: "Finale list" <[EMAIL PROTECTED]>
> Subject: [Finale] Meters - I'm stumped
>
> This one has m
You can set all the articulations to their default positions with
Mass Edit / Change / Articulation Assignments (leave the setting
"Position All Articulations").
To reset the tuplets, you can use Mass Edit / Change / Tuplets, but
you'll need to enter the default values yourself.
Best wishes,
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