Andrew Stiller wrote (in part) on Dec. 28:
After a 1975 "performance" of his _Song Books_ in that manner, Cage
had a lot to say, among which:
"Last night when I heard the S.E.M. Ensemble play Song Books, I
regretted that I composed it. I regret that my work now exists as
something so widely m
In generating the palindrome piecemeal I discovered what was
preventing the Canonic Utilities from creating the required
retrograde of the whole movement: it is not able to handle Voice
2--at least not in the FinMac 2K2 version. The solution to the
problem is simple enough: just run the Voice
> At 04:44 PM 12/30/02, d. collins wrote:
> >Does anyone have any news about Jari and his Forza plugins? The last
> >version expired at Xmas...
>
> I think he must be on vacation -- I emailed him about the expired
> versions
> and have not heard back. I'm sure he'll update them as soon as he can
At 04:44 PM 12/30/02, d. collins wrote:
>Does anyone have any news about Jari and his Forza plugins? The last
>version expired at Xmas...
I think he must be on vacation -- I emailed him about the expired versions
and have not heard back. I'm sure he'll update them as soon as he can.
Aaron.
___
Another obvious use that I forgot to mention is to have the PDF manual open
in one screen while you learn how to do some arcane operation like making a
key signature with 2 flats an one sharp.
Javier.
> Anyone using two monitors with Finale, and if so, what's the benefits from
> this set-up?
>
I am using two monitors, and is great to have several pieces open at the
same time, to have two different views of the same one, etc.
One is 19 inches and the other 17.
As Robert I could not go back to only one...
Javier.
> Anyone using two monitors with Finale, and if so, what's the benefits fr
Matthew,
I am using it for different reasons, and it's pretty cool. At work, we
have a Win2k network with roaming profiles. Mac users can use RDC to
connect to a server and load their Windows profile (a personal desktop
that loads up to the client computer, along with the contents of "My
Doc
On 30.12.2002 19:59 Uhr, Michael Onwood wrote
> Hi all,
>
> I know this has been discussed before but, not needing the info. at the
> time, I didn't pay close attention. What is the best way to import musical
> examples from Finwin 2000 to MS Word? I first import to Photoshop for
> croping. I h
What is the best way to import musical examples from Finwin 2000 to MS
Word?<
I use these images in CorelVentura, but they should work with Word. I save
them as tiff's, 300 dpi.
Crystal Premo
[EMAIL PROTECTED][EMAIL PROTECTED]
___
What is the best way to import musical examples from Finwin 2000 to MS
Word? <<
Meant to mention that I export them directly from Finale, using Export
Selection, which allows you to crop it as you wish.
Crystal Premo
[EMAIL PROTECTED][EMAIL PROTECTED]
___
Hi all,
I know this has been discussed before but, not needing the info. at the
time, I didn't pay close attention. What is the best way to import musical
examples from Finwin 2000 to MS Word? I first import to Photoshop for
croping. I have tried TIFs at my printer's resolution of 600 dpi and
Hi all,
I have a note at the end of a first ending that ties back to the note at
the beginning of the repeat. Of course, if I enter this as a tie, Finale
ties the note to the "next" note -- that is, to the first note of the
second ending, which is wrong.
I'm guessing that the preferred workaro
At 04:39 PM 12/29/02, Scott Jones wrote:
>I just discovered you can assign a function attached to the 1st or
>2nd time marking via the EXPRESSION TOOL and have the velocity set to
>ZERO and tell it which pass to play at that setting.
Yes, that's close to what I need -- I can make that work.
Thank
In the U.S., arrangements of copyrighted works are covered by the
original copyright and therefore not separately due any royalties unless
the copyright owner decides to share them.
Johannes Gebauer wrote:
On 30.12.2002 1:34 Uhr, Steve Farrell wrote
Would that be written on a blank check?
On 30.12.2002 11:43 Uhr, Michael Cook wrote
> At 10:16 +0100 30/12/2002, Johannes Gebauer wrote:
>> Given that you get permission I wonder whether you could make an arrangement
>> of the piece for other instruments and get arranger's royalties...?
>
> I have a copy of the Peter's edition of 4'33"
At 10:16 +0100 30/12/2002, Johannes Gebauer wrote:
Given that you get permission I wonder whether you could make an arrangement
of the piece for other instruments and get arranger's royalties...?
I have a copy of the Peter's edition of 4'33". In the introductory
note, John Cage writes:
"... th
In a message dated 30/12/2002 09:20:09 GMT Standard Time, [EMAIL PROTECTED] writes:
Given that you get permission I wonder whether you could make an arrangement
of the piece for other instruments and get arranger's royalties...?
No-one paid me when I performed my arrangement of it.
It was par
Hi Pierre,
Ofer Steinberg, a former list member, who happened to be browsing through
the archive, sent me the following and asked me to let you know about it:
> Could I ask you a favour, regarding the list? In my browsing, I
> noticed a question by Pierre Bailleul dated December 17th, asking
> ab
On 30.12.2002 1:34 Uhr, Steve Farrell wrote
> Would that be written on a blank check?
>>
>> Piece of cake. But remember, if you use Cage's composition, you have to
>> pay performance royalties.
Given that you get permission I wonder whether you could make an arrangement
of the piece for other
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