Can anyone else confirm this please:
Finale 2003 Mac. Occasionally when I'm in the speedy entry frame and
reach a final bar it becomes impossible to change layers using the
shift-up/down arrows. I have to back up to the previous bar, change
layer there and return to the final bar to input
Dear David,
One thing I've noticed about string players (all players actually) is
that whatever you mark in with the 'printed word' or 'symbol', they will
surely mark in again in pencilonly much larger! This goes with all
the usual bowings, sordini, etc., etc. This does make sense from
Hello,
I have just upgraded to Finale 2003. Have a Mac G4 dual processor
desktop. Can anyone give me a clue as to how to get playback via the
computer speakers?
Thank you.
Joyce jh
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Hi all,
Does anyone have any advice on how to convert music from PrintMusic to a format
that can be made into a CD-R to be played on a regular CD player. It's a shame
that Finale/PrintMusic don't have a function to automatically convert their
files into wav or Mp3 format - or at least if they
At 11:52 PM +0100 8/03/03, Javier Ruiz wrote:
Queridos compañeros,
Another example may be
dotted quarter - dotted quarter - quarter
It is very common too and it does not show the third beat.
And yet, despite being common, in the system I am talking about it
would be notated as dotted
At 5:58 PM -0400 8/03/03, Darcy James Argue wrote:
The same exception RE: double-dotted notes cited above is also
(sometimes) used -- i.e. a double-dotted quarter followed by a
sixteenth. Again, not a universally beloved exception, but you see
it often enough.
Strictly speaking, in that
At 3:51 PM -0400 8/03/03, Giz Bowe wrote:
I'm editing a solo transcription for a friend, and found this rhythm:
4/4 | dotted quarter -- quarter -- dotted quarter |
It adds up to four beats, but I found it threw me a bit; apparently
I haven't seen it often, and wondered if it's just me. My
At 5:55 PM -0400 8/03/03, Eden - Lawrence D. wrote:
May I call on the collective wisdom of you all?
My brass quintet has stayed active since 1978. Our library of tunes has
grown over the years to the tune of over 400 arrangements. We keep track
of all the arrangements with a Letter/Number
At 5:29 PM -0400 8/03/03, Giz Bowe wrote:
Can you give me the formal, or more complete rule? I'm not trying to
be argumentative, but am truly curious.
Rule of Four (applies to duple metre):
The eye has to be able to see 4 of whatever the smallest subdivision
is. So in 4/4, if the smallest
On Monday, August 4, 2003, at 12:23 PM, Dennis Bathory-Kitsz wrote:
At 11:09 AM 8/4/03 -0400, Christopher BJ Smith wrote:
But as soon as you have even one eighth note in the measure, then you
have to be able to see the 3rd beat, so that groupings of 4 eighth
notes are apparent (both in beaming
On Monday, August 4, 2003, at 01:10 PM, Darcy James Argue wrote:
Of course, if you're going to use them, you can only use them on beats
one and three, so the reverse rhythm -- sixteenth - double-dotted
eighth -- is a big no-no.- Darcy
Well, actually, that's a big no-no as well, but the rhythm
At 12:56 PM 8/4/03 -0400, Darcy James Argue wrote:
It was pretty clear from the context -- at least to me -- that Giz's
original question involved a jazz transcription. At least, that was
the underlying assumption behind what Chris and I said.
I hadn't kept the original post, so I wasn't sure.
Hi,
Maybe someone can help me with this:
I have an HP Laserjet 6MP Postscript printer, which is currently connected
via LocalTalk to my Mac. It seems that I won't be able to avoid OS X much
longer and I need to find the best way to connect this printer to my
Computer other than LocalTalk.
The
I won't even get started on the copyright implications of this
exchange, except to note that they are there.
John
At 5:55 PM -0400 8/03/03, Eden - Lawrence D. wrote:
May I call on the collective wisdom of you all?
My brass quintet has stayed active since 1978. Our library of tunes has
grown
Oh my my!
My piece for piano Foggy night on board the Potemkim uses triple dotted
half notes and rests and it is in 4/4.
I knew it was a bad piece but no so much ;)
Javier Ruiz
At 5:58 PM -0400 8/03/03, Darcy James Argue wrote:
The same exception RE: double-dotted notes cited above is
Dear Johannes,
Check www.keypsan.com
They have a Mini Port Replicator that might be the solution for your first
problem. They also have the USB to serial adapter and both work with Mac OS
9 and X.
My advice to the second one, is to get one of those mini-hubs that have a
BNC port, and 4 or more
At 4:14 PM -0500 8/04/03, John Howell wrote:
I won't even get started on the copyright implications of this
exchange, except to note that they are there.
John
I don't know about Lawrence's group, but in our group our
arrangements are 100% original, mostly by members of the quintet and
our
At 1:10 PM -0400 8/04/03, Darcy James Argue wrote:
And I'm conflicted about what to do with long quarter notes on the
and of one or the and of three. Obviously, if the rhythm is
eighth-quarter-eighth, it's not a good idea to make it four eighths
with the middle pair tied -- that's both overly
At 9:33 AM -0700 8/04/03, Brad Beyenhof wrote:
As a side note: though I follow the Rule of Four and eschew dotted
rests, double-dotted notes are no problem in most jobs I've done (as
long as they're college-to-professional level pieces). Usually,
quarter-tied-to-eighth-tied-to-sixteenth looks
After selecting some measures, I cannot get the dynamic placement
plug-in to place any dynamic but mf in a score.
Anyone have a fix for this?
I'm using FinMac 2003 on a G4, system 9.2.2
Thanks.
Herman
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My two cents as a long-time Orchestra Librarian:
Concertmasters ALWAYS change bowings. Printed bowings in orchestra parts
will inevitably be scribbled out or pencilled over, making a messy, less
legible part. Except for places where you want a specific dynamic or
expressive effect, DON'T print
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