Hello all,
I've reduced the problem I've been having to the following steps. Would any
of you mind confirming this bug for me? (I'm using Finale 2003a.r1 for Mac):
1) Create a new document without libraries and add one measure (2 measures
total)
2) Add a key signature change to Bb in the second m
Hi Hal,
Thanks for your reply. I ran a little test myself with a default file and
the problem didn't show up. The problem is actually in a bigger file that
was originally created in an earlier version (98) of Finale, but modified in
2003a.r1.
I tried copying and pasting all entries from the origi
Dear Finale List,
I am working on a project that involves a note tied over the barline at a
key change and system break. I am unable to get the end tie to show up on
the first note in the bar at the beginning of the new system (at the key
change). I have tried invoking the Frame Attributes dialog
On 9 Nov 2003 at 20:20, David W. Fenton wrote:
> It's strange how one gets so caught up in one's own natural reactions
> that one doesn't see the obvious.
>
> Thanks, Robert.
Er, JOHN.
Thank you, JOHN!
(apologies for the brain fart!)
--
David W. Fentonhttp://www.bway
On 9 Nov 2003 at 18:18, John.Howell wrote:
> David Fenton wrote:
>
> >But how much will string players know to do already, simply because
> >they are familiar with the style?
>
> If they are really familiar with the style it will certainly affect
> their playing. Your anecdote about coaching yo
David Fenton wrote:
But how much will string players know to do already, simply because
they are familiar with the style?
If they are really familiar with the style it will certainly affect
their playing. Your anecdote about coaching young players in the
Mendelssohn trio demonstrates perfectly
On 9 Nov 2003 at 15:29, John.Howell wrote:
> David Fenton wrote:
>
> >I'm just finishing up a transcription of a Mozart Divertimento for
> >winds and have simply carried over the phrasings (i.e., tonguings)
> >from the original. These generally look like they'd end up as pretty
> >good bowings.
>
when I save a
> separate midi file and play it back thru the QuickTime Player, there
are all kinds of undesirable changes: the timbres are slightly
different, trumpets overbalance trombones, notes chop off short (as
if marked stacc.) or begin late (like a fluffed attack), and there
are brief
David Fenton wrote:
I'm just finishing up a transcription of a Mozart Divertimento for
winds and have simply carried over the phrasings (i.e., tonguings)
from the original. These generally look like they'd end up as pretty
good bowings.
Comments?
You're talking about two different things, David:
What MIDI device are you using for playback from Finale? If it's
anything other than the QuickTime MIDI Instruments, the change in the
file may just be a result of using a different set of synthesized
instruments.
-
Brad Beyenhof
[EMAIL PROTECTED]
On Saturday, November 08, 2003 1:4
At 5:12 PM -0500 11/08/03, David W. Fenton wrote:
Is there any kind of rule of thumb for when to switch to tenor clef
in a cello part? I'm used to writing for viola da gamba with
switching between bass and alto clef, and I know by gut instinct
where to switch there, but I'm not a cellist, so don't
Dear Andrew:
Are you using the MIDI tool for playback and/or the expressions? The
expressions add their values to the MIDI ones, and that can give you those
very faint notes.
IMV I only use one of the two methods and never both...
I will be happy to help you if you send me the file...
Saludos,
Ja
Is there any kind of rule of thumb for when to switch to tenor clef
in a cello part?
--
David W. Fenton
Cellists are extremely flexible about the tenor clef, so as long as
you have some kind of plausible reason to switch, you're OK. Nor need
you feel compelled to get out of the tenor clef as soon
I'm a FinWin2004 user, so I'm not sure my answer is applicable, but I'll
give it a stab and hope it helps. First off, General MIDI (GM) only
specifies the timbre (and rather loosely, at that), and does not specify
the relative volume of the various MIDI instruments. Thus, what may balance
between t
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