On Friday, November 21, 2003, at 10:59 AM, Michael Good wrote:
Tenor - Baritone - Bass is a very normal way to indicate an even 3-way
split of the men's voices. The other alternatives imply an uneven split
- fine if that's what you want, but a composer's decision rather than
an
engraver's, I thin
On Friday, November 21, 2003, at 12:12 AM, Darcy James Argue wrote:
Okay, so I'm faced with a movement of a piece for orchestra + chorus
where only the men sing. The (highly unreliable) manuscript has the
men divided three ways and calls them "tenor, baritone, and bass" --
but I'm not sure if
Call Makemusic and speak with a person about this. This sort of garbage
is why so many of us complained loudly about any sort of anti-theft
protection and complained loudly about this stupid call/response
registration method.
I feel badly for you, but the only way to resolve the issue is to ca
I have a bit of a problem and was wondering if anyone could help. I've been
using Finale since 2001, and have gone through all the upgrades. I tried to
install 2k4 and my user code won't show up in the registration box. So I've
done everything in my power to undo the install, but there's a re
I take back all my bad thoughts! (well most of them, anyway) I had given
up on Finale being able to incorporate the tempo tool data into its
calculations.
But I can confirm what Lee says about the calculations being correct.
As for Brad's question about the midi file inclusion of tempo tool dat
>
> Lee,
>
> What happens when you export a MIDI file with tempo tool changes? I hope
> it's fixed in 2k4 if they went to the trouble to set things right with the
> Check Elapsed Time dialog.
>
> -
> Brad Beyenhof
>
I don't know, as I haven't tried that. I'll report back when I get a
Lee,
What happens when you export a MIDI file with tempo tool changes? I hope
it's fixed in 2k4 if they went to the trouble to set things right with the
Check Elapsed Time dialog.
-
Brad Beyenhof
[EMAIL PROTECTED]
on 11/21/03 12:56 PM, Lee Actor wrote:
> I must disagree with the p
I must disagree with the previous explanations of how the Elapsed Time
function works (or doesn't work). It does indeed take Tempo Tool
modifications into account when calculating the duration of a passage, at
least on Fin2k4a. I believe Fin2k2 did ignore Tempo Tool data, and I don't
recall wheth
Now for the bug part of the situation -- why if Finale-the-program knows
about the tempo tool settings so it can play your finale file correctly,
doesn't Finale-the-program know that those tempo tool settings exist
when calculating elapsed time or when saving as a midi file?
While Brad is absol
Well, under normal circumstances I would of course write the altos
in the treble clef, ledger lines and all, in this case they are
doubling the tenors exactly for the entire movement, so I'm inclined
to make an exception. The altos may be fine with all those ledger
lines below the staff, but t
on 11/21/03 10:33 AM, Ole Buck wrote:
> From: "Mr. Liudas Motekaitis" <[EMAIL PROTECTED]>
>
>> In Mass Edit select the region you want to measure and hit 5.
>
> Finales Elapsed Time gives you for some unknown reasons only the time at
> MM=120.
> I guess it's a bug.
Actually, it's not a bug. The
Hi Darcy,
Tenor - Baritone - Bass is a very normal way to indicate an even 3-way
split of the men's voices. The other alternatives imply an uneven split
- fine if that's what you want, but a composer's decision rather than an
engraver's, I think.
The alto stuff is probably because in the last per
From: From: [EMAIL PROTECTED] list,
Am I the only one who thinks that there should be a plug in, that can tell
you how many minutes & seconds a composition will last, based on the tempos
that you dictate???
Seem to me that it should be fairly easy to do, and useful, too.
From: "Mr. Liudas Mo
You could use my Mass Copy plugin to do this as follows:
1. Manually create a tuplet on the first trio of 16ths.
2. Using Partial Measure selection, select only that triplet of 16ths.
3. Open Mass Copy and check only "Tuplets".
4. Select the entire region you want to tripletize. (You can safely
i
Darcy James Argue écrit:
The only oddity now is that the altos and tenors both have to share
an 8vb treble clef.
I raised this very question not long ago and was strongly advised
against using the tenor clef for an alto part. (Advice I've
followed.)
Dennis
It would throw your average, untrained
Our friend al ALLEGRO MUSIC dropped me a line offlist. In it she
admitted to using ME as her OS. I suggested she immediately upgrade
to XP. My daughter had ME on a SONY VAIO a while back. Sony sent her
the XP (home) as a free upgrade;-)
___
Finale mai
Hi gang,
Okay, so I'm faced with a movement of a piece for orchestra + chorus
where only the men sing. The (highly unreliable) manuscript has the
men divided three ways and calls them "tenor, baritone, and bass" --
but I'm not sure if that's the standard way of referring to that
subdivision i
On Friday, November 21, 2003, at 12:21 PM, Harold Owen wrote:
If the piece is intended for male voices, I wouldn't ask the altos to
join the tenors because of the difference in voice quality. A/T/B
sounds much different from T/B/B, and the composer probably wanted the
brighter sound of the hig
On Friday, November 21, 2003, at 06:46 AM, d. collins wrote:
Noel Stoutenburg écrit:
I understood the earlier thread to refer to using the C clef in the
alto position, whereas Darcy refers to using the G clef with the 8 vb
designation.
No, I was also referring to the G clef at the octave, to a
Hello, I have hundreds of measures full of 16th notes, in 18/16 time sig. I'd like to
convert all this to 16th-note triplets, in 3/4. No problem changing time sig and
converting to tuplets one tuplet at a time, BUT: is there a way to select a region and
"tupletize" the whole region in one go?
Thanks, David, for the work around. I was able to record a .wav file using a sound recorder I have and mail it off. Now I can take my time figuring out what the conflicts are with Finale's recorder.
Linda M. Cummings
Allegro Music Services
David H. Bailey wrote:
<
Darcy wrote,
The only oddity now is that the altos and tenors both have to share an
8vb treble clef
placing tenors on an 8vb G clef did not used to be the norm; in the
past, tenors were noted on a treble clef, in alto range, and transposed
down the octave at sight. The use of the transposed
On Friday, November 21, 2003, at 04:20 AM, d. collins wrote:
Darcy James Argue écrit:
Okay, so I'm faced with a movement of a piece for orchestra + chorus
where only the men sing. The (highly unreliable) manuscript has the
men divided three ways and calls them "tenor, baritone, and bass" --
b
Hi gang,
Okay, so I'm faced with a movement of a piece for orchestra + chorus
where only the men sing. The (highly unreliable) manuscript has the
men divided three ways and calls them "tenor, baritone, and bass" --
but I'm not sure if that's the standard way of referring to that
subdivision i
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