The point may be moot, since the 2004 disks for OS9 have allegedly begun
shipping...but here's the issue anyway:
I frequently want to put chord symbols (indicating harmony changes) over
held notes--e.g., a whole note is held, but on beat 3 a suspension resolves
(or, heck, we just go from one chord
Mark D Lew <[EMAIL PROTECTED]> wrote, responding to my excitement about
the time sig metatools:
> It works on Fin Mac 2k2, as I described in an earlier post. I think
> the only difference is that the tools aren't preprogrammed.
Fabulous! Can't wait to try it (but am too bleary-eyed to open Fi
Once upon a time (on 3/22/04 1:01 PM), David Froom <[EMAIL PROTECTED]> wrote:
> Now with the metatools, with time signature tool selected you hold a
> metatool key and click a measure, and the new signature is popped right in.
Wow! Now I _really_ can't wait for the os9 version!
Anybody have the
Mazel tov!
Now, remember to save your work frequently! Can't have a crash costing you
a movement...
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--to select the syllable and move it?
> From: Richard Huggins <[EMAIL PROTECTED]>
> Reply-To: [EMAIL PROTECTED]
> Date: Thu, 12 Feb 2004 09:25:21 -0800 (PST)
> To: Clay Zambo <[EMAIL PROTECTED]>
> Subject: Re: [Finale] Adjust Syllables
>
> Sorry for the delay...I've
Why does it take two clicks to select a syllable for adjustment? Click on a
note, and a handle appears on that note, and on the syllable attached to it.
But that syllable's handle isn't selected; it requires another click before
the syllable can be moved.
I understand that when two syllables are
Christopher BJ Smith <[EMAIL PROTECTED]> writes:
> Richard makes a good point, yet Clay's original question stands: Why
> not be able to click in the score with a metatool and get a STAFF
> attached expression that uses the last Staff List, and is
> individually positionable? Currently, you CAN ge
Many thanks to the gentlemen who've provided me wise counsel. The tools,
now, seem to be working exactly the way I expected them to!
Cheers,
Clay
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While we're on the subject of Expressions...
I'm fairly new to their use--except, say, for dynamic markings, I've found
it easier to use text boxes. (Playback hasn't so much concerned me.) But
having just completed a big part-extraction job for a composer friend who
was an expressionaholic, I th
Darcy wrote, in part:
> Hmmm... I'm not sure what you mean by "an ordinary way" -- for me, at
> least, the ordinary way of pronouncing "opening" *is* "ope-ning."
Can't go with you on that one. The only place I ever hear it as two
syllables is in "Kiss Me Kate," and it grates on me every time.
B
My apologies!
The long-winded message you just received from me
that was thoroughly and completely off-topic--it was sent entirely in
error. That'll teach me to Select-All in my address book and send without
reviewing the addresses.
Again, I'm sorry.
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