>Sorry it came across as snippy, but Harold came across *to me* as
>colossally arrogant and condescending.
>
>So, I brought my own baggage, too.
>
>Duly noted.
>
>But I assume the readers of my posts are sufficiently attentive to
be
>able to judge for themselves whether what I've said is credib
Colin, I do admit my comment was a great generalization, that even I
don't completely agree with. And this all started with with my
opinion that Coda should spend most of their resources improving the
notational problems that still exist rather than added midi capabilities.
I can't write without
Having purchased every upgrade since 1.0, I sure wish I could skip
this one because of it's lack of OSX support. But alas, I have a FinWin
2003 file from a client to work on, so Coda is forcing me to upgrade
if I want to continue working.
Harold
On Tuesday, July 16, 2002 7:59 PM, John Howell <
if
>they are writing for instruments they don't play (or can't play
>simultaneously!), and this skill allows one to work faster and therefore
>presumably make a better living.
>
>Stu
>
>-Original Message-
>From: [EMAIL PROTECTED]
>[mailto:[EMAIL PROTE
Yes Tim, I think I can agree with you here. My objection to this thread, is I
believe many people were wanting it to become more of a full-fledged sequencer on the
order of Performer and Logic. However, better implementation of what it does provide
would not be a horrible thing.
But please
Bravo, Linda! Well said and I agree with every word.
Harold
On Friday, July 12, 2002 11:38 AM, Linda Worsley <[EMAIL PROTECTED]>
wrote:
>This whole subject of parts extraction has interested me greatly,
and
>I can't resist throwing my 2 cents in.
>
>My view is that:
>
>* Scores should be as c
Bravo, Linda! Well said and I agree with every word.
Harold
On Friday, July 12, 2002 11:38 AM, Linda Worsley <[EMAIL PROTECTED]>
wrote:
>This whole subject of parts extraction has interested me greatly,
and
>I can't resist throwing my 2 cents in.
>
>My view is that:
>
>* Scores should be as c
On Tuesday, July 16, 2002 12:43 PM, David H. Bailey
<[EMAIL PROTECTED]> wrote:
>
>Finale is NOT just a page-layout program for engravers, it is also a
>tool used by arrangers and composers who want to hear how what they
are
>working on sounds
>
If an arranger or a composer does not know what
On Tuesday, July 16, 2002 12:43 PM, David H. Bailey <[EMAIL PROTECTED]> wrote:
>Finale is a music program -- not merely a word-processor for notation.
>Finale is a lot more like a full-fledged page-layout program than it is
>like Word in your analogy. Being deprived of being able to hear full
Exactly! Finale is a NOTATION program with rudimentary midi
capabilities - it is not a sequencer. When you want minute detail over midi
playback, dump the midi data to a program designed to do that, like
Logic or Performer.
Use the right tool for the right job.
All this complaining about midi
I've been using Finale since version 1.0 - when it was Mac only - one
of the main reasons I went Mac. For that matter, Quicken when it was
Apple II and Mac (no PC), AOL when it was only a Mac community,
PageMaker when it was Mac or nothing. All these great programs (okay, maybe
not AOL) that whil
Years and years ago I had the same problem. My Mac would restart on
it's own shortly after shutting down, the it would restart whenever it
felt like it. Allen's response about UPS jarred my memory.
Replacing the power supply in the Mac fixed the problem for me.
Harold
On Sunday, June 30, 2
The 6/9 chord was very common for this style of music. I believe this
to be Db69.
Harold
On Tuesday, May 21, 2002, at 08:36 PM, Chuck Israels wrote:
> At 8:34 PM -0400 5/21/02, David H. Bailey wrote:
>> Looks to me more like a Bbm7add4 in first inversion.
>>
>
> Dear David,
>
> It may look l
Sorry I have to disagree here. I receive the list in digest form. The idea is to
receive just one (possibly 2) e-mails a day with the day's activity. We are now
receiving dozens of digests each day. Many of the have only 2 or 3 messages. This
defeats the purpose of receiving a list submiss
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