hello,
i'd prefer de original notation, that is a triplet starting at the second
half oh the second beat. i used that kind of rhythms a lot, and in my
experience the mentioned solution was the best one. i feel this applies to
moderate to fast tempi. if it's to slow, say m.m.40, probably your secon
i thought sf was sforzato and sfz was sforzando, not two different
abbreviation of the same action. a subtle difference if there's one. i'm not
sure were i've got the idea that sforzato was shorter than a sforzando. not
that a sforzato couldn't be applied to long durations but the accented
portion
dear listers,
thanks for all your replies. the following paragraph tries to answer some
questions my original post could arise.
well, the piece was already performed almost two years ago. but the score
was (fairly nicely) handwritten and now, after adjusting some minor details,
i'm trying to fini
hello list,
i would like to make public my gratitude to mr. andrew stiller for all his
advice. not to bother him again, and because there might be some brass
players on the list, i'm sending this asking for help.
the last note my first trumpet is playing is very long one. about 50 seconds
long, f
Title: Re: [Finale] Painting of musicians
hello,
as mr. stiller pointed out, murguistas are street musicians.
but not every street musicians. murguistas are tipically from uruguay and
also from buenos aires, argentina, hence its urban roots. you may find some
others in places 500 miles away
oh, shoot! you're right. my bad designed mail filter sent all these messages
to my finale folder. sorry about that.
anyway i hope the same as you, peace for all!
regards,
marcelo
please note that i'm using the list to reach you, as personal addressed
messages are bouncing back at all times.
cheers
hello listers,
i'm looking for some advice to write in proper english some performance
notes in a piece. it is for brass quintet with a soloist role in the trp1
part, (a few) strings and piano/celeste.
but as i want the "soloist" to remain seated with the other members i need
to add a notice. this
ans, but not to upset lee, i took my
dictionary to find it ;-)
best for both!
cheers,marcelo
> I wasn't at you. I thought Lee Actor was rather "snotty" as we say in the
> US. You were fine!
>
> Carry on!
>
> Ray
> - Original Message -
> From: &quo
ress bounced back. and as your message was sent to the list as well i
felt free to reply this way.
- Original Message -
From: "Raymond Horton" <[EMAIL PROTECTED]>
To: "M. Perticone" <[EMAIL PROTECTED]>; <[EMAIL PROTECTED]>;
<[EMAIL PROTECTED]>
ROTECTED]
> > writes:
> >
> > << I just tried it and if you click on High Resolution -- Better
> > Printing,
> > the program puts the number 64 in the blank.
> >
> > I manually entered 256 and then clicked OKAY and got back to the
> > notation
hello listers,
maybe someone can shed some light on this: there are three curves resolution
possibilities under /document options/lines and curves/. i need to know if
64 is the best resolution finale2k3 can achieve or if i can set that to a
higher number as 128 or 256.
thanks in advance for any he
thx
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hello mr. smith,
nice solution, faster than the other one. thank you very much for your help.
kindest regards,
marcelo
- Original Message -
From: Christopher BJ Smith <[EMAIL PROTECTED]>
To: M. Perticone <[EMAIL PROTECTED]>; <[EMAIL PROTECTED]>
Sent: Friday, July
hello list,
may i add something to the wish list?
i would like to be able to decide what to display and what to 'sound'. i
mean, i would like to write whatever and make it to sound in any arbitrary
way. e.g., show a symbol in the viola part and play it in a different
channel and patch, so you ca
thanks mr. bailey. i'm currently doing it as you suggest. but somehow i
thought there would be a better way, less in a work-around manner.
thanks again,
marcelo
- Original Message -
From: David H. Bailey <[EMAIL PROTECTED]>
To: M. Perticone <[EMAIL PROTECTED]>
Cc:
hello list,
i need to solve something closely related to this thread.
i would put two parts in a single staff, say, flutes I/II. but some passages
are too way polyphonic and complex, so sharing the same staff would result
in a messy layout. i know i can write those parts in two different staves,
hello again mr. lew,
> On the other hand, you COULD write that as 6/8 measures with quadruplets
> over the dotted-crotchet beat, and then a 2/8 measure with normal quavers.
> That's pretty much the same, right? If I'm conducting it's easy for me to
> think 6/8 to 2/8 than 2/4 to two-thirds/4.
i
hello mr. lew,
mmm... check boulez's 'le marteau sans maitre'. there are some fractional
time signatures there, and *some* of them can't be written differently. and
consider this simple example:
a 2/4 measure full of semiquavers then two quavers of a triplet (=2/3 of a
crotchet), then, in a new
hello list,
i'm a new subscriber. i need some advice or guidance with this: i'm
transcribing a piece which uses odd time signatures as 2/3 crotchets (yes,
two thirds). i cannot see any way to do it although i've tried some
work-arounds using the shape designer and setting 0.66/4 in the
composi
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