At 9:55 PM -0400 6/11/03, Darcy James Argue wrote:
On Wednesday, June 11, 2003, at 02:18 PM, Christopher BJ Smith wrote:
Or how about Major 7 sus4?
Hmm, I've used it before, though I usually would call it something
else, like G7/C instead of Cmaj7(sus4), but I wouldn't write out
Major like that
On Wednesday, June 11, 2003, at 02:18 PM, Christopher BJ Smith wrote:
Or how about Major 7 sus4?
Hmm, I've used it before, though I usually would call it something
else, like G7/C instead of Cmaj7(sus4), but I wouldn't write out Major
like that.
Yeah, that's generally how it's used. I should h
At 6:48 AM 06/11/03, Brad Beyenhof wrote:
[answering me]
>> I once wrote a choral piece (well, started to write
>> anyway...) that began
>> with a tight C-D-F# that remained harmonically ambiguous for
>> a few bars
>> until the bass G joined and the suspension came down.
>
>How were you able to ke
At 9:37 PM -0400 6/10/03, Giz Bowe wrote:
There's no "7 (b9b13)", just "(b9b13)". There are 2 "7(b13 nat9)"s, though.
Wacky. Why not 9(b13)?
Chord symbol 15 is a 13th chord;
What's wrong with that?
There's a Maj6
I agree, just dumb. C6 is plenty; major is assumed.
, but no Maj9 -- just M
I've got to concede that this is indeed a recognizable and oft-used chord.
I just hadn't run across it in my jazz playing; Darcy says Randy Newman
uses it quite a bit. When playing it on the keyboard, I recognize it as a
sound Chicago has used also.
At 09:48 AM 6/11/03, you wrote:
> >Or how abo
On Wednesday, June 11, 2003 6:22 AM, Mark D. Lew wrote:
> At 9:37 PM 06/10/03, Giz Bowe wrote:
>
> >Or how about Major 7 sus4?
>
> I never write in any style that calls for chord symbols, but
> I do love that
> chord.
>
> I once wrote a choral piece (well, started to write
> anyway...) that
At 9:37 PM 06/10/03, Giz Bowe wrote:
>Or how about Major 7 sus4?
I never write in any style that calls for chord symbols, but I do love that
chord.
I once wrote a choral piece (well, started to write anyway...) that began
with a tight C-D-F# that remained harmonically ambiguous for a few bars
un
On Tuesday, June 10, 2003, at 09:37 PM, Giz Bowe wrote:
Some of the symbols -- does anybody really use a Maj13 without
sharping the 11th?
Yes.
Or how about Major 7 sus4?
Yup.
- Darcy
-
[EMAIL PROTECTED]
Boston MA
No one likes us
I don't know why
We may not be perfect
But heaven knows we t
I usually do my stuff with JazzFont, but this evening I worked on a small
project for a friend who didn't have JazzFont, so I used the default
template with Arial chords -- ARRRGG
There's no "7 (b9b13)", just "(b9b13)". There are 2 "7(b13 nat9)"s, though.
Chord symbol 15 is a 13th chord;
